Gotowe bibliografie tematyczne / Photograph collections

Gotowa bibliografia na temat „Photograph collections”

Autor: Grafiati
Data publikacji: 4 czerwca 2021
Data aktualizacji: 3 marca 2023

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Artykuły w czasopismach na temat "Photograph collections"

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Hinzler, H. I. R. "The Indonesian Archaeology Photograph and Documentation System (IAPDS)". Art Libraries Journal 18, nr 2 (1993): 34–38. http://dx.doi.org/10.1017/s0307472200008324.

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On December 1st 1989 the Indonesian Archaeology Photograph and Documentation System (IAPDS) was launched in Leiden. The project, which is scheduled to last three years, has both a photographic and a documentary aspect. The photographic aspect concerns firstly the conservation of the collection of black and white photographs of the Archaeological Service of the Netherlands-Indies, made between 1901 and 1941, and of the Indonesian Archaeological Survey, dating from 1945 to 1955. This collection consists of more than 25,000 photographs, of which 21,855 are kept in various institutions in Leiden. Secondly, the project envisages making a set of negatives of the complete collection, and of new, large prints which will be used by students and researchers. These will be kept at Leiden University Library. The documentation aspect of the project will involve the creating of a database in which data on the photographs, including information regarding the subjects depicted as well as bibliographic references, will be held. In a later phase it is intended to add other archaeological photographic collections, from elsewhere in the Netherlands and from Southeast Asia.
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Meho Manjgo. "Photographs in the Photo Archive’s Old Stock in Gazi Husrev-beg’s Library in Sarajevo". Anali Gazi Husrev-Begove biblioteke 28, nr 42 (31.12.2021): 211–33. http://dx.doi.org/10.51719/25663267.2021.28.42.211.

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Gazi Husrev-beg’s Library in Sarajevo, beside its rich stock of manuscripts, archival and museum collections, also houses a valuable collection of photographs within the photo archive’s stock, which is divided into the old and the new stock. The focus of this paper is on photographs from the photo archive’s old stock, taken at the time of the arrival of the Austro-Hungarian government, when the first professional photograph stores started up in this area. This paper aims at trying to determine whether the photographs from the photo archive’s old stock were signed by Anton Schadler, Walter Tausch, Ignatz Lederer, Ivica Lisac, Nusret Halačević and other foreign and domestic photographers who made a significant contribution to the development of photography in Bosnia and Herzegovina, or they were taken later in modest photograph stores. Moreover, based on the preserved lists of library materials and other archival materials stored in Gazi Husrev-beg’s Library in Sarajevo, the paper deals with the issue of forming the photo arhive’s stock and the ways to determine the processing, classification and systematization of photographs.
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Baxter, Guy. "The historical photograph: record, information source, object, resource". Art Libraries Journal 28, nr 2 (2003): 4–12. http://dx.doi.org/10.1017/s0307472200013055.

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This article looks at the contributions that historical photograph collections can make to people’s lives, by examining the ideas that museums, archives and libraries explore and apply in the management of such collections. For instance, the theme of the photograph as an historical record of events will be used to examine the archivist’s approach; the photograph as a source of information for learning or enjoyment will introduce theories developed by the library community; and the value of the photograph as a physical object will form the basis for looking at how museums approach our vast and challenging photographic heritage.
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O'Connor, Maura. "Aerial photograph collections in Australia". Australian Surveyor 37, nr 4 (grudzień 1992): 263–69. http://dx.doi.org/10.1080/00050326.1992.10438813.

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Abilova, Ramina O., i Tatiana P. Krasheninnikova. "Journey of the USA Citizen Frank Whitson Fetter to the USSR: History of the Foreign Photographic Collection in the Duke University Library (1930)". Herald of an archivist, nr 4 (2020): 1184–200. http://dx.doi.org/10.28995/2073-0101-2020-4-1184-1200.

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The article presents the results of studying the Whitson Fetter (1899-1991) photo collection on Fetter’s visit to the Soviet Union in the summer of 1930. He spent six days in Moscow and six weeks in Kazan, then took a trip down the Volga River and the Caspian Sea. In his journey, Frank W. Fetter took about 330 photographs, which are currently stored in the David M. Rubenstein Rare Book & Manuscript Library, Duke University (Durham, North Carolina, USA). The article reconstructs the origin of the photographic collection (USSR, June-August 1930) and its life in the family archive of Frank W. Fetter (USA, 1930-1991). In 1992, according to his will, the entire archive, including photographs, was transferred to the library of the Duke University. Thus, the attention is focused on the library activities in acquisition, storage, accounting, and usage of Frank W. Fetter’s photographs (1992 - present). In this context, 2008 is of particular importance: it is then that the photographs were scanned and published on the website. The study is based on content and discourse analysis of the photographs; it uses comparative method for studying Frank W. Fetter paper collection at the Duke University library and materials from Russian archives, interviews of participants in the documents transfer to archival storage and photographs digitization. Thus, in a first time case-study of a single photograph collection, the authors trace the route of photographs from their creator to their researchers. Using photographs taken in the USSR, but stored outside Russia, is to supplement the historiography with valuable information on the history of photograph collections and to consider photographic documents on the history of Soviet Russia as an item of storage in foreign archives. The article may be of interest to historians, archivists, museum specialists, curators, and all researchers studying photo documents as objects of storage.
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Wakelin, Daniel. "A New Age of Photography: ‘DIY Digitization’ in Manuscript Studies". Anglia 139, nr 1 (4.03.2021): 71–93. http://dx.doi.org/10.1515/ang-2021-0005.

