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Artykuły w czasopismach na temat "Plages au cinéma"
GOERG, ODILE. "VISIBILIDADE E INVISIBILIDADE DOS CINEMAS NA áFRICA COLONIAL: revivendo as primeiras cenas". Outros Tempos: Pesquisa em Foco - História 13, nr 22 (28.12.2016): 89–102. http://dx.doi.org/10.18817/ot.v13i22.548.
Pełny tekst źródłaBowles, Kate. "Limit of Maps? Locality and Cinema-Going in Australia". Media International Australia 131, nr 1 (maj 2009): 83–94. http://dx.doi.org/10.1177/1329878x0913100110.
Pełny tekst źródłaPryt, Karina. "Mapping cinemas in the Russian-governed Warsaw". Studia Geohistorica, nr 10 (10.03.2023): 138–51. http://dx.doi.org/10.12775/sg.2022.08.
Pełny tekst źródłaWei, Qi, i Nan Zhao. "Establishment of a Big Data Monitoring Platform for Cinema Opening in the Postepidemic Era from the Perspective of Public Health". Journal of Environmental and Public Health 2022 (9.08.2022): 1–9. http://dx.doi.org/10.1155/2022/6505990.
Pełny tekst źródłaQuintana, Àngel. "Un cinema en trànsit per a un temps d'incertesa". Zeitschrift für Katalanistik 27 (1.07.2014): 11–26. http://dx.doi.org/10.46586/zfk.2014.11-26.
Pełny tekst źródłaPorter, Laraine. "Women Musicians in British Silent Cinema Prior to 1930". Journal of British Cinema and Television 10, nr 3 (lipiec 2013): 563–83. http://dx.doi.org/10.3366/jbctv.2013.0158.
Pełny tekst źródłaMurray, Ros. "Revisiting Jeanne Dielman: Autour de Jeanne Dielman (2004), Woman Sitting After Killing (2001) and Akerman’s ‘cinéma de ressassement’". Moving Image Review & Art Journal (MIRAJ) 8, nr 1 (1.09.2019): 54–66. http://dx.doi.org/10.1386/miraj_00005_1.
Pełny tekst źródłaScheible, Jeff. "Expanded Cinema, Recycled Cinema". Feminist Media Histories 8, nr 2 (2022): 180–207. http://dx.doi.org/10.1525/fmh.2022.8.2.180.
Pełny tekst źródłaSokoloff, Naomi. "Cinema Studies/Jewish Studies, 2011–2013". AJS Review 38, nr 1 (kwiecień 2014): 143–60. http://dx.doi.org/10.1017/s0364009414000075.
Pełny tekst źródłaBrown, Richard. "The Missing Link: Film Renters in Manchester, 1910-1920". Film Studies 10, nr 1 (2007): 58–63. http://dx.doi.org/10.7227/fs.10.7.
Pełny tekst źródłaRozprawy doktorskie na temat "Plages au cinéma"
Zamboni, Camilla. "LIMINAL FIGURES, LIMINAL PLACES: VISUALIZING TRAUMA IN ITALIAN HOLOCAUST CINEMA". Columbus, Ohio : Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1244042142.
Pełny tekst źródłaNogueira, Ruzileide Epifânio. "A ESCRITURA BONASSIANA EM PASSAPORTE E SUAS RELA- ÇÕES COM O CINEMA E O INTERLOCUTOR". Pontifícia Universidade Católica de Goiás, 2013. http://tede2.pucgoias.edu.br:8080/handle/tede/3642.
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This paper aims to perform a study about the interfaces established between Passa- porte, Fernando Bonassi`s literary work, and cinema, as well as their correlation with the interlocutor. Just like a film camera, the images produced in this text, capture a specific field of view, not a spatial continuum, but fragments that record a limited portion of reality, chosen by the writer, which determines a particular form of reception of the text where interpretation establishes itself between effect, which is the time conditioned by literary work, and reception, the time set by the addressee, who is requested to actively participate in the composition of the meaning of the text. From the late nineteenth century the center of interest of figurative object in literature and film, shifted from external reality to imagination of the viewer and reader, making them part of artistic creation, as seen in literary work under examination. It will be carried out the study of textual significance, which refers to the establish- ment of meaning, dissimulated by language in fictional writing, that requires an in- stance of pleasure and distress, resulting from the significant promise of what literary work keeps concealed. It will also be subject of reflection, the study of metaphorical images, in particular their correlations with the non-places, which are spaces occu- pied by human groups, without identification or bonds of coexistence with them. The world of massification constitutes these spaces, typical of modern epoch, such as shopping malls, airports, doctors' offices, are found in this literary work, thus making them one of the hallmarks of its constructive model and giving it a special current connotation.
