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Gotowe bibliografie tematyczne / Philosphy and aesthetics / Książki

Książki na temat „Philosphy and aesthetics”

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Autor: Grafiati

Data publikacji: 25 lipca 2024

Data aktualizacji: 30 lipca 2024

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1

Brown, Julia Prewitt. Cosmopolitan criticism: Oscar Wilde's philosophy of art. Charlottesville: University Press of Virginia, 1997.

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2

1954-, Smith Gary, red. Benjamin: Philosophy, aesthetics, history. Chicago: University of Chicago Press, 1989.

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Gary, Smith, red. Benjamin: Philosophy, history, aesthetics. Chicago: University of Chicago Press, 1989.

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4

1947-, Lewis Peter, red. Wittgenstein, aesthetics, and philosophy. Aldershot, Hants, England: Ashgate, 2004.

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Fløistad, Guttorm, red. Aesthetics and Philosophy of Art. Dordrecht: Springer Netherlands, 2007. http://dx.doi.org/10.1007/978-1-4020-5069-5.

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Siṅgha, Darabāra. Philosophy of aesthetics: Reading Caudwell. Delhi: Anupama Publications, 1992.

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1957-, Young James O., red. Aesthetics: Critical concepts in philosophy. London: Routledge, 2005.

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8

White, Boyd. Aesthetics primer. New York: Peter Lang, 2009.

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White, Boyd. Aesthetics primer. New York: Peter Lang, 2009.

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10

Miśra, Kailāśa Pati. Aesthetic philosophy of Abhinavagupta. Varanasi: Kala Prakashan, 2005.

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11

1947-, Stecker Robert, i Gracyk Ted, red. Aesthetics: A reader. Lanham, Md: Rowman & Littlefield Publishers, Inc., 2010.

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12

Jennifer, McMahon, red. Aesthetics and material beauty: Aesthetics naturalized. New York: Routledge, 2007.

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13

NA. Aesthetics: Readr Philosphy Arts & 1srch Pk. Addison Wesley Longman, 2005.

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14

Ideengeschichte der Bildwissenschaft: Siebzehn Porträts. [Frankfurt]: Suhrkamp, 2009.

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Esteticas efimeras. Buenos Aires: Nobuko, 2009.

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16

Notions of the Aesthetic and of Aesthetics. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2014.

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17

Notions of the Aesthetic and of Aesthetics: Essays on Art, Aesthetics, and Culture. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2014.

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18

Ahlberg, Lars-Olof. Notions of the Aesthetic and of Aesthetics: Essays on Art, Aesthetics, and Culture. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2014.

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19

Ahlberg, Lars-Olof. Notions of the Aesthetic and of Aesthetics: Essays on Art, Aesthetics, and Culture. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2014.

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20

Ahlberg, Lars-Olof. Notions of the Aesthetic and of Aesthetics: Essays on Art, Aesthetics, and Culture. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2014.

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21

Eugene, Fish Stanley, Kang Liu i Fredric Jameson. Aesthetics and Marxism: Chinese Aesthetic Marxists and Their Western Contemporaries. Duke University Press, 2000.

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22

Eugene, Fish Stanley, Kang Liu i Fredric Jameson. Aesthetics and Marxism: Chinese Aesthetic Marxists and Their Western Contemporaries. Duke University Press, 2000.

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23

Lopes, Dominic McIver. Aesthetics and Philosophy of Art. Redaktorzy Herman Cappelen, Tamar Szabó Gendler i John Hawthorne. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199668779.013.11.

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Streszczenie:

This article focuses on aesthetics and the philosophy of art as branches of so-called analytic philosophy. It begins with a historical overview of aesthetics and the philosophy of art before turning to a discussion of how the philosophy of art bears upon human culture. It then considers the methods used in attacking problems in aesthetics and the philosophy of art by highlighting the distinctions between pure and applied philosophy, between internal and external perspectives on aesthetic and artistic phenomena, and between first-order and second-order methods. It also examines how aesthetics and the philosophy of art are affected as the arts evolve and as empirical studies of aesthetic and artistic phenomena become well established in the social and behavioural sciences as well as the humanities.

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24

Manns, James W. Philosophy and Aesthetics. Routledge, 2016. http://dx.doi.org/10.4324/9781315479415.

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Manns, James W. Philosophy and Aesthetics. Taylor & Francis Group, 2016.

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26

Manns, James W. Philosophy and Aesthetics. Taylor & Francis Group, 2016.

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27

Manns, James W. Philosophy and Aesthetics. Taylor & Francis Group, 2016.

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Manns, James W. Philosophy and Aesthetics. Taylor & Francis Group, 2016.

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29

Beiser, Frederick C. Neo-Kantian Writings in Marburg, 1880–1889. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198828167.003.0009.

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This chapter describes Cohen’s writings on philosophy in the 1880s, specifically his work on epistemology and aesthetics. It analyzes Cohen’s Das Princip der Unendliche Methode where Cohen advocates an analysis of sensibility into intelligible units called infinitesimals. This marks the beginning of his break with Kant’s dualism between understanding and sensibility. One section considers the second edition of Kants Theorie der Erfahrung, which brought many changes in his evolving philosophy. A final section deals with Cohen’s first foray into the field of aesthetics, his book Kants Begründung der Aesthetik. Cohen’s early aesthetics is interpreted as an attempt to reinstate classical aesthetic values against romanticism.