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Abstract Since c. 2008 many special collections libraries have allowed researchers to take photographs of medieval manuscripts: this article calls such self-service photography ‘DIY digitization’. The article considers some possible effects of this digital tool for research on book history, especially on palaeography, comparing it in particular to the effects of institutionally-led digitization. ‘DIY digitization’ does assist with access to manuscripts, but less easily and with less open data than institutional digitization does. Instead, it allows the researcher’s intellectual agenda to guide the selection of what to photograph. The photographic process thereby becomes part of the process of analysis. Photography by the researcher is therefore limited by subjectivity but it also helps to highlight the role of subjective perspectives in scholarship. It can also balance a breadth or depth of perspective in ways different from institutional digitization. It could in theory foster increased textual scholarship but in practice has fostered attention to the materiality of the text.
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Wolska, Anna. "HISTORY OF PHOTOGRAPHY ON THE EXAMPLE OF SELECTED PHOTOGRAPHIC TECHNIQUES. A PHOTOGRAPH AS AN OBJECT". Muzealnictwo 61 (26.08.2020): 192–200. http://dx.doi.org/10.5604/01.3001.0014.3639.

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In the first part of the paper, the focus is on historical and technical aspects of the invention of photography, beginning with the first research works conducted by J.N. Niépce up to the patenting of daguerreotype in 1839 by L. Daguerre. In the further section of the paper emphasis is put on the fast spread of photography; short profiles of the first Polish photographers who contributed to promoting photography: J. Giwartowski, K. Beyer, W. Rzewuski, and M. Strasz, are given. Furthermore, the early-19th-century discourse between the artistic and photographic circles is briefly discussed, with some comments by e.g. E. Delacroix, P. Delaroche, Ch. Baudelaire, L. Daguerre quoted. Subsequently, the early displays of photographs in exhibitions and museums are described, e.g. during the 1851 First World Exhibition in London and at the South Kensington Museum in 1858. What follows this is a presentation of selected photographic techniques, shown against the events related to given inventions, e.g.: daguerreotype, salt print, techniques based on the collodion process, compounds of dichromates and chromates, calotype, cyanotype. Further, source reference is given to describe potential threats related to the degradation, damage, and a possible repair of images recorded in photographs. Another section of the paper is dedicated to presenting artistic movements in photography which formed in the late 19th century. The final part speaks of the questions related to e.g. storage humidity and temperature, display of photographic objects that are in museum collections, and pH of materials and frames; the author also reflects on the need to digitize collections.
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Pierce, Rachel. "The Female Gaze? Postmodernism and the Search for Women in the Digitized Photographic Collections of Swedish Memory Institutions". Open Information Science 3, nr 1 (1.01.2019): 61–75. http://dx.doi.org/10.1515/opis-2019-0005.

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Abstract Both the photograph and digitization are often defined as democratizing forces. But neither exists outside the system of power dynamics that structure art, history, and cultural heritage. This article uses postmodernist theorization of knowledge hierarchies in the archive developed by archival scholars Terry Cook and Joan Schwartz to examine the gendered nature of metadata and data connected to digitized photographic material available on the platforms of the three major Swedish memory institutions: the Royal Library, the Nordic Museum, and the National Archives. Given that digitized photographs require the addition of machine-readable data and metadata to be findable, this information demonstrates the extent to which digitization staffs have consciously thought about the visibility of gender in their online collections. The research questions of this article are thus twofold: (1) to what extend have Swedish memory institutions embraced a postmodern approach to the archive in their photography digitization projects, and (2) has this approach resulted in the greater visibility of women-oriented material? The findings indicate that Swedish institutions have adopted postmodernist thinking about archival flexibility to varying degrees, but none have thought thoroughly about increasing the visibility of woman-oriented material.
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Chenxi Zhang, Jizhou Gao, Oliver Wang, Pierre Georgel, Ruigang Yang, James Davis, Jan-Michael Frahm i Marc Pollefeys. "Personal Photograph Enhancement Using Internet Photo Collections". IEEE Transactions on Visualization and Computer Graphics 20, nr 2 (luty 2014): 262–75. http://dx.doi.org/10.1109/tvcg.2013.77.

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Dooley, Jackie M. "Processing and Cataloging of Archival Photograph Collections". Visual Resources 11, nr 1 (styczeń 1995): 85–101. http://dx.doi.org/10.1080/01973762.1995.9658320.

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Rozprawy doktorskie na temat "Photograph collections"

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Hontos, Vasiliki. "Conservation survey of the Benaki Museum Photographic Archive in Athens, Greece /". Online version of thesis, 1991. http://hdl.handle.net/1850/11621.

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Halsban, Megan. "Stereographs as Scholarly Resources in American Academic Libraries and Special Collections". Thesis, School of Information and Library Science, 2008. http://hdl.handle.net/1901/543.

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This paper examines stereographic images as scholarly resources, and begins with a brief history of the stereograph. A discussion and review of the literature related to the stereograph as well as the preservation of photographic objects follows the introduction. In addition to the literature review, collections of stereographs at four repositories were evaluated for usability: The Keystone-Mast Archive at the University of California, Riverside; The Eliot Elisofon Archive at the Smithsonian Institution; the George Eastman House; the Library of Congress. The paper ends with suggestions for future work with the stereograph, in order to facilitate access and use by researchers.
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Cobon, Linda Louise. "Problems and issues in the arrangement and description of photographs in libraries and archival repositories". Thesis, University of British Columbia, 1988. http://hdl.handle.net/2429/27687.

