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Haffar, Rana. "La mesure dans l'espace architecturale et urbain". Lyon 3, 2005. http://www.theses.fr/2005LYO31010.
Pełny tekst źródłaThe measure in the architectural space is to give an idea aiming at allowing the architectural engineer to be open to a philosophical reading of their problems. The research is based on the idea that the philosophical analysis of the main concepts of the work are: the measure, the space and architecture. The constructional planning gives the necessary tools to the reader so that he can accept the built shapes. It reveals the process of the work through a visit to history and the special place each civilization gives to man and measure through construction. It adapts the reader to understand the mechanism of perception. The aim is to give an exact idea about the architectural scope suggesting that any moment of the analysis is repeating the focus on the idea which says that man and measure is the key to successful architecture. Understanding the measure under all aspects is to put the finger on the worried feeling of man because we do not build according to the human measure
Boufassa, Sami. "Homme, environnement artificiel et prospective : essai sur les rapports entre l'homme et son environnement urbain futur". Lyon 3, 2002. http://www.theses.fr/2002LYO31004.
Pełny tekst źródłaGruet, Stéphane. "L'oeuvre et le temps. analytique /". Toulouse : Éd. "Poïesis"-AERA, 2005. http://catalogue.bnf.fr/ark:/12148/cb40022208p.
Pełny tekst źródłaDuchemin, Séverine. "Vers une écologie spirituelle de la ville : Pour une critique du développement durable urbain, approches philosophique et psychanalytique". Phd thesis, Université Paris-Est, 2008. http://tel.archives-ouvertes.fr/tel-00501827/en/.
Pełny tekst źródłaLaudati, Patrizia. "Perception de l'image de la ville et qualification sémantique des espaces". Valenciennes, 2000. https://ged.uphf.fr/nuxeo/site/esupversions/858a640d-a32a-4165-81c8-14ffe65cc8a7.
Pełny tekst źródłaKim, Hye-Ryung. "Habiter : perspectives philosophiques et éthiques : de Heidegger à Ricoeur". Strasbourg, 2011. https://publication-theses.unistra.fr/public/theses_doctorat/2011/KIM_Hye-Ryung_2011.pdf.
Pełny tekst źródłaThe broad objective of this study is to develop an argument advocating the concept of “habit-the-world” from both philosophical and ethical perspectives. The first two chapters prepare the philosophical argumentation in first articulating M. Heidegger’s concept of Dasein, then following with G. Bachelard’s concept of “human going out of and coming in the house. ” In order to fully develop the question of “habit-the-world" in relation with the actuality of humane society, this study introduces three contemporary thoughts: “The theory of the action” by H. Arendt, the sociological analysis of “habitus of habitation” by P. Bourdieu and the “critique de the capitalist city” by H. Lefebvre. Through these multiple perspectives this study asserts that “habit-the-world” is fundamental to the nature of “living with others” and as well as the “right to live” in the social-political community. This study is implicitly guided by the methodology of P. Ricoeur and his philosophical ethic, Ethic of Oneself as another. It also attempts to promote a conversation between Ricoeur and E. Levinas by reflecting his work Ethic of the other. By the dialectic between Levinas’ concept of “my infinitive responsibility for the other” and Ricoeur’s concept of “the good life in good institutions”, this study consequently argues that the world is the home where ‘me’ and ‘others’ need not be mutually exclusive
Attali, Jean. "Le plan et le détail : une philosophie de l'architecture de la ville". Paris 1, 2000. http://www.theses.fr/2000PA010667.
Pełny tekst źródłaBonzani, Stéphane. "La ligne d'édifier : invention architecturale et transmilieu(x)". Lyon 3, 2010. http://www.theses.fr/2010LYO31037.
Pełny tekst źródłaWhat does inventing mean in architecture? This ages-old question is being strongly reevaluated nowadays. Indeed, the contemporary conditions of human habitat, characterized by the outside being exhausted, have considerably changed this activity. Architectural invention has always been based, in Western thought at least, on a spreading movement. The conception of inhabited milieu has been dealing with the worrying but bountiful relationship with the strange exterior forces. In order to report on this metamorphosis, we have tried to define the profound originality of architectural invention as "the building line". Its rhythmic movement is neither that of discovery, nor that of creation, but rather proceeds by opening or establishing a livable environment. This definition then allows some of the great texts from the history of architecture (Vitruvius, Alberti, Ledoux, Le Corbusier) to be analyzed in a new way. Questions arise from the hypothesis of progressive disappearance of the exterior from the human empire. The analysis shows how the building line continues in parallel to the progressive loss of the exterior, bending until it turns back on itself, leading to a critical situation (the “bouclage”). The last part of the thesis investigates the contemporary age in more detail and aims to identify the emergent perspectives trying to escape from this situation. The answer is based on the regenerative power of architecture through interlinking (“reliance”), and it leads on develop the concept of “transmilieu(x)”. The concept travels beyond the frontiers between scales, disciplines, nature and culture, and could be the starting point of another way of thinking in architecture
Sangla, Sylvain. "Politique et espace chez Henri Lefebvre". Paris 8, 2010. http://octaviana.fr/document/152263594#?c=0&m=0&s=0&cv=0.
