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Autor: Grafiati

Data publikacji: 4 czerwca 2021

Data aktualizacji: 30 lipca 2024

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1

Albasini, Garaulet Olga. "Piano and memory : Strategies to memorize piano music". Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-3331.

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This study was carried out in order to discover new strategies to memorize piano music. There are six different types of memory involved in performing: auditory, kinesthetic, visual, analytical, nominal and emotional. There are two main ways of practicing: playing practice and non-playing practice. I tried to find out if the order in which we use these two kinds of practice affects the quality of the memorization. During one week I practiced three different pieces following three different methods: 1 Using only playing practice; 2 using first playing practice and then non-playing practice; 3 using first non-playing practice and then playing practice. The second method had a much better result than the other two. The whole process was registered with a video camera and a logbook.

The exam concert is archived for copyright reasons until 2023.

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2

Frieling, Randall Jay. "A guide to transcriptions and arrangements for two pianos". Virtual Press, 1996. http://liblink.bsu.edu/uhtbin/catkey/1019473.

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A Guide to Transcriptions and Arrangements for Two Pianos was designed as a reference tool for the pianist and duo-pianist. 1378 entries are catalogued in this dissertation. Each entry contains information from the following list: Composer name; Birth and death dates; Country; Title of work; Date arrangement written; Publisher; Publisher identification number; Date of publication; Arranger name; Number of pages; Length in minutes; Library or source where found; Origin of work; Editor; Comments and level of difficulty.The writer read music for the research of this dissertation at number of libraries including the Library of Congress. Additionally, an original questionnaire was sent to 393 pianists who are listed as Master Teacher or College Faculty in the 1995 Directory of Nationally Certified Teachers of Music. The results are printed from the 219 replies.
School of Music

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3

Winterbach, Veranza. "Stylistic characteristics of Gabriel Fauré's piano quartets and piano quintets". Master's thesis, University of Cape Town, 2003. http://hdl.handle.net/11427/7979.

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Includes bibliographical references.
Gabriel Fauré has been neglected as composer in terms of international recognition. It is indeed true that the art of his music is not revealed at first sight: one must take time to discover the beauty and authentic meaning concealed in the depths thereof. While it is relatively true that musicians recognize the originality of his melodies, there seems to be a lack of appreciation of his contributions in the field of chamber music.

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4

De, Val Dorothy Jean. "Gradus ad Parnassum the pianoforte in London, 1770-1820 /". Online version, 1991. http://ethos.bl.uk/OrderDetails.do?did=1&uin=uk.bl.ethos.308701.

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Lopez, Richard C. "The piano concertos of Carl Maria von Weber : precursors of the romantic piano concerto". Connect to resource, 1989. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1228836117.

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6

Daly, Shawn Timothy. "Abram Chasins: A Study of Selected Works for Solo Piano and Two Pianos". University of Cincinnati / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1180706349.

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7

Lim, Jihyeon. "UNSUK CHIN’S PIANO MUSIC: 6 PIANO ETUDES (1995-2003) AND PIANO CONCERTO (1996-97)". Thesis, The University of Sydney, 2019. http://hdl.handle.net/2123/20403.

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Unsuk Chin (b. 1961) is the most internationally recognised living Korean-born composer. She has received numerous awards including the prestigious 2004 Grawemeyer Award for her Violin Concerto, the 2005 Arnold Schoenberg prize, the 2010 Prince Pierre Foundation Music Award, and the 2012 Ho-Am Prize, and her works are performed worldwide by major orchestras and contemporary ensembles. The 6 Piano Etudes (1995-2003) and Piano Concerto (1996-1997) are important pieces of Chin’s, because these are her only compositions involving solo piano up to this point. They include many of the elements of her musical world as well as her various compositional styles and approaches to writing for the piano. In Chapter 1 of this Doctoral dissertation I provide a brief introduction to my research. In Chapter 2, Chin’s biography is outlined and an overview is given of her 6 Piano Etudes and Piano Concerto. Following this are in-depth analyses of the 6 Piano Etudes and Piano Concerto in Chapters 3 and 4 respectively, examining form and structure, harmony, rhythm, and Chin’s unique compositional methods. Chapters 3 and 4 focus on the influences and models for Chin’s music: gamelan ensemble, Olivier Messiaen (1908-1992), and Chin’s teachers, György Ligeti (1923-2006) and Sukhi Kang (b. 1934) as well as aspects of Korean music. In examining the synthesis of these influences along with her mature compositional approaches, I hope to add to the growing body of knowledge and understanding of Chin’s significance and of her work, the piano works in particular.