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Until recent years, archivists have been reluctant to consider photographs as being archival in nature. The evidential value possessed by some photographs was ignored and archivists also failed to see where the informational value of a photographic image could be enhanced when viewed within the context in which it was created. Instead, archivists preferred to arrange and describe photographs as discrete items. For assistance in this endeavor, archivists turned to members of the library profession. Librarians, for their part, found that photographs were not amenable to standard bibliographic formats or classification schemes devised for printed monographs. The result was the creation by members of both the library and archival professions of numerous and often idiosyncratic methods for the physical and intellectual control of photographs. The volume of photographic images acquired by libraries and archival repositories now makes it virtually impossible to continue dealing with photographs as discrete items. The research needs and methodologies of users have also changed; photographs are increasingly being sought as historical documents in their own right and not just as illustrations to accompany the written word. In response to these two factors, librarians began organizing and describing photographs as "lots" and archivists moved slowly toward the arrangement and description of photographs as archival fonds. This evolution, far from complete with regard to photographs, resembles an earlier evolution affecting the arrangement and description of textual archives, particularly manuscripts. Today archivists in many Western countries are seeking to establish standard formats in the description of archival materials. This goal has become particularly urgent in the face of computer technology and the desire to form automated archival networks. It remains to be seen whether the final standards adopted in Canada, for instance, will encompass photographs or whether photographs will retain a "special" status. Without question, photographs have and will continue to present members of the library and archival professions with problems In arrangement and description. This is demonstrated in the body of this thesis through a survey of the professional literature and through field work undertaken in six libraries and archival repositories in the Vancouver area and in Victoria, British Columbia. However, the existence of problems should not mean that the approach to photographic archives should be any different, in essence, from the approach and principles applied to textual archives.
Arts, Faculty of
Library, Archival and Information Studies (SLAIS), School of
Graduate
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Humayun, Saalem. "Constructing family photograph albums : how the process of archival acquisition writes history". Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=99722.

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This thesis is about photographic archives. Specifically, it concerns the process of acquisition for family photograph albums as archival texts. It argues that the process of acquisition writes history, and not one sole author. Additionally it argues that the institutional policy of an archive governs this process. Further, it argues that there is a homology between a public and private archive. In this light, it pursues an autobiographical approach, and compares the author's family photograph album with a family photograph album in the McCord Museum of Canadian History.
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Stewart, Brian. "Pictures in words : indexing, folksonomy and representation of subject content in historic photographs". Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2013. https://ro.ecu.edu.au/theses/687.

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Subject access to images is a major issue for image collections. Research is needed to understand how indexing and tagging contribute to make the subjects of historic photographs accessible. This thesis firstly investigates the evidence of cognitive dissonance between indexers and users in the way they attribute subjects to historic photographs, and, secondly, how indexers and users might work together to enhance subject description. It analyses how current indexing and social tagging represent the subject content of historic photographs. It also suggests a practical way indexers can work with taggers to deal with the classic problem of resource constraints and to enhance metadata to make photo collections more accessible. In an original application of the Shatford/Panofsky classification matrix within the applications domain of historic images, patterns of subject attribution are explored between taggers and professional indexers. The study was conducted in two stages. The first stage (Studies A to D) investigated how professional indexers and taggers represent the subject content of historic photographs and revealed differences based on Shatford/Panofsky. The indexers (Study A) demonstrated a propensity for specific and generic subjects and almost complete avoidance of abstracts. In contrast, a pilot study with users (Study B) and with baseline taggers (Studies C and D) showed their propensity for generics and equal inclination to specifics and abstracts. The evidence supports the conclusion that indexers and users approach the subject content of historic photographs differently, demonstrating cognitive dissonance, a conflict between how they appear to think about and interpret images. The second stage (Study E) demonstrated that an online training intervention affected tagging behaviour. The intervention resulted in increased tagging and fuller representation of all subject facets according to the Shatford/Panofsky classification matrix. The evidence showed that trained taggers tagged more generic and abstract facets than untrained taggers. Importantly, this suggests that training supports the annotation of the higher levels of subject content and so potentially provides enhanced intellectual access. The research demonstrated a practical way institutions can work with taggers to extend the representation of subject content in historic photographs. Improved subject description is critical for intellectual access and retrieval in the cultural heritage space. Through systematic application of the training method a richer corpus of descriptors might be created that enhances machine based information retrieval via automatic extraction.
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Wills, David. "Cultural Mulch : an investigation into collectors who create collections of mass produced objects and of the potential significance of those objects in relation to consumer culture". Phd thesis, Canberra, ACT : The Australian National University, 2009. http://hdl.handle.net/1885/8036.

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Collecting is an activity that stems from humankinds roots as hunters and gathers, when necessity rather than want, was key. This dissertation considers the strategies and motivations behind collecting in the 21st Century and what the significance is of collected objects. It considers the many guises, aims and reasons for collections being made, from the attainment of wealth and status, to the filling of personal voids, or the simple pleasures of belonging to a like-minded group of people. The dissertation charts contemporary influences in collecting behaviour, from an increased interest in celebrity, the push by corporations to market mass-produced collectibles, alternative consumer trends, and what effect the internet has had on the availability of a vast array of objects globally and locally. Back grounded by a diminishing of the earth’s resources and the production of objects at a peak, it considers the notion of futility.
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Minkley, Hannah Smith. "Photographing other selves: collecting, collections and collaborative visual identity". Thesis, Nelson Mandela Metropolitan University, 2016. http://hdl.handle.net/10948/12669.