Este trabalho tem por objetivo realizar um estudo sobre as interfaces que se estabe- lecem entre Passaporte, obra literária de Fernando Bonassi, e o cinema e, também, suas correlações com o interlocutor. Tal qual uma câmera cinematográfica, as ima- gens elaboradas, neste texto, captam um campo de visão específico, não um conti- nuum espacial, mas fragmentos que registram uma porção limitada da realidade, eleita pelo escritor, o que determina uma forma particular de recepção do texto, ou seja, a interpretação instaura-se entre o efeito, que é o momento condicionado pela obra, e a recepção, que é o momento estabelecido pelo destinatário, que é solicitado a participar ativamente da constituição do sentido do texto. A partir do fim do século XIX, o centro de gravidade do objeto figurativizado, pela literatura e pelo cinema, se deslocou, da realidade externa para o imaginário do es- pectador e do leitor, tornando-os, efetivamente, participantes da criação artística, e isto está presente na obra em exame. Será levado a efeito, também, o estudo da significância textual, que se refere à ins- tauração do sentido que a linguagem dissimula na escrita ficcional, que pressupõe uma instância de prazer e angústia, resultante da promessa significativa daquilo que a obra literária oculta sob sua sombra. Será, ainda, objeto de reflexão o estudo das imagens metafóricas, especialmente as correlações destas com os não-lugares, que são espaços que grupos humanos ocupam, sem se identificar e sem estabelecer laços de convivência com eles. Esses espaços, constituídos pelo mundo massifica- do, são característicos da época contemporânea, como shoppings centers, aeropor- tos, consultórios médicos, que constituem a sobremodernidade e estão muito pre- sentes na obra em exame, constituindo uma das marcas de seu modelo construtivo, o que lhe dá uma conotação especial de atualidade.
Svensson, My. "‘A Machine for Living’ : Urban Domesticity in Polish Literature and Cinema 1969–2008". Doctoral thesis, Uppsala universitet, Institutionen för moderna språk, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-259415.
Pełny tekst źródłaZimmer, Andre. "Uso da cinza leve de carvão mineral como matéria-prima de placas cerâmicas para revestimento". reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2003. http://hdl.handle.net/10183/117814.
Pełny tekst źródłaThe objective of this work is the study of the fly ash of the mineral coa/ from the region of Criciúma (SC) for its use as raw material source in the manufacture of ceramic files. Fly ash was analyzed by the following tests: chemical, mineralogical, grain size distribution, specific superficial area and dilatometric. In according with these results were defined batches containing the f/y ash and traditional raw materiais. The batches had been optimized with the design to suit technical queries feasibly their processing and obtaining technological properties of the ceramic products after it burned. With fly ash quantity varying between 20 and 80% in weight, the batches had been conformed by uniaxial pressing, drying and they were burned at 1150°C. AI/ the batches containing up to 60% in weight of fly ash had presented enough attributes for their processing and they had reached technological properties for use in the manufacture of ceramic files, in according of standard N8R 13818 (A8NT, 1997) from groups of absorption (pressed) 8/b, 811a, 81/b and 8111. The results indicate that the incorporated fly ash added on the batches have great potential for use as raw material on cera mie files.
Chirol, Jean-Loup. "Les motifs de perception visuelle de l'espace en profondeur des images animees planes au cinema et a la television, leur variation suivant la technique de diffusion de l'image". Paris 1, 1988. http://www.theses.fr/1988PA010561.
Pełny tekst źródłaDemangeot, Fabien. "Fantasme et représentation dans l'oeuvre d'Alain Robbe-Grillet". Phd thesis, Université de Bourgogne, 2013. http://tel.archives-ouvertes.fr/tel-01016557.