Pełny tekst źródłaThis thesis intends to study the Henri Lefebvre’s theories of space, town and urban. It begins by analysing his books on this subject: Du rural à l’urbain (published in 1970, with articles dated from 1949 to 1969), Le droit à la ville (1968), La révolution urbaine (1970), La pensée marxiste et la ville (1972), Espace et politique (1973), La production de l’espace (1974). About thirty articles, chapters and films on this topic up to Lefebvre’s death in 1991 are then analysed. We study next the tetralogy De l’Etat (1976-8) and the articles on self-management (autogestion), which are both relating to the urban and spatial themes. The fourth part deals with the different reactions to Lefebvre’s work on space and urban (from the situationists to the actual international researches). At last, we try to apply the Lefebvre’s theories to the actual world-wide situation of urban. Our work results finally lie in: the verification of the validity and the importance of Lefebvre’s theories of space, town and urban; the analysis of Lefebvre’s anarchist version of marxism; the examination of the strong link existing between his theories of urban and his theories of state critics and self-management (autogestion); the establishment of a concordance between some aspects of Lefebvre’s ideas and Deleuze’s philosophy
Guillot, Jean-François. "Les idées de temps et de vivant chez les urbanistes du Musée social aux villes nouvelles". Electronic Thesis or Diss., Amiens, 2020. http://www.theses.fr/2020AMIE0010.
Pełny tekst źródłaFrench town planning, born at the beginning of the 20th century, seeks scientific bases and a method. The abundant and varied use of biological images brings epistemological convenience but also confusions. The ideas of evolution and organism induce in town planners representations of memory and urban history which stimulate debate and which reveal the difficulty of laying down the laws of the urban with certainty. The idea of law, approximated to time and the life, makes it possible to touch one of the major ambiguities of discourse : the passage from the law of urban development and functioning, which is considered to be natural, to normative or prescriptive law. It is in the conception of urban political time that these problems arise. And the narrative of the city, written or implicit, is the object where the issues of the debate are best read. We study here the texts of town planners by making them dialogue with each other, and by referring to the philosophers, to whom town planners sometimes refer, in order to clarify as much as possible the representations of time and of life which govern the elaboration of the the knowledge and know-how of the town planner from the 1900s to the 1970s
Marot, Sébastien. "Palimpsestuous Ithaca : un manifeste relatif du sub-urbanisme". Paris, EHESS, 2008. http://www.theses.fr/2008EHES0085.
Pełny tekst źródłaIn 1978, Rem Koolhaas published Delirious New York, the manifesto for contemporary super-urbanism (the program invents the site). The ambition of Palimpsestuous Ithaca is to illustrate the reverse poetics of sub-urbanism (the site invents the program), by focusing on the town of Ithaca (seat of Cornell University) which is the geographical opposite of Manhattan. Our demonstration is articulated in 3 parts: 1) a geographic thesis devoted to the 3 founding father of the university: a self-made engineer, an architecture enthusiast and an inspiring botanist; 2) an urbanistic antithesis following architects Colin Rowe, OM. Ungers and Rem Koolhaas up to the moment when they came to Ithaca to build up the plots of their respective manifestoes: Collage City, "Berlin as a Green Archipelago", and Delirious New York. 3) a poetic synthesis devoted to earth artist Robert Smithson (whose artistic adventure reached its maturity in Ithaca), anarchitect Gordon Matta-Clark (the best student Colin Rowe ever had at Cornell), and Vladimir Nabokov (who fantasized Ithaca into one of the most fascinating hyperlandscapes of contemporary literature)
Maffioletti, Marco. "L'entreprise idéale entre usine et communauté : une biographie intellectuelle d'Adriano Olivetti". Thesis, Grenoble, 2013. http://www.theses.fr/2013GRENL018/document.
Pełny tekst źródłaEntrepreneur, urban planner, politician, editor, the Italian intellectual Adriano Olivetti (1901-1960) proposed a novel reading view of modernity and demonstrated that an alternative way, one that was complex and disinterested in the common good, was possible. Relying on previously unexploited research drawn from Olivetti's library and various archives, this intellectual biography reconstructs the life of Adriano Olivetti looking through the lens of the specifics of his territory and his family, the scientific management, urban planning, anti-fascism, entrepreneurial activity and politics, thereby providing a global and historically-based interpretation of the man and his thought. Adriano Olivetti was born in Ivrea, in the Canavese. Situated between Aosta and Turin, this small rural town had little industry when, in the early twentieth century, his father Camillo Olivetti founded a typewriters' factory. Camillo was a socialist of Jewish origin, whose wife was Waldensian, and his son was educated in religious freedom and would become a Catholic. As an engineering student, Adriano Olivetti supported the principles of autonomy and of federalist socialism, before focusing on scientific management which he had observed in the USA. In the early '30s he became the director of the company, where he inaugurated the scientific management of mass production. He subsequently noticed that the modernization of industry, conceived as the only means to generalize the well-being, generated serious social and urban problems. As a result, as the company grew larger and conquered foreign markets, he coordinated an urban plan of the Val d'Aosta. An antifascist, he contributed to the fall of Mussolini by working with the Allies. While exiled in Switzerland, he developed a plan for the reform of Italian institutions which would set the territories at the center of politics, the "Communities" that would allow the citizens to participate more directly in the management of politics, economics, urban and social development. When in 1945 he returned in Italy, Olivetti decided to dedicate himself to politics and joined the Socialist Party and its Center for Socialist Studies. Disappointed by the party system, he returned to Ivrea and introduced a new direction for the company, one which combined a concern for the material and spiritual welfare of workers with aesthetics, technological research and global success. Between 1946 and 1948 Olivetti founded the magazine “Comunità”, the Edizioni di Comunità and the Community Movement, which in the '50s administered several municipalities in Canavese by management practices inspired by scientific rationality which was based on the Olivettian design, a project that in the late '50s collided with a double political failure: of the Movement, which could not achieve consensus out of the Canavese, and that of the company, where the idea of success equated with the redistribution of profits bothered Italian capitalists, who opposed the Socialist, Keynesian and Fordist principles of Olivetti. Olivetti died in 1960, before finishing his reformist projects. This thesis reconstructs the historical and cultural context in which Adriano Olivetti developed and applied his innovative concepts of company management, culture and society, centered on the person and his community. While avoiding to update this "model" entrepreneur, this thesis considers that Olivetti may provide alternative answers to some problems of social cohabitation that in Europe are still current, drawn from his affirmation of the centrality of work , the value of solidarity and freedom, its tension with the proper recognition of the person beyond the socio-economic boundaries, and with political forms that consider social complexity and allow its representation in the institutions
Moreira, Clarissa da Costa. "Ville et devenir : Dogville et le devenir-village des métropoles". Paris 1, 2007. http://www.theses.fr/2007PA010618.
