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Artykuły w czasopismach na temat "Piano roll"
Hill, George R. "Catalog of the Reproducing Piano Roll Collection, International Piano Archives at Maryland". Notes 41, nr 3 (marzec 1985): 515. http://dx.doi.org/10.2307/941168.
Pełny tekst źródłaBerlin, Edward A., James Dapogny, Ronny S. Schiff i David A. Jasen. "Ferdinand "Jelly Roll" Morton: The Collected Piano Music". American Music 4, nr 1 (1986): 112. http://dx.doi.org/10.2307/3052191.
Pełny tekst źródłaRiley, Kathleen, Edgar E. Coons i David Marcarian. "The Use of Multimodal Feedback in Retraining Complex Technical Skills of Piano Performance". Medical Problems of Performing Artists 20, nr 2 (1.06.2005): 82–88. http://dx.doi.org/10.21091/mppa.2005.2016.
Pełny tekst źródłaLin, Mengqian, i Rui Zhao. "A Study of Piano-Assisted Automated Accompaniment System Based on Heuristic Dynamic Planning". Computational Intelligence and Neuroscience 2022 (23.05.2022): 1–11. http://dx.doi.org/10.1155/2022/4999447.
Pełny tekst źródłaStetsiuk, Bohdan. "The origins and major trends in development of jazz piano stylistics". Aspects of Historical Musicology 19, nr 19 (7.02.2020): 411–28. http://dx.doi.org/10.34064/khnum2-19.24.
Pełny tekst źródłaTubb, Robert. "Controlling Rhythm in the Frequency Domain". Leonardo 48, nr 3 (czerwiec 2015): 282–83. http://dx.doi.org/10.1162/leon_a_01010.
Pełny tekst źródłaLeikin, Anatole. "Piano‐roll recordings of Enrique Granados: A study of a transcription of the composer's performance". Journal of Musicological Research 21, nr 1-2 (styczeń 2002): 3–19. http://dx.doi.org/10.1080/01411890208574796.
Pełny tekst źródłaLEIKIN, ANATOLE. "Piano-Roll Recordings of Enrique Granados: A Study of a Transcription of the Composer's Performance". Journal of Musicological Research 21, nr 1-2 (1.01.2002): 3–19. http://dx.doi.org/10.1080/01411890290024333.
Pełny tekst źródłaDunsby, Jonathan, i Yannis Rammos. "Onset asynchrony in Western art music". Quodlibet. Revista de Especialización Musical, nr 76 (17.12.2021): 126–58. http://dx.doi.org/10.37536/quodlibet.2021.76.1465.
Pełny tekst źródłaMartin, Sarah. "The Case of Compensating Rubato". Journal of the Royal Musical Association 127, nr 1 (2002): 95–129. http://dx.doi.org/10.1093/jrma/127.1.95.
Pełny tekst źródłaRozprawy doktorskie na temat "Piano roll"
Wikström, Fanny. "Folkmusik på piano : En studie av tre folkmusikpianisters spelsätt och deras förhållningssätt till pianot som folkmusikinstrument". Thesis, Karlstads universitet, Musikhögskolan Ingesund, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-6538.
Pełny tekst źródłaThe purpose of this study is to acquire a glimpse of how the piano is used in Swedish folk music. The background chapter deals with folk music groups and the development of instrumentation in Swedish folk music. I have interviewed three active folk music pianists, listened to and analyzed their playing style. There is also a CD with music examples from the interview sessions. We discussed the characteristics of their own playing, their attitudes to folk music tradition, the piano's possibilities and limitations, and the role of the piano in Swedish folk music. My conclusion is that the piano functions on several levels while interacting with other musicians. Pianists can play melody, rhythm, harmony, and all of this simultaneously. The piano works very well as a solo instrument, yet also as an ensemble instrument. The small role of the piano in Swedish folk music may be due to its impractical size. I have also discovered that the piano contributes to a new sound to Swedish folk music.
Larsson, Daniel. "Tumregeln : En självstudie om tummen och dess roll i pianoteknik". Thesis, Karlstads universitet, Institutionen för konstnärliga studier (from 2013), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-78004.