Pełny tekst źródłaChirol, Jean-Loup. "Les Motifs de perception visuelle de l'espace en profondeur des images animées planes au cinéma et à la télévision, leur variation suivant la technique de diffusion de l'image". Lille 3 : ANRT, 1989. http://catalogue.bnf.fr/ark:/12148/cb376127438.
Pełny tekst źródłaZucco, Loris Lodir. "Avaliação do comportamento fisico-quimico-mecanico de misturas cimento-cinza-casca de arroz por meio de corpos-de-prova cilindricos e placas prensadas". [s.n.], 2007. http://repositorio.unicamp.br/jspui/handle/REPOSIP/257028.
Pełny tekst źródłaTese (doutorado) - Universidade Estadual de Campinas, Faculdade de Engenharia Agricola
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Resumo: A reciclagem pode ser considerada uma ferramenta adequada para minimizar o impacto humano causado ao meio ambiente, o que aponta para o aproveitamento de resíduos agrícolas na obtenção de materia is para construções rurais, como uma forma alternativa de seqüestro ou da não emissão de carbono. O aproveitamento racional dos resíduos ainda é um problema não solucionado e uma parte substancial dos resíduos é desperdiçada, ou contamina o meio ambiente. No entanto, agregados de origem vegetal podem ser empregados na fabricação de artefatos leves de cimento, na busca de materiais de comportamento diferenciado em termos de isolamento térmico e acústico e de resistência às cargas dinâmicas. Esse trabalho de pesquisa, baseado em estudos anteriores envolvendo o aproveitamento da casca de arroz (CASCA), objetivou a redução no consumo de cimento através da incorporação de maior quantidade de material, a casca de arroz queimada em condições especiais, resultante de processo industrial (CINZA). Os percentuais de adição de casca e de cinza, variaram em função do tipo de mistura (pasta ou compósito). Assim, as diferentes misturas cimento-cinzacasca obtidas foram agrupadas em FASES, de acordo com o tipo de mistura (Pasta ou Compósito), a quantidade de casca (7,5% nas Fases I e II; variável nas Fases III e IV) e a quantidade de cinza (0%, 5%, 20% e 35%, na fase I e de 0%, 20% e 35%, nas demais fases). Por ser um material biológico a casca de arroz apresentou comportamento físico-químicomecânico variável, com síntese apresentada ao final de cada fase, em função do grande volume de informação (interação entre os fatores CASCA e CINZA). São apresentadas avaliações do comportamento químico, físico e mecânico das misturas à base de cimento, com incorporação de casca de arroz e/ou cinza da casca de arroz. As avaliações evidenciaram através do comportamento químico das misturas, o efeito negativo dos extrativos da casca de arroz (lavada em solução de cal) sobre as reações químicas do cimento (curva de hidratação), bem como sua redução pela adição de cinza, independentemente da distribuição em tamanho das partículas de casca. Atribuiu-se ao alto teor de carbono (98%) da cinza, a melhoria no comportamento químico das misturas. As reduções observadas em alguns parâmetros químicos, com a adição de cinza, está associada ao aumento de massa no sistema. A avaliação do comportamento físico-mecânico das misturas evidenciou que a adição de casca promoveu um aumento na resistência em tração por compressão diametral e redução na resistência em compressão simples. A adição de cinza promoveu aumento nestas resistências. A avaliação das placas prensadas evidenciou a ausência de diferença significativa entre as misturas, fato este também constatado na fase III, de modo que a adição de cinza não afetou de forma significativa a resistência mecânica, o que sugere a mistura 10 mm-35% como sendo a mais adequada para a produção de compósitos cimento-cinza-casca, com redução no consumo de cimento em cerca de 25%. Destaca-se que a mistura 10 mm-35% apresentou a maior capacidade de confinamento (ou de não emissão) de carbono. Sua capacidade de confinar foi estimada em cerca de 1,9 toneladas de CO2 por tonelada de cimento consumido no processo de fabricação do compósito, o que seria liberado para a atmosfera, quando da queima da casca de arroz no uso ou descarte inadequados. Palavras-chaves: calorimetria; casca de arroz; cimento; cinza; compósito