Pełny tekst źródłaTiano, Camille. "Les fauteurs d’imaginaire : construction d’un imaginaire et jeu d’acteurs dans les opérations de requalification urbaine : Euralille, Euroméditerranée et Neptune". Paris 8, 2007. http://octaviana.fr/document/133381390#?c=0&m=0&s=0&cv=0.
Pełny tekst źródłaThe present work focuses on the imaginary aspect of a city and urban action. If urban regeneration operations such as Euralille (Lille), Euroméditerranée (Marseilles) and Neptune (Dunkerque) imply renewing buildings and urban public spaces, redeveloping local economic fabrics and socially revitalising territories, they also generate imaginaries. Imaginary is to be read as the collectively acknowledged set of representations, symbols, narratives, values, figures and forms that all prove specific to a given place and time. For this phenomenon to be tackled within an operational framework, we brought the notions of imaginary and interplay of actors together. Analysing these operations and the speeches held by their main actors led us to a double series of results: - Producing an imaginary rests upon key processes: turning the operation into a narrative, combining the project’s temporalities and choosing specific and innovating strategic lines. So that making up an imaginary works as a mirror and as an instrument of the interplay of actors. - Producing and circulating an imaginary both hinge upon how the interplay of actors is set. They are also more closely related to how long spatial planners and elected representatives stay in office as well as to the political support of the project and the combination and polarisation of all partners involved around emblematic figureheads
NASR, GHANNAM ISABELLE. "La symbolique du territoire. Essai sur l'heritage universaliste et l'effort de production des differences dans les cultures contemporaines". Université Marc Bloch (Strasbourg) (1971-2008), 1987. http://www.theses.fr/1987STR20034.
Pełny tekst źródłaThe monorythmical and accelerated history of industrialized multiethnic societies oriented towards material objectives of productivity and output, brings the populations to a dangerous process of deculturization and provokes an important cultural homogenization phenomenon. The spatio-social rooting-up which follows cannot satisfy the essential needs of men and cannot respect a millenary equilibrium patiently waved between man and nature, man and man. Communities and individuals are condemned to repress this concrete singularity which defines them as specific beings, in a particular spatio-social time and space. This cultural uniformization policy also reaches the developing societies involved in the same industrialization process. The irruption of modernity in asia, africa and latin america, has led to the same results. The claim of being different, the desire to return to the land and the search for more distinguished cultures, stand out against the rubbing out of the constitutive network of concrete solidarities inside the societies and against the negation of the difference between the diverse cultures. The first part of this study aims to include the technical phenomenon in the metaphysical and religious universe in which it plunges its distant roots and from which it constitutes the last issue. The second part endeavours to clarify the principal concepts and to establish operative definitions to circumscribe the problematic of symbolic of territory. The third part studies various contemporary political situations in contexts as different as those of western europe, united states, china, soviet union, and the third world, which point out the importance of symbolic of territory. The fourth part aims to elucidate the ultimate meaning of symbolic of territory
Rodriguez, Rivero Luis. "Les imaginaire urbains et le futur de la ville". Thesis, université Paris-Saclay, 2021. http://www.theses.fr/2021UPASK004.
Pełny tekst źródłaThe thesis constitutes a revision of the concept of urban imaginary based on the ideas of Cornelius Castoriadis, moving them from the field of political action to urban studies, enriching it through postcolonial studies produced in recent decades. This allows us to review the role of the urban imaginary in the construction of ideas about the city in the southern hemisphere. A second task will be to try a redefinition of the intervention tools in the city, from tools such as the urban plan, the urban project, tactical urbanism, architecture, among others, to adapt them to the reality and needs of post-colonial capitals.The main hypothesis of the research assumes that the problems of the cities that have undergone colonization processes are not a consequence of the absence of projects, the lack of technical, economic ir professional resources. The problem lies in the collective unconscious, built and structured from the colonization process, where a symbolic order has settled that builds a postcolonial mentality.Since 15th century, the city has been an essential device for the consolidation process and also the means of preserving the colonial after the independence processes, it is necessary to build a notion of urban imaginary that affirms the project autonomy and gies the city the opportunity to push the decolonization process.To develop this hypothesis, it is divided into three, based on the proposition of Albert Memmi, who highlights how any colonization process involves detaching the colonized subject from its temporal thread. To this postulate is added the usurpation generated by alienation over their own territory, and, finally, from the interaction with the colonizer, the subject ends up astonished from himself. These three consequences of the colonial require processes of reappropriation of the urban, thus, the thesis tries in each of its parts to decipher the relationships between the urban imaginary instituted in postcolonial societies and temporality in the first part, territoriality in the second part and, finally, the encounter with oneself in the last.FAced with dislocation, distancing and estrangement, it is necessary to oppose various appropriation processes, from rewriting, re-centering, restructuring, re-identifying or resymbolization the urban imagination, capable of altering the already instituted symbolizations, with the aim of demonstrate the possibilities of overcoming existing problems, based on an epistemological review of certain urban concepts and the restructuring of the tools and devices of intervention in the city, in particular the urban plan, the urban project, the public space and the architecture
Kim, Do Hoon. "Lieux symboliques et modernisation de la nature en Corée : une approche mésologique en aménagement et en urbanisme". Paris, EHESS, 2011. http://www.theses.fr/2011EHES0144.