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8

Kolesnikov, Inna. "Master's piano recital". Manhattan, Kan. : Kansas State University, 2007. http://hdl.handle.net/2097/477.

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9

Colton, Glenn David. "The piano music of Jean Coulthard". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp02/NQ32739.pdf.

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10

Metaxaki, Maria. "Considerations for pedalling Debussy's piano music". Thesis, City University London, 2005. http://openaccess.city.ac.uk/8449/.

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The importance of the pedals in Debussy's piano music has been emphasised in a wide range of literature concerning Debussy and French piano music in general. However, and despite the obvious absence of pedalling indications in Debussy's piano scores, no dedicated study has been made in identifying a possible meaning behind their absence. This study will attempt in developing suggestions for pedalling Debussy's piano music based on written as well as sound sources directly associated with the composer. This attempt is developed in two stages: firstly, by providing evidence that Debussy was always seeking to extract a continuous sonority from the piano, feasible only through the application of the pedal and secondly, by making cross reference of this evidence and Debussy's own use of the pedals in his piano roll recordings. Ultimately, it is revealed that Debussy was making extensive use of both the unacorda as well as of the damper pedal. Any obvious conclusions in this study are not meant to be used as a guide for pedalling but as a source of reference that may assist the informed performer in his/her continuous search into Debussy's musical world.

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11

Luo, Hung. "Selected late-Romantic Russian piano music". College Park, Md. : University of Maryland, 2007. http://hdl.handle.net/1903/9737.

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Thesis (D.M.A.) -- University of Maryland, College Park, 2007.
Thesis research directed by: Music. Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Marylandia and Rare Books Dept., University of Maryland, College Park, Md. Also available in paper. Audio available on compact disc;

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12

Wu, Shih-Ying. "A graduate piano recital". FIU Digital Commons, 2003. http://digitalcommons.fiu.edu/etd/1752.

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PROGRAM The Well-Tempered Clavier, Book I..............Johann Sebastian Bach (1685-1750) Prelude and Fugue XXI in B flat major Prelude and Fugue XXII in b flat minor Sonata N. 11 in A major, K.331.......Wolfgang Amadeus Mozart (1756 - 1791) Theme and Variations Menuetto Allegretto Intermission Images Series II................................Claude-Achille Debussy (1862-1918) Poission d' or (Goldfish) Rhapsodies Op. 79 .................................Johannes Brahms (1833-1897) No. 1 in b minor No. 2 in g minor Etude in A flat Major, Op. 1, No. 2.....................Paul de Schlozer (1841-1898)

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Catalan, Ramon E. "A graduate piano recital". FIU Digital Commons, 2005. http://digitalcommons.fiu.edu/etd/2084.

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The extended program notes include historical background on the composers and pieces being performed, as well as the analytical form regarding the works: Variations on "Ah vous dirai-je-maman," K. 265 by Wolfgang Amadeus Mozart; Sonata in C minor, op. 13 "Pathétique," by Ludwig van Beethoven; Consolation No. 3 and Funerailles by Franz Liszt; Fantasie in F minor, op. 49 by Frédéric Chopin.

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14

Ong, Siew Yuan. "The piano prelude in the early twentieth century : genre and form /". Connect to this title, 2005. http://theses.library.uwa.edu.au/adt-WU2006.0052.

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15

Ceballos, Sara Gross. "Keyboard portraits performing character in the eighteenth century /". Diss., Restricted to subscribing institutions, 2008. http://proquest.umi.com/pqdweb?did=1619148891&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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16

Sjöstedt, Julia. "6 Klavierstücke Op.118, en motivanalys : Skriftlig reflektion inom självständigt, konstnärligt arbete". Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2455.

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17

Nicolls, Sarah Louise. "Interacting with the piano : absorbing technology into piano technique and collaborative composition : the creation of 'performance environments', pieces and a piano". Thesis, Brunel University, 2010. http://bura.brunel.ac.uk/handle/2438/5511.

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This thesis explores the expansion of the piano performance environment, using technology to augment the sound, the playing area of the piano and its surroundings, and/or the performer's own body in controlling electronic elements of the music. In particular I examine the extension of piano technique and how this is affected by adding technology. I also discuss collaborative compositional processes in creating co-authored musical works and have given a critical appraisal of the different technological systems used in all of these pieces. I have also introduced ideas about developing the structure of the piano to better suit contemporary techniques and the addition of technological elements in piano playing. These ideas are represented by my own "Inside-out Piano", illustrated within the thesis. Throughout this work many new pieces for piano and live electronics have been generated and I hope these may also be useful as a resource for other pianists exploring their own interactions with the piano.