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This study is situated in a social documentary photography context, and is concerned to explore whether the collaborative interaction between photographer, subject (as collector) and material object (as collection) might enable a practice that presents a more mutual and subject-centred visual identity emerge. In particular, photographers Jim Goldberg and Gideon Mendel have focused more on the subject themselves, using collaborative processes such as photo-voice and photo elicitation, as well as the use of peoples’ handwritten captions on photographic prints themselves. Claudia Mitchell’s overview of visual methodologies is drawn on, together with Ken Plummer’s Documents of Life 2 (2001) and Gillian Rose’s Visual Methodologies (2001) to extend on these possibilities of conducting collaborative visual research.The practical component of this study focuses on personal collections and follows a number of theorists, including Susan Pearce, and John Elsner and Roger Cardinal. It follows Pearce’s identification of three major modes of collecting, and suggests that collections are essentially narratives of the self, and reveal experiences and expressions of personal desire. By drawing on these approaches and the various ways the twelve collectors were photographed, as well as implementing collaborative research processes (handwritten text, archival photographs and the re-staging of the collections), the study confirms Pearce’s three primary modes of collecting, and acknowledges that they are often interlinked or overlap one another. The study further found that a more subject voiced visual identity did indeed become apparent through the collaborative methods applied and discussed. The collaborative research equally demonstrated that these narratives of identity are not singular, but rather narratives of multiple, personal identities of the self.
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Malan, Andre. "The use of historical photographs as source for cultural histor : the Sammy Marks photograph collection". Diss., University of Pretoria, 1996. http://hdl.handle.net/2263/37292.

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During his sojourn on earth man leaves traces behind. Subsequent generations can follow these traces through research in order to find out more about his forebears. The term document can be interpreted much wider than referring to written material so that different types of material can serve as source from which this knowledge can be drawn. Pictorial sources is one subsection underneath which photographic material in turn resorts. This study looks at the use of historical photographs as source from which the cultural historian can draw information .. Historical photographs are often merely seen and used as illustration material while they are sources in own right. It is the only source which captures and eternalises a moment in time visually. Unfortunately it is still a human with all his faults and deficiencies who stands behind the camera. That means that although the photograph as source is generally speaking very reliable and objective, historical criticism still has to be applied. To err is human, over and above wilful misrepresentation. Furthermore there are certain pitfalls and limitations inherent to the photograph. At the Sammy Marks Museum just east of Pretoria, a large collection of photographs has been preserved which shows the everyday life of the Marks family over a long period of time. By examining these photographs a clear picture can be formed of the everyday life of a well-to-do Victorian family in the Transvaal during the period 1890 to 1920. The actual images captured by the camera tell the story of these people's weal and woe like words cannot do. No source can be all-revealing .on its own. The photographs and the information drawn from them, are supported and confirmed by references and quotations from the personal correspondence of the family of which much has also been preserved. It is kept at the University of Cape Town. The biography of Sammy Marks by Richard Mendelsohn (Cape Town, 1991) as well as other literary sources has been studied and applied. The study also contains a broad background sketch of the period and its spirit. By making comparisons between the findings about the lives of Sammy Marks and his family and what is known generally about the people of the time, one can see to what degree they conformed or differed. The development of photography itself is also. briefly discussed. The historical photographs which were preserved by the Marks family, serve as example of how valuable such photographs are for our knowledge and the eventual reconstruction of the past. Without them the task of the physical restoration of the house, outbuildings and garden to their original shape would have been much more difficult. At the same time and even more important, they breathe life into the house through the information they contain about the people who used to inhabit it.
Dissertation (MA)--University of Pretoria, 1996.
gm2014
Historical and Heritage Studies
unrestricted
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Mendes, Menezes Lucas. "Images voyageuses : photographie amateur brésilienne dans la collection de la Société française de photographie". Thesis, Paris 1, 2019. http://www.theses.fr/2019PA01H080.

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La collection de photographies brésiliennes de la Société française de photographie (SFP) est composée de 150 photographies, produites entre les années 1940 et 1950 par des photographes amateurs, formellement associés à des photo-clubs au Brésil. Au-delà des appartenances esthétiques, géographiques et institutionnelles, ces images peuvent, d’abord, être divisées en deux groupes différents : celles envoyées pour la participation au Salon International d’Art Photographique en 1951 et celles exhibées en février 1960, dans le cadre d’une exposition sur la photographie brésilienne, organisée à Galerie Montalembert, espace soutenu par la SFP. L’enquête autour de collection brésilienne va impliquer l’articulation des différents parcours d’analyse. La première correspond au processus de création et d'articulation des premiers photoclubs du pays, en passant par l'organisation de la première foire nationale et la création d'un réseau entre différentes entités. Concernant la notion de photographe amateur retenue comme référence, le point de départ est le binôme "dévots" et "déviants" proposé par Pierre Bourdieu. Le deuxième parcours aborde la question de la vocation internationale, caractéristique chère aux premières institutions de ce type et qui reste un élément fondamental au milieu du XXe siècle. La principale manifestation publique du monde l’art photographique amateur concerne les salons. Les principes qui relient des différents groups de photographes amateurs se voient réfléchis dans l’organisation de ces évènements fondés par l’échange, grâce à une intense circulation d’images, mais aussi par la reconnaissance éphémère. Pour le troisième chapitre, l'échelle de l'analyse est modifiée, passant de grands événements avec des centaines d'exposants à la lecture d'images de la collection en spécifique. C'est le moment où il sera possible de mettre en évidence les principaux produits du processus de circulation et d'appropriation qu'implique l'insertion dans le monde de l'art photographique amateur. Le quatrième chapitre se concentre principalement sur l'analyse de la production des photographes présents dans les deux séries (1951 et 1960). L'intention est d'identifier les changements et les permanences, en cherchant à les relier à d'autres aspects qui ont influencé la production au cours de cette période
The Brazilian photography collection of the Société française de photographie (SFP) consists of 150 photographs, produced between 1940 and 1950 by amateur photographers, formally associated with photo clubs in Brazil. Beyond aesthetic, geographical and institutional affiliations, these images can be divided into two different groups: those sent for participation in the International Salon of Photographic Art in 1951 and those exhibited in February 1960, as part of an exhibition on Brazilian photography, organized at Galerie Montalembert, supported by the SFP. The investigation around the Brazilian collection will involve the articulation of the different analytical paths. The first one corresponds to the process of creating and articulating the first photoclubs in the country, including the organization of the first national fair and the creation of a network between different entities. Concerning the notion of amateur photographer as a reference, the starting point is the "devout" and "deviant" duo proposed by Pierre Bourdieu. The second route addresses the question of the international vocation, a characteristic dear to the first institutions of this type and which remained a fundamental element in the middle of the 20th century. The main public event in the world of amateur photographic art is the fairs. The principles that link different groups of amateur photographers are reflected in the organization of these events based on exchange, thanks to an intense circulation of images, but also by ephemeral recognition. For the third chapter, the scale of the analysis is modified, moving from large events with hundreds of exhibitors to reading images from the specific collection. This is the moment when it will be possible to highlight the main products of the circulation and appropriation process involved in the insertion of amateur photographic art into the world. The fourth chapter focuses mainly on the analysis of the production of the photographers present in the two series (1951 and 1960). The intention is to identify changes and permanencies, seeking to link them to other aspects that have influenced production during this period
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Stoffle, Richard W., i Vlack Kathleen A. Van. "Timber Mountain Caldera Landscape Photograph Collection". Bureau of Applied Research in Anthropology, University of Arizona, 2013. http://hdl.handle.net/10150/303350.

