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Artykuły w czasopismach na temat "Peripheral cinema"
Swetha.S. "CONTEMPORARY TAMIL CINEMA & DISCUSSIONS ON CASTE IDENTITY". Journal of English Language and Literature 09, nr 01 (2022): 74–80. http://dx.doi.org/10.54513/joell.2022.9108.
Pełny tekst źródłaClinefelter, Joan, i Kenneth S. Calhoon. "Peripheral Visions: The Hidden Stages of Weimar Cinema". German Studies Review 25, nr 2 (maj 2002): 379. http://dx.doi.org/10.2307/1433030.
Pełny tekst źródłaMennel, Barbara, i Kenneth S. Calhoon. "Peripheral Visions: The Hidden Stages of Weimar Cinema". German Studies Review 26, nr 2 (maj 2003): 426. http://dx.doi.org/10.2307/1433372.
Pełny tekst źródłaJeong, Seung-hoon. "World Cinema in a Global Frame". Studies in World Cinema 1, nr 1 (29.04.2021): 29–38. http://dx.doi.org/10.1163/26659891-0000b0006.
Pełny tekst źródłaLyra, Bernadette. "Cinema periférico de bordas". Comunicação Mídia e Consumo 6, nr 15 (10.09.2009): 31–47. http://dx.doi.org/10.18568/cmc.v6i15.145.
Pełny tekst źródłaStelmach, Miłosz. "Escape from the periphery. World-system of cinema and Polish film". Studia Filmoznawcze 45 (16.07.2024): 35–60. http://dx.doi.org/10.19195/0860-116x.45.2.
Pełny tekst źródłaZhabskiy, Mikhail Ivanovich. "Can “Native” Cinema Be Marketable". Journal of Flm Arts and Film Studies 4, nr 4 (15.12.2012): 119–34. http://dx.doi.org/10.17816/vgik44119-134.
Pełny tekst źródłaZhabskiy, Mikhail Ivanovich. "Can “Native” Cinema Be Marketable". Journal of Flm Arts and Film Studies 5, nr 1 (15.02.2013): 108–25. http://dx.doi.org/10.17816/vgik51108-125.
Pełny tekst źródłaVirginás, Andrea. "Female stardom in contemporary Romanian new wave cinema". Alphaville: Journal of Film and Screen Media, nr 10 (16.12.2015): 76–95. http://dx.doi.org/10.33178/alpha.10.05.
Pełny tekst źródłaWankhede, Harish S. "Examining the Presence of Dalit identity in Hindi Cinema". Current Research Journal of Social Sciences and Humanities 5, nr 2 (10.01.2023): 76–82. http://dx.doi.org/10.12944/crjssh.5.2.03.
Pełny tekst źródłaRozprawy doktorskie na temat "Peripheral cinema"
Carrillo-Vincent, Matthew. "The work of being a wallflower| The peripheral politics of male sentimentality". Thesis, University of Southern California, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=3598174.
Pełny tekst źródłaOne need not strain to find examples of male sentimentality in contemporary US popular culture: From frequent news stories on "Weeper of the House" John Boehner, to the success of Judd Apatow's poignant "bromance" movies, to last year's film adaptation of Stephen Chbosky's celebrated adolescent novel, The Perks of Being a Wallflower (1999), the man of feeling seems more present and popular than ever. With an unsettling display of excessive emotion emanating from the male body, each iteration provokes in viewers, listeners, and cultural critics any one of several disparate responses: Whether committed to the transgressive potential of a male who feels different because he offers vulnerability where others offer hardened restraint, or whether insistent in the claim that these texts simply add to what Gail Bederman would call the "remaking" of a continually complex normative subject, we find in the man of feeling an ambivalent subject for the public sphere. The initial question for readers, listeners, or viewers is often a simple one: is male sentimentality transformative and progressive, or is it pathetic and self-serving? But the presumption that we must answer one way or another belies the historical and cultural complexity of the man of feeling, and merely reinforces a kind of political approach to reading that simply replicates our own attitudes and relation to normativity and its privileges. This dissertation—under the impulse of recent work in queer theory and affect to reach closer to, rather than further from, normativity—takes up the counterintuitive position that we might draw this unlikely subject of the wallflower out from the sidelines and use him to interrogate normativity not from outside, but rather beside, its unsteady borders. It asks a central question—What does it mean for a critique of normativity to come from the normative subject?—and argues that the "peripheral" reading of normativity he helps enable might serve to render the logics of normativity in different ways than we can with more traditionally oppositional forms of critique.
