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Artykuły w czasopismach na temat "Philosophie intensive"
Bocken, Inigo. "Mystik als Tat? Philosophie und Spiritualität bei Maurice Blondel". Interdisciplinary Journal for Religion and Transformation in Contemporary Society 5, nr 1 (18.12.2019): 76–97. http://dx.doi.org/10.30965/23642807-00501005.
Pełny tekst źródłaSchott, Hans-Joachim. "Die Involution der Verwandlung. Posthumanistische Denkfiguren in Elias Canettis "Masse und Macht"". Studia Germanica Posnaniensia, nr 42 (1.08.2023): 9–26. http://dx.doi.org/10.14746/sgp.2022.42.02.
Pełny tekst źródłaCacciatore, Giuseppe. "Dilthey zwischen Universalismus und Relativismus". Aoristo - International Journal of Phenomenology, Hermeneutics and Metaphysics 2, nr 1 (18.01.2019): 84–102. http://dx.doi.org/10.48075/aoristo.v2i1.21565.
Pełny tekst źródłaMateo, Marina Martinez, i Heiko Stubenrauch. "Über den Gebrauch weißer Prinzipien in Kants Philosophie". Zeitschrift für Ideengeschichte 16, nr 1 (2022): 123–25. http://dx.doi.org/10.17104/1863-8937-2022-1-123.
Pełny tekst źródłaPayant, Caroline, i Eliana Hirano. "Recurring Topics in English Language Teachers' Written Teaching Philosophy Statements". TESL Canada Journal 35, nr 1 (9.09.2018): 29–51. http://dx.doi.org/10.18806/tesl.v35i1.1283.
Pełny tekst źródłaPaulo, Norbert. "Einleitung: Gedankenexperimente in der praktischen Philosophie". Zeitschrift für Praktische Philosophie 8, nr 2 (25.01.2022): 231–46. http://dx.doi.org/10.22613/zfpp/8.2.9.
Pełny tekst źródłaMontada, Josep Puig. "Philologia ancilla philosophiae". Arabic Sciences and Philosophy 21, nr 2 (12.08.2011): 289–98. http://dx.doi.org/10.1017/s095742391100004x.
Pełny tekst źródłaSauvagnargues, Anne. "Le sujet cinématographique, de l’arc sensorimoteur à la voyance". Cinémas 16, nr 2-3 (22.03.2007): 96–114. http://dx.doi.org/10.7202/014617ar.
Pełny tekst źródłaRameix, S. "L'analyse du philosophe". Réanimation Urgences 9, nr 1 (styczeń 2000): 30–33. http://dx.doi.org/10.1016/s1164-6756(00)90171-3.
Pełny tekst źródłaPinno, Bradley D., Kazi L. Hossain, Ted Gooding i Victor J. Lieffers. "Opportunities and Challenges for Intensive Silviculture in Alberta, Canada". Forests 12, nr 6 (16.06.2021): 791. http://dx.doi.org/10.3390/f12060791.
Pełny tekst źródłaRozprawy doktorskie na temat "Philosophie intensive"
Dosso, Catherine. "La rencontre avec la musique : la méthode de la collection d’événements". Electronic Thesis or Diss., Université de Lorraine, 2020. http://www.theses.fr/2020LORR0305.
Pełny tekst źródłaChildren listening to music, considered as an aesthetic experience, has been the subject of little research work. We hypothesize that examining aesthetic experience through the lens of the process of the encounter enables one to rightly consider the specificities of childrens musical listening experiences characterized by the movement of the sound flow. Simondian concepts of transduction and disparation, Deuleuze & Guattari concepts of disjunctive synthesis, hecceity and refrain create an intense philosophical space that enable us to approach the phenomenon that we are investigating. From traces that appear in different forms, we produce here a set of event examples that refuses the ways of a typology that seems incompatible with the phenomenon of the “Encounter”. This set of examples presents events from which we pick affect valencies. We postulate that they are affirmative of an encounter with a musical artwork. Those examples have hypothetic value, and can be seen as possible encouters with music
Laousse, Dominique. "L'institutionnalisation de l'innovation intensive dans les transports publics. Industrialiser, métaboliser et gouverner l'innovation". Thesis, Paris Sciences et Lettres (ComUE), 2018. http://www.theses.fr/2018PSLEM084/document.