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These photographs offer illustrations of the people, places, and resources along the two prominent pilgrimage trails in the Timber Mountain Caldera region. These photographs were taken during the 2006 Timber Mountain Caldera Landscape Study, the 2001 Shoshone Mountain Wind Farm Environmental Assessment, and 1999 NTS Rock Art study.
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Książki na temat "Photograph collections"

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Jones, Taylor D. Dear photograph. New York: William Morrow, 2012.

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Society, Royal Commonwealth. RCS photograph collection. Zug: Inter Documentation Co., 1985.

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Conservation Center for Art and Historic Artefacts. Disaster recovery: Salvaging photograph collections. Philadelphia: Conservation Center, 1998.

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Conservation Center for Art and Historic Artifacts, red. Disaster recovery: Salvaging photograph collections. Philadelphia, PA: Conservation Center for Art and Historic Artifacts, 1998.

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Bisanz, Hans. Peter Altenberg, mein äusserstes Ideal: Altenbergs Photosammlung von geliebten Frauen, Freunden und Orten. Wien: C. Brandstätter, 1987.

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King, Frazier. The collector's eye: A photographer's view of his contemporaries. Amsterdam: Schilt Publishing, 2019.

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Photography collections online. [Rochester, N.Y.]: George Eastman House, 2000.

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Landesmuseum, Schweizerisches, red. Im Licht der Dunkelkammer: Die Schweiz in Photographien des 19. Jahrhunderts aus der Sammlung Herzog = Révélations de la chambre noire : la Suisse du XIXe siècle à travers les photographies de la collection Herzog. Basel: Christoph Merian Verlag, 1994.

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Agus, Leonardus, i Kartasasmita Soedjai 1926-, red. Soedjai Kartasasmita di belantara fotografi Indonesia. [Yogyakarta]: BP ISI Yogyakarta, 2008.

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Agus, Leonardus, i Kartasasmita Soedjai 1926-, red. Soedjai Kartasasmita di belantara fotografi Indonesia. [Yogyakarta]: BP ISI Yogyakarta, 2008.

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Części książek na temat "Photograph collections"

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Patel, Dynal, Gary Marsden, Steve Jones i Matt Jones. "An Evaluation of Techniques for Browsing Photograph Collections on Small Displays". W Mobile Human-Computer Interaction - MobileHCI 2004, 132–43. Berlin, Heidelberg: Springer Berlin Heidelberg, 2004. http://dx.doi.org/10.1007/978-3-540-28637-0_12.

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Davis-Perkins, Veronica, Richard Butterworth, Paul Curzon i Bob Fields. "A Study into the Effect of Digitisation Projects on the Management and Stability of Historic Photograph Collections". W Research and Advanced Technology for Digital Libraries, 278–89. Berlin, Heidelberg: Springer Berlin Heidelberg, 2005. http://dx.doi.org/10.1007/11551362_25.

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Thiel, Franz. "Abel Briquet’s Photograph Collection". W Exploring the Archive, 361–66. Köln: Böhlau Verlag, 2015. http://dx.doi.org/10.7788/9783412218423-015.

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Doubleday, W. E. "Photographic and Regional Survey Records". W Library Local Collections, 79–91. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003228882-7.

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Valentin, Andreas. "The Kroehle-Hübner photographic collection". W Exploring the Archive, 193–208. Köln: Böhlau Verlag, 2015. http://dx.doi.org/10.7788/9783412218423-008.

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Zejdlik, Katie J. "Unmingling Commingled Museum Collections: A Photographic Method". W Commingled and Disarticulated Human Remains, 173–92. New York, NY: Springer New York, 2013. http://dx.doi.org/10.1007/978-1-4614-7560-6_10.

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Tinkler, Penny. "“When I Was a Girl…”: Women Talking about Their Girlhood Photo Collections". W Oral History and Photography, 45–60. New York: Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230120099_3.

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Nguyen, Quang Minh, Thi Nhu Quynh Kim, Dion Hoe-Lian Goh, Yin-Leng Theng, Ee-Peng Lim, Aixin Sun, Chew Hung Chang i Kalyani Chatterjea. "TagNSearch: Searching and Navigating Geo-referenced Collections of Photographs". W Research and Advanced Technology for Digital Libraries, 62–73. Berlin, Heidelberg: Springer Berlin Heidelberg, 2008. http://dx.doi.org/10.1007/978-3-540-87599-4_7.

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Jose, Joemon M., i David J. Harper. "A retrieval mechanism for semi-structured photographic collections". W Lecture Notes in Computer Science, 276–92. Berlin, Heidelberg: Springer Berlin Heidelberg, 1997. http://dx.doi.org/10.1007/bfb0022038.

