Rozprawy doktorskie na temat „Photograph”
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De, Lorenzo Nicholas. "Photography Post-Photography: Materiality of the Photograph". Thesis, The University of Sydney, 2016. http://hdl.handle.net/2123/16303.
Pełny tekst źródłaBelknap, Geoffrey David. "'From a photograph' : photography and the periodical print press 1870-1890". Thesis, University of Cambridge, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609850.
Pełny tekst źródłaJohansson, Gustav, i Fredrik Persson. "Photograph labeling application : An Android application for labeling and uploading of photographs". Thesis, Karlstads universitet, Institutionen för matematik och datavetenskap, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-42972.
Pełny tekst źródłaThe project’s goal was to solve a technical problem for Elonservice in Värmland, wheretheir technicians have the need for an upload solution for labeled photographs in connectionwith warranty claims. The solution to the problem was to develop an Android applicationthat label photographs and then automatically uploads them to a selected storage service.The end result of the project is a working Android application. Users can take photographsthrough the application and is then forced to name them in a correct manner. Theapplication automatically handles the uploading of photographs and deletion of uploadedphotographs. In addition to this there is also a gallery where all photographs are displayedwith their upload state and the opportunity to see all photos in full screen. The applicationhas future development possibilities such as more options for storage services , labelingalternative to photographs and a more attractive design.
Malan, Andre. "The use of historical photographs as source for cultural histor : the Sammy Marks photograph collection". Diss., University of Pretoria, 1996. http://hdl.handle.net/2263/37292.
Pełny tekst źródłaDissertation (MA)--University of Pretoria, 1996.
gm2014
Historical and Heritage Studies
unrestricted
McCoy, M. J. "Would You Publish This Photograph?" Thesis, The University of Arizona, 1987. http://hdl.handle.net/10150/292240.
Pełny tekst źródłaHontos, Vasiliki. "Conservation survey of the Benaki Museum Photographic Archive in Athens, Greece /". Online version of thesis, 1991. http://hdl.handle.net/1850/11621.
Pełny tekst źródłaBonnell, Sian. "The camera as catalyst, the photograph as conduit : an exploration of the performative role of photography". Thesis, Manchester Metropolitan University, 2013. http://e-space.mmu.ac.uk/336516/.
Pełny tekst źródłaSmoacà, Andreea. "ID Photograph hashing : a global approach". Phd thesis, Université Jean Monnet - Saint-Etienne, 2011. http://tel.archives-ouvertes.fr/tel-00719585.
Pełny tekst źródłaBrown, William H. "The historical photograph, artifact-testament-text". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape17/PQDD_0009/MQ33980.pdf.
Pełny tekst źródłaSmoaca, Andreea. "ID Photograph hashing : a global approach". Thesis, Saint-Etienne, 2011. http://www.theses.fr/2011STET4034/document.
Pełny tekst źródłaThis thesis addresses the question of the authenticity of identity photographs, part of the documents required in controlled access. Since sophisticated means of reproduction are publicly available, new methods / techniques should prevent tampering and unauthorized reproduction of the photograph. This thesis proposes a hashing method for the authentication of the identity photographs, robust to print-and-scan. This study focuses also on the effects of digitization at hash level. The developed algorithm performs a dimension reduction, based on independent component analysis (ICA). In the learning stage, the subspace projection is obtained by applying ICA and then reduced according to an original entropic selection strategy. In the extraction stage, the coefficients obtained after projecting the identity image on the subspace are quantified and binarized to obtain the hash value. The study reveals the effects of the scanning noise on the hash values of the identity photographs and shows that the proposed method is robust to the print-and-scan attack. The approach focusing on robust hashing of a restricted class of images (identity) differs from classical approaches that address any image
Stoffle, Richard W., i Vlack Kathleen A. Van. "Timber Mountain Caldera Landscape Photograph Collection". Bureau of Applied Research in Anthropology, University of Arizona, 2013. http://hdl.handle.net/10150/303350.
