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Artykuły w czasopismach na temat "Piano – Physiologie"
Sutulova, Nataliia. "Piano sound phenomenon in English-language scientific discourse". Aspects of Historical Musicology 27, nr 27 (27.12.2022): 24–39. http://dx.doi.org/10.34064/khnum2-27.02.
Pełny tekst źródłaTworko, Paulina. "Fizjologia i ergonomia gry na fortepianie". Kwartalnik Młodych Muzykologów UJ, nr 47 (4) (2020): 229–54. http://dx.doi.org/10.4467/23537094kmmuj.20.025.13211.
Pełny tekst źródłaProbst, Stephanie. "From Machine to Musical Instrument". Journal of Musicology 38, nr 3 (2021): 329–63. http://dx.doi.org/10.1525/jm.2021.38.3.329.
Pełny tekst źródłaPascual-Leone, A., D. Nguyet, L. G. Cohen, J. P. Brasil-Neto, A. Cammarota i M. Hallett. "Modulation of muscle responses evoked by transcranial magnetic stimulation during the acquisition of new fine motor skills". Journal of Neurophysiology 74, nr 3 (1.09.1995): 1037–45. http://dx.doi.org/10.1152/jn.1995.74.3.1037.
Pełny tekst źródłaFerrario, Virgilio F., Chiara Macrì, Emilia Biffi, Paolo Pollice i Chiarella Sforza. "Three-Dimensional Analysis of Hand and Finger Movements during Piano Playing". Medical Problems of Performing Artists 22, nr 1 (1.03.2007): 18–23. http://dx.doi.org/10.21091/mppa.2007.1004.
Pełny tekst źródłaTseng, Yu-Ting, Chia-Liang Tsai i Fu-Chen Chen. "Wrist proprioceptive acuity is linked to fine motor function in children undergoing piano training". Journal of Neurophysiology 124, nr 6 (1.12.2020): 2052–59. http://dx.doi.org/10.1152/jn.00282.2020.
Pełny tekst źródłaNakahara, Hidehiro, Shinichi Furuya, Peter R. Francis i Hiroshi Kinoshita. "Psycho-physiological responses to expressive piano performance". International Journal of Psychophysiology 75, nr 3 (marzec 2010): 268–76. http://dx.doi.org/10.1016/j.ijpsycho.2009.12.008.
Pełny tekst źródłaWinges, Sara A., Shinichi Furuya, Nathaniel J. Faber i Martha Flanders. "Patterns of muscle activity for digital coarticulation". Journal of Neurophysiology 110, nr 1 (1.07.2013): 230–42. http://dx.doi.org/10.1152/jn.00973.2012.
Pełny tekst źródłaDraucker, Shannon. "Music Physiology, Erotic Encounters, and Queer Reading Practices in Teleny". Victorian Literature and Culture 50, nr 1 (18.10.2021): 141–72. http://dx.doi.org/10.1017/s1060150320000145.
Pełny tekst źródłaKostyuk, Aleksei A., i Galina V. Alekseeva. "Emotions as a Phenomenon of Vocal and Opera Music". Problemy muzykal'noi nauki / Music Scholarship, nr 1 (2023): 168–77. http://dx.doi.org/10.56620/2782-3598.2023.1.168-177.
Pełny tekst źródłaRozprawy doktorskie na temat "Piano – Physiologie"
Gentet, Maroussia. "Au cœur de l’expérience du sens dans l’interprétation pianistique. Construire la temporalité par la présence au mouvement". Electronic Thesis or Diss., Sorbonne université, 2023. http://www.theses.fr/2023SORUL111.
Pełny tekst źródłaMy research is grounded in an essential question for the musician: how do you construct a lively performance that seems meaningful to him ? Some artists describe an experience of being played that combines understanding of the musical text with its embodiment in the playing: musical elements are sensitively connected and delimited across different time scales by a gesture that makes sense. Firstly, the study of practical issues of pianistic experience brings into question a model of the body as object, and a way of using imaginaries to motivate gesture, that underlie traditional musicological analysis and pedagogy. The segmentation of musical text into articulated elements in a quantified space, and the succession of movements aimed at producing sound segments, appear insufficient for experiencing the meaning and continuity of musical experience. Secondly, theatrical anthropology, dance, psychomotricity, phenomenology and practical experience provide insights into the emergence of meaning through the notion of corporeity. The notions of premovement and presence open up the quest for a quality of attention aimed at perceiving variations in body tonicity in interaction with its environment, in order to shape the quality of gesture. These practices explore the relationship to alterity, the construction of spatiality and the connection between different parts of the body by engaging the imaginary. Applied to the performance of a musical work, they enable us to articulate musical elements in our own relation to the world, and to develop an embodied temporality
Lipke-Perry, Tracy Donna. "Integrating Piano Technique, Physiology, and Motor Learning: Strategies for Performing the Chopin Etudes". Diss., The University of Arizona, 2008. http://hdl.handle.net/10150/193854.
Pełny tekst źródłaKsiążki na temat "Piano – Physiologie"
translator, Chen Yunru, red. Ren ti xue xi shi dian: Ji rou gu ge yun dong jie pou pian. Xinbei Shi Banqiao Qu: Feng ye she wen hua shi ye you xian gong si, 2016.
Znajdź pełny tekst źródłaRoberta, Gary, Miles Thom i Conable Barbara, red. What every pianist needs to know about the body: A manual for players of keyboard instruments : piano, organ, digital keyboard, harpsichord, clavichord. Chicago: GIA Publications, 2003.
Znajdź pełny tekst źródłaSandor, Gyorgy. On Piano Playing: Motion, Sound, and Expression. Schirmer, 1995.
Znajdź pełny tekst źródłaSandor, Gyorgy. On Piano Playing: Motion, Sound, and Expression. Schirmer, 1995.
Znajdź pełny tekst źródłaDeVan, William, Norman Rosen, Gail Berenson, Jacqueline Csurgai-Schmitt, Mitchell Elkiss, Phyllis Alpert Lehrer, Barbara Lister-Sink, Robert Mayerovitch, Dylan Savage i Seymour Fink. A Symposium for Pianists and Teachers: Strategies to Develop the Mind and Body for Optimal Performance. Heritage Music Press, 2002.
Znajdź pełny tekst źródłaMark, Thomas, Roberta Gary i Thom Miles. What Every Pianist Needs to Know about the Body. G I A Publications, Incorporated, 2021.
Znajdź pełny tekst źródłaMark, Thomas, Roberta Gary i Thom Miles. What Every Pianist Needs to Know About the Body. Gia Publications, 2004.
Znajdź pełny tekst źródłaCzęści książek na temat "Piano – Physiologie"
Tarchynska, Yulia. "WAYS OF FORMING THE TECHNIQUE OF SOUND PRODUCTION IN THE INTERPRETATION OF MULTI-STYLE PIANO MUSIC". W Integration of traditional and innovative scientific researches: global trends and regional as. Publishing House “Baltija Publishing”, 2020. http://dx.doi.org/10.30525/978-9934-26-001-8-1-9.
Pełny tekst źródłaAllchin, Douglas. "Monsters and the Tyranny of Normality". W Sacred Bovines. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190490362.003.0025.
Pełny tekst źródłaStreszczenia konferencji na temat "Piano – Physiologie"
Popov, Vladimir. "PIANO TOUCH PARADOX FROM THE POINT OF VIEW OF TUNER AND PHYSIOLOGIST". W XV International interdisciplinary congress "Neuroscience for Medicine and Psychology". LLC MAKS Press, 2019. http://dx.doi.org/10.29003/m517.sudak.ns2019-15/334.
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