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Tsitsovits, Ioannis. "Reproduction as Literary Production: Self-Expression and the Index in Kenneth Goldsmith’s Uncreative Writing". W New Directions in Book History, 291–308. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-53614-5_12.

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AbstractThis chapter discusses Kenneth Goldsmith’s Uncreative Writing, a collection of essays that includes an account of his Uncreative Writing course at the University of Pennsylvania. Championing various forms of literary automatism and appropriation, which are often treated as a much-needed response to our contemporary digital environment, the book is offered as a counter-model to established notions of authentic, self-expressive writing. The article takes this position as a springboard into thinking about Goldsmith’s writing exercises in relation to a longer history of indexical artistic practices, most notably analog photography. Despite its own positioning vis-à-vis the digital, I claim, Goldsmith’s writing model can best be understood as an extension of a proto-photographic logic into the ambit of contemporary literature. At the same time, as I show, the use of textual reproduction central to his project has been a longstanding ingredient of self-expressive literary advice. I conclude by arguing that Goldsmith’s model is just as tied to a form of personal expression, albeit one following a less obviously self-expressive logic that resonates with online forms of indexical performativity.
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Streszczenia konferencji na temat "Photograph collections"

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Golder, Scott. "Measuring social networks with digital photograph collections". W the nineteenth ACM conference. New York, New York, USA: ACM Press, 2008. http://dx.doi.org/10.1145/1379092.1379104.

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Hess Norris, Debra. "All you need is love". W SOIMA 2015: Unlocking Sound and Image Heritage. International Centre for the Study of the Preservation and Restoration of Cultural Property, 2017. http://dx.doi.org/10.18146/soima2015.3.13.

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Preservation of photographic materials, both physical and digital, presents numerous challenges, and photographic collections are at risk world-wide. In response to this danger, regional partners have worked with international organizations to forge global training initiatives and platforms centred on experiential learning and designed with curricula tailored to speci c climates, geographies, needs and outcomes. paper highlights three forward-thinking e orts. The Middle East Photograph Preservation Initiative (MEPPI) has provided training to collections in 16 countries. Préservation du Patrimoine Photographique Africain (3PA) has connected and empowered talented African archivists, artists and collections care professionals. Training efforts by APOYO have sought to build a regional network to preserve collections in Latin America. By using problem-based learning, advocacy and community engagement, these programmes offer new paths for collaboration in an effort to protect a critical piece of our world heritage.
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"New Approaches for Geographic Location Propagation in Digital Photograph Collections". W 16th International Conference on Enterprise Information Systems. SCITEPRESS - Science and and Technology Publications, 2014. http://dx.doi.org/10.5220/0004895000920099.

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Cho, Wan Hyun, In Seop Na, Soo Hyung Kim, Jun Yong Choi, Jong Hyun Park i Dung Phan. "Automatic clustering for digital photograph collections using time and content information". W the 7th International Conference. New York, New York, USA: ACM Press, 2013. http://dx.doi.org/10.1145/2448556.2448645.

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Chufeng Chen, Michael Oakes i John Tait. "A location data annotation system for personal photograph collections: Evaluation of a searching and browsing tool". W 2008 International Workshop on Content-Based Multimedia Indexing. IEEE, 2008. http://dx.doi.org/10.1109/cbmi.2008.4564993.

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Holm, Jack. "Survey of developing electronic photography standards". W Critical Review Collection. SPIE, 1996. http://dx.doi.org/10.1117/12.229259.

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Frey, Franziska S. "Digitization of photographic collections". W Electronic Imaging '97, redaktorzy V. Ralph Algazi, Sadayasu Ono i Andrew G. Tescher. SPIE, 1997. http://dx.doi.org/10.1117/12.270055.

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Sakamoto, Kiho, i Takayuki Itoh. "Photomosaic Generation for Photograph Collection Browsing". W the 7th International Symposium. New York, New York, USA: ACM Press, 2014. http://dx.doi.org/10.1145/2636240.2636861.

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Pereira, Luciana Noronha, Alina Gonçalves Santiago i Fernando Machado. "Imagem turística e novas tecnologia de comunicação e informação: o caso de Balneário Camboriú/SC". W Seminario Internacional de Investigación en Urbanismo. Barcelona: Curso de Arquitetura e Urbanismo. Universidade do Vale do Itajaí, 2016. http://dx.doi.org/10.5821/siiu.6327.

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A paisagem constitui um dos principais componentes da atratividade em localidades turística, de maneira que os registros fotográficos contribuem para a construção de uma narrativa da experiência espacial turística. Nesse sentido, o surgimento das novas Tecnologias de Comunicação e Informação – TIC tem ampliado de modo expressivo a audiência que tem acesso a estes registros imagéticos, ampliando também seu potencial de interferir na formação da imagem da cidade, bem como na apropriação dos atrativos turísticos. Assim, o objetivo deste estudo foi analisar possíveis impactos das publicações de imagens fotográficas através de novas TIC na construção da imagem de destinações turísticas, tendo em vista o caso de Balneário Camboriú/SC. A metodologia utilizada teve abordagem qualitativa, perspectiva sistêmica e foi organizada a partir de etapas de coleta incluindo, identificação e seleção de softwares, aplicativos e sites para a busca e coleta as imagens fotográficas publicadas e coleta e análise de abordagem semiótica das fotografias coletadas e seus respectivos comentários. Dentre os resultados, verificou-se a crescente disponibilidade de informações acerca de destinações turísticas, especialmente aquelas produzidas de modo coletivo, não-programado e personalizado, disponibilizadas para audiências não delimitadas através de diferentes aplicativos. Em Balneário Camboriú, as fotografias publicadas nos aplicativos pesquisados favorecem a construção de uma imagem parcial e fragmentada, com sobreposições, destacando-se a orla e áreas turísticas, e ausências, através da exclusão das áreas mais afastadas do mar. The landscape constitutes a major component of attractiveness in tourist locations, way that, your photographic records contribute to the construction of a narrative space tourist experience. In this sense, the emergence of new Information and Communication Technologies – ICT, it has significantly expanded the audience to these imagistic records, also expanding its potential to interfere with the city's image formation and appropriation of tourist attractions. The aim of this study was to analyze possible impacts of photography publications through new TIC’s in building the image of tourist destinations, in view of the case of the city of Balneário Camboriú. The methodology was qualitative approach, systemic approach and was organized from collection steps including identification and selection of software, applications and websites for search and also collection of published photographic images, and collection and semiotic approach to analysis of collected photographs and their comments. Among the results, there was the increasing availability of information about tourist destinations, especially those produced collectively, non-programmed and custom, which were made available to not defined audiences through the internet. In the city of Balneário Camboriú, photographs published in surveyed applications, favor the construction of a partial and fragmented image, with image overlays, highlighting the waterfront and tourist areas, and absences, through the exclusion of areas furthest from the sea.
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Diaz, Mauricio, i Peter Sturm. "Radiometric calibration using photo collections". W 2011 IEEE International Conference on Computational Photography (ICCP). IEEE, 2011. http://dx.doi.org/10.1109/iccphot.2011.5753117.