Pełny tekst źródłaStoffle, Richard W. "Ojibway Traditional Resources Study Photograph Collection". University of Arizona Libraries, Special Collections, 2013. http://hdl.handle.net/10150/305108.
Pełny tekst źródłaHumayun, Saalem. "Constructing family photograph albums : how the process of archival acquisition writes history". Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=99722.
Pełny tekst źródłaCobon, Linda Louise. "Problems and issues in the arrangement and description of photographs in libraries and archival repositories". Thesis, University of British Columbia, 1988. http://hdl.handle.net/2429/27687.
Pełny tekst źródłaArts, Faculty of
Library, Archival and Information Studies (SLAIS), School of
Graduate
Franklin, Patricia Bruce. "Surface Stories". VCU Scholars Compass, 2006. http://hdl.handle.net/10156/2208.
Pełny tekst źródłaGiles, Kenneth W. "The expectation of narrative in the photograph". Thesis, University of Kent, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.267087.
Pełny tekst źródłaPotter, Jessica. "The photograph as a site of writing". Thesis, Royal College of Art, 2013. http://researchonline.rca.ac.uk/1353/.
Pełny tekst źródłaWest, Joanne. "How to Photograph Desert Plants and Flowers". University of Arizona (Tucson, AZ), 2009. http://hdl.handle.net/10150/556559.
Pełny tekst źródłaHalsban, Megan. "Stereographs as Scholarly Resources in American Academic Libraries and Special Collections". Thesis, School of Information and Library Science, 2008. http://hdl.handle.net/1901/543.
Pełny tekst źródłaChapman, Sarah Lesley. "Puncturing the silence : painting over the found photograph". Thesis, University of Plymouth, 2014. http://hdl.handle.net/10026.1/3088.
Pełny tekst źródłaMagnvall, Andreas, i Alexander Henne. "Real-time Aerial Photograph Alignment using Feature Matching". Thesis, Linköpings universitet, Institutionen för datavetenskap, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-176658.
Pełny tekst źródłaOscar, Sara. "Into this wild abyss learning through fabricated photographs /". Connect to full text, 2007. http://hdl.handle.net/2123/3965.
Pełny tekst źródła"Photomedia"--T.p. Title from title screen (viewed February 18, 2007) Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy (Visual Arts) to the Sydney College of the Arts. Includes bibliography. Also available in print form.
Shirley, Anne. "What a photograph and cannot do exegesis submitted in partial fulfilment of requirements for the degree Master of Art and Design, to Auckland University of Technology, 2008". Click here to access this resource online, 2008. http://hdl.handle.net/10292/455.
Pełny tekst źródłaBeard, Sophie. "Collecting Collects: the family photograph in the British newspaper". Thesis, University of the Arts London, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.650314.
Pełny tekst źródłaBirkin, Jane. "Units of description : writing and reading the 'archived' photograph". Thesis, University of Southampton, 2015. https://eprints.soton.ac.uk/377132/.
Pełny tekst źródłaStoffle, Richard W., Vlack Kathleen Van i Nathaniel O'Mara. "Water Bottle Canyon Traditional Cultural Property Study Photograph Collection". Bureau of Applied Research in Anthropology University of Arizona, 2013. http://hdl.handle.net/10150/301169.
Pełny tekst źródłaStoffle, Richard W., i Vlack Kathleen A. Van. "Arizona Strip Landscapes and Place Name Study: Photograph Collection". Bureau of Applied Research in Anthropology, University of Arizona, 2013. http://hdl.handle.net/10150/292607.
Pełny tekst źródłaStoffle, Richard W., Vlack Kathleen A. Van, Rebecca S. Toupal, Sean O’Meara i Jessica Medwied-Savage. "The Old Spanish Trail and Hispanic Communities Photograph Collection". University of Arizona Libraries, Special Collections, 2013. http://hdl.handle.net/10150/297034.