Pełny tekst źródłaThe purpose of this study is to investigate the roll of the thumb in piano technique, what methods can be used to reduce involuntary tensions in the thumb and whether dedicated practise over a certain time period can lead to a noticeable improvement of thumb technique. The study is based on a phenomenological perspective and self-observations using a logbook and video recordings. Research suggests that excessive straining of the thumb’s muscles is common among pianists, and that fingers affect each other in their movements. Literature on piano technique regularly discuss how the thumb can affect piano playing as well as the problems of involuntary tensions. The results of this study discuss my experiences of progress, what methods I used and what advantages I experienced in relation to less tension in the thumbs. The results show that I, on account of my dedicated practising, experienced an improvement in thumb technique on several levels, that different methods to reduce the amount of tension in the thumbs were found, and that there were several advantages with freer thumbs, for example reduced fatigue and more satisfying musical performances. The study discusses the results in relation to earlier literature and research and establishes connections between, among other things, applied methods and how fatigue in the muscles is manifested during piano playing.
Lee, Kyung-ae. "A comparative study of Claude Debussy's piano music scores and his own piano playing of selections from his Welte-Mignon piano roll recordings of 1912". Access restricted to users with UT Austin EID Full text (PDF) from UMI/Dissertation Abstracts International, 2001. http://wwwlib.umi.com/cr/utexas/fullcit?p3035961.
Pełny tekst źródłaHoogland, Anna. "Tangenttradition : En kvalitativ intervjustudie om musiklärarstudenters syn på pianots roll i sångundervisning". Thesis, Karlstads universitet, Institutionen för konstnärliga studier (from 2013), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-78878.
Pełny tekst źródłaThe purpose of this study is to examine how music teacher students specialized in the different genres jazz, folk music and classical music view the function of the piano in singing lessons. Previous research refers to the use and influence of the piano regarding instrumental teaching. The study is qualitative and is based on the sociocultural perspective on learning. Semi structured interviews have been used as a method to investigate what individual perceptions the music teacher students have on the functions of the piano in singing lessons. To analyse the material, thematic analysis has been used as a method. The result shows that the piano is culturally associated, which is seen in the different use of the piano within different genres. The piano as an instrument associated with general expectations has also been observed. Furthermore, it appears that the music teacher students have ambivalent approaches to the function of the piano, which is depicted in descriptions of the possibilities and difficulties that can occur in different ways of using the piano. In the discussion, questions about the ability to adopt the teacher’s didactic choices is mentioned. Also, the role of the music teacher program based on tradition and rethinking is discussed. Additionally, the consequences of teaching singing students with or without the piano is discussed, based on the possibilities and difficulties of the use of the piano.
Romero-García, Gonzalo. "Mathematical Morphology for the Analysis and Generation of Time-Frequency Representations of Music". Electronic Thesis or Diss., Sorbonne université, 2023. http://www.theses.fr/2023SORUS554.
Pełny tekst źródłaThis thesis explores the application of Mathematical Morphology to the analysis and generation of music, focusing on two time-frequency representations: spectrograms and piano rolls. Mathematical Morphology is a nonlinear image processing tool that serves to consider topological notions of the image. We present three applications. The first is to analyze spectrograms with morphological tools to obtain parameters with which to synthesize a musical instrument sound. The second is to generate piano rolls with two musical parameters, texture and harmony, by arranging them through morphological dilation. The third is to apply morphological operators to analyze piano rolls using graph theory. The thesis thus proposes new approaches for problems in sound analysis and computational musicology
Seah, Tsu Tham Tommy. "Exploring historical Russian pianism in Sergei Lyapunov’s Twelve Transcendental Études, Op. 11: The development of a performance edition". Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2018. https://ro.ecu.edu.au/theses/2131.
Pełny tekst źródłaPhillips, Peter. "Piano Rolls and Contemporary Player Pianos: The Catalogues, Technologies, Archiving and Accessibility". Thesis, The University of Sydney, 2017. http://hdl.handle.net/2123/16939.
Pełny tekst źródłaDamm, Bernt W. "The development of a piano-recorder system". Thesis, Cape Technikon, 1993. http://hdl.handle.net/20.500.11838/1155.