Pełny tekst źródłaWhile affirming the vital need for technical, economic and social breaks, their conditions of emergence and institutionalization in large companies still remained an object of fundamental research and many questions were still open : what design engineering to face intensive innovation ? What organization should be put in place to professionalize the disruptive processes and integrate them into the strategic agenda ? What model of institutionalization is compatible with this new regime of the firm ? Based on many works spread over more than a decade, in large public transport companies, this thesis shows that the institutionalization of breakthrough innovation is built and analyzed according to a model with three complementary dimensions : the industrialization of innovative design methods, the metabolization of professionalized actors and the governance of intensive innovation. In addition, this model highlights the endogenous process of piloting intensive innovation that is at the heart of this institutionalization. It begins with the routinisation of collaborative innovation devices (KCP) in the form of "laboratories / networks". Demonstrated in a repetitive way, the generative power of these devices gives credibility to new innovative domains, as well as the multiple actors involved. Then emerges a transversal organization (Innovation Intensive function) that capitalizes on new collective metabolism: breakthrough innovation then integrates, with its benchmarks and resources, into the daily activity of the company. On these bases, a real "design" governance, adapted to breakthrough innovation, is then made possible. Thus, the institutionalization of disruptive innovation mobilizes classic forms of institutionalization, but it also distances itself from it by its necessary coupling to the strong cognitive generativity that the rupture requires. Ultimately, this model refers in a certain way to the emergence of the modern enterprise itself, when it has institutionalized scientific research
Saint-Cricq, Frédéric. "L'architecture en mode mineur". Thesis, Montpellier 3, 2020. http://www.theses.fr/2020MON30007.
Pełny tekst źródłaOur research is based on the discernible qualities of the constructions we perceive, but these qualities cannot be attributed to concepts or factual causes. Words, and the whole signifying process, cannot frame the sensorial tangibleness; and the concepts are way too vast to determine the unicity of a building or of its statement. Using a musical metaphor, we say that in a major mode of mental representation we perceive already-formed objects and subjects from which sensorial attributes gain meaning. But this major mode cannot seize how and why a building or its own statement are unique. This unicity of the Perceived is birthed in a genetic occurrence, as sensible and semiotical dynamics progressively determine qualities and statements. The aim of this research is to build a theory of these individuation dynamics. When a building is being “individualized”, it is through the variations of sensible and semiotical powers that progressively arrange the object and the statements. This process demands that we use another way of thinking, that we call the minor mode of affects. This mode has a mental operator - the Intensity - that allows the perception of how sensible and semiotical powers vary - which is the Destiny. We cannot theorize affects without being aware of how material objects are inter-affected, how powerful they are, and how they make us redistribute our thoughts and their relationships to those passions and emotions that rationality will never halt. Affect, as the adequate idea of what will be Destiny, allows the sense of singularities and of how they put rhythm in the process of an oeuvre, whether it is sensible or theoretical
Shirani, Takashi. "Singularité et intensité : Deleuze et une philosophie de l'immanence". Paris 8, 2004. http://www.theses.fr/2004PA082373.
Pełny tekst źródłaFurtado, Sylvia Beatriz Bezerra. "Images that resist: in the intensive Aleksander Sokurov film". Universidade Federal do CearÃ, 2010. http://www.teses.ufc.br/tde_busca/arquivo.php?codArquivo=11178.
Pełny tekst źródłaThe artistic phenomenon should be , first of all defined by the description of forces . In the forms , colors , sounds , materials , and in the special case of cinema mode these forces as part of automation mechanism images . In this sense Deleuze gives to the arts by assigning the role to detect the signs , capture them and make them sensitive . Such that we can no longer say about art as a place of production of meanings , but the trial of strength. It is, this field of think of art as material composition forces . Art does not reproduce forms imaginary , but captures materials , concrete strength. The potency of the art resides therefore in different assemblages with the materials that compose . Only then can understand why , in Deleuzian perspective, the film should be seen by the internal relationship images, the way they articulate their threads - plans , movements camera, the relationship between movement and time, etc. , and not by the relationship they establish with real or believable to the production of images. Not indices of realism or rapprochement between the visible world and the ways that we take the film , but at he is able to capture and compose sensitive world.
