Gotowa bibliografia na temat „Pictorial works”
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Artykuły w czasopismach na temat "Pictorial works"
Dviniatina, J. R. "Pictorial Pretexts in A. Tarkovsky’s Works". Art & Culture Studies, nr 1 (marzec 2024): 102–37. http://dx.doi.org/10.51678/2226-0072-2024-1-102-137.
Pełny tekst źródłaBragina, Liubov. "Shukshin’s Theme in the Pictorial Works of Siberian Artists". Izvestiya of Altai State University 2, nr 2 (listopad 2013): 202–5. http://dx.doi.org/10.14258/izvasu(2013)2.2-43.
Pełny tekst źródłaCerquera Hurtado, Miguel Ángel. "Libros y escritura en la pintura de Murillo". ACCADERE. Revista de Historia del Arte 6 (2023): 37–63. http://dx.doi.org/10.25145/j.histarte.2023.06.02.
Pełny tekst źródłaKhomenko, Iryna. "Body as a medium in the works of Maria Kylikovska". CONTEMPORARY ART, nr 18 (29.11.2022): 201–10. http://dx.doi.org/10.31500/2309-8813.18.2022.269730.
Pełny tekst źródłaKarpenko, Olga. "Reminiscences of Impressionism in the works of Ukrainian avant-garde artists". Almanac "Culture and Contemporaneity", nr 1 (31.08.2021): 194–99. http://dx.doi.org/10.32461/2226-0285.1.2021.238620.
Pełny tekst źródłaSemerenko, Lubov I., i Oleksandr O. Pliushchai. "Pictorial as readable: ekphrasis in a literary work and reader’s p". Alfred Nobel University Journal of Philology 1, nr 23 (czerwiec 2022): 50–59. http://dx.doi.org/10.32342/2523-4463-2022-1-23-4.
Pełny tekst źródłaTrukhan, E. D. "THE NAIVE ARTIST IVAN SELIVANOV IN THE POETRY AND PROSE OF LYUBOV NIKONOVA". Culture and Text, nr 51 (2022): 116–31. http://dx.doi.org/10.37386/2305-4077-2022-4-116-131.
Pełny tekst źródłaPazuchanics, Skye Lee, i Douglas J. Gillan. "Displaying Depth in Computer Systems: Lessons from Two-Dimensional Works of Art". Proceedings of the Human Factors and Ergonomics Society Annual Meeting 49, nr 17 (wrzesień 2005): 1583–87. http://dx.doi.org/10.1177/154193120504901718.
Pełny tekst źródłaBRANIŞTE, Ludmila. "Text et langaje visuel: un proces de mise en abîme". Arta 31, nr 1 (wrzesień 2022): 115–19. http://dx.doi.org/10.52603/arta.2022.31-1.16.
Pełny tekst źródłaKoenderink, Jan. "Parts and Wholes in Pictorial Art". Art & Perception 3, nr 3 (2015): 303–17. http://dx.doi.org/10.1163/22134913-00002035.
Pełny tekst źródłaRozprawy doktorskie na temat "Pictorial works"
Stewart, Heather, i heather stewart@deakin edu au. "Beyond the analogon; the 'transfer of the referent' :bthe relationship between the external world experienced through culturally generated perceptual models constructed in the human mind, and the transfer of these images, via visual language, onto referents". Deakin University, 1994. http://tux.lib.deakin.edu.au./adt-VDU/public/adt-VDU20071120.120343.
Pełny tekst źródłaReynolds, D. A. "Imagination and the aesthetic function of signification in the works of Rimbaud, Mallarme, Kandinsky and Mondrian". Thesis, University of East Anglia, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.376063.
Pełny tekst źródłaStretch, Eleanor Eunice, i mikewood@deakin edu au. "Using site as the medium of image-making at Tower Hill". Deakin University. School of Contemporary Arts, 2000. http://tux.lib.deakin.edu.au./adt-VDU/public/adt-VDU20050902.144857.
Pełny tekst źródłaWilliamson, Rebecca Boatwright. "Diagonal vision". Thesis, Virginia Polytechnic Institute and State University, 1985. http://hdl.handle.net/10919/52238.