Pełny tekst źródłaThis thesis describes the development and design of a pianorecorder system. This system makes it possible to record the notes played on a piano onto a computer disk. The records can then be used for the manufacturing of pianola rolls.
Simones, Lilian Lima. "The role of gesture in piano teaching and learning". Thesis, Queen's University Belfast, 2015. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.676714.
Pełny tekst źródłaHill, Juliet E. "The 'conjunto' piano in 1940s Cuba : an analysis of the emergence of a distinctive piano role and style". Thesis, SOAS, University of London, 2008. http://eprints.soas.ac.uk/26210/.
Pełny tekst źródłaKsiążki na temat "Piano roll"
Babit, Hi. The flying piano roll man. United States?]: Xlibris Corporation, 2011.
Znajdź pełny tekst źródłaThe Rock 'n' Roll Piano Songbook: A collection of the best Rock 'n' Roll Piano Songs. [S.l.]: Faber Music, 2009.
Znajdź pełny tekst źródłaLarry, Sitsky, red. The Classical reproducing piano roll: A catalogue-index. New York: Greenwood Press, 1990.
Znajdź pełny tekst źródłaDurrant, Edward. The conservation of an 88-note piano roll. (London: Camberwell School of Art andCrafts), 1988.
Znajdź pełny tekst źródłaJelly Roll Morton, la Old Quadrille e Tiger Rag: Una revisione storiografica = Jelly Roll Morton, the Old Quadrille and Tiger Rag : a historiographic revision. Lucca: Libreria Musicale Italiana, 2011.
Znajdź pełny tekst źródłaMorton, Jelly Roll. Two rags for saxophone (soprano, alto, or tenor) or clarinet and piano: Jelly Roll blues ; Frog-i-more rag. Boca Raton, Fla: Masters Music Publications, 1997.
Znajdź pełny tekst źródłaRick, Kennedy. Jelly Roll, Bix, and Hoagy: Gennett Studios and the birth of recorded jazz. Bloomington: Indiana University Press, 1994.
Znajdź pełny tekst źródłaStephenson, H. W. In search of Hofmann, or, Fair play for the reproducer: An inquiry into the technology of the pneumatic reproducing piano. Ramsey, Isle of Man, England: H.W. Stephenson, 1993.
Znajdź pełny tekst źródłaSmith, Charles Davis. Duo-Art piano music: A complete classified catalog of music recorded for the Duo-Art reproducing piano. Monrovia, Calif. (625 S. Myrtle Ave., Monrovia 91016): Player Shop, 1987.
Znajdź pełny tekst źródłaBillings, Ginny. The Billings rollography: Player piano music from 1917 to 1934. Belmont, CA (1518 Sunnyslope Ave., Belmont 94002): Rock Soup, 1990.
Znajdź pełny tekst źródłaCzęści książek na temat "Piano roll"
Weik, Martin H. "player-piano roll". W Computer Science and Communications Dictionary, 1287. Boston, MA: Springer US, 2000. http://dx.doi.org/10.1007/1-4020-0613-6_14181.
Pełny tekst źródłaWente, Allison Rebecca. "Queue the Roll". W The Player Piano and Musical Labor, 11–43. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003093268-2.
Pełny tekst źródłaMontgomery, Michael, Trebor Jay Tichenor i John Edward Hasse. "Ragtime on Piano Rolls". W Ragtime, 90–101. London: Palgrave Macmillan UK, 1985. http://dx.doi.org/10.1007/978-1-349-08401-2_6.
Pełny tekst źródłaMontgomery, Michael, Trebor Jay Tichenor i John Edward Hasse. "Ragtime on Piano Rolls". W Ragtime, 90–101. London: Palgrave Macmillan UK, 1985. http://dx.doi.org/10.1007/978-1-349-08404-3_6.
Pełny tekst źródłaWu, Yingyu. "An Analysis of the Role of Piano Accompaniment in Folk Music Performance". W Proceedings of the 2022 4th International Conference on Literature, Art and Human Development (ICLAHD 2022), 58–65. Paris: Atlantis Press SARL, 2023. http://dx.doi.org/10.2991/978-2-494069-97-8_9.