GRØN, Nis. "World cinema beyond the periphery : developing film cultures in Bhutan, Mongolia, and Myanmar". Digital Commons @ Lingnan University, 2016. https://commons.ln.edu.hk/vs_etd/8.
Pełny tekst źródłaSantos, Yasmin Bidim Pereira dos. "Filmes periféricos e as margens do cinema brasileiro : um estudo de caso a partir do longa-metragem Cartão Postal". Universidade Federal de São Carlos, 2015. https://repositorio.ufscar.br/handle/ufscar/8281.
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This work focuses on Brazilian independent cinema and the new paths cinematographers, specially the young ones, are following to make movies. The idea is to observe the new contemporary Brazilian cinema scene and some of its own characteristics, highlighting non traditional subsidezed funds, exhibition and distribution options on alternative channels, such as the internet, film clubs and festivals, as well as aesthetic aspects of its production. Their movies can be understood as peripheric as they may be found outside the scope that includes instutionalized cinema. So 'Cartão Postal' (Josinaldo Medeiros and Wagner Novais, 2011) will be our study case, since it is a movie that can be called peripheric and it is also fit in a specific genre of movie that has been produced on favelas, called cinema de periferia. This movie will be studied on its formal aesthetic dimension as well as on its production strategies, observing how it can fit into some of the main characteristics of this new Brazilian scene.
Este trabalho tem como foco o cenário contemporâneo do cinema independente brasileiro e as novas formas que os cineastas, sobretudo os jovens, vêm utilizando para realizar filmes. A proposta é observar essa nova cena do cinema brasileiro contemporânea e algumas características que a envolvem, destacando-se aqui as alternativas de financiamento frente aos modelos de leis de incentivo e editais, as opções de exibição e distribuição de seus filmes em canais alternativos, como a internet, os cineclubes e os festivais, e também aspectos estéticos dessa produção. São filmes que podem ser entendidos como periféricos na medida em que encontram-se fora do escopo que compreende o cinema institucionalizado. Será utilizado como estudo de caso o longa-metragem Cartão Postal (Josinaldo Medeiros e Wagner Novais, 2011), filme que enquadra-se nesse escopo dos filmes periféricos e também é representante de um nicho de produções que vêm sendo realizadas nas favelas brasileiras, identificado como cinema de periferia. O filme será analisado tanto em suas dimensões estéticas e formais quanto em suas estratégias de realização, observando como que as características dessa nova cena e do cinema periférico manifestam-se nesses aspectos.
Iacob, Raluca. "Projecting peripheries : allegories of marginality in post-communist Romanian cinema". Thesis, University of St Andrews, 2015. http://hdl.handle.net/10023/6951.
Pełny tekst źródłaBen, Ayed Maya. "Le cinéma d'animation en Tunisie : genèse et évolution (1965-1995)". Thesis, Aix-Marseille, 2017. http://www.theses.fr/2017AIXM0047.
Pełny tekst źródłaThis work seeks to understand how animation in Tunisia – an artistic activity on the fringes, both in the art world and in the society in which it is produced - became a vehicle for political protest within an authoritarian context. It recounts the hitherto untold history of this art form together with the socio-political changes under the two post-independence authoritarian regimes. We intend to reveal the form(s) of protest by examining, on the one hand, the cinematic material and, on the other, live testimonials, first-hand memories of the art form. We confront two different types of rhetoric, that of the regime (core values) and the art of animation(marginal culture) to reveal the mechanisms used to formulate the protest statements in Tunisian animation
Van, Loon Joel. "Looking outside: representations of the periphery in contemporary Japanese cinema". Thesis, 2011. http://hdl.handle.net/1828/3243.
Pełny tekst źródłaGraduate
Sucharovová, Lucia. "Život římské periferie v Pasoliniho filmové a narativní tvorbě". Master's thesis, 2014. http://www.nusl.cz/ntk/nusl-338215.
Pełny tekst źródłaLEPADAT, CARMEN. "Not just postposed topics. An integrated pragmatic account of the sentence-final slot in Mandarin Chinese". Doctoral thesis, 2021. http://hdl.handle.net/11573/1568122.
Pełny tekst źródłaKsiążki na temat "Peripheral cinema"
Iordanova, Dina. Cinema at the periphery. Detroit: Wayne State University Press, 2010.
