Rozprawy doktorskie na temat „Photographed moment”
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Xie, Jiahua. "Moment beyond moment". Click here to access this resource online, 2008. http://hdl.handle.net/10292/452.
Pełny tekst źródłaSchnarr, Christopher E. "Moments between the surface : photography and fiction". Virtual Press, 1995. http://liblink.bsu.edu/uhtbin/catkey/935913.
Pełny tekst źródłaDepartment of Architecture
Castoro, Manila. "The decisive moment and the moment in between : Kairos, Tyche and the play of street photography". Thesis, University of Kent, 2016. https://kar.kent.ac.uk/60420/.
Pełny tekst źródłaEbner, Bonnie M. "Many telling moments the essence of fragmented image culture /". Orlando, Fla. : University of Central Florida, 2008. http://purl.fcla.edu/fcla/etd/CFE0002116.
Pełny tekst źródłaThallon, Norma-Louise. "The relationship between the visual and the verbal within a comedic moment : after the laughter". Thesis, Royal College of Art, 2011. http://researchonline.rca.ac.uk/396/.
Pełny tekst źródłaKaufman, Sarah K. "Moments of Absorption". VCU Scholars Compass, 2008. http://scholarscompass.vcu.edu/etd/1133.
Pełny tekst źródłaBruce, Janine. "Static Moments Photographic Notions of Time in the Paintings of Degas, Vuillard, Bonnard and Sickert". Thesis, University of Canterbury. Art History and Theory, 2012. http://hdl.handle.net/10092/8192.
Pełny tekst źródłaKorver, Ruth M. "In memory of cats : the camera and the ordinary moment : a thesis presented in partial fulfilment of the requirements for the degree of Masters in Fine Arts at Massey University, Wellington, New Zealand". Massey University, 2009. http://hdl.handle.net/10179/956.
Pełny tekst źródłaMartins, José Francisco Greco. "Despejo da favela Jardim Maria Virgínia: fotografias, práticas e representações sociais nos momentos de perigo (1999 e 2011/12)". Pontifícia Universidade Católica de São Paulo, 2015. http://tede2.pucsp.br/handle/handle/2576.
Pełny tekst źródłaCoordenação de Aperfeiçoamento de Pessoal de Nível Superior
The present research problematizes the social practices and representations within the social space of the favela (slum) Jardim Maria Virgínia (JMV) in the years of 1999 and 2011/12. The area is located in the southern outskirts of the city of São Paulo, in the Campo Limpo district. The research was carried out through a qualitative approach. Besides the usual methods, photographic images were used as a research resource. In 1999, local people were facing a threat of eviction, which was photographed by then. At that time, some inhabitants were interviewed. Returning to the slum in 2011/12, it was investigated what had changed and what had remained steady concerning the social practices and representations experimented by the dwellers in 1999. Through an approach based on the presuppositions of the disruption of politics, the thesis development has revealed the settings of contrasts and continuities between the two moments which are distant in time, as well as it has shown an unstable, provisory and unfinished everyday life, characterized by violence, fear and silence, and whose synthesis is inscribed within the logic of incompleteness
O presente estudo problematiza as práticas e representações sociais no espaço social da favela Jardim Maria Virgínia (JMV), localizada no bairro do Campo Limpo, periferia da zona sul da cidade de São Paulo, em 1999 e 2011/12. Trata-se de uma pesquisa de ordem qualitativa que, além dos recursos metodológicos clássicos, empregou a imagem fotográfica como instrumento de pesquisa. Em 1999, a favela enfrentava o momento do perigo do despejo, o qual foi fotografado, e os moradores entrevistados. Ao retornar à favela em 2011/12, buscou-se verificar o que mudou ou se manteve constante nas práticas e representações sociais experimentadas por seus moradores em 1999. Com uma abordagem sustentada nos pressupostos do desmanche da política, o desenvolvimento da tese revelou a tessitura dos contrastes e continuidades entre os dois momentos distantes no tempo, assim como demonstrou um cotidiano instável, provisório e inacabado, revestido pela violência, medo e silêncio, cuja síntese inscreveu-se na lógica da incompletude
Revenäs, Björn. "Några aspekter på filmens tid : Ögonblicket och nuet i filmen och fotografiet". Thesis, Stockholms universitet, Filmvetenskapliga institutionen, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-62335.