Pełny tekst źródłaThis research emphasizes the rhythm of the mesological way taking place in the proper milieu of a society that is to say that of the trajectivitie. It’s along the mesological way or in the trajectivitie that the ecological value and the symbolic value unite, and yet the physical order and the phenomenal order intersect. The concept of mesological way leads us to reflect on the environmental determinism and the mechanistic modem, where the extend land is not considered as a living and concrete place, but as an inert and abstract space. Therefore, this research is to consider the establishment of a human dwelling place, where we recall that we should take into account the mesological view of all residential environment. Especially since it is based the special meaning that people ascribe to nature and space. This meaning contributes to their well being vital. It has become the main motive of an urban transformation. This meaning is changing gradually with the "mesological taken" of a milieu in human society. It is no different from the indefinite extension of an imaginary relationship with nature and space. That is to say that it is following of a process trajection
Pereira, Domingos. "Être et habiter : vers une habitudologie : étude théorique des phénomènes inhérents à l'habitation et au logement dans la ville occidentale contemporaine". Paris, EHESS, 2007. http://www.theses.fr/2007EHES0003.
Pełny tekst źródłaArchitecture underlines differences between sheltering, housing and habiting. Sheltering constitutes this instinctive protection feat against any hostile exteriority. Lodging couches the idea in rational answers to needs, by means of functions. Habiting is an immanent reality to human being and a manner by wich the "agent" singularly expresses his existing to the world. The point of view of "médiance" by Augustin Berque is the concept that brought this theses premise. "Dasein" by Martin Heidegger, so as "l'être-au-monde" by Maurice Merleau-Ponty, represented a second thinking implement. "Habitus" concept by Pierre Bourdieu, highlights the idea of exteriorised interiority and reversely of an interiorised exteriority. Habitudology purpose is to propose some hypotheses and to develop most adapted ones to a situation so as to elaborate a project. We named this posture a projection, wich represents the project of an action, in respect of a milieu
Nguyen, Manh Tri. "Les significations du concept d'harmonie entre l'être humain, architecture et nature dans la théorie architecturale d'Alberti et les philosophies en Orient". Master's thesis, Université Laval, 2008. http://hdl.handle.net/20.500.11794/19935.
Pełny tekst źródłaDelprat, Etienne. "Architectures expérimentales : penser et agir une pratique située (généalogie, contexte et éléments théoriques) : l'expérience de YA+K". Thesis, Paris 1, 2017. http://www.theses.fr/2017PA01H318/document.
Pełny tekst źródłaThis thesis aims to develop a new conception of architectural practice defined by its experimental value and an in situ approach. At the same time, practitioners from various fields whose work is based on different working formats share a new way to conceive of ‘the project’. They no longer work remotely following the traditional project process – analysis, design and construction. They immerse themselves working for, with and on a context, using actions and productions to set the context to work. This research invites the reader to explore and critically analyse a redefinition of traditional architectural methods and formats, linked to this approach. This thesis takes as its starting point the work of YA+K– interdisciplinary group that I co-founded in 2011. Using my experience within our practice, I first critically analyse a group of projects produced by YA+K (installations, residences and workshops). I then outline several issues that provide the structure of the manuscript, and follow this by situating our approach in a genealogy of practices and practitioners. Then, in order to position this research in its current professional and disciplinary context, I identify several challenges now faced by the architectural field – the evolution of cities, the relationships between practitioners and techniques, and the fragility of the discipline and profession. For each of these points, I develop a theoretical framework, incorporating three major lines of reflection: 1) thinking and working in the urban context through the concept of intermediary urbanism, 2) thinking in relation to technologies based on a DIY approach, and 3) the need to reshape the approach to architectural projects in light of the current crisis in the profession. Lastly, I draw on lessons from these lines of thought in order to articulate three theoretical proposals offering ways to reconceptualise the approach to architectural projects: 1) think around the site(s) and not the context, 2) conceive of different approaches to projects and their classical conflicts (in particular between thinking and doing) through the use of workshops, and 3) try to redefine architectural production, emphasising its experimental value and multiple formats
Mickala, Cyrille. "Habiter : sciences, phénoménologie et herméneutique à partir de Gaston Bachelard et Maurice Merleau-Ponty". Thesis, Lyon 3, 2014. http://www.theses.fr/2014LYO30030.