Pełny tekst źródłaTolonen, Juha. "Waste*lands : landscape photography modernity". Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2007. https://ro.ecu.edu.au/theses/268.
Pełny tekst źródłaAltschuler, Jenny. "Between forever and never : the photograph as a bridge between past and present; memory and it's fiction, 1981-2009". Master's thesis, University of Cape Town, 2009. http://hdl.handle.net/11427/7802.
Pełny tekst źródłaIn Camera Lucida Roland Barthes (1980: 64-66), describes the process of looking through his mother's photographs after her death. He weighs up how much of her he recognises in the images he comes across. He evaluates the versions of her that are portrayed and deduces that "none seem to be really 'right':" neither as photographic performances nor as existing recurrences of "the beloved face" that he carries in his psyche. He talks about trying to find her, and achieves only part satisfaction in pinpointing fragments in each image that seem to depict parts of the mother he knows. He concludes that by being partially true, the total representation in each image is false. He suggests that the physical details and direct documentations of his mother's physical self, do not contain the sense of her, as he knows her.
Vallie, Zubeida. "Social dynamics of a resistance photographer in the 1980s in Cape Town". Thesis, Cape Peninsula University of Technology, 2014. http://hdl.handle.net/20.500.11838/1327.
Pełny tekst źródłaThis study seeks to contribute to the field of documentary photography by looking at a resistance photographer who documented events during the liberation struggle against Apartheid in the 1980s in Cape Town, South Africa. The research explores the richness, depth and complexity of the reflective knowledge of the phenomenon and develops a sense of understanding of the meanings of the circumstances and social context of the researcher. It considers the thoughts, observations as well as reflections regarding the meanings and interpretations of experience as a photographer in the 1980s. The perspective of the research is to understand through the photographer’s memory the phenomenon of interest in the exhibition Martyrs, Saints & Sell-Outs and in so doing argue for a consideration of the lives of those who not only lived during Apartheid but continue to do so after its demise. In addition to thinking about questions of photographic representation, the study also addresses ideas of space, and unarticulated injuries and trauma. The photograph is well suited as a medium through which one may think about these difficult questions, for in its very inception, the medium is one of simultaneous absence and presence. The study concludes with recommendations for future investigation in the documentary photography narrative in Cape Town, South Africa.
Blake, Amanda Beth. "Images of women shopping in the art of Kenneth Hayes Miller and Reginald Marsh, ca 1920-1930". Thesis, University of North Texas, 2006. https://digital.library.unt.edu/ark:/67531/metadc5327/.
Pełny tekst źródłaMundy, Robyn C. "A novel, The nature of ice and exegesis, Writing with light : truth and meaning in visual representations of Antarctica". Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2006. https://ro.ecu.edu.au/theses/356.
Pełny tekst źródłaKilian, Julie. "Traditional and Christian elements in contemporary pictorial African art in South Africa with special reference to the works of John Muafangejo, Azariah Mbatha and Dan Rakgoathe". Thesis, Rhodes University, 1987. http://hdl.handle.net/10962/d1012635.
Pełny tekst źródłaKsiążki na temat "Pictorial works"
Dilwali, Ashok. Pictorial Himachal. New Delhi: Jointly produced by Ashok Dilwali & Rave India, 2007.
Znajdź pełny tekst źródłaMelody. Mineralogical pictorial. Wheat Ridge, CO: Earth-Love Pub. House, 1993.
Znajdź pełny tekst źródłaCoughlin, Neal W. Pictorial Strongsville. Marceline, MO: Heritage House Pub., 1992.
Znajdź pełny tekst źródłaJames, Jim. Parade pictorial. Wyd. 2. San Francisco, Calif: Notoriou$ Publications, 1995.
Znajdź pełny tekst źródłaAllan, Esma. Sale, pictorial nostalgia. Sale, Vic: Southern Newspapers, 1985.
Znajdź pełny tekst źródłaPorter, Russ. America's rail: Pictorial. Forest Park, Ill: Heimburger House Pub. Co., 1997.