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Raporty organizacyjne na temat "Photograph collections"

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Jonasson, I. R., E. M. Hillary, D. Kliza-Petelle i R. E. Bretzlaff. Ore mineral collections at the GSC: a short history, with digital and photographic index for part of the Booth Street Collection. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 2015. http://dx.doi.org/10.4095/296399.

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Bridges, Todd, E. Bourne, Burton Suedel, Emily Moynihan i Jeff King. Engineering With Nature : An Atlas, Volume 2. Engineer Research and Development Center (U.S.), marzec 2021. http://dx.doi.org/10.21079/11681/40124.

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Engineering With Nature: An Atlas, Volume 2 showcases EWN principles and practices "in action" through 62 projects from around the world. These exemplary projects demonstrate what it means to partner with nature to deliver engineering solutions with triple-win benefits. The collection of projects included were developed and constructed by a large number of government, private sector, non-governmental organizations, and other organizations. Through the use of photographs and narrative descriptions, the EWN Atlas was developed to inspire interested readers and practitioners with the potential to engineer with nature.
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Shamblin, Robert, Kevin Whelan, Mario Londono i Judd Patterson. South Florida/Caribbean Network early detection protocol for exotic plants: Corridors of invasiveness. National Park Service, lipiec 2022. http://dx.doi.org/10.36967/nrr-2293364.

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Exotic plant populations can be potentially catastrophic to the natural communities of South Florida. Aggressive exotics such as Brazillian Pepper (Schinus terebinthifolius) and Melaleuca (Melaleuca quinquinervia) have displaced native habitats and formed monocultures of exotic stands (Dalrymple et al. 2003). Nearby plant nurseries, especially the ones outside the boundaries of Biscayne National Park (BISC) and Everglades National Park (EVER), are a continuous source of new exotic species that may become established within South Florida’s national parks. Early detection and rapid response to these new species of exotic plants is important to maintaining the integrity of the parks’ natural habitats and is a cost-effective approach to management. The South Florida/Caribbean Network (SFCN) developed the South Florida/Caribbean Network Early Detection Protocol for Exotic Plants to target early detection of these potential invaders. Three national parks of South Florida are monitored for invasive, exotic plants using this protocol: Big Cypress National Preserve (BICY), Biscayne National Park (BISC), and Everglades National Park (EVER). These national parks include some 2,411,000 acres (3,767.2 square miles [mi2]) that encompass a variety of habitat types. To monitor the entire area for new species would not be feasible; therefore the basic approach of this protocol is to scan major “corridors of invasiveness,” e.g., paved and unpaved roads, trails, trail heads, off road vehicle (ORV) trails, boat ramps, canals, and campgrounds, for exotic plant species new to the national parks of South Florida. Sampling is optimized using a two- to three-person crew: a trained botanist, a certified herbicide applicator, and optionally a SFCN (or IPMT [Invasive Plant Management Team]) staff member or park staff to take photographs and help with data collection. If infestations are small, they are treated immediately by the herbicide applicator. If large, they are reported to park staff and the Invasive Plant Management Team. The sampling domain is partitioned into five regions, with one region sampled per year. Regions include the terrestrial habitats of Biscayne National Park, the eastern region of Everglades National Park, the western region of Everglades National Park, the northern region of Big Cypress National Preserve, and the southern region of Big Cypress National Preserve. Monitoring of roads, trails, and canals occurs while traveling into and through the parks (i.e., travel at 2–10 mph) using motorized vehicles, airboats, and/or hiking. Campgrounds, boat launches, trailheads, and similar areas, involve complete searches. When an exotic plant is observed, a GPS location is obtained, and coordinates are taken of the plant. Photographs are not taken for every exotic plant encountered, but photographs will be taken for new and unusual species (for example a coastal exotic found in inland habitats). Information recorded at each location includes the species name, size of infestation, abundance, cover class, any treatment/control action taken, and relevant notes. During the surveys, a GPS “track” is also recorded to document the areas surveyed and a field of view is estimated. Field notes, pictures, and GPS data are compiled, entered, and analyzed in a Microsoft Access database. Resource briefs (and optional data summary reports) and associated shapefiles and data are then produced and sent to contacts within the corresponding national parks.
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Douglas, Gordon, i David Moore. Analyzing the Use and Impacts of Oakland Slow Streets and Potential Scalability Beyond Covid-19. Mineta Transportation Institute, lipiec 2022. http://dx.doi.org/10.31979/mti.2021.2152.