Pełny tekst źródłaIs it still possible to inhabitate and live the laid out and constructed space in particular, as for considering the techno and industrial flood that determines and influences the field of modern architecture? Rationalism and functionalism of a given trend of modern architecture by incorporating techno and industrial progress in the world of home, seems to condemn the experience of living in an irreversible crisis. The architectural activity wanting to meet scientific and techno-industrial progress, it requires practical experience in home and prescientific places of life, of living standards arising from the only reason. It is a general an architecture and a modern, abstract and functionalist urbanism that develop along the path of rational objectivity initiated by Galileo and Descartes, they control , manage and aestheticize the whole world and all human experience to space by stripping poetic , mythological and emotional considerations. Thus, the construction of human institutions housing becomes in identifying the crisis of living a «prosaic and technological process deriving directly from the mathematical reason, a functional diagram, or a rule of formal suits «in drawback of the concrete experience of living. But if the architecture does not matter to itself, if it is not a practice that is an end in itself because it opens to another, how can we still philosophically hope to authentically, originally and poetically live the world and the space of the house in particular? Philosophy, by phenomenological and hermeneutic approach inheritated from Gaston Bachelard and Merleau-Ponty presents to the modern experience of living, original significant ways that respond to the crisis it faces. Renewing differently more than the only purely rational knowledge the relations of man to the space, it presents itself as a remarkable way of re- understanding, rereading and re-enchantment of the original experience of inhabitating the world , the city and the space of the house
Marquis, Jean-François. "La délégation du récit et la violence symbolique en architecture : en marge de Jacques Derrida et de Chora L Works : une contribution (mineure) à un balisage historique pour la déconstruction architecturale". Thesis, Université Laval, 2011. http://www.theses.ulaval.ca/2011/28163/28163.pdf.
Pełny tekst źródłaAvellan-Hernandez, Sergio. "Pour une approche communicationnelle en urbanisme : application à la conduite de la conception du projet de design urbain". Thesis, Université Laval, 2008. http://www.theses.ulaval.ca/2008/25790/25790.pdf.
Pełny tekst źródłaEl, Baramony Nermin. "Le design urbain et l'effet des facteurs culturels et sociaux : imagibilité orientale et occidentale : Le Caire et Marseille". Thesis, Aix-Marseille, 2012. http://www.theses.fr/2012AIXM1036.
Pełny tekst źródłaThis subject of this thesis is “The Mental Image of Urban Areas”. It uses Cairo and Marseille as case studies. The research was fulfilled through an academic study of the historical development & urban growth of Cairo and Marseille. The aim was to identify the major elements forming of the mental image of the two cities. The researcher determined these elements through a historical and analytical study the urbanism and architecture of the two cities, with particular focus on downtown areas. Through a limited field study, conducted on a sample of residents in each city, the hypotheses developed by the researcher were tested to identify the important characteristics of the different mental impressions for both the eastern city (Cairo) and the western city (Marseille). As well as the social and cultural impacts, the researcher also identifies the physical elements of the mental impression the inhabitants have of the study areas
Lee, Jae-Young. "L’esthétisation de la nature dans l’architecture et l’urbanisme modernes et contemporains : principalement à travers l’œuvre de Wright, Le Corbusier, Mies, Aalto, Koolhaas et Nouvel". Paris, EHESS, 2014. http://www.theses.fr/2014EHES0078.
Pełny tekst źródłaIn modern and contemporary architecture, nature is present in the notion of landscapes in an aesthetic form of nature. Architects create instruments and layouts to realize the aesthetic of nature in and with buildings. These realizations reflect their ideas of nature, which are influenced by ideas from the history of previous and the present centuries. Modern ideas, which are characteristics of naturalist, essentialist and materialist aspects, largely influence the concepts and methods utilized to represent nature. Landscapes are more than simply the appearance of natural matter that allows modernity to objectivize the aesthetic of nature. It is also characteristic of the appearance of the "cosmos," of worlds inhabited by human beings. This existential idea is founded on the fact that humans, a being having a body which inhabits the human world, see nature as something and not nature in itself. In this human reality, quests of nature are motivated and realized according to specific processes and specific forms, though dualistic and modern ideas produce contradictions, notably the fact that separation is created between humans and nature, between sprit and matter. This research intend to understand the features of the ideas of nature and the aesthetic of nature and humanity (human nature) in works of modern and contemporary architecture by such architects as Frank Lloyd Wright, Le Corbusier, Mies van der Rohe, Alvar Aalto, Rem Koolhaas and Jean Nouvel
Bourbonnais, Sébastien. "L'image nomade comme véhicule d'exploration : les représentations spatiales et temporelles du projet d'architecture à l'époque de sa modélisation numérique". Thesis, Université Laval, 2007. http://www.theses.ulaval.ca/2007/24709/24709.pdf.
Pełny tekst źródłaQuaeybeur, Clément. "Entre urbanisme et paysage : des territoires de projets. : Analyse d’une séquence urbaine : Euralille 1, Euralille 2, Saint-Sauveur". Thesis, Lille 1, 2016. http://www.theses.fr/2016LIL10218.
Pełny tekst źródłaIn France, some urban design general discussions focus on the border between the projects made by the urban designer and the one made by the landscape architects (Champy, 2000): between concurrency and complementary (Donadieu, 2012). In the 2000s, we can give a mark on a movement involved in some disciplinary crosses, between landscape and urban design. It takes place into an historic development of the landscape architect profession since the late 1960s (Estienne, 2010). Others observe what they call sub-urbanism (Marot, 1995, 1999, 2006), or “urbanisme de révélation” (Fromonot, 2011). In urban design practices, what kind of exchanges can lay out the interface between landscape and urbanism? This thesis analyses a local urban sequence, one territory in the city of Lille made by three projects over a quarter of a century (1989-2013): Euralille 1, Euralille 2, Saint-Sauveur. The investigation highlights the relations in the works made by the landscape architects and the urban designer. The analysis looks mainly on the opening works and designs, and study as much as graphic documents produced in the studios than the discourse logic associated to the projects. The work shows the exchanges that could organize the synaptic interface between urbanism and landscape design or planning. It opens directions for the consideration of the landscape architect work and the landscape thinking method, in the development of our contemporary cities
Lefebvre, Pauline. "Tracer des reprises du Pragmatisme en architecture (1990-2010). Penser l'engagement des architectes avec le réel". Doctoral thesis, Universite Libre de Bruxelles, 2016. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/238132.