Abstract: The recycling is an effective tool to minimize environmental impact that is caused by human civilization. The utilization agricultural residual for rural construction is an efficient way for retain or reduce carbon emission to the atmosphere. However, the present-day techno logy is not enough to be a satisfactory level. A part of the residue is not consumed, and the rejected substances are causing environmental pollution. However, the vegetable aggregates can be employed to lightweight cement artifacts production, which is applied to thermal and acoustic isolators. This work look for a method for light artifacts production with minor cement consumption and larger rice husk (HUSK) consumption, with the help of the rice husk burned by a special industrial process (ASH). The ash and rice husk addition percentages had varied in function of the type of mixture (paste or composite). The different gotten mixtures cement-ash-rice husk been grouped in PHASES, in accordance with the type of mixture (Paste or Composite), the amount of rice husk (7.5% in Phases I and II; variable in Phases III and IV) and the amount of ash (0%, 5%, 20% and 35%, in phase I and of 0%, 20% and 35%, in the too much phases). For a biological material, the rice husk presented behavior changeable physic-chemistry-mechanic. A analyze synthesis is presented on the end each phase; this is necessary of the great volume of the information (interaction between the factors HUSK and ASH). Evaluations of the chemical, physical and mechanical behavior of cementash- rice husk mixtures are presented. The evaluations had evidenced through the chemical behavior of the mixtures, the negative effect of the extractives of the rice husk (Washed in Lime Solution) on the chemical reactions of the cement - hydration curve (temperature against time), the its reduction with the ash addition, independently of the particles size range. The high carbon content (98%) of the ash attributed the improvement to the chemical behavior of the mixtures. The reductions observed in some chemical parameters, with the ash addition, are associated with the increase of mass in the system. The behavior physical-mechanical evaluation of the mixtures evidenced that the rice husk addition increase the resistance in Brazilian test, with reduction in the resistance in simple compression. The ash addition promoted increase in this resistance. The evaluation of the board manufacturing evidenced an absence of significant difference between the mixtures, fact also evidenced in phase III. The ash addition not is significant affect in the mechanical resistance properties. The mixture 10 mm-35% proposed from at the production of composite, have reduction in the cement consumption in about 25%. In detach for 10 mm-35% mixture, presented the higher capacity of retain or reduce carbon dioxide emission. The capacity of to confine was estimated to in about 1.9 tons of CO2 for each ton of cement consumed in the process of manufacture of the composite, what would be emitted for the atmosphere, when of the burning of the rice husk, on the use or in the inadequate deposit. Keyywords: ash; calorimetric, cement; composite; rice husk
Doutorado
Construções Rurais e Ambiencia
Doutor em Engenharia Agrícola
Campos, Melissa Selaysim Di. "Placas planas à base de cinza de cama sobreposta de suínos e fibra de sisal para piso de escamoteadores com diferentes fontes de aquecimento". Universidade de São Paulo, 2010. http://www.teses.usp.br/teses/disponiveis/74/74131/tde-12042010-103213/.
Pełny tekst źródłaThe sustainability of intensive areas of swine production depends on alternative destinations for the generated residues. The calcination of swine deep bedding generates vitreous silica for partial replacement of commercial binders. The use of rice husk ashes as pozzolanic material for mortars and concretes has deserved considerable attention in the last years, not just for improving their mechanical properties, but also for the environmental benefits linked to the reduction of clinker consumption. The lack of environmental sustainability can limit the economical growth of swine production, due to the tendency for concentration in sites with intensive activity, and, as a consequence, the increase of the contamination by wastes. Aiming alternatives that can minimize or decrease such problem, the objective of this work is to test the use of agricultural waste (swine deep bedding ashes and sisal fiber) for the manufacture of piggy`s house plates with different types of heating (filament lamps and electric resistance) on based cement composite materials. The swine deep bedding ashes replaced 30% of Portland cement. The resulting cementations matrix was reinforced with sisal fiber. The results obtained with the use of swine deep bedding ashes validates the use of this material for partial replacement of Portland cement. The optimal calcination temperature is 600 °C with rate of 5 ºC/min for over 3 hours. The material selected should be as pass in ABNT sieve No 200 (# 0.074 mm). The swine deep bedding ashes increased the thermal conductivity and sisal fiber entrapped air in the plate and due to the pores incorporated there was a reduction in the heat conduction to the bottom. The best treatment was the plate with two layers of swine deep bedding ashes and sisal fiber, associated with 200 W lamp.