Pełny tekst źródłaKoca, Asli. "Authentication Of Space: The Photograph As A Raw Material For Architectural Production". Master's thesis, METU, 2009. http://etd.lib.metu.edu.tr/upload/3/12611454/index.pdf.
Pełny tekst źródłaphotography.&rdquo
Photography has been interpreted essentially as a technique and a visual medium to document architecture in general. The &ldquo
photograph,&rdquo
in this sense, is regarded as a representational form of documentation and an artistic and material expression of architecture. Besides this conventional value, this study argues that photography not only provides a new medium for the reinterpretation of architectural space, but also a new material and technique for architectural production. In this respect, this study discusses photography as an emerging tool for architecture in which the photograph is conceived as a raw material. As in the manufacturing of a raw material in an industrial process, the main argument of this study is that as long as a photograph is processed with required components, it contributes to architectural production in a comparable manner. Even it has the potential to produce architectural space in its own right. To understand the nature of this architectural space supported by a variety of physical and non-physical characteristics of photography, this study compares two different ways of architectural production with the aid of photographs. Starting with the assumption that there is a radical change in the conception of photography in architecture from an immaterial quality to material essence, this study argues that the photograph is a raw material that can be used to authenticate architectural space from the initial idea to the built object. Therefore, drawing attention to the changed value of photography for architecture over time, the aim of this study is to establish a critical framework to understand and discuss this contemporary function of photography in architecture.
Polk, Randi Lynn. "(Un-)Framing vision: text and image from the new novel to contemporary expressions of identity". Connect to this title online, 2005. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1121274446.
Pełny tekst źródłaTitle from first page of PDF file. Document formatted into pages; contains vii, 217 p. Includes bibliographical references (p. 203-217). Available online via OhioLINK's ETD Center
Gonçalves, Myra Adam de Oliveira. "A fotografia sem câmera : revelações de especificidades da fotografia através do quimigrama". reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2007. http://hdl.handle.net/10183/10746.
Pełny tekst źródłaThis dissertation aims at a photographic images creation process from chemistry manipulations made over light sensitive surfaces, directly on the paper or negative, without the camera. From this point of view the dissertation analyses the limits of which we know as photograph. The research converged to an investigation of the inherent photographic possibilities to sensitive and light sensitive surfaces, to photochemical solutions and to an approaching of these photographic possibilities to other kinds of artistic languages. The creation process faced photograph and its unique features and, by dealing with them, tried to reveal the photographs unique characteristics, which showed a specific place to search the certainties and uncertainties of what photography is. The theoretic reflections were established by the artistic work.
Strandroth, Cecilia. "In search of the pure photograph : a historiographic study of the Farm Security Administration, Walker Evans, and the survey histories of photography /". Uppsala : Fronton, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-8347.
Pełny tekst źródłaPelser, Monique Myren. "Roles : "I am as intently observed as the people photograph"". Thesis, Rhodes University, 2007. http://hdl.handle.net/10962/d1007647.
Pełny tekst źródłaVogt, Marion. "Zwischen Ornament und Natur : Edgar Degas als Maler und Photograph /". Hildesheim ; Zürich ; New York : G. Olms, 2000. http://catalogue.bnf.fr/ark:/12148/cb38847527s.
Pełny tekst źródłaMaree, Christine Fae. "That-has-been a discussion on the body cast as that which fixes a subject in time, in relation to notions surrounding the photograph". Thesis, Rhodes University, 2008. http://hdl.handle.net/10962/d1002208.
Pełny tekst źródłaAkyol, Melike. "Photograph As An Architectural Document: A Visual Archive For Metu Campus". Master's thesis, METU, 2012. http://etd.lib.metu.edu.tr/upload/12614752/index.pdf.