Pełny tekst źródłaDoctorat en Art de bâtir et urbanisme (Architecture)
info:eu-repo/semantics/nonPublished
Finichiu, Ana-Alice. "Territoires entre-deux: agencements, biopolitique et junkspace". Doctoral thesis, Universite Libre de Bruxelles, 2014. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/209210.
Pełny tekst źródłaLe diagnostic de Rem Koolhaas sur les métropoles actuelles montre une ville générique, sans fin, sans identité, sans passé, sans rues, la seule activité qui reste est le shopping et la condition « in-transit » devient universelle. À cette analyse manque une partie très importante, la condition biopolitique de la métropole, qui expliquerait plusieurs des caractéristiques de ce Junkspace, comme le fait qu’il contient la possibilité de résistance face au générique.
À la lumière de ce constat et suivant les directions de pensée que Gilles Deleuze et Félix Guattari ouvrent dans Mille Plateaux, cette thèse propose d’identifier les intervalles témoignant de la dimension biopolitique du Junkspace au travers d’une mobilisation de la théorie des agencements comme hypothèse pour la théorie architecturale et urbaine. Le postulat général est que ces intervalles seraient des territoires entre-deux qui fonctionneraient comme des laboratoires d’agencements témoignant d’une pratique architecturale politique redéfinissant le rôle même de l’architecte.
Trois axes de recherche sont déployés. Le premier interroge la pertinence d’une pensée architecturale en termes d’agencements dans le contexte des transformations actuelles des territoires. À la suite d’un croisement avec la pensée de Deleuze et Guattari l’architecture se comprend dans son processus d’agencement et réagencement. Le second axe interroge la dimension biopolitique du Junkspace identifiant les points critiques de ses agencements et évaluant le paradoxe de l’entre-deux. Le troisième axe met à l’épreuve le potentiel des territoires entre-deux de créer des opportunités pour de nouvelles configurations spatiales.
(english abstract)
Rem Koolhaas’s diagnostic of the modern metropolis shows a generic city with no end, no identity, no past, no streets where the only activity remaining is shopping and the « in-transit » condition is becoming universal. An important part is missing from this analysis: the biopolitical condition of the metropolis, that could explain a number of Junkspace’s characteristics, like the fact that it contains the possibility to resist the generic condition.
In the light of this review and in accordance with the philosophical directions that Gilles Deleuze and Félix Guattari draw in A Thousand Plateaus, this research intends to identify the intervals witnessing the biopolitical dimension of Junkspace by rallying the assemblage theory as hypothesis for the architectural and urban theory. The general postulate is that these intervals are in-between territories functioning as laboratories of assemblages that show a political and resistant architectural practice redefining the very part of the architect.
Three lines of research are deployed. The first one questions the relevance of an architectural assemblage thinking in the context of the current territorial transformations. Operating a crossing with Deleuze and Guattari’s thought, architecture is understood as a process of assembling and re-assembling. The second line of research is questioning the biopolitical dimension of Junkspace identifying the critical points of its assemblages and evaluating the in-between paradox. The third research line is testing the in-between territories potential to create opportunities for new spatial configurations.
Doctorat en Art de bâtir et urbanisme
info:eu-repo/semantics/nonPublished
Finichiu, Alice. "Territoires entre-deux : agencements, biopolitique et junkspace". Electronic Thesis or Diss., Paris 8, 2014. http://www.theses.fr/2014PA080005.
Pełny tekst źródłaRem Koolhaas’s diagnostic of the modern metropolis shows a generic city with no end, no identity, no past, no streets where the only activity remaining is shopping and the « in-transit » condition is becoming universal. An important part is missing from this analysis: the biopolitical condition of the metropolis, that could explain a number of Junkspace’s characteristics, like the fact that it contains the possibility to resist the generic condition. In the light of this review and in accordance with the philosophical directions that Gilles Deleuze and Félix Guattari draw in A Thousand Plateaus, this research intends to identify the intervals witnessing the biopolitical dimension of Junkspace by rallying the assemblage theory as hypothesis for the architectural and urban theory. The general postulate is that these intervals are in-between territories functioning as laboratories of assemblages that show a political and resistant architectural practice redefining the very part of the architect. Three lines of research are deployed. The first one questions the relevance of an architectural assemblage thinking in the context of the current territorial transformations. Operating a crossing with Deleuze and Guattari’s thought, architecture is understood as a process of assembling and re-assembling. The second line of research is questioning the biopolitical dimension of Junkspace identifying the critical points of its assemblages and evaluating the in-between paradox. The third research line is testing the in-between territories potential to create opportunities for new spatial configurations
Khazindar, Sarah. "L' Arabie saoudite : patrimoine, identité et mémoire". Paris 7, 2011. http://www.theses.fr/2011PA070071.