O fenÃmeno artÃstico deve ser, antes de tudo, definido pela inscriÃÃo de forÃas. Nas formas, nas cores, nos sons, nos materiais, e no caso especial do cinema, no modo como essas forÃas fazem parte do mecanismo de automaÃÃo das imagens. Nesse sentido que Deleuze dà Ãs artes ao atribuir-lhe o papel de detectar os signos, captÃ-los e tornÃ-los sensÃveis. De tal modo, que jà nÃo podemos mais dizer sobre a arte como lugar de produÃÃo de significados, mas de experimentaÃÃo de forÃas. Trata-se, neste campo, de pensar a arte como composiÃÃo de forÃas materiais. A arte nÃo reproduz formas imaginÃrias, mas capta forÃas materiais, concretas. A potÃncia da arte reside, portanto, nos diferentes agenciamentos com os materiais que a compÃe. Sà assim podemos entender porque, na perspectiva deleuziana, o cinema deve ser visto pela relaÃÃo interna das imagens, pelo modo como se articulam seus encadeamentos â planos, movimentos de cÃmera, relaÃÃo entre movimento e tempo, etc, e nÃo pela relaÃÃo que estabelecem com o real ou com a produÃÃo de imagens verossÃmeis. NÃo à pelos Ãndices de realismo ou de aproximaÃÃo entre as formas e o mundo visÃvel que devemos tomar o cinema, mas pelo que ele à capaz de captar e compor mundo sensÃveis.
Oja, A. (Aleksi). "Intension, substance and calculus:the leibnizian vision in Frank Ankersmit’s philosophy of history". Master's thesis, University of Oulu, 2019. http://jultika.oulu.fi/Record/nbnfioulu-201905302289.
Pełny tekst źródłaHellou, Gisèle. "Les théories de la complexité, la systémique et l'herméneutique pour une philosophie pratique des soins intensifs". Mémoire, Université de Sherbrooke, 2007. http://savoirs.usherbrooke.ca/handle/11143/5272.
Pełny tekst źródłaKarkagianni-Doukidou, Margarita. "Nuance and tension : a study of Bergson's idea of intensity". Thesis, Kingston University, 2015. http://eprints.kingston.ac.uk/34117/.
Pełny tekst źródłaTshabalala, Ntathakusa P. "The relationship between courage and personal moral philosophy in a morally intense situation". Diss., University of Pretoria, 2015. http://hdl.handle.net/2263/52335.
Pełny tekst źródłaMini Dissertation (MBA)--University of Pretoria, 2015.
ms2016
Gordon Institute of Business Science (GIBS)
MBA
Unrestricted
Battaglia, Alexandre. "Poésie et intensité dans l'œuvre de Patrick Wateau". Electronic Thesis or Diss., Paris 8, 2018. http://www.theses.fr/2018PA080060.
Pełny tekst źródłaThis work is a monograph about the books written by the poet Patrick Wateau, born in 1959. It deals with the question of intensity. It is descriptive, considering the fact that the hermetic language of the poet is a constant opposition to critical description. A first part is mainly interested by the existantial propositions of the poet, and by the issue of subjectivity ; a tension between interrogation of the human condition and tendency to solitude is questionned. A second part deals with the poetic art of the author, showing his proximity with some modern writers (Artaud, Noël, Dupin) and with the art of the mystics as it is depicted by Michel de Certeau. A third part deals with negativity. It deals with the personal life experience of the poet, and analyzes the themes that are connected to it (illness, pain, temptation of silence, « hatred for poetry »). A fourth part studies the relationship with history (poetry is confronted to deshumanisation, to what Beckett calls « cap au pire ») and the issue of the mystic (particularly the importance that Plotin has for the poet)
Książki na temat "Philosophie intensive"
On humanity's intensive introspection. South Bend, Ind: St. Augustine's Press, 2012.
Znajdź pełny tekst źródłaDagan, Hanoch. Property theory: Intensive course. Toronto]: Faculty of Law, University of Toronto, 2012.
Znajdź pełny tekst źródłaBenshalom, Ilan. Tax policy & theory: Intensive course. Toronto]: Faculty of Law, University of Toronto, 2010.
Znajdź pełny tekst źródłaMacCormick, Neil. Contemporary questions in legal theory: Intensive course. [Toronto: Faculty of Law, University of Toronto], 1994.
