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Artykuły w czasopismach na temat "Photographes – Sociologie"
Maresca, Sylvain. "Photographes : sociologie d’une profession mal connue". Cahier Louis-Lumière 7, nr 1 (2010): 9–17. http://dx.doi.org/10.3406/cllum.2010.926.
Pełny tekst źródłaLéon, Véra. "La querelle des photo-filmeurs". Photographica, nr 2 (3.05.2021): 130–46. http://dx.doi.org/10.54390/photographica.468.
Pełny tekst źródłaBojanić, Sanja, Jelena Ćeriman i Sara Nikolić. "Upotreba foto-elicitacije u sociologiji". Revija za sociologiju 53, nr 3 (31.12.2023): 429–57. http://dx.doi.org/10.5613/rzs.53.3.4.
Pełny tekst źródłaRobbins, Derek. "Gazing at the Colonial Gaze: Photographic Observation and Observations on Photography Based on a Comparison between Aspects of the Work of Pierre Bourdieu and Jean-Claude Passeron". Sociological Review 57, nr 3 (sierpień 2009): 428–47. http://dx.doi.org/10.1111/j.1467-954x.2009.01848.x.
Pełny tekst źródłaFox, Paul. "An unprecedented wartime practice: Kodaking the Egyptian Sudan". Media, War & Conflict 11, nr 3 (13.07.2017): 309–35. http://dx.doi.org/10.1177/1750635217710676.
Pełny tekst źródłaEnsel, Remco. "Dutch Face-ism. Portrait Photography and Völkisch Nationalism in the Netherlands". Fascism 2, nr 1 (2013): 18–40. http://dx.doi.org/10.1163/22116257-00201009.
Pełny tekst źródłaBrown, Terry M. "Transcending the colonial gaze: Empathy, agency and community in the South Pacific photography of John Watt Beattie1". Journal of New Zealand & Pacific Studies 8, nr 2 (1.12.2020): 151–70. http://dx.doi.org/10.1386/nzps_00035_1.
Pełny tekst źródłaLewis, Abigail E. "Collaboration in Focus". French Politics, Culture & Society 40, nr 3 (1.12.2022): 73–98. http://dx.doi.org/10.3167/fpcs.2022.400304.
Pełny tekst źródłaSaburova, Tatiana. "Geographical Imagination, Anthropology, and Political Exiles". Sibirica 19, nr 1 (1.03.2020): 57–84. http://dx.doi.org/10.3167/sib.2020.190105.
Pełny tekst źródłaHaddour, Azzedine. "Bread and Wine: Bourdieu's Photography of Colonial Algeria". Sociological Review 57, nr 3 (sierpień 2009): 385–405. http://dx.doi.org/10.1111/j.1467-954x.2009.01846.x.
Pełny tekst źródłaRozprawy doktorskie na temat "Photographes – Sociologie"
Aufort, Adrien. "Homo photographicus : sociogenèse du métier de photographe en France". Electronic Thesis or Diss., Sorbonne université, 2024. http://www.theses.fr/2024SORUL023.
Pełny tekst źródłaThis doctorate thesis aims to study the profession of photographer through the lens of sociology and history.A current portrait (2018-2023) of the professionals is drawn up by analyzing 30 interviews and 258 responses to an online questionnaire. Education, sociability, technique, aesthetic preferences and cultural habits are described in detail. In the manner of a replicability experiment, some of the results of this double survey reinforce the conclusions of previous work, particularly with regard to the socio-demographic determinants of entry into the profession. Others are more original, such as the influence of seniority on income, or the influence of geographical location on winning a prize. Professional success is also addressed and understood as the match between an ‘extended setup', a link between man and machine, and social representations. The latter are the fruit of the photographers' work, both on the photographic images they produce and on the self-image they cultivate. A historical correspondence (1910-1952) was also established by analyzing 778 issues of the magazine Le Photographe. From its beginnings as a corporate body to its legal, political and institutional achievements, the profession has a rich history. Understood as an individual and collective enterprise, the profession of photographer is seemingly in a constant state of crisis. It requires not only a constant negotiation with technological changes as they arise, but also with other users of the photographic medium
Ulanovsky, Lucia. "Entre l'appareil et les rotatives : photoreporters, usages des photos et organes de presse (1969-1984)". Paris, EHESS, 2014. http://www.theses.fr/2014EHES0628.
Pełny tekst źródłaDal, Pezzo Rolando. "Photography, sociology & anthropology". FIU Digital Commons, 1999. http://digitalcommons.fiu.edu/etd/2708.
Pełny tekst źródłaEldridge, Alison. "Photography and sociology : an exercise in serendipity". Thesis, University of Glasgow, 2015. http://theses.gla.ac.uk/7392/.
Pełny tekst źródłaCampion, Britta Maree Art College of Fine Arts UNSW. "Photography as a method of visual sociology: An investigation of the potential of still photography as a method of visual sociology". Publisher:University of New South Wales. Art, 2008. http://handle.unsw.edu.au/1959.4/42059.
