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Artykuły w czasopismach na temat "Photographic scene"
Bell, Amy. "Crime Scene Photography in England, 1895–1960". Journal of British Studies 57, nr 1 (styczeń 2018): 53–78. http://dx.doi.org/10.1017/jbr.2017.182.
Pełny tekst źródłaYang, Wenbin. "Recognition and Analysis of Scene-Emotion in Photographic Works Based on AI Technology". International Journal of Information Technologies and Systems Approach 16, nr 2 (20.07.2023): 1–15. http://dx.doi.org/10.4018/ijitsa.326055.
Pełny tekst źródłaWilson, Dawn M. "Invisible Images and Indeterminacy: Why We Need a Multi-stage Account of Photography". Journal of Aesthetics and Art Criticism 79, nr 2 (19.04.2021): 161–74. http://dx.doi.org/10.1093/jaac/kpab005.
Pełny tekst źródłaHamel, Cheryl J., i David L. Ryan-Jones. "Effect of Visual Detail on Scene Recognition: Some Unexpected Sex Differences". Perceptual and Motor Skills 84, nr 2 (kwiecień 1997): 619–26. http://dx.doi.org/10.2466/pms.1997.84.2.619.
Pełny tekst źródłaBoshyan, Jasmine, Lisa Feldman Barrett, Nicole Betz, Reginald B. Adams i Kestutis Kveraga. "Line-Drawn Scenes Provide Sufficient Information for Discrimination of Threat and Mere Negativity". i-Perception 9, nr 1 (styczeń 2018): 204166951875580. http://dx.doi.org/10.1177/2041669518755806.
Pełny tekst źródłaArifi, Besim. "Documentation of the Crime Scene". European Journal of Interdisciplinary Studies 1, nr 2 (30.08.2015): 32. http://dx.doi.org/10.26417/ejis.v1i2.p32-38.
Pełny tekst źródłaArifi, Besim. "Documentation of the Crime Scene". European Journal of Interdisciplinary Studies 2, nr 1 (30.08.2015): 32. http://dx.doi.org/10.26417/ejis.v2i1.p32-38.
Pełny tekst źródłaBajraghosa, Terra, Budi Irawanto i Seno Gumira Ajidarma. "Family Photography as Object and Practice in Independent Comics in Indonesia". International Journal of Creative and Arts Studies 10, nr 2 (5.12.2023): 133–48. http://dx.doi.org/10.24821/ijcas.v10i2.11166.
Pełny tekst źródłaHess, Scott. "William Wordsworth and Photographic Subjectivity". Nineteenth-Century Literature 63, nr 3 (1.12.2008): 283–320. http://dx.doi.org/10.1525/ncl.2008.63.3.283.
Pełny tekst źródłaVollgraff, Matthew. "The Archive and the Labyrinth: On the Contemporary Bilderatlas". October 149 (lipiec 2014): 143–58. http://dx.doi.org/10.1162/octo_a_00187.
Pełny tekst źródłaRozprawy doktorskie na temat "Photographic scene"
Schindler, Grant. "Unlocking the urban photographic record through 4D scene modeling". Diss., Georgia Institute of Technology, 2010. http://hdl.handle.net/1853/34719.
Pełny tekst źródłaVernacotola, Mark J. "Characterization of digital film scanner systems for use with digital scene algorithms /". Online version of thesis, 1995. http://hdl.handle.net/1850/11967.
Pełny tekst źródłaDahmani, Taous Rose. "Faire scène : stratégies d'émergence et d'institutionnalisation des photographes noirs britanniques dans la longue décennie 80". Electronic Thesis or Diss., Paris 1, 2023. http://www.theses.fr/2023PA01H082.
Pełny tekst źródłaDuring the long 1980s, non-white photographers and Black women photographers imagined forms of opposition to a milieu that consistently ignored them. Individually and collectively, Black photographers challenged continual denial with gestures of resistance. Together, and on their own they made their scene. Instigators of a multitude of acts, they became the agents of their being recognised as artist-photographers. The scene produced an empowerment which in turn shaped that scene. This thesis recounts the strategies they put in place to challenge the status quo. The creation of this scene occurred through two fundamental axes: firstly publications; and secondly exhibitions. In the first place, the study of printed matter reveals the mechanisms of exclusion and inclusion of these individuals, and indicates their essential role in encounters, exchanges, experimentation, debate, theoretical elaboration and the display of visual productions. To this end, we examine three photographers' magazines: Camerawork, Ten.8 and Polareyes; and comment on the absence of photographers' books. In the second place, our study of the need to show work on walls, through exhibitions, enables us to identify a "Do It-Yourself" attitude in which artists become curators and coordinators of spaces. The thesis concludes on the institutionalization of the scene through the history of the Association of Black Photographers as an organization. Our pivot is the emergence of a scene despite a society opposed to it, and tells the story of its slow inclusion in the world of British photography in the second half of the 20th century
Giles, Jacinta. "Ordinary Affects: Minor Photography, the Televisual and the Baroque Mise-en-scène". Thesis, Griffith University, 2021. http://hdl.handle.net/10072/409629.