Wright, Adam Michael. "Hauntology Man". Thesis, University of North Texas, 2018. https://digital.library.unt.edu/ark:/67531/metadc1157557/.
Pełny tekst źródłaKsiążki na temat "Plages au cinéma"
Gow, Christopher. From Iran to Hollywood and some places in-between: Reframing post-revolutionary Iranian cinema. London: I.B. Tauris, 2011.
Znajdź pełny tekst źródłaTröhler, Margrit, i Guido Kirsten, red. Christian Metz and the Codes of Cinema. NL Amsterdam: Amsterdam University Press, 2018. http://dx.doi.org/10.5117/9789089648921.
Pełny tekst źródłaBaer, Hester. German Cinema in the Age of Neoliberalism. NL Amsterdam: Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463727334.
Pełny tekst źródłaGrgic, Ana. Early Cinema, Modernity and Visual Culture. NL Amsterdam: Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463728300.
Pełny tekst źródłaEquality Commission for Northern Ireland. Disability Discrimination Act: Your rights when trying to use places like cafes, shops, cinemas, banks, churches, hotels and the doctors. Belfast: ECNI, 2004.
Znajdź pełny tekst źródłaSpencer-Hall, Alicia. Medieval Saints and Modern Screens. NL Amsterdam: Amsterdam University Press, 2017. http://dx.doi.org/10.5117/9789462982277.
Pełny tekst źródłaThe beach in Anglophone literatures and cultures: Reading littoral space. Farnham, Surrey, England: Ashgate Publishing Limited, 2015.
Znajdź pełny tekst źródłaBeach in Anglophone Literatures and Cultures: Reading Littoral Space. Taylor & Francis Group, 2016.
Znajdź pełny tekst źródłaBeach in Anglophone Literatures and Cultures: Reading Littoral Space. Taylor & Francis Group, 2016.
Znajdź pełny tekst źródłaLuoghi e architetture del cinema in Italia: Cinema houses : places and architectures in Italy. Pisa: ETS, 2010.
Znajdź pełny tekst źródłaCzęści książek na temat "Plages au cinéma"
Echeverría, Julia. "Plague-Metaphors in the Age of the Virus". W Epidemic Cinema, 17–45. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003415336-2.
Pełny tekst źródłaToffell, Gil. "The Spaces and Places of Jewish Cinema Culture". W Jews, Cinema and Public Life in Interwar Britain, 21–59. London: Palgrave Macmillan UK, 2018. http://dx.doi.org/10.1057/978-1-137-56931-8_2.
Pełny tekst źródłaAndermann, Jens. "Productions of space/places of construction". W The Routledge Companion to Latin American Cinema, 223–34. New York : Routledge, 2017.: Routledge, 2017. http://dx.doi.org/10.4324/9781315720449-16.
Pełny tekst źródłaGailleurd, Céline. "« Moi, si on m’ouvre, on trouvera des plages »". W Agnès Varda : le cinéma et au-delà, 199–207. Presses universitaires de Rennes, 2009. http://dx.doi.org/10.4000/books.pur.1768.
Pełny tekst źródłaParigi, Stefania. "Plates". W Cinema – Italy. Manchester University Press, 2019. http://dx.doi.org/10.7765/9781526141231.00018.
Pełny tekst źródłaCosgrove, Mark. "Places of Exhibition". W Spaces. Amsterdam University Press, 2024. http://dx.doi.org/10.5117/9789048563265_ch03.
Pełny tekst źródłaAustin, Guy. "Plates". W Algerian national cinema. Manchester University Press, 2019. http://dx.doi.org/10.7765/9781526141170.00010.
Pełny tekst źródła"Plates". W Drone Age Cinema. I.B.Tauris, 2017. http://dx.doi.org/10.5040/9781350986152.0008.
Pełny tekst źródła"Organic Places". W Organic Cinema, 162–78. Berghahn Books, 2017. http://dx.doi.org/10.2307/j.ctvw049bq.15.
Pełny tekst źródła"Color Plates". W Expanded Cinema. Fordham University Press, 2020. http://dx.doi.org/10.2307/j.ctvnwbz7q.42.