Pełny tekst źródłaConord, Sylvaine. "Fonctions et usages de la photographie en anthropologie des cafés bellevillois (Paris XXe) à l'île de Djerba (Tunisie) : échanges entre des juives d'origine tunisienne et une anthropologue-photographe". Paris 10, 2001. http://www.theses.fr/2001PA100169.
Pełny tekst źródłaThe purpose of this research is to study the various functions of photography in intercultural exchanges between a french anthropologist and Jewish women of Tunisia, regular customers of Belleville cafés in Paris XXe. Photography, considered at the same time a practice, a custom, a material and symbolic exchange artcle, a mean of personal enhancement, occupies here a central and determining place in the relations that the anthropologist maintains with her field. A photography is, in itself, a specific representation : it is a result of the interaction between the photograph and the photographed subject. The "reader" of the picture has also his own subjective system of perception. On account of her photographic practices, the photographer practices, the photographer finds herself invested, by the Jewish women of Tunisia, with diverse and varied roles which allow her to understand better certain aspects of the social relation characteristic of this population : self mise en scène, the "evil eye", the rivalries, "good deals", women sociability, the religious ceremonies, pilgrimages of Lag baO mer in Israël and in Tunisia, etc. These different regards help to understand the mediatory function of photography in a field in anthropology
Galla, Taylor. "DANGERS OF THE NEWS(FEED): AN EXPLORATION INTO FAKE NEWS, PHOTOGRAPHIC TRUTH AND THE POWER OF DIGITAL COMMUNICATION ON FACEBOOK". Scholarship @ Claremont, 2018. http://scholarship.claremont.edu/scripps_theses/1208.
Pełny tekst źródłaGarza-Meza, Laura Elizabeth. "Photography as a spiritual technique". Thesis, Pepperdine University, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=3558387.
Pełny tekst źródłaThe purpose of this study is to compare the spiritual benefits of practicing photography to the spiritual benefits of practicing prayer, meditation and yoga. Benefits noted were divided into the 4 dimensions of being human: physical, emotional, intellectual, and spiritual. The study considers Mexican leaders' perceptions of photography as a spiritual practice. A total of 105 Mexican leaders answered surveys. Of the 105 leaders, 14 were professors, 30 were entrepreneurs, 46 were business executives and 15 were students and homemakers (listed as "other") varying in ages from 21 to over 61.
The design of this study is descriptive, while the study was quantitative in nature. In preparation for the study, the researcher gathered qualitative information regarding the benefits observed as leaders practice photography. These descriptive answers were then used to create the quantitative surveys for the study.
The data demonstrated that photography can be considered a spiritual technique. First, the spiritual benefits shown from practicing photography mirror, to a large degree, the spiritual benefits reported for practicing prayer, meditation, and yoga. The literature also supports the reported similarities; however, participants do not consciously recognize these benefits. Second, the 4 dimensions of being human (physical, intellectual, emotional, and spiritual) are divided into 5 factors: (a) physical well-being and better decision-making, (b) optimism in life, (c) interrelation with the environment and intellectual development, (d) relaxing, and (e) spiritual growth.
Hayes, S. "Building community : a sociology of theatre audiences". Thesis, University of Salford, 2006. http://usir.salford.ac.uk/2034/.
Pełny tekst źródłaBlanchard, Benoît. "Photographie contemporaine, institutionnalisation et marché de l'art (1995-2005)". Paris 8, 2012. http://www.theses.fr/2012PA083821.
Pełny tekst źródłaPhotography, contemporary, institutions and the art market are the starting elements of the questioning of this thesis. How and why the contemporary art world continues to stumble on the photographic medium? Such is the main problem of this work. We will start from the contradictions inherent in this problem to question the borders of the institutionalized contemporary art world, their condition of existence and the relationships they establish in society, especially those with the public and the consumer society. What place for photography in this system and the extent to which contemporary qualifier may be attributed to photography will be the theme of this research. These lead us from the genesis of the institutional integration phenomenon of the photographic medium in contemporary art market to achieve a re-questioning of the photograph according to it contemporaneity
Książki na temat "Photographes – Sociologie"
contributor, Arrif Abdelmajid, i Tozy Mohamed contributor, red. Paul Pascon, un été dans le Haouz de Marrakech. Casablanca: Éditions La croisée des chemins, 2017.
Znajdź pełny tekst źródłaPaz, Alfredo De. La fotografia come simbolo del mondo: Storia, sociologia, estetica. Bologna: CLUEB, 1993.
Znajdź pełny tekst źródłaMartins, José de Souza. Sociologia da fotografia e da imagem. São Paulo, SP: Editora Contexto, 2008.
Znajdź pełny tekst źródłaSociologia da fotografia e da imagem. São Paulo, SP: Editora Contexto, 2008.
Znajdź pełny tekst źródłaProsthetic culture: Photography, memory and identity. London: Routledge, 1998.