Pełny tekst źródłaThesis (PhD Doctorate)
Doctor of Philosophy (PhD)
Queensland College of Art
Arts, Education and Law
Full Text
Hardy, Marie-Josée. "Fantasmes esthético-ludiques et photographies de mise en scène /". Thèse, Chicoutimi : Université du Québec à Chicoutimi, 2005. http://theses.uqac.ca.
Pełny tekst źródłaSanaâ, Kahena. "Emplacement, déplacement, replacement : poïétiques visuelles des corps urbains". Thesis, Paris 1, 2015. http://www.theses.fr/2015PA010575.
Pełny tekst źródłaThe objective of this dissertation is to explore the situations of the body in an urban environment as mediated via different angles, scales and positions. A personal artistic démarche of editing records, surveys, and scrutinizes the mobility of passers and bystanders; the result is an audio-visual record that tracks the tactics of evasion, the speedy rhythms of steps, the intersections of the trajectories and the polyphony that form the thread of daily life in the city. Taking as a point of departure my personal experience - a change of scene (déplacement) in the metropolis of Paris - I examine the disorientations between the rendering of the foreigner’s gaze and the construction of videographic and photographic images. From a methodological point of view, three concepts of variable geometry organize these concepts in states of dynamic imbrication: delocation (déplacement), location (emplacement) and relocation (replacement). The first movement, which corresponds to the lived experience of immersion into the city, treats the sense-based dimension of pedestrian practices. The second, which concerns perception, interrogates the gaze of the observer and of the investigator and of the poetic treatment of taped visual and sonic material. The third concept entails a change of the plastic regime where the artistic body is divided in two: oscillating between the filming and the filmed where ultimately the videographic scene becomes a performative scene. The theoretical framework is likewise divided in two. On the one hand, it is inspired by Merleau-Ponty’s phenomenology, by Simmel’s microsociology and by contemporary urban anthropology. On the other hand, it consists of an evidencing of resonances between my own démarche and those of artists active in the 1960s and 1970s like the Situationists, Valie Export, Vito Aconci or Esther Ferrer, as well as more contemporaries like Isabelle Grosse, Valérie Jouve, Mark Lewis and Maïder Fortuné, who scrutinize the scenographies of the body and of its images
Robertson, Duncan Paul. "Recovering geometric models from photographs of architectural scenes". Thesis, University of Cambridge, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.616042.
Pełny tekst źródłaBesson, Daniel. "Les unes du quotidien Libération : photographie et mise en scène de l'information /". Paris : Université de Paris VIII, 1995. http://catalogue.bnf.fr/ark:/12148/cb370670724.
Pełny tekst źródłaChen, Qing. "Mises en scène du corps : Identité et altérité en photographie et vidéographie". Thesis, Paris 8, 2015. http://www.theses.fr/2015PA080012.
Pełny tekst źródłaThe challenge of the pictorial representation of the body and the use of my own body as the medium of creation is a reaction to the failure of contemporary communication. Can this artistic device, even for a moment, thwart the power of alienation that resides in the obligation to conform to a particular idea of the body, of this “social body”, to allow for a certain construction of identity? The ways of showing the portrait, the self-portrait and the body and their treatment are modes of “community living.” The manipulation of these codes allowed me to consider my own identity in society while questioning the relation between “self” and “us.”The photos and videos introduce a notion of identity by way of a display. In some of the works, I use my body as a means of self-representation. I work on transforming myself, on the invention of a new body, of a new identity. In the first place, it is a narcissistic questioning, although the autobiographical fiction is not “self-centred”, but is in line with our principal subject, that of the interrogation of the self-image as mediation to envisage individual identity anew by means of a collective horizon
Albrechtsson, Linnea, i Kajsa Eriksson. "Vardagsfotografier : Inspiration för scenskapande av bilder". Thesis, Blekinge Tekniska Högskola, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:bth-14681.