Znajdź pełny tekst źródłaMacleod, Virginia. Pictorial history Manly. Alexandria [N.S.W.]: Kingsclear Books, 2008.
Znajdź pełny tekst źródłaEvans, R. E. Pictorial Pentewan. Pentewan: Pentewan Publications, 1994.
Znajdź pełny tekst źródłaShrestha, Dinesh. Nepal, a pictorial journey. Kathmandu: Himalayan MapHouse, 2009.
Znajdź pełny tekst źródłaEddie, Scott. Hove: A pictorial history. Chichester, West Sussex: Phillimore, 1995.
Znajdź pełny tekst źródłaCzęści książek na temat "Pictorial works"
Boehme-Neßler, Volker. "Words and Images in the Law – Looking for the Lost Balance". W Pictorial Law, 217–21. Berlin, Heidelberg: Springer Berlin Heidelberg, 2010. http://dx.doi.org/10.1007/978-3-642-11889-0_8.
Pełny tekst źródłaRigal-Aragón, Margarita, i Fernando González-Moreno. "The Pictorial Richness of Poe’s Oeuvre". W Painting Words, 93–112. New York : Routledge, 2020. | Series: Routledge interdisciplinary perspectives on literature: Routledge, 2020. http://dx.doi.org/10.4324/9780429242601-10.
Pełny tekst źródłaLemke, H. U. "Medical Work Stations in Radiology". W Pictorial Information Systems in Medicine, 421–31. Berlin, Heidelberg: Springer Berlin Heidelberg, 1986. http://dx.doi.org/10.1007/978-3-642-82384-8_17.
Pełny tekst źródłaPosey, Jack W. "Pictorial and Text Editors for the Collaborative Work Environment". W Information and Collaboration Models of Integration, 301–20. Dordrecht: Springer Netherlands, 1994. http://dx.doi.org/10.1007/978-94-011-1132-4_18.
Pełny tekst źródłaGisquet, Elsa, i Gwenaële Rot. "Visualization for the Safe Occupation of Workspaces". W Visualising Safety, an Exploration, 93–100. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-33786-4_11.
Pełny tekst źródłaMéndez Baiges, Maite. "“Naked Problems”. Origin and Reach of the Formalist Interpretations". W Les Demoiselles d'Avignon and Modernism, 29–36. Florence: Firenze University Press, 2022. http://dx.doi.org/10.36253/978-88-5518-656-8.04.
Pełny tekst źródłaMéndez Baiges, Maite. "After Picasso: Reinterpretations and recreations of Les Demoiselles D’Avignon in Contemporary Art". W Les Demoiselles d'Avignon and Modernism, 103–23. Florence: Firenze University Press, 2022. http://dx.doi.org/10.36253/978-88-5518-656-8.08.
Pełny tekst źródłaViney, William, i Sophie Day. "Figuring Molecular Relapse in Breast Cancer Medicine". W Figure, 127–48. Singapore: Springer Nature Singapore, 2022. http://dx.doi.org/10.1007/978-981-19-2476-7_7.
Pełny tekst źródłaBayard, Marc. "In Front of the Work of Art: The Question of Pictorial Theatricality in Italian Art, 1400-1700". W Theatricality in Early Modern Art and Architecture, 62–77. Oxford, UK: Wiley-Blackwell, 2011. http://dx.doi.org/10.1002/9781444396744.ch5.
Pełny tekst źródłaKudielka, Robert. "“The Beholder’s Share”: Pictorial Colour and Neurobiology. E. H. Gombrich looking at the work of Bridget Riley". W ART and the MIND – Ernst H. GOMBRICH, 347–62. Göttingen: V&R unipress, 2018. http://dx.doi.org/10.14220/9783737007948.347.
Pełny tekst źródłaStreszczenia konferencji na temat "Pictorial works"
"A Study of the Works of the Jinggangshan Rendezvous in the Perspective of Pictorial Narrative". W 2021 International Conference on Society Science. Scholar Publishing Group, 2021. http://dx.doi.org/10.38007/proceedings.0001972.