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18

Chen, Yu-Ting. "Brahms, the early choral music heritage and his piano music /". Thesis, Connect to this title online; UW restricted, 2001. http://hdl.handle.net/1773/11206.

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19

STEVENS, DAMON BRIAN. "INTRODUCING THE PIANO MUSIC OF SAMUEL BARBER TO THE UNDERGRADUATE PIANO MAJOR". University of Cincinnati / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1194288770.

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20

Pace, Cynthia Margaret. "Ruth Crawford's final solo piano works : an analysis of FOUR PRELUDES FOR PIANO and PIANO STUDY IN MIXED ACCENTS /". Access Digital Full Text version, 1989. http://pocketknowledge.tc.columbia.edu/home.php/bybib/10903598.

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Thesis (Ed.D.)--Teachers College, Columbia University, 1989.
Typescript; issued also on microfilm. Sponsor: Lenore M. Pogonowski. Dissertation Committee: Harold F. Abeles. Bibliography: leaves 322-324.

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21

Chen, Ruoxu. "Doctoral thesis recital (piano)". Thesis, 2012. http://hdl.handle.net/2152/19213.

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Nacht und Traume / Franz Schubert -- Heidenroslein / Franz Schubert -- Die Forelle / Franz Schubert -- Gretchen am Spinnrade / Franz Schubert -- The melody of sky-shading apricot blossoms / Kui Jiang -- I live at the source of the Yangtze River / Zhu Qing -- 12 variations for cello and piano in F major on Mozart's Ein Madchen oder Weibchen from the Magic Flute / L. V. Beethoven -- Cello sonata no. 2 in F major, op. 99 / Johannes Brahms.
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22

Hunter, Artina. "Doctoral thesis recital (piano)". 2010. http://hdl.handle.net/2152/11488.

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Fantasy in C minor, K.475 / Wolfgang Amadeus Mozart -- Prelude op.32,no.5 ; Prelude op.32, no.12 ; Prelude op.23, no.5 / Sergei Rachmaninoff -- Troubled waters / Margaret Bonds -- Les soirees de Nazelles / Francis Poulenc
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Draghicescu, Angela. "Doctoral thesis recital (piano)". 2010. http://hdl.handle.net/2152/15807.

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Sonata for clarinet and piano / F. Poulenc -- Knoxville: Summer of 1915 / S. Barber -- Premiere rhapsodie for clarinet and piano / C. Debussy -- Sonata for alto saxophone and piano, op. 19 / P. Creston.
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24

Um, Yujung. "Doctoral thesis recital (piano)". Thesis, 2014. http://hdl.handle.net/2152/24391.

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Chung, Enhae. "Doctoral thesis recital (piano)". 2015. http://hdl.handle.net/2152/29236.

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"Piano Quintet". Master's thesis, 2014. http://hdl.handle.net/2286/R.I.24906.

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abstract: Piano Quintet> is a three movement piece, inspired by music of Eastern Europe. Sunrise in Hungary starts with a legato song in the first violin unfolding over slow moving sustained harmonics in the rest of the strings. This is contrasted with a lively Hungarian dance which starts in the piano and jumps throughout all of the voices. Armenian Lament introduces a mournful melody performed over a subtly shifting pedal tone in the cello. The rest of the voices are slowly introduced until the movement builds into a canonic threnody. Evening in Bulgaria borrows from the vast repertoire of Bulgarian dances, including rhythms from the horo and rachenitsa. Each time that the movement returns to the primary theme, it incorporates aspects of the dance that directly preceded it. The final return is the crux of the piece, with the first violin playing a virtuosic ornaments run on the melody.
Dissertation/Thesis
M.M. Composition 2014

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27

"Piano performance and technique: A study of the modern grand piano". Thesis, 2010. http://hdl.handle.net/1911/61962.

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The study of how the modern grand piano functions from a construction standpoint has been overlooked by modern pianists. This dissertation explores how an understanding of the inner workings of the piano will lead to more healthy, efficient, and purposeful approach to the performance of the piano. It examines how the piano is constructed, how the piano functions, and how the pianist can apply this knowledge to better advance their overall understanding of piano performance.