Pełny tekst źródłaaccessible,&rdquo
and to inquire future possibilities for its extension. The conceptual framework will be established by focusing on two main topics: theories of art, specifically focusing on photograph as a visual document, and architectural history writing, focusing on the term &ldquo
archive.&rdquo
Photograph as a visual document will be investigated by giving emphasis to its role as a historical evidence. The definition of the term &ldquo
archive&rdquo
given by Michel Foucault will be located in a key position for the construction of a discourse on documentation and historiography. The pragmatic framework will be established by taking as a reference the methodology used by the archives of the Royal Institute of British Architects (RIBA). The content and the scope subsumed under the RIBA archives show similarity to those of a possible proposal for an archive for METU. Current GISAM archives, which consist of METU campus photographs, will be taken as the primary source.
Schwan, Minna. "”Photograph the ugly stuff” : En undersökning av William Egglestons fotografiska arbete". Thesis, Uppsala universitet, Institutionen för pedagogik, didaktik och utbildningsstudier, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-200961.
Pełny tekst źródłaKokkinias, Panos. "Existential Exposures : The Manifestation of Existential Motifs within the Art Photograph". Thesis, University of Derby, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.518252.
Pełny tekst źródłaHo, Hoi-yan, i 何凱欣. "Application of aerial photograph interpretation in geotechnical practice in Hong Kong". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2004. http://hub.hku.hk/bib/B42577585.
Pełny tekst źródłaBrunetti, Tina Marie. "Verbal protocol and eye movements for expert and novice photograph judges". Thesis, This resource online, 1994. http://scholar.lib.vt.edu/theses/available/etd-05042010-020313/.
Pełny tekst źródłaHo, Hoi-yan. "Application of aerial photograph interpretation in geotechnical practice in Hong Kong". Click to view the E-thesis via HKUTO, 2004. http://sunzi.lib.hku.hk/hkuto/record/B42577585.
Pełny tekst źródłaHopgood, Roger. "An aesthetic inheritance : investigating the picturesque photograph and its vantage point". Thesis, Goldsmiths College (University of London), 2017. http://research.gold.ac.uk/20541/.
Pełny tekst źródłaJolly, Martyn. "Fake photographs : making truths in photography". Phd thesis, Sydney College of the Arts, 2003. http://hdl.handle.net/2123/4046.
Pełny tekst źródłaJolly, Martyn. "Fake photographs making truths in photography /". Click here for electronic access to document: http://www.anu.edu.au/ITA/CSA/photomedia/ph_d.pdf, 2003. http://www.anu.edu.au/ITA/CSA/photomedia/ph_d.pdf.
Pełny tekst źródłaLobo, Flavia Maria Gonçalves. "A credibilidade da imagem fotográfica na era da tecnologia digital". Universidade Presbiteriana Mackenzie, 2011. http://tede.mackenzie.br/jspui/handle/tede/1823.
Pełny tekst źródłaCoordenação de Aperfeiçoamento de Pessoal de Nível Superior
This research tries to elucidate the question of the credibility of the photographic image after the technological age. That is, it is not a research that works pautada in the untiring quarrel if the photograph shows to the real or a trace of the real, this is a philosophical and semiótic bias, however to this research it more mentions this problematic one as part of the passage of the history of the carried through studies already until today with the photographic image, moreover this is a quarrel that already very was incited in the half academics and for the enthusiastic ones of the subject. The studies had been directed more for the credibility of the ampler point of view as for the individuals in general, the laypeople, fans of the photograph, to the readers of periodicals and magazines, at last, the people in a general way. After the digital technology doubts on the credibility in the photographic image they had started to hang in air, for the fact of that previously the people did not give account that the photographs could be modified, that the photograph is a process that always was modified, that already it was born manipulated for being chemical a physical process. The research walks to the side of sociology, therefore it was with the technological evolution that these questions had come to up, the individuals had started to buy cameras in very bigger number of what they bought has 30 years behind, the majority of the people has a compact cameras, cameras in the cellular ones, as well as almost everybody has access the internet and see transmitted images being of a side for the other, interacting of this form intensely. Today we live a imagétic society. In way that the photographic image is losing force in what its credibility says respect. One searched diverse sorts of representation of the photograph; journalism, authorial, conceptual and advertising, since its analogical production until our days with the imagétic profusion of the digial age and in each photographic language the research in shows different behavior to them with respect to credibility in the respective photographic productions