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This report presents the results of a mixed-methods study of the 2020-2022 Oakland Slow Streets program. An official response to the Covid-19 pandemic, the program used signs and temporary barricades to limit thru-traffic on 21 miles of city streets to create more and safer space for walking, cycling, and outdoor recreation. Researchers collected data throughout the summer of 2021 on seven designated slow streets plus one cross street and one control street for each – a total of 21 street segments representing conditions in seven different neighborhoods across Oakland. Data collection comprised in-person passerby counts, observations and photographs of local conditions, and logged traffic speed data. Findings vary widely across study sites. In certain cases, observed slow streets saw less car traffic or more bicycle/pedestrian use than one or both of their comparison streets, and in at least one case the slow street was clearly embraced by the local community and used as planners intended; in others the slow street was no different than neighboring streets. The study draws on these findings to identify local conditions that seem likely to make slow treet treatments more or less successful. However, acknowledging that all neighborhoods deserve safer streets and greater outdoor recreational opportunities, the authors argue that better community outreach must be implemented to ensure areas not predisposed to make full use of slow streets can have the opportunity to do so. The study also makes suggestions regarding the potential for rapid, low-cost bike and pedestrian street safety improvements going forward.
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Douglas, Gordon, i David Moore. Analyzing the Use and Impacts of Oakland Slow Streets and Potential Scalability Beyond Covid-19. Mineta Transportation Institute, lipiec 2022. http://dx.doi.org/10.31979/mti.2022.2152.

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This report presents the results of a mixed-methods study of the 2020-2022 Oakland Slow Streets program. An official response to the Covid-19 pandemic, the program used signs and temporary barricades to limit thru-traffic on 21 miles of city streets to create more and safer space for walking, cycling, and outdoor recreation. Researchers collected data throughout the summer of 2021 on seven designated slow streets plus one cross street and one control street for each – a total of 21 street segments representing conditions in seven different neighborhoods across Oakland. Data collection comprised in-person passerby counts, observations and photographs of local conditions, and logged traffic speed data. Findings vary widely across study sites. In certain cases, observed slow streets saw less car traffic or more bicycle/pedestrian use than one or both of their comparison streets, and in at least one case the slow street was clearly embraced by the local community and used as planners intended; in others the slow street was no different than neighboring streets. The study draws on these findings to identify local conditions that seem likely to make slow treet treatments more or less successful. However, acknowledging that all neighborhoods deserve safer streets and greater outdoor recreational opportunities, the authors argue that better community outreach must be implemented to ensure areas not predisposed to make full use of slow streets can have the opportunity to do so. The study also makes suggestions regarding the potential for rapid, low-cost bike and pedestrian street safety improvements going forward.
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Taverna, Kristin. Vegetation classification and mapping of land additions at Richmond National Battlefield Park, Virginia: Addendum to technical report NPS/NER/NRTR 2008/128. National Park Service, wrzesień 2022. http://dx.doi.org/10.36967/2294278.

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In 2008 and 2015, the Virginia Department of Conservation and Recreation, Division of Natural Heritage produced vegetation maps for Richmond National Battlefield Park, following the protocols of the United States Geological Survey (USGS) – National Park Service (NPS) Vegetation Mapping Program. The original 2008 report was part of a regional project to map and classify the vegetation in seven national parks in Virginia. The 2015 report was an addendum to the original report and mapped the vegetation in newly acquired parcels. Since 2015, the park has acquired an additional 820 acres of land within 12 individual parcels, including the 650 acre North Anna unit. This report is an addendum to the 2008 and 2015 reports and documents the mapping of vegetation and other land-use classes for the 12 new land parcels at Richmond National Battlefield Park, with an updated vegetation map for the entire park. The updated map and associated data provide information on the sensitivity and ecological integrity of habitats and can help prioritize areas for protection. The vegetation map of the new land parcels includes eighteen map classes, representing 14 associations from the United States National Vegetation Classification, one nonstandard, park-specific class, and three Anderson Level II land-use categories. The vegetation classification and map classes are consistent with the original 2008 report. Vegetation-map classes for the new land parcels were identified through field reconnaissance, data collection, and aerial photo interpretation. Aerial photography from 2017 served as the base map for mapping the 12 new parcels, and field sampling was conducted in the summer of 2020. Three new map classes for the Park were encountered and described during the study, all within the North Anna park unit. These map classes are Coastal Plain / Outer Piedmont Basic Mesic Forest, Northern Coastal Plain / Piedmont Oak – Beech / Heath Forest, and Southern Piedmont / Inner Coastal Plain Floodplain Terrace Forest. The examples of Coastal Plain / Outer Piedmont Basic Mesic Forest and Southern Piedmont / Inner Coastal Plain Floodplain Terrace Forest at North Anna meet the criteria of size, condition, and landscape context to be considered a Natural Heritage exemplary natural community occurrence and should be targeted for protection and management as needed. New local and global descriptions for the three map classes are included as part of this report. Refinements were made to the vegetation field key to include the new map classes. The updated field key is part of this report. An updated table listing the number of polygons and total hectares for each of the 28 vegetation- map classes over the entire park is also included in the report. A GIS coverage containing a vegetation map for the entire park with updated Federal Geographic Data Committee (FGDC) compliant metadata was completed for this project. The attribute table field names are the same as the 2008 and 2015 products, with the exception of an additional field indicating the year each polygon was last edited.
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Thin Section and Scanning Electron Microscopy summary photographs from plugs taken from core of the Union Oil Company of California Trading Bay Unit M-29 (11481.1'-11511.0'), along with photographs of the original core (Marathon Collection at the Alaska GMC) before and after the plugging. Alaska Division of Geological & Geophysical Surveys, listopad 2008. http://dx.doi.org/10.14509/19585.

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