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Kovacic, Loreta. "The piano music of Boris Papandopulo". Thesis, 1996. http://hdl.handle.net/1911/16987.

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This dissertation examines the life and music of the Croatian composer Boris Papandopulo. The socio-political climate in which he lived is taken into account, and special attention is devoted to the duality in his compositional style. This duality is characterized by his use of both neoclassic and folk components, and derives from his studies of traditional Western European music as well as from his Croatian heritage. He is thus seen to have been a synthesizer in the best sense of the word. Croatia, a small country positioned on the outskirts of Europe, has its own distinctive identity; and its singular position gave Papandopulo's music the special quality of being both national and international at the same time. His music was heavily influenced by formal techniques, such as the twelve-tone method, yet remained highly individual. Special emphasis will be given to the piano works of this unique and relatively unknown composer.

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Perng, Gwo-Jyh, i 彭國智. "Automatic Recognition of Printed Piano Music". Thesis, 1996. http://ndltd.ncl.edu.tw/handle/55523192326177713949.

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碩士
國立交通大學
控制工程系
84
Music score recognition is a problem of document image analysis. After a music score has been translated to a music code, it can be used for further applications, such as analyzing musical style, re-engraving existing scores and producing audio version. The objective of the present exercise is to recognize symbols that describe what to be played in printed piano music, but not to recognize symbols that direct how to be played. The shape of notes varies from simple to difficult, and the pitches of notes depend on the vertical coordinate system defined by staff lines. However, the staff lines connect music symbols which would be normally be disconnected. This complicates the recognition process. We introduce musical knowledge in the proposed system. Our processing procedure is based on bar unit. The staff lines are detected and deleted by the relation to bar lines. According to the structure of music notion, the recognition process of music symbols is divided into two parts: primitive extraction, and symbol synthesis and recognition. Experiments demonstrate that recognition accuracy of some piano music for beginners exceeds 90%.

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Colton, Glenn David. "The piano music of Jean Coulthard". Thesis, 1996. https://dspace.library.uvic.ca//handle/1828/9809.

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“The Piano Music of Jean Coultthard” provides a musicological assessment of keyboard literature by one of the leading composers in the history of Canadian music. Coulthard's piano works are discussed from aesthetic, historical, and analytical perspectives. Discussion of specific piano works is prefaced by a more general overview of aesthetic principles pertaining to Coulthard's compositional style (including a comparative study between Coulthard's music and the art of Emily Carr) and the question of a Canadian musical identity. The historical focus of the study relates to three main fields of inquiry: the development of Coulthard's distinctive style of piano writing from the early mature works of the 1940s to the more recent compositions of the 1980s and 1990s; the composer's historical position in twentieth-century music; and her lasting influence upon Canadian culture. Analytical issues addressed include Coulthard's innovative reworking of traditional musical forms and the characteristic features of her musical vocabulary and pianistic style. This study will demonstrate Coulthard's vital role in the development of piano music in Canada as well as her overall significance in twentieth-century music.
Graduate

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Lee, Katherine. "Doctoral thesis recital (piano)". 2010. http://hdl.handle.net/2152/11504.

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Suite no.3 in d minor, HWV 428 / Handel -- Variations on a theme by Robert Schumann, op.20 / Clara Wieck Schumann -- Les jeux d'eaux a la Villa d'Este / Liszt -- Jeux d'eau / Ravel -- Sonata in A flat major, op.110 / Beethoven
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Su, Hsiu-Wen. "Doctoral thesis recital (piano)". 2010. http://hdl.handle.net/2152/11596.

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Rondo in A minor, KV 551 / W. A. Mozart -- Tres evocaciones / J. Rodrigo -- Alborada del gracioso / M. Ravel -- Melancolie / F. Poulenc -- Piano sonata no.2 in B flat minor, op.36 / S. Rachmaninoff
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Bennetch, Joshua P. "Doctoral thesis recital (piano)". 2011. http://hdl.handle.net/2152/16044.

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Dichterliebe / Robert Schumann -- Vier Stucke fur Klarinette und Klavier, op. 5 / Alban Berg -- Drei kleine Stucke, op. 11 / Anton Webern -- Vox balaenae (Voice of the whale) / George Crumb -- 4'33" / John Cage.
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Pineda, Kris. "Doctoral thesis recital (piano)". 2011. http://hdl.handle.net/2152/16474.