Pełny tekst źródłaVogelová, Tereza. "Chaos". Master's thesis, Vysoké učení technické v Brně. Fakulta výtvarných umění, 2012. http://www.nusl.cz/ntk/nusl-232326.
Pełny tekst źródła"Moments in photography". 2002. http://library.cuhk.edu.hk/record=b5891340.
Pełny tekst źródła"Architecture Department, Chinese University of Hong Kong, Master of Architecture Programme 2001-2002, design report."
Includes bibliographical references (leaves [62]-[63]).
Chapter 1.0 --- initiation
Chapter 1.1 --- statment of intent
Chapter 1.2 --- exploration
Chapter 1.3 --- initial thinking
Chapter 1.4 --- photography . tools
Chapter 1.5 --- my images
Chapter 1.6 --- Henri cartier-Bresson
Chapter 1.7 --- my moment
Chapter 2.0 --- study
Chapter 2.1 --- "ex.1, images making process"
Chapter 2.2 --- ex.2. ./. photo & arch
Chapter 2.3 --- "ex.3, abstract my images"
Chapter 2.4 --- ex.4. images of old hong kong
Chapter 2.5 --- human sense
Chapter 2.6 --- impossible triangle
Chapter 2.7 --- Chinese garden
Chapter 2.8 --- daylight
Chapter 2.9 --- shadows
Chapter 3.0 --- design
Chapter 3.1 --- site
Chapter 3.2 --- daylight study
Chapter 3.3 --- design strategy
Chapter 3.4 --- plans and sections
Chapter 3.5 --- visual sequence
Chapter 3.6 --- models
Chapter 3.7 --- special study
Chapter 4.0 --- others
Chapter 4.1 --- bibliography
Chapter 4.2 --- thanks
Chapter 5.0 --- appendix
Chapter 5.1 --- plans
Chapter 5.2 --- sections
Lin, Yucheng, i 林郁程. "Living In a Flat Moment― Illustration of Personal Photographs". Thesis, 2013. http://ndltd.ncl.edu.tw/handle/a8e8r6.
Pełny tekst źródła國立臺灣藝術大學
視覺傳達設計學系碩士班
101
Abstract Compared with other typical of photographs, we always cherish our personal photographs most, because we memories of something or someone by reading those photographs. The writer tries to read his own personal photographs in different ways. Those images of the photographs are not only have different meanings for different readers metaphysically, but also have been reserved and copied on several different media physically. Therefore, the writer thinks it seems like these images of the photographs have journeys of image dissemination from this media to another, and live in the readers’ minds. The writer wants to express the creative conception by using several techniques, such as computer image editing, sketch transfer, and collage to change and compose the images of personal photographs in the same picture. All images are not drawn on the paper directly, but rather they are copied and pasted on it. In this way, they are being constantly changed within peoples’ mind as they are being constantly changed in many different medias. The meaning of personal photographs are not clear and certain as we thought, even though these are photographs that we are very familiar with. Different person has different interpretation. Each time we review a photograph, we could redefine the meaning, and make a new story. Maybe photographs don’t need to be given any kind of meaning at all, but all they need, is to be seen by the people. Keywords: personal photograph, image interpretation, image dissemination
Li, Kun-Hsueh, i 李坤學. "Decisive Moment of Toss by Cheerleading in the Sports Photography". Thesis, 2016. http://ndltd.ncl.edu.tw/handle/65695966060912623247.