Pełny tekst źródłaTomassoni, Rosella, Valentina Coccarelli i Francesco Spilabotte. "THE CRISIS OF THE EGO IN THE PAINTINGS AND DRAWINGS OF GIAN CARLO RICCARDI: BRIEF PSYCHOLOGICAL REFLECTIONS". W 10th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2023. SGEM WORLD SCIENCE, 2023. http://dx.doi.org/10.35603/sws.iscah.2023/vs08.10.
Pełny tekst źródłaSeredkina, Natalia. "PHILOSOPHIC AND ART ANALYSIS OF PICTORIAL WORKS BY E. MUNCH: MELANCHOLY, SEPARATION, THE DANCE OF LIFE". W 4th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS Proceedings. STEF92 Technology, 2017. http://dx.doi.org/10.5593/sgemsocial2017/62/s22.005.
Pełny tekst źródłaFrasca, Roberto, Antonio Mazzeo, Davide Pantile, Matteo Ventrella i Giovanni Verreschi. "Innovative systems for the enjoyment of pictorial works the experience of Gallerie dell'Accademia Museum in Venice". W 2015 Digital Heritage. IEEE, 2015. http://dx.doi.org/10.1109/digitalheritage.2015.7413899.
Pełny tekst źródłaMouhoubi, K., K. Dieng, C. Fomena, H. Feddini, A. Salami, J. M. Vallet i JL Bodnar. "Examples of singular value decomposition contribution in helping cultural heritage works of art conservation using stimulated infrared thermography". W QIRT. QIRT Council, 2022. http://dx.doi.org/10.21611/qirt.2022.2012.
Pełny tekst źródłaRegidor Ros, José Luis, Clara Portilla Romero, Juan Valcárcel Andrés i Pilar Roig Picazo. "Pictorial reconstruction of Palomino’s ceiling by digital techniques". W RECH6 - 6th International Meeting on Retouching of Cultural Heritage. València: Editorial Universitat Politècnica de València, 2021. http://dx.doi.org/10.4995/rech6.2021.13528.
Pełny tekst źródłaПантелеев, А. Ю., i Р. А. Бахтияров. "TEXT LIKE ART-ELEMENT IN CONTEMPORARY ART WORK’S: E. RUSCHA AND E. BULATOV (COMPARATIVE ASPECT)". W Месмахеровские чтения — 2024 : материалы междунар. науч.-практ. конф., 21– 22 марта 2024 г. : сб. науч. ст. / ФГБОУ ВО «Санкт-Петербургская государственная художественно-промышленная академия имени А. Л. Штиглица». Crossref, 2024. http://dx.doi.org/10.54874/9785605162926.2024.10.57.
Pełny tekst źródłaTomassoni, Rosella, Valentina Coccarelli i Francesco Spilabotte. "CREATION AND DESTRUCTION: SOME PSYCHOLOGICAL REFLECTIONS IN THE PAINTINGS OF GIAN CARLO RICCARDI". W 11th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2024. SGEM WORLD SCIENCE, 2024. http://dx.doi.org/10.35603/sws.iscah.2024/fs10.20.
Pełny tekst źródłaSánchez, Mónica. "PROPUESTA DE REUBICACIÓN MEDIANTE RECONSTRUCCIÓN VIRTUAL. CASO DE ESTUDIO: RETABLO MAYOR DE SAN FRANCISCO DE SAN ESTEBAN DE GORMAZ (SORIA)". W ARQUEOLÓGICA 2.0 - 8th International Congress on Archaeology, Computer Graphics, Cultural Heritage and Innovation. Valencia: Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/arqueologica8.2016.3537.
Pełny tekst źródłaDoménech, Beatriz, Vicente Guerola, María Castell i Antoni Colomina. "THE PERCEPTION OF THE CHROMATIC REINTEGRATION FROM THE ADJUSTMENT OF THE WORK CLOTHING. THE LAB COAT AND ITS COLOUR ALTERNATIVES". W RECH6 - 6th International Meeting on Retouching of Cultural Heritage. València: Editorial Universitat Politècnica de València, 2021. http://dx.doi.org/10.4995/rech6.2021.13482.
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