Znajdź pełny tekst źródłaIordanova, Dina. Cinema at the periphery. Detroit: Wayne State University Press, 2010.
Znajdź pełny tekst źródłaIordanova, Dina. Cinema at the periphery. Detroit: Wayne State University Press, 2010.
Znajdź pełny tekst źródłaDina, Iordanova, Martin-Jones David i Vidal Belén 1974-, red. Cinema at the periphery. Detroit: Wayne State University Press, 2010.
Znajdź pełny tekst źródłaHolohan, Conn. Cinema on the periphery: Contemporary Irish and Spanish film. Dublin: Irish Academic Press, 2010.
Znajdź pełny tekst źródłaColmeiro, José. Peripheral Visions / Global Sounds. Liverpool University Press, 2018. http://dx.doi.org/10.5949/liverpool/9781786940308.001.0001.
Pełny tekst źródłaCalhoon, Kenneth Scott. Peripheral Visions: The Hidden Stages of Weimar Cinema (Kritik: German Literary Theory and Cultural Studies). Wayne State University Press, 2001.
Znajdź pełny tekst źródłaPeripheral Visions: The Hidden Stages of Weimar Cinema (Kritik: German Literary Theory and Cultural Studies). Wayne State University Press, 2001.
Znajdź pełny tekst źródłaCinema at the periphery. Detroit: Wayne State University Press, 2010.
Znajdź pełny tekst źródłaOwen, Jonathan. Eraser Drawings. University of Edinburgh, 2024. http://dx.doi.org/10.2218/ed.9781836450313.
Pełny tekst źródłaCzęści książek na temat "Peripheral cinema"
Sticchi, Francesco. "Italian Peripheral Cinema: Boys Cry and Don’t Be Bad". W Mapping Precarity in Contemporary Cinema and Television, 121–34. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-63261-8_8.
Pełny tekst źródłaSanyal, Devapriya. "Women on the periphery". W Gendered Modernity and Indian Cinema, 98–110. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003196389-7.
Pełny tekst źródłaLovejoy, Alice. "Center and Periphery". W A Companion to Eastern European Cinemas, 169–82. Chichester, UK: John Wiley & Sons, Ltd, 2012. http://dx.doi.org/10.1002/9781118294376.ch9.
Pełny tekst źródłaStam, Robert. "The Cosmopolitanism of the Periphery". W World Literature, Transnational Cinema, and Global Media, 35–39. London ; New York : Routledge, 2019.: Routledge, 2019. http://dx.doi.org/10.4324/9780429428579-5.
Pełny tekst źródłaBentes, Ivana. "Global Periphery: Aesthetic and Cultural Margins in Brazilian Audiovisual Forms". W New Argentine and Brazilian Cinema, 103–17. New York: Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137304834_8.
Pełny tekst źródłaEllison, Elizabeth. "The Gritty Urban: The Australian Beach as City Periphery in Cinema". W Filmurbia, 79–94. London: Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1057/978-1-137-53175-9_6.
Pełny tekst źródłaKolokytha, Olga. "Technology, Decentralisation and the Periphery of European Filmmaking: Greece and Scandinavia in Focus". W European Cinema in the Twenty-First Century, 207–25. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-33436-9_12.
Pełny tekst źródłaMeers, Philippe, i Daniël Biltereyst. "Belgian Film Culture Beyond the Big City: Cinema-Going in the Provincial and Rural Periphery of Antwerp". W Rural Cinema Exhibition and Audiences in a Global Context, 135–54. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-66344-9_8.
Pełny tekst źródłaColmeiro, José. "Reimagining Galician Cinema: Utopian Visions?" W Peripheral Visions / Global Sounds. Liverpool University Press, 2018. http://dx.doi.org/10.5949/liverpool/9781786940308.003.0006.
Pełny tekst źródłaColmeiro, José. "Made in Galicia: Making the Invisible Visible". W Peripheral Visions / Global Sounds. Liverpool University Press, 2018. http://dx.doi.org/10.5949/liverpool/9781786940308.003.0005.
Pełny tekst źródłaStreszczenia konferencji na temat "Peripheral cinema"
Colella, Viviana. "Transformaciones, persistencias y resistencias del territorio: la ribera del Municipio de Vicente López". W Seminario Internacional de Investigación en Urbanismo. Barcelona: Instituto de Arte Americano. Universidad de Buenos Aires, 2013. http://dx.doi.org/10.5821/siiu.5851.
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