Pełny tekst źródłaThere is an increasing amount of pictures taken everyday and thus an increase of passive pictures in our personal archives. In order to reactivate the passive pictures this bachelor thesis asks the research question what can inspire the everyday photographer to use their picture archive to create new image scenes? The aim of this analysis is to find an inspiration source to encourage the everyday photographers to use their passive images to create new image scenes. The further aim is also to inform and encourage a discussion about the everyday photography and the growing amount of pictures. As a foundation for our design process we have explored a variety of research within the field of everyday photography, personal archives and pictures as memories. We have during our design process also used a combination of methods to create and evolve ideas, for instance brainstorming, mindmapping and the “why-method”. The methods workshop and crowdsourcing were also used as a way to invite other people into the process. As a whole our process has revolved around the concept of messiness as we encountered a dilemma that turned our previous attitude towards the thesis upside down. Our design and conclusion, BuildBild, emerged through our method creating scenes of transparent images which is based on the idea of pictures printed on plastic. BuildBild is a playful tool which is meant to inspire everyday photographers to reactivate their passive pictures through creative scenes.
Książki na temat "Photographic scene"
Lacan at the scene. Cambridge, MA: MIT Press, 2009.
Znajdź pełny tekst źródłaHuang shan: Yunfeng she ying ji = The scene of Mt. Huangshan : Zhu Yunfeng photographic works. Hefei Shi: Anhui mei shu chu ban she, 1996.
Znajdź pełny tekst źródłaDancing with the Dead: A photographic memoir ; my good old days with the Grateful Dead & the San Francisco music scene, 1964-1974. Rohnert Park, CA: Tioli Press & Bytes, 2013.
Znajdź pełny tekst źródłaCamille Silvy: River scene, France. Malibu, Calif: J. Paul Getty Museum, 1992.
Znajdź pełny tekst źródłaSeen behind the scene: Forty years of photographing on set. London: Phaidon Press, 2008.
Znajdź pełny tekst źródłaStewart, Gail B. The crime scene photographer. Detroit: Lucent Books, 2008.
Znajdź pełny tekst źródłaDans l'atelier du photographe: La photographie mise en scène, 1839-2006. Paris: Paris-Musées, 2012.
Znajdź pełny tekst źródłaSeider, Norman. Opening scenes: Photographs. Asheville, N.C: Safe Harbor Books, 2006.
Znajdź pełny tekst źródłaZiegler, Crista. Schauplatz: Fotografien = Public scene : photographs. Basel: Christoph Merian Verlag, 1999.
Znajdź pełny tekst źródłaScenes in a library: Reading the photograph in the book, 1843-1875. Cambridge, Mass: MIT Press, 1998.
Znajdź pełny tekst źródłaCzęści książek na temat "Photographic scene"
Bohn, Ralf. "Schreiben mit Licht". W Bewegungsszenarien der Moderne, 93–109. Heidelberg, Germany: Universitätsverlag WINTER, 2021. http://dx.doi.org/10.33675/2021-82537264-6.
Pełny tekst źródłaMaloney, Michael S. "Death Scene Photography". W Death Scene Investigation, 303–14. Second edition. | Boca Raton : CRC Press, [2018]: CRC Press, 2017. http://dx.doi.org/10.1201/9781315107271-40.
Pełny tekst źródłaDuncan, Christopher D. "Bloodstain Photography". W Advanced Crime Scene Photography, 253–96. Wyd. 3. Boca Raton: CRC Press, 2023. http://dx.doi.org/10.4324/9781003292449-8.
Pełny tekst źródłaDuncan, Christopher D. "Photography Equipment". W Advanced Crime Scene Photography, 21–45. Wyd. 3. Boca Raton: CRC Press, 2023. http://dx.doi.org/10.4324/9781003292449-2.
Pełny tekst źródłaDuncan, Christopher D. "Flash Photography". W Advanced Crime Scene Photography, 177–219. Wyd. 3. Boca Raton: CRC Press, 2023. http://dx.doi.org/10.4324/9781003292449-6.
Pełny tekst źródłaDuncan, Christopher D. "Photographing Fire Scenes". W Advanced Crime Scene Photography, 393–406. Wyd. 3. Boca Raton: CRC Press, 2023. http://dx.doi.org/10.4324/9781003292449-11.
Pełny tekst źródłaDuncan, Christopher D. "Crime Scene Photography". W Advanced Crime Scene Photography, 47–98. Wyd. 3. Boca Raton: CRC Press, 2023. http://dx.doi.org/10.4324/9781003292449-3.