Znajdź pełny tekst źródłaMacCormick, Neil. Contemporary questions in legal theory: Intensive course. [Toronto: Faculty of Law, University of Toronto], 1994.
Znajdź pełny tekst źródłaComplexité, systémique et herméneutique: Pour une philosophie pratique des soins intensifs. Paris: L'Harmattan, 2009.
Znajdź pełny tekst źródłaHéllou, Gisèle. Complexité, systémique et herméneutique: Pour une philosophie pratique des soins intensifs. Paris: L'Harmattan, 2009.
Znajdź pełny tekst źródłaHéllou, Gisèle. Complexité, systémique et herméneutique: Pour une philosophie pratique des soins intensifs. Paris: L'Harmattan, 2009.
Znajdź pełny tekst źródłaColeman, Jules. Core issues in the philosophy of law: Intensive course. [Toronto]: Faculty of Law, University of Toronto, 2005.
Znajdź pełny tekst źródłaColeman, Jules. Core issues in the philosophy of law: Intensive course. [Toronto]: Faculty of Law, University of Toronto, 2005.
Znajdź pełny tekst źródłaCzęści książek na temat "Philosophie intensive"
Fortuna, Sara. "Sprachnot, Lebensnot und der Ursprung der Menschheit in Vicos Philosophie". W Cultural Inquiry, 214–38. Wien: Turia + Kant, 2017. http://dx.doi.org/10.37050/ci-12_10.
Pełny tekst źródłaAkiba, Ken. "Extension and Intension". W The Philosophy Major’s Introduction to Philosophy, 34–63. New York, NY: Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9781003039136-2.
Pełny tekst źródłaBrody, Baruch A. "Ethical Issues Raised by Intensive Care". W Philosophy and Medicine, 7–22. Dordrecht: Springer Netherlands, 1995. http://dx.doi.org/10.1007/978-94-011-0259-9_2.
Pełny tekst źródłaSerani-Merlo, Alejandro, i Pedro Rosso. "Intensive Care its Nature and Problems". W Philosophy and Medicine, 63–78. Dordrecht: Springer Netherlands, 1995. http://dx.doi.org/10.1007/978-94-011-0259-9_5.
Pełny tekst źródłaKlein, Colin, i Manolo Martínez. "Imperativism and pain intensity". W Philosophy of Pain, 13–26. 1 [edition]. | New York: Routledge, 2018.: Routledge, 2018. http://dx.doi.org/10.4324/9781351115865-2.
Pełny tekst źródłaMalara, Ivan. "Intensio and Remissio". W Encyclopedia of Renaissance Philosophy, 1–7. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-319-02848-4_69-1.
Pełny tekst źródłaMalara, Ivan. "Intensio and Remissio". W Encyclopedia of Renaissance Philosophy, 1–7. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-319-02848-4_69-2.
Pełny tekst źródłaSilver, Bruce. "Simplicity, Economy, and Intensity". W Grammar, Philosophy, and Logic, 159–77. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-66257-2_7.
Pełny tekst źródłaSchotsmans, Paul T. "Admission to and Removal from Intensive Care: a Personalist Approach". W Philosophy and Medicine, 127–43. Dordrecht: Springer Netherlands, 1995. http://dx.doi.org/10.1007/978-94-011-0259-9_9.
Pełny tekst źródłaRamón Guerrero, Rafael, Marc Geoffroy, Hans Hinrich Biesterfeldt, Cecilia Martini Bonadeo, Cecilia Martini Bonadeo, Abdesselam Cheddadi, Rafael Ramón Guerrero i in. "Intension and Remission of Forms". W Encyclopedia of Medieval Philosophy, 551–55. Dordrecht: Springer Netherlands, 2011. http://dx.doi.org/10.1007/978-1-4020-9729-4_243.
Pełny tekst źródłaStreszczenia konferencji na temat "Philosophie intensive"
LEHRER, NANCY, GARY EDWARDS i CARL FRIEDLANDER. "ASTAIRE - A design philosophy for highly reactive, knowledge intensive planners". W 8th Computing in Aerospace Conference. Reston, Virigina: American Institute of Aeronautics and Astronautics, 1991. http://dx.doi.org/10.2514/6.1991-3806.