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Grand duo concertant, op. 48 / Carl Maria von Weber -- For you there is no song / Leslie Adams -- Night / Florence B. Price -- Ride on, King Jesus! / arr. Hall Johnson -- Sonata in g minor, op. 19 / Serge Rachmaninoff.
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Youn, Hyo Joung. "Doctoral thesis recital (collaborative piano)". 2014. http://hdl.handle.net/2152/23676.

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Sonata [no. 7] for violin and piano, [op. 30, no. 2, in C minor] / Ludwig van Beethoven -- Sonata for clarinet and piano, op. 129 / Charles Villiers Stanford -- Suite paysanne hongoroise / Bela Bartok.
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Roh, Sung Eun. "Doctoral thesis recital (piano)". 2011. http://hdl.handle.net/2152/16518.

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Bennetch, Joshua Paul. "Doctoral thesis recital (piano)". 2010. http://hdl.handle.net/2152/11381.

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Helmlinger, Jonathan. "Doctoral thesis recital (piano)". 2010. http://hdl.handle.net/2152/11485.

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Hirazawa, Kanae. "Master's thesis recital (piano)". 2010. http://hdl.handle.net/2152/11486.

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Well-tempered clavier, book 2, Prelude and fugue in C major, BWV 870 / J. S. Bach -- Piano sonata in D major, K.311 / Wolfgang Amadeus Mozart -- Moment musical, op.16 / Sergei Rachmaninoff -- Kreisleriana, op.16 / Robert Schumann
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Huang, Chu-Han. "Doctoral thesis recital (piano)". 2010. http://hdl.handle.net/2152/11487.

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Sonata in A major, K.201 ; Sonata in D minor, K.141 / Domenico Scarlatti -- Sonata in C minor, op.111 / Ludwig van Beethoven -- Sonata No.2 in B flat minor, op.36 (1913 edition) / Sergei Rachmaninoff
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Kim, NamHeui. "Master's thesis recital (piano)". 2010. http://hdl.handle.net/2152/11496.

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Piano sonata in C major, Hob. XVI/50 -- Joseph Haydn -- Fantasy in F-sharp minor, op.28 / Felix Mendelssohn -- Partita no.1 in B-flat major, BWV 825 / Johann Sebastian Bach -- Sonata no.2 / Luis Gianneo
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Lee, Patty. "Master's thesis recital (piano)". 2010. http://hdl.handle.net/2152/11506.

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Prelude and fugue in f-sharp minor / J. S. Bach -- Piano sonata op.10, no.3 in D major / Ludwig van Beethoven -- Transcendental etude no.9: Ricordanza / Franz Liszt -- Piano sonata no.7 in B-flat major / Sergei Prokofieff
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Mace, Abigail. "Doctoral thesis recital (piano)". 2010. http://hdl.handle.net/2152/11532.

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Roh, Sung Eun. "Doctoral thesis recital (piano)". 2010. http://hdl.handle.net/2152/11582.

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Schneider, Michael. "Doctoral thesis recital (piano)". 2010. http://hdl.handle.net/2152/11588.

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Schubert song transcriptions ; Schumann song transcriptions / Franz Liszt -- Rondo in D major, K.485 ; Adagio in B minor, K.540 ; Eine kleine Gigue K.574 / Wolfgang A. Mozart -- Sonata no.3 in F minor, op.5 / Johannes Brahms
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Syrovatkova, Karolina. "Master's thesis recital (piano)". 2010. http://hdl.handle.net/2152/11602.

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Sonata I.X.1905 / Leos Janacek -- Partita no.1 in Bb major BWV 825 / Johann Sebastian Bach -- Hulan from Czech dances, series II, no.7 / Bedrich Smetana -- Sonata in Bb major D.960 / Franz Schubert
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Zhang, Jiao. "Doctoral thesis recital (piano)". 2010. http://hdl.handle.net/2152/11632.

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Gorina, Alena. "Doctoral thesis recital (piano)". 2010. http://hdl.handle.net/2152/15815.

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Hale, Trevor W. "Master's thesis recital (piano)". 2010. http://hdl.handle.net/2152/15877.

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James, Jimmy Jon. "Doctoral thesis recital (piano)". 2010. http://hdl.handle.net/2152/15883.

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Sonata in E flat major op. 81a "Les Adieux" / Ludwig van Beethoven -- Impromptu in G flat major D. 899 / Franz Schubert -- Two concert etudes / Franz Liszt -- Douze etudes / Claude-Achille Debussy -- Sonata no. 1 for piano / Michael Tippett.
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