Pełny tekst źródłaGardner, Ross M., i Donna R. Krouskup. "Crime Scene Photography". W Practical Crime Scene Processing and Investigation, 107–46. Third Edition. | Boca Raton, FL : CRC Press, [2019] | Revised: CRC Press, 2018. http://dx.doi.org/10.4324/9781315170596-6.
Pełny tekst źródłaZakia, Richard D., i David A. Page. "Framing the Scene". W Photographic Composition, 89–114. Elsevier, 2011. http://dx.doi.org/10.1016/b978-0-240-81507-7.00005-5.
Pełny tekst źródła"Framing the Scene". W Photographic Composition, 109–34. Routledge, 2012. http://dx.doi.org/10.4324/9780240815084-13.
Pełny tekst źródłaStreszczenia konferencji na temat "Photographic scene"
Štampfl, Veronika, i Jure Ahtik. "The influence of the surrounding space on the lighting conditions in a photographic scene". W 11th International Symposium on Graphic Engineering and Design. University of Novi Sad, Faculty of technical sciences, Department of graphic engineering and design, 2022. http://dx.doi.org/10.24867/grid-2022-p95.
Pełny tekst źródłaYi, Qiong, Gaobo Yang, Ming Xia i Dengyong Zhang. "Photographic composite detection using scene perspective constraints". W 2017 13th International Conference on Natural Computation, Fuzzy Systems and Knowledge Discovery (ICNC-FSKD). IEEE, 2017. http://dx.doi.org/10.1109/fskd.2017.8393388.
Pełny tekst źródłaAyres, T. J. "Psychophysical Validation of Photographic Representations". W ASME 1996 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 1996. http://dx.doi.org/10.1115/imece1996-0703.
Pełny tekst źródłaVenable, Dennis L., i Nicholas George. "Orientation sorting by diffraction pattern sampling". W OSA Annual Meeting. Washington, D.C.: Optica Publishing Group, 1987. http://dx.doi.org/10.1364/oam.1987.ma2.
Pełny tekst źródłaŠtampfl, V., i J. Ahtik. "INFLUENCE OF PHOTOGRAPHIC LIGHT-SHAPING ATTACHMENTS ON COLOUR PROPERTIES OF THE ORIGINAL LIGHT SOURCE". W CIE 2023 Conference. International Commission on Illumination, CIE, 2023. http://dx.doi.org/10.25039/x50.2023.po069.
Pełny tekst źródłaFerranti, Tomás, Asla Medeiros e Sá i Paulo Cezar Pinto Carvalho. "Single Image 3D Building Reconstruction Using Rectangles Parallel to an Axis". W Workshop de Visão Computacional. Sociedade Brasileira de Computação - SBC, 2021. http://dx.doi.org/10.5753/wvc.2021.18906.
Pełny tekst źródłaHashemian, Alireza, i Toby Terpstra. "Accuracy of Rectifying Oblique Images to Planar and Non-Planar Surfaces". W WCX SAE World Congress Experience. 400 Commonwealth Drive, Warrendale, PA, United States: SAE International, 2024. http://dx.doi.org/10.4271/2024-01-2481.
Pełny tekst źródłaToglia, Angelo, Gregory D. Stephens, David J. Michalski i Joy L. Rodriguez. "Applications of PhotoModeler in Accident Reconstruction". W ASME 2005 International Mechanical Engineering Congress and Exposition. ASMEDC, 2005. http://dx.doi.org/10.1115/imece2005-79250.
Pełny tekst źródłaSun, Xiaotian. "The smell of the scene - Mapping the digital smell of scenes around Beijing". W 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1001777.
Pełny tekst źródłaКрасильникова, Дарья Сергеевна. "PHOTOGRAPHIC COLLECTION FROM N. ZHUKOVSKAYA’S (1874-1940) PERSONAL ARCHIVE IN THE COLLECTION OF THE LITERARY MUSEUM OF THE PUSHKIN HOUSE". W Фундаментальные и прикладные исследования. Актуальные проблемы и достижения: сборник статей XXIII всероссийской (национальной) научной конференции (Санкт-Петербург, Декабрь 2023). Crossref, 2024. http://dx.doi.org/10.37539/231206.2023.53.10.002.
Pełny tekst źródłaRaporty organizacyjne na temat "Photographic scene"
McKinnon, Mark B., i Daniel Madrzykowski. Four Firefighters Burned in Residential House Fire - Georgia. UL's Fire Safety Research Institute, czerwiec 2022. http://dx.doi.org/10.54206/102376/gekk4148.
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