Pełny tekst źródłaDidmanidze, Ibraim, i Irma Bagrationi. "INFORMATION PARADIGMS OF ART FROM THE HISTORY OF SOCIAL AESTHETICS". W 9th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2022. SGEM WORLD SCIENCE, 2022. http://dx.doi.org/10.35603/sws.iscah.2022/s07.06.
Pełny tekst źródłaDorantes, C. A., B. Hewitt i T. Goles. "Ethical Decision-Making in an IT Context: The Roles of Personal Moral Philosophies and Moral Intensity". W Proceedings of the 39th Annual Hawaii International Conference on System Sciences (HICSS'06). IEEE, 2006. http://dx.doi.org/10.1109/hicss.2006.161.
Pełny tekst źródłaGrant, CW Graham, Nuttapon Piyakunkiat, Parthasarathi Bandyopadhyay, Kittipat Wejwittayaklung, Swee Hong Gary Ong, James Manson, Pornchuda Konganuntragul i in. "Challenges of a HPHT Completion Design with Extreme H2S and CO2 in a Carbonate Gas Development". W IADC/SPE Asia Pacific Drilling Technology Conference and Exhibition. SPE, 2022. http://dx.doi.org/10.2118/209865-ms.
Pełny tekst źródłaGerhard, Jonathan F., Scott J. Duncan, Yong Chen, Janet K. Allen, David Rosen, Farrokh Mistree i Andrew D. Dugenske. "Towards a Decision-Based Distributed Product Realization Environment for Engineering Systems". W ASME 1999 Design Engineering Technical Conferences. American Society of Mechanical Engineers, 1999. http://dx.doi.org/10.1115/detc99/cie-9085.
Pełny tekst źródłaMaslov, V. "AGGRESSION AS A PROBLEM OF THEORY AND PRACTICE OF TECHNOGENIC CIVILIZATION". W EXPONENTS OF SOCIAL AGGRESSION: GENERAL HUMANITARIAN DISCOURSES. FSBE Institution of Higher Education Voronezh State University of Forestry and Technologies named after G.F. Morozov, 2022. http://dx.doi.org/10.34220/esaghd2022_51-57.
Pełny tekst źródłaKulkarni, Davendu Y., i Luca di Mare. "Development of Translucent Design Philosophy for the Cyclic Pattern Design of Fan Outlet Guide Vanes". W ASME Turbo Expo 2022: Turbomachinery Technical Conference and Exposition. American Society of Mechanical Engineers, 2022. http://dx.doi.org/10.1115/gt2022-82636.
Pełny tekst źródłaFischer, Carl, Heiner Oesterlin i Thorsten Michler. "Comparison of Design Approaches on the Design Lifetime Prediction of Gaseous Hydrogen Storage Tanks". W ASME 2023 Pressure Vessels & Piping Conference. American Society of Mechanical Engineers, 2023. http://dx.doi.org/10.1115/pvp2023-105732.
Pełny tekst źródłaMartens, Michael, Yaoshan Chen i Ming Liu. "Comparative Integrity Evaluation of Counterbore-Tapered and Back-Beveled Weld Joints". W 2014 10th International Pipeline Conference. American Society of Mechanical Engineers, 2014. http://dx.doi.org/10.1115/ipc2014-33374.
Pełny tekst źródłaDulieu, Pierre, Valéry Lacroix i Kunio Hasegawa. "Revision of Allowable Planar Flaw Tables of ASME B&PV Code Section XI for Ferritic Steel Materials". W ASME 2023 Pressure Vessels & Piping Conference. American Society of Mechanical Engineers, 2023. http://dx.doi.org/10.1115/pvp2023-103472.
Pełny tekst źródłaRaporty organizacyjne na temat "Philosophie intensive"
Kost’, Stepan. THE CONCEPT OF CREATIVITY IN JOURNALISM. Ivan Franko National University of Lviv, marzec 2021. http://dx.doi.org/10.30970/vjo.2021.50.11092.
Pełny tekst źródłaWebb, Philip, i Sarah Fletcher. Unsettled Issues on Human-Robot Collaboration and Automation in Aerospace Manufacturing. SAE International, listopad 2020. http://dx.doi.org/10.4271/epr2020024.
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