Pełny tekst źródła國立臺灣師範大學
體育學系
104
The purpose of this study was to find out capturing cheerleading sport photography in the decisive moment essentials. Interviewed four cheerleading senior sports photographer with semi-structured interviews. Summed cheerleading photography shooting guidelines to the future cheerleading sport photographer, that they could understand the shooting process of quickly and select correct equipment. Results: Cheerleading sport photography need to have the camera with a high-speed continuous shooting and excellent focusing performance. And lens characteristics was large aperture zoom lens in 24-70 mm and 70-200 mm focal length. Using telephoto lens to take the image will render the subject more personal close-up and skills performance. The use of wide-angle lens rendering team tacit formation performance. Necessary conditions of capturing instant photo are high-speed shutter and to predict cheerleading players the next move. Using panning skill with pre-focus and completing photography composition in the shortest time to capture the most exciting moments.
Chen, Chan-Huan, i 陳正桓. "" A touching moment " - A study about Documentality in Wedding Documentary Photography". Thesis, 2012. http://ndltd.ncl.edu.tw/handle/c4u85m.
Pełny tekst źródła國立臺中科技大學
商業設計系碩士班
100
"Photographic" has a very important purpose to record the history. Therefore the definition of Documentary becomes a more in-depth discussion. Wedding documentary is a type of documentary photography. Especially after the popularity of photography, everyone anywhere to shoot their photo anytime and anyware. Today, wedding documentary very important element in the modern marriage. Modern men and women are free to love, many of the old concept is not necessary in modern society. The wedding is evolving with the times, photography viewpoint likewise. The wedding documentary focuses on people with emotional, and therefore we can''t ignore the marriage of traditional evolution. The wedding documentary is a record of a process, but it is not just the outside of artistic expression, it is also worthy of further exploration text. First, this study is the to using the Documentary Analysis Method, focus on the history of photography, documentary photography information and photographer. Moreover, collect wedding documentary of Taiwan, traditional folk data, wedding photographer, etc. related literatures. From which to explore the professional competence of the evolution of wedding customs processes and wedding photographer. In considering the efficiency factor, using the Questionnaire to learn how new couples and their wedding photographer thinking. After Questionnaire, In-Depth Interview Method is the next step. Interviews with professional photographers through specific issues from the industry point of view. After the results to analyze the fallowing conclusions: 1. Women - a protagonist of modern wedding: Although the wedding before the undesirable practices of many degrading to women, but these conditions have been many improvements in the modern. Taiwanese society, many of the details are slowly evolved. 2. The modern wedding is relaxed and happy: Now, the traditional wedding there are many changes, but the spirit of the past almost the same. After reducing waste of resource, it is much easier to host of wedding. 3. Digital technology to stimulate new markets: shooting photos cost reduction features driven wedding documentary to professional business. In addition, exquisite wedding has driven the growth of other related industries. 4. Just shoot - Technology will take care everything: digital camera in the getting smarter and easier to use. With software and computer''s processing, you do not need high-level photography skills anymore. 5. Wedding documentary photographic is Documentary Photography: through of new couples and photographers than the scale denoted by the definition of Documentary Photography, you can understand that Wedding documentary Documentary photography ingredients, showing its close correlation. 6. All they need is result-their photos: The results show that most new couples are satisfied with their hired photographer, also said they trust for the photographer. These results establish the photographer how to display their works and how to communicate with customers. 7. Most important is the spirit of wedding: a modern wedding process in Taiwan, mostly to listen from others. Therefore, there is many different edition of wedding processes. With high internet developed, it is a new colorful wedding features in Taiwan.
Hsu, Chia-chi, i 許嘉琪. "Images convey emotion moment the possibility of extending-Chia-chi Hsu photography discussion". Thesis, 2015. http://ndltd.ncl.edu.tw/handle/pszs37.
Pełny tekst źródła台南應用科技大學
美術系碩士班
104
The purpose of the study was to access the emotional expression and conceptual photography on image display. Much to the feelings of many, during the critical time of the events occurred, a picture or an image is worth a thousand words. A designed image can be extended unlimitedly and convey the writer’s emotions. Let the scene dictate the concept but with a theme in your mind , and your viewers will make their own meaning out of it. 1. Introduction : To review the writer’s study purpose、motivation and methods. The writer as well as the photographer and inventor will capture the mood images during the traveling lives and convey the elicited emotion at the moment. 2.Documents discussion : Exploring the nature of photography and analyzing the style of different photographers to meet the influences of the inventors. 3.Invention concept : Using the metaphorical phototaking techniques and concealed concepts to record the inventor’s mood and the meanings of photos. The differences occurred between the inventor and the viewers will be the issues to discuss. 4.Work analysis : The phrase ''art for art''s sake'' condenses the notion that art has its own value and should be judged apart from any themes which it might touch on, such as morality, religion, history, or politics. Today, deployed more loosely and casually, it is sometimes put to very different ends, to defend the right of personal free expression and to appeal for art to uphold the differences caused by individual active exploring.