Pełny tekst źródłaYang, Yang, Franziska Schroeder i Matthew Rodger. "The Role of Perfectionism in Music Performance Anxiety Within University Piano Majors in China". W Springer Series in Design and Innovation, 674–89. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-09659-4_48.
Pełny tekst źródłaBellacci, Francesco. "La scuola media superiore a Cuba nei primi venti anni di Rivoluzione. Al servizio della collettività e dei piani economici del Partito". W Esercizi di ricerca, 135–47. Florence: Firenze University Press, 2022. http://dx.doi.org/10.36253/979-12-215-0081-3.15.
Pełny tekst źródłaBorghi, Maurizio. "Player Piano Roll". W A History of Intellectual Property in 50 Objects, 152–59. Cambridge University Press, 2019. http://dx.doi.org/10.1017/9781108325806.019.
Pełny tekst źródła"Piano Roll Artist". W Adrian Rollini, 20–39. University Press of Mississippi, 2019. http://dx.doi.org/10.2307/j.ctvs32qqp.6.
Pełny tekst źródłavan Delden, Ate. "Piano Roll Artist". W Adrian Rollini, 20–39. University Press of Mississippi, 2019. http://dx.doi.org/10.14325/mississippi/9781496825155.003.0003.
Pełny tekst źródłaStreszczenia konferencji na temat "Piano roll"
Persad, Umesh, Keivi Howard i Jorrel Bisnath. "THE ROLL-UP DIGITAL STEELPAN". W International Conference on Emerging Trends in Engineering & Technology (IConETech-2020). Faculty of Engineering, The University of the West Indies, St. Augustine, 2020. http://dx.doi.org/10.47412/ovhj9183.
Pełny tekst źródłaSchimbinschi, Florin, Christian Walder, Sarah M. Erfani i James Bailey. "SynthNet: Learning to Synthesize Music End-to-End". W Twenty-Eighth International Joint Conference on Artificial Intelligence {IJCAI-19}. California: International Joint Conferences on Artificial Intelligence Organization, 2019. http://dx.doi.org/10.24963/ijcai.2019/467.
Pełny tekst źródłaGrecu, Vasile. "The role of pianistic art in the musical culture of interwar Bessarabia in relation to the european intercultural process". W Simpozion Național de Studii Culturale, dedicat Zilelor Europene ale Patrimoniului. Ediția III. Institute of Cultural Heritage, Republic of Moldova, 2022. http://dx.doi.org/10.52603/sc21.08.
Pełny tekst źródłaXu, Dongyang. "The Role of Musical Hearing in Piano Performance". W 4th International Conference on Culture, Education and Economic Development of Modern Society (ICCESE 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200316.036.
Pełny tekst źródła"The Role of Musical Hearing in Piano Performance". W 2020 Conference on Educational Science and Educational Skills. Scholar Publishing Group, 2020. http://dx.doi.org/10.38007/proceedings.0000599.
Pełny tekst źródła"Research on the Role of Piano Accompaniment in Vocal Music Singing". W 2019 International Conference on Arts, Management, Education and Innovation. Clausius Scientific Press, 2019. http://dx.doi.org/10.23977/icamei.2019.240.
Pełny tekst źródłaYang, Nan, i Mingyao Lu. "On the Role of the Piano Artistic Direction in Vocal Teaching". W 2015 International Conference on Management, Education, Information and Control. Paris, France: Atlantis Press, 2015. http://dx.doi.org/10.2991/meici-15.2015.256.
Pełny tekst źródła"Research on the Role of Piano Performance Skills in Music Emotions". W 2018 4th International Conference on Economics, Management and Humanities Science. Francis Academic Press, 2018. http://dx.doi.org/10.25236/ecomhs.2018.044.
Pełny tekst źródła"Study on the Important Role of Piano Accompaniment in the Performance of Ethnic Instruments". W 2018 International Conference on Culture, Literature, Arts & Humanities. Francis Academic Press, 2018. http://dx.doi.org/10.25236/icclah.18.034.
Pełny tekst źródłaHatipova, Inna. "Vitaly Sechkin: in memoriam". W International scientific conference "Valorization and preservation by digitization of the collections of academic and traditional music from the Republic of Moldova". Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2023. http://dx.doi.org/10.55383/ca.19.
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