O estudo procura elucidar a questão da credibilidade da imagem fotográfica depois que surgiram aparelhos fotográficos mais avançados em tecnologia e em precisão de imagem. Não é uma pesquisa pautada pela discussão se a fotografia mostra o real ou um traço do real. Esta pesquisa menciona tal questão, porém mais como parte do percurso da história dos estudos já realizados até hoje com a imagem fotográfica, mesmo porque essa é uma discussão que já estaria muito acirrada nos meios acadêmicos e entre os entusiastas do assunto. Os estudos direcionaram-se mais para a credibilidade do ponto de vista mais amplo no que se refere aos indivíduos em geral, os leigos, amadores da fotografia, aos leitores de jornais e revistas, enfim, às pessoas em geral. Depois da tecnologia digital, dúvidas sobre a credibilidade da imagem fotográfica começaram a pairar no ar, pelo fato de que as pessoas anteriormente não se davam conta de que as fotografias pudessem ser alteradas, que a fotografia era um processo que sempre fora alterado, que já nasceu manipulada por ser um processo físico/químico. A pesquisa caminha ao lado da socioeconomia, pois foi com a evolução tecnológica que essas questões vieram à tona, os indivíduos começaram a comprar câmeras em número muito maior do que compravam há trinta anos, inúmeras pessoas possuem câmeras compactas, câmeras nos celulares, assim como quase todo mundo acessa a internet e veem imagens sendo transmitidas simultaneamente em vários lugares interagindo intensamente. Hoje vivemos uma sociedade imagética. A imagem fotográfica está perdendo força no que diz respeito à sua credibilidade.Pesquisaram-se diversos gêneros de representação da fotografia; jornalística, amadora, autoral, conceitual e publicitária, desde sua produção analógica até os nossos dias com a profusão imagética da era digital. Em cada linguagem fotográfica a pesquisa revela diferentes comportamentos no que se refere à credibilidade das produções fotográficas de quem está atrás da câmera
Pikelytė, Zita. "Lietuvos provincijos fotografija 1918-1940 metais". Doctoral thesis, Lithuanian Academic Libraries Network (LABT), 2013. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2012~D_20130205_113248-92387.
Pełny tekst źródłaThe object of the research is personalities of photographers who were developing photography business in Lithuanian province in 1918–1940, their working conditions, captured photo images and the circumstances of these images dispersion. This is the first scientific study dealing with the Lithuanian province photography viewed from the perspective of photographers who lived and worked in Lithuanian province. This study researches professional activity of photographers in complex with their self-concept, their economic and social situation, and the functioning of their captured photo images in the interwar period, the importance of these photos in the Soviet period and their reception during the independence period. The novelty in this dissertation is the point of researcher view: the surveyed object is studied from the position of the museum-curator. Therefore much attention is paid to photo attribution and the significance of photographic images while researching the local histories.
Schwartz, Joan Marsha. "Agent of sight, site of agency, the photograph in the geographical imagination". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape11/PQDD_0021/NQ45269.pdf.
Pełny tekst źródłaDaly, Timothy Michael. "Towards a fugitive press : materiality and the printed photograph in artists' books". Thesis, Manchester Metropolitan University, 2016. http://e-space.mmu.ac.uk/617237/.
Pełny tekst źródłaCruz, Ana Luisa. "The photograph of a loved one : a practice-led investigation through writing". Thesis, Manchester Metropolitan University, 2013. http://e-space.mmu.ac.uk/326220/.
Pełny tekst źródłaIseman, Stephen Dane. "Showing as a way of saying : the photograph and word combinations of Lewis Hine in support of child labor reform /". Connect to resource, 1993. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1113497089.
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