CHEN, CHUN-HE, i 陳俊合. "A Qualitative Study of Presenting the Baseball Pitcher's Throwing Decisive Moment in the Sports Photography". Thesis, 2010. http://ndltd.ncl.edu.tw/handle/03355116085638808908.
Pełny tekst źródła高雄師範大學
體育學系
98
This study provided the outlines and references on the presentation and application of the decisive moments in sport photography for the interested domestic photographers. Research area was focused on the pitchers of baseball games. Through the sports photos taken and personal experience of the researcher, in addition to the interviews of 4 domestic senior sport photographers with over 15 years of field experiences, the conclusion of this study were as follows: 1. In order to have a higher percentage of successful photos of the pitches, sport photographers have to take photos through different angles with different backgrounds. The skills of presenting a series of inspiring photos must be based on sharp observation and keen judgment with well-practiced photography skills and quick reaction. 2. The characteristic of sport photography is to capture the images of athletes on the fields and to tell the whole story and give meaning to it. Sharpen the fundamental photography knowledge and the capability to master all kinds of photographing techniques are the2 keys for a successful sport photography. 3. The excellent performance of an athlete on the fields not only enhances the individual achievements but also promotes the additional values of the relevant industries such as media and the entire sport market on the economic level. Comparatively, the demand in higher quality for sport photographies has a definite positive impact on creating the value of sport market.
Šarkadyová, Lucie. "Okamžik a autorství ve fotografii". Doctoral thesis, 2020. http://www.nusl.cz/ntk/nusl-411489.
Pełny tekst źródłaRodriguez-Balanta, Beatriz Eugenia. "Realism, Race and Citizenship: Four Moments in the Making of the Black Body, Colombia and Brazil, 1853 - 1907". Diss., 2010. http://hdl.handle.net/10161/3079.
Pełny tekst źródłaRealism, Race and Citizenship: Four Moments in the Making of the Black Body, Colombia and Brazil, 1853 - 1907 investigates the visual and literary mechanisms used to refurbish racial and social hierarchies in Brazil and Colombia in the aftermath of the abolition of slavery. Chorographic paintings, scientific photographs, identification documents, and naturalist literature are taken to together to argue that: on the one hand, the slave is the fleshy object that defines freedom and, in the postcolonial moment, citizenship. In "Realism, Race and Citizenship: Four Moments in the Making of the Black Body, Colombia and Brazil, 1853 - 1907," I propose that in geo-political spaces where the abolition of slavery and the re-branding of work were intensely debated and violently fought over, realist programs of representation facilitated the propagation of modern racializing schemas. Chapters 1 and 2 study the watercolors created for the Comisión Corográfica (the pre-eminent mapping project of nineteenth century Colombia) and scientific photographs produced in Brazil. These chapters uncover the stylistic conventions that make possible the staging of blackness as visible and immutable biological inferiority and as cumulative category that encompasses a variety of physical and social characteristics including but not limited to skin color, occupation, costume, and physical environment. Chapters 3 and 4 argue that the disavowal of slavery structures Brazilian naturalist novels such as O Cortiço (Aluísio Azevedo, 1890) as well as legislative debates about the nation and the citizen. By focusing on the visual and narrative orchestration blackness, my dissertation provides a critical framework for understanding how realist aesthetic conventions configured (and continue to animate) discourses of race and citizenship in Brazil and Colombia.
Dissertation
Raciborski, Monika Julia. "Drawing Lines". Thesis, 2008. http://hdl.handle.net/10012/3738.
Pełny tekst źródła