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30

Aesthetics and Photography (Aesthetics and the Philosophy of Art) (Aesthetics and the Philosophy of Art) (Aesthetics and the Philosophy of Art). Ashgate Publishing, 2002.

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31

Huron, David. Aesthetics. Redaktorzy Susan Hallam, Ian Cross i Michael Thaut. Oxford University Press, 2012. http://dx.doi.org/10.1093/oxfordhb/9780199298457.013.0014.

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Aesthetics is commonly defined as the study of beauty, and its opposite, ugliness. Some philosophers conceive of aesthetics as applying solely to the arts or to artistic experience. Beginning in the 1960s, the field of cognitive science became increasingly influential in the philosophy of mind. While much of this influence relates to the nature of thought, reasoning, and consciousness, the impact of cognitive science has expanded to other areas of philosophy, including aesthetics. This article focuses on how cognitive science influences modern thinking in musical aesthetics. It argues that cognitive neuroscience is poised to overtake philosophical aesthetics: rather than influencing aesthetic philosophy, aesthetic philosophy is receding to a sideline ‘advisory’ role, while cognitive science takes an unaccustomed leadership position.

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32

Aesthetics. Armonk, N.Y: M.E. Sharpe, 1998.

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33

Lewis, Peter B. Wittgenstein, Aesthetics and Philosophy. Taylor & Francis Group, 2017.

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34

Lewis, Peter B. Wittgenstein, Aesthetics and Philosophy. Taylor & Francis Group, 2017.

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35

Philosophy of psychology, aesthetics. Dettelbach: Josef H. Röll, 1998.

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36

Smith, Gary. Benjamin: Philosophy, Aesthetics, History. University Of Chicago Press, 1990.

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37

Wittgenstein, Aesthetics and Philosophy. Taylor & Francis Group, 2017.

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38

Lewis, Peter B. Wittgenstein, Aesthetics and Philosophy. Taylor & Francis Group, 2017.

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39

Smith, Gary. Benjamin: Philosophy, Aesthetics, History. University Of Chicago Press, 1989.

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40

Lewis, Peter B. Wittgenstein, Aesthetics and Philosophy. Taylor & Francis Group, 2017.

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41

Aesthetics in Contemporary Philosophy. Lit Verlag, 2010.

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42

Lyas, Colin. Aesthetics. Taylor & Francis Group, 2002.

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43

Aesthetics. 1997.

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44

Aesthetics. London: UCL Press, 1997.

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45

Aesthetics. Routledge, 2006.

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46

Chen, Melvin. Philosophy and Art in Southeast Asia. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9781350414204.

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Guiding you through the topics that shape aesthetics and the philosophy of art, this introduction explores the truth, meaning, taste, aesthetic merit and the role of perception. What each chapter offers is a wealth of examples from Asia: Sonny Liew’s The Art of Charlie Chan Hock Chye, Tan Tai Yong, Kueh Appreciation Day, dragon kiln pottery, the Nanyang style of painting and the Chinese ink tradition. Selected for their boldness and open-endedness, these artworks include graphic comics and classical art forms. They deal with controversies and address central questions including: -When are artworks considered dangerous?-Why does Socrates recommend the banishment of the poets?-What are the problems and challenges posed by forgery?-How do we resolve ambiguity when interpreting and making sense of works of art?-Can there be such a thing as immoral art? A sense of awareness of context and situatedness runs throughout Aesthetics in Southeast Asia. The texture, fabric, and flavour of each example is woven into rigorous philosophical analysis of aesthetic and artistic matters. Making art and aesthetics more relatable, here is a creative and accessible introduction that inspires a love for art and aesthetics. For anyone interested in understanding the cultural underpinnings of aesthetics outside of the traditional canon it is essential reading.

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47

Lopes, Dominic McIver. Aesthetics in Three Dimensions. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198796657.003.0002.

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This chapter begins with a historical overview of aesthetics and the philosophy of art before turning to a discussion of how the philosophy of art bears upon human culture. It then considers the methods used in attacking problems in aesthetics and the philosophy of art by highlighting the distinctions between pure and applied philosophy, between internal and external perspectives on aesthetic and artistic phenomena, and between first-order and second-order methods. It also examines how aesthetics and the philosophy of art are affected as the arts evolve and as empirical studies of aesthetic and artistic phenomena become well established in the social and behavioural sciences as well as the humanities.

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48

Levinson, Jerrold. Philosophical Aesthetics: An Overview. Redaktor Jerrold Levinson. Oxford University Press, 2009. http://dx.doi.org/10.1093/oxfordhb/9780199279456.003.0001.

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This article focuses on the domain of aesthetics and various problems and issues associated with aesthetics. Aesthetics is the branch of philosophy devoted to conceptual and theoretical inquiry into art and aesthetic experience. This article offers first an outline of the structure of philosophical aesthetics as a whole, and then a selective sketch of the development of Anglo-American aesthetics over the past fifty years, focusing on five central topics: the concept of the aesthetic, the definition of art, the ontology of art, representation in art, and expression in art. The three foci of aesthetics are labeled as art, aesthetic property, and aesthetic experience.

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49

Manns, James W. Aesthetics. Taylor & Francis Group, 1998.

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50

Lyas, Colin. Aesthetics. Taylor & Francis Group, 2002.

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