Pełny tekst źródłaThis thesis is focused on understanding and analysing three concepts: identity, heritage and memory in Saudi Arabia. It is based on architectural and urban analysis as a manifestation of cultural identities. The value of architectural and urban heritage is now recognized internationally. The preservation of the architectural and urban heritage is important for the country development. In Saudi Arabia, heritage preservation policy is a challenge to more than one level. It mobilizes issues and methodologies specific to architecture, urban planning and political science and religious ideologies. It also refers to symbolic considerations relating to the imagination and identity building of a society in search of meaning. That is why our approach is multidisciplinary. The first part develops identity-building and territories in Saudi Arabia. It evokes the perception of identity. The second part is devoted to different architectural and urban styles. It validates the permanence of cultural identities and territories mentioned in the first part through their architectural and urban heritage. The third part deals with the relevance of this heritage legacy and the memorial selection of the population, the religious and the economic ideologies, and in the heritage Policy used to it. This work is part considers news and issues addressed in relation to the specific challenges of safeguarding the architectural and urban heritage in Saudi Arabia
Houlstan-Hasaerts, Rafaella. "Le tournant esthétique de la participation urbaine à l'épreuve de la société civile: Une recherche en terrains bruxellois". Doctoral thesis, Universite Libre de Bruxelles, 2019. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/283956.
Pełny tekst źródłaThis thesis is about the connections between aesthetics and politics in urban participation and, more particularly, about the political promises of an urban participation that seemingly gives priority to expression, figuration, imagination and creation as well to the embodied, sensitive, attached, affective and emotional dimensions of our relations to the city. It would therefore seem that ‘aesthetic’ engagements and interests can promote empowerment and emancipation; democratic inclusion and the symmetrization of power; renewed ways of living together and creating collectively. Such promises are at the heart of what I propose to call an aesthetic turn of institutional urban participation, i.e. the passage from a deliberative conception of participation, conceived following the model of the “forum”, to an aesthetic conception of participation, conceived following the model of the “workshop”. And yet critical voices are already being raised. Some underline the risk of depoliticization that accompanies the aestheticization of urban participation and experience. Others, by contrast, emphasize the risk that aesthetics will be subordinated to democratic consensus and to ethics, at the expense of urban quality and of creative autonomy. Some highlight less the politico-aesthetic connection than external factors liable to jeopardize it. At issue, the usual suspects: the institutional framework and capitalism. The objective of this thesis is to take these critiques seriously without losing sight of the political demands of a participation in which the qualitative part of our urban experience would find a place. The proposal made here to achieve this objective is to decentre the gaze by not taking a direct interest in institutional mechanisms of participation. My first hypothesis, of a rather factual nature, posits that the political promises of the aesthetic turn of urban participation exceed its institutional facet, that they find their source in, among other things, mobilizations and initiatives taken by citizens, activists, engaged creators who, since the urban struggles of the 1960s, have marked the history of urban production. This hypothesis has “genealogical” implications, insofar as it encourages a rereading of the history of urban institutional participation not only in the context of its “aestheticization” but also by highlighting the at times direct relations between this aestheticization and participatory dynamics emanating from social movements and the counterculture. The second hypothesis is of a rather normative nature and has both evaluative and prospective implications. It posits that it is within the mobilizations and initiatives of civil society that the promises which also come with the aesthetic turn of institutional urban participation were best embodied, and that these provide levers of resistance against the critiques of which it is the target. Lastly, placed back to back, the two hypotheses invite us to question the extent to which the institutions have welcomed these attempts. Measuring the distances between these moments of live politics and their potential percolations to ulterior participatory dynamics makes it possible to understand how we inherited these mobilizations and initiatives from civil society and, possibly, how we could better inherit them.
Doctorat en Art de bâtir et urbanisme (Architecture)
info:eu-repo/semantics/nonPublished
Finichiu, Alice. "Territoires entre-deux : agencements, biopolitique et junkspace". Thesis, Paris 8, 2014. http://www.theses.fr/2014PA080005.
Pełny tekst źródłaRem Koolhaas’s diagnostic of the modern metropolis shows a generic city with no end, no identity, no past, no streets where the only activity remaining is shopping and the « in-transit » condition is becoming universal. An important part is missing from this analysis: the biopolitical condition of the metropolis, that could explain a number of Junkspace’s characteristics, like the fact that it contains the possibility to resist the generic condition. In the light of this review and in accordance with the philosophical directions that Gilles Deleuze and Félix Guattari draw in A Thousand Plateaus, this research intends to identify the intervals witnessing the biopolitical dimension of Junkspace by rallying the assemblage theory as hypothesis for the architectural and urban theory. The general postulate is that these intervals are in-between territories functioning as laboratories of assemblages that show a political and resistant architectural practice redefining the very part of the architect. Three lines of research are deployed. The first one questions the relevance of an architectural assemblage thinking in the context of the current territorial transformations. Operating a crossing with Deleuze and Guattari’s thought, architecture is understood as a process of assembling and re-assembling. The second line of research is questioning the biopolitical dimension of Junkspace identifying the critical points of its assemblages and evaluating the in-between paradox. The third research line is testing the in-between territories potential to create opportunities for new spatial configurations
Gey, Adrien. "L'évolution des rapports ville nature dans la pensée et la pratique aménagistes : la consultation internationale du Grand Paris". Phd thesis, Université de Grenoble, 2013. http://tel.archives-ouvertes.fr/tel-01002384.
Pełny tekst źródłaPapillault, Rémy. "Chandigarh, l'œuvre ouverte et le temps : anatomie d'un projet de ville de Le Corbusier en Inde, 1950-1965". Paris, EHESS, 2008. http://www.theses.fr/2008EHES0016.