Pełny tekst źródłaStreszczenia konferencji na temat "Plages au cinéma"
Corbí-Sáez, María Isabel. "Le symbolisme de la mer dans Les Plages d’Agnès Varda au miroir de la littérature". W XXV Coloquio AFUE. Palabras e imaginarios del agua. Valencia: Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/xxvcoloquioafue.2016.3069.
Pełny tekst źródłaTrifan, Aurelia. "Socialist modernism – a way of disseminating a new ideology in the architecture of entertainment buildings". W Patrimoniul cultural: cercetare, valorificare, promovare. Institute of Cultural Heritage, Republic of Moldova, 2021. http://dx.doi.org/10.52603/9789975351379.14.
Pełny tekst źródłaXiao, Fu. "SOVIET FILM EXPERTS AND THE "SOVIET EXPERIENCE" IN THE CONSTRUCTION OF NEW CHINESE CINEMA (1949‒1959)". W Chinese Studies in the 21st Century. Buryat State University Publishing Department, 2022. http://dx.doi.org/10.18101/978-5-9793-1802-8-2022-304-316.
Pełny tekst źródłaLi, Yuqi, Sijia Wang i Hongyu Zhang. "Game-based Plant Science Popularization Mobile Application for Contemporary Young People". W 14th International Conference on Applied Human Factors and Ergonomics (AHFE 2023). AHFE International, 2023. http://dx.doi.org/10.54941/ahfe1003864.
Pełny tekst źródłaBobulski, Janusz, i Mariusz Kubanek. "The use of Artificial Intelligence for Automatic Waste Segregation in the Garbage Recycling Process". W WSCG 2023 – 31. International Conference in Central Europe on Computer Graphics, Visualization and Computer Vision. University of West Bohemia, Czech Republic, 2023. http://dx.doi.org/10.24132/csrn.3301.40.
Pełny tekst źródłaBayrak Kök, Sabahat, i Esvet Mert. "Construction of Social Value in Entrepreneurship: Social Entrepreneurship". W International Conference on Eurasian Economies. Eurasian Economists Association, 2016. http://dx.doi.org/10.36880/c07.01514.
Pełny tekst źródłaNastase, Mihai-Claudiu, Alexandru Mitru i Loredana Andreea Paun (Parnic). "The Social and Economic Impact of COVID 19 Pandemic on Museums. Case Study: „Princely Court” National Museum Ensemble". W International Conference Innovative Business Management & Global Entrepreneurship. LUMEN Publishing, 2020. http://dx.doi.org/10.18662/lumproc/ibmage2020/25.
Pełny tekst źródłaCirino, Miguel Adriano Gonçalves, i Antonio Eduardo Bezerra Cabral. "AVALIAÇÃO DE PASTAS DE CIMENTO PORTLAND FORMULADAS COM CP II F E CINZA DE CARVÃO MINERAL VISANDO A CIMENTAÇÃO DE POÇOS DE PETRÓLEO". W XVIII ENCONTRO NACIONAL DE TECNOLOGIA DO AMBIENTE CONSTRUÍDO. UFRGS, 2020. http://dx.doi.org/10.46421/entac.v18i.1301.
Pełny tekst źródłaSutiarso, Lilik, Umi Hapsari, Laila Rahmawati, Aryanis Mutia Zahra, Badi’atun Nihayah, Didik Purwadi i Endang S. Rahayu. "Strategic Planning for Product Diversification of "SITTI" Technology". W 3rd International Conference on Community Engagement and Education for Sustainable Development. AIJR Publisher, 2023. http://dx.doi.org/10.21467/proceedings.151.28.
Pełny tekst źródłaCardoso, Gabriel, Rafael Costa, Ronnie Paskin i Rejane Spitz. "VRestaurant: challenges and opportunities in developing immersive projects in times of social distance". W LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.120.
Pełny tekst źródłaRaporty organizacyjne na temat "Plages au cinéma"
Vargas-Herrera, Hernando, Juan Jose Ospina-Tejeiro, Carlos Alfonso Huertas-Campos, Adolfo León Cobo-Serna, Edgar Caicedo-García, Juan Pablo Cote-Barón, Nicolás Martínez-Cortés i in. Monetary Policy Report - April de 2021. Banco de la República de Colombia, lipiec 2021. http://dx.doi.org/10.32468/inf-pol-mont-eng.tr2-2021.
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