Znajdź pełny tekst źródłaShevchenko, Olga. Double exposure: Memory & photography. New Brunswick: Transaction Publishers, 2014.
Znajdź pełny tekst źródłaWeinberger, Karlheinz. Karlheinz Weinberger: Photos, 1954-1995. Zurich: Andreas Züst Verlag, 2000.
Znajdź pełny tekst źródłaBaudrillard, Jean. Jean Baudrillard: Fotografien 1985-1998 ; [im Horizont des Objekts ; Objekte in diesem Spiegel sind näher als sie erscheinen ; 9.1.-14.2.1999, Neue Galerie Graz am Landesmuseum Joanneum, Graz] = Photographies = Photographs. Ostfildern-R #: Hatje Cantz, 1999.
Znajdź pełny tekst źródłaGariglio, Luigi. Uno sguardo obiettivo?: Fotografie e immagini fisse in campo sociologico. Roma: Aracne, 2010.
Znajdź pełny tekst źródłaUno sguardo obiettivo?: Fotografie e immagini fisse in campo sociologico. Roma: Aracne, 2010.
Znajdź pełny tekst źródłaCzęści książek na temat "Photographes – Sociologie"
Harper, Douglas. "Documentary photography and visual sociology". W Visual Sociology, 8–49. Wyd. 2. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003251835-2.
Pełny tekst źródłaSebag, Joyce, i Jean-Pierre Durand. "From Ethnologist Photography to Filmic Sociology". W Filmic Sociology, 31–82. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-33696-6_3.
Pełny tekst źródłaMöller, Frank. "Visual Peace: Towards a Sociology of Visual Knowledge". W Peace Photography, 59–85. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-030-03222-7_3.
Pełny tekst źródłaBartollas, Clemens, i Dragan Milovanovic. "Auto-ethnography, Visual Sociology, Photography and Quantum Connections: 1990s to Present". W Richard Quinney, 127–58. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-02296-9_7.
Pełny tekst źródłaMatthews, Scott L. "What a Place This South Is". W Capturing the South, 68–111. University of North Carolina Press, 2018. http://dx.doi.org/10.5149/northcarolina/9781469646459.003.0003.
Pełny tekst źródłaFuccaro, Nelida. "The Oil Company’s Fields of Vision: Public Relations and Labour Images in The Arab World". W Life Worlds of Middle Eastern Oil, 87–119. Edinburgh University Press, 2023. http://dx.doi.org/10.3366/edinburgh/9781399506144.003.0004.
Pełny tekst źródłaRowe, Jeremy. "Geo-Referencing Early Photographic Studios and Using Historic Photographs to Study Urban Processes and Environments". W Visual and Multimodal Urban Sociology, Part A, 97–121. Emerald Publishing Limited, 2023. http://dx.doi.org/10.1108/s1047-00422023000018a004.
Pełny tekst źródłaConord, Sylvaine. "Entre sociologie et photographie. Sur les pas des enquêtés". W Carrières, 253–70. Presses universitaires de Paris Nanterre, 2019. http://dx.doi.org/10.4000/books.pupo.31391.
Pełny tekst źródłaChoi, Y. Susan, Heather M. Gray i Nalini Ambady. "The Glimpsed World: Unintended Communication and Unintended Perception". W The New Unconscious, 309–33. Oxford University PressNew York, NY, 2004. http://dx.doi.org/10.1093/oso/9780195149951.003.0013.
Pełny tekst źródłaArús, María A. Cabrera. "Fashioning and Contesting the Olive-Green Imaginary in Cuban Visual Arts". W Picturing Cuba, 155–74. University Press of Florida, 2019. http://dx.doi.org/10.5744/florida/9781683400905.003.0011.
Pełny tekst źródłaStreszczenia konferencji na temat "Photographes – Sociologie"
Cocieru, Mariana. "Values of Romanian ethnological photographic art: Joseph Berman". W Conferință științifică internațională "FILOLOGIA MODERNĂ: REALIZĂRI ŞI PERSPECTIVE ÎN CONTEXT EUROPEAN". “Bogdan Petriceicu-Hasdeu” Institute of Romanian Philology, Republic of Moldova, 2023. http://dx.doi.org/10.52505/filomod.2023.17.20.
Pełny tekst źródłaREPANOVICI, Angela, Vlad BATRANU-PINTEA, Elisa DAN, Liviu TOADER i Adrian Paul TULIGA. "DAILY LIFE IN COMMUNISM. AN APPROACH THROUGH PERSONAL OBJECT ANALYSIS". W 10th SWS International Scientific Conferences on SOCIAL SCIENCES - ISCSS 2023. SGEM WORLD SCIENCE, 2023. http://dx.doi.org/10.35603/sws.iscss.2023/s10.44.
Pełny tekst źródłaMartins, João. "Design of products to honor people post mortem". W Systems & Design: Beyond Processes and Thinking. Valencia: Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/ifdp.2016.3323.
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