Pełny tekst źródłaAfter the independency of India in 1947, the Prime Minister Nehru promoted a wide planning to modernize the territory, where he anticipated about fifty new towns. For the new state of Punjab, the ambition was to build a capital, as a symbol of this policy. The Le Corbusier's urban project for Chandigarh is based on a previous planning designed by the architects Albert Mayer and Matthew Nowicki; it belongs to the international discussion about the architectural production inspired by the « New Regionalism ». For the realization of the plan at the scale of the city we assume that Le Corbusier, Pierre Jeanneret, Maxwell Fry and Jane Drew, helped by Indian engineers, will set a range of tools to allow the formerly realisation. One of the topics of this thesis is to understand the temporal categories used by the architects for the creation of the new town. We will try to estimate how Chandigarh has been decided since the origin as an open project. How is the position of the architects in charge of its design in relationship with the time's issues? What sort 0 external contributions are part of this way of thinking the city, particularly from Albert Mayer, Maxwell Fry and Jane Drew? How the Le Corbusier buildings projects, realized or not, are the fragments of thinking the city? ln order to answer to such questions, we will work essentially on the architect's letters, sketches notebooks conserved in The Le Corbusier Foundation and on its numeric DVD recently published plans. A great part of the analysis has been produced right on the sit at the bottom of the buildings
Tucoulet, Carole. "La ville et l'écologie : le devenir de la pensée urbanistique française du début du XXe siècle : à partir de l'exemple de Curitiba (Brésil)". Pau, 2000. http://www.theses.fr/2000PAUU1003.
Pełny tekst źródłaDiaconu, Adriana. "Les origines du logement social et collectif à Bucarest : architecture et idéologies politiques : 1910-1960". Paris 8, 2010. http://octaviana.fr/document/204599040#?c=0&m=0&s=0&cv=0.
Pełny tekst źródłaFrom 1910 to 1960, Romania turns from an agricultural country dominated by the ideal of a « nation state » into a socialist republic controlled by the USSR, being in between a « nationalist » dictatorship allied to Nazi Germany. In this historical context this paper explores the evolution of the way political leaders, city planners and architects conceived the role played by the state and the tools that it can use in the field of public aids to housing. Which social categories are particularly privileged by these different political regimes? Are official ideologies really embedded in public policies, in city planning strategies and in architectural projects realized during these regimes? Moreover, by which means and to which extent do political discourses shape urban space? This paper puts into perspective the idea that the conceptions regarding the city and housing in Romania follow historical sequences that are completely distinct from each other and that are the product of political ideologies. Thus it investigates the emergence of a “socialist city”, made up of ruptures and of continuities, and produced by a multiplicity of actors and of divergent ideas
Brancasi, Irene. "Architettura e illuminismo : filosofia e progetti di città nel tardo settecento francese". Paris, EHESS, 2013. http://www.theses.fr/2013EHES0050.
Pełny tekst źródłaThis research focuses on the representation of the city in France at the end ofthe Old Regime, paying a particular attention to the contribution of architectural theory. The starting point is the analysis of a heterogeneous literature, which points out the need for a new observation ofthe urban space together with the possibility of a radical and material change. This intellectual reflection is observed from numerous reform projects as well as from the imagination of an ideal city drawn by the utopic literature; these texts are proposed in the wake of the link between reform and utopia established by Franco Venturi and Bronislaw Baczko. However, the core of this research is the representation of the city developed by the architectural theory and especially by the thought of two artists, Étienne-Louis Boullée (1728-1799) and Claude-Nicolas Ledoux (1736-1806). Based on some philosophical, social and cultural enlightenment ideas, both of them elaborate an image of the city whose transformation can give birth to a new society. In their thought, architecture becomes a real social arl, essential to a new social design and to human emancipation. Their theory and their architectural planning have a double purpose : to receive the man in spaces designed in the light of important functionalistic guideline characteristics of the second half of the 18th Century, and to reform humanity deeply, leading it up to a new step of civilisation
Grigorovschi, Andreea. "Architecture urbaine, cultures de projet et outils conceptuels en débats : "figure", "récit" et "scénario" dans la pensée et la représentation de la ville contemporaine". Thesis, Strasbourg, 2016. http://www.theses.fr/2016STRAG038.
Pełny tekst źródłaThis thesis questions new developments within the field of urban Architecture in France and, specifically, possibilities for the renewal of the discipline’s project approaches and theories, taken in the context of increased awareness towards the multiple challenges presented by the contemporary European city. It thus highlights fundamental changes in conceptual frameworks (ways of thinking and structuring notions) since Urban Architecture’s first definition in France in the 1970s, and critically analyses the “projet urbain” approaches, as developed in the French context since the1980s. The idea of the “metropolitan project” as a renewed urban planning and design approach is thus investigated both from a retrospective and a prospective critical view point : on one side, by reviewing the “projet urbain”’s theories and methods; on the other, by exploring three conceptual and operating design tools – narrative, figure and scenario. Within this emerging narrative-descriptive design culture, renewed intellectual stances, reflexive processes and mental representations help develop new meanings of the “metropolitan project”, marking both continuities and points of departure with respect to the legacy of the “projet urbain”
Flory, Emmanuel. "L' imaginaire de la ville dans la poésie moderne : 1857-1918". Clermont-Ferrand 2, 2009. http://www.theses.fr/2009CLF20010.
Pełny tekst źródłaRaterman, Jacob Stuart. "(Mi)lieux critiques : Hybridité et hétérotopie dans La Curée et Au Bonheur des Dames". Miami University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=miami1438208762.
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