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Artykuły w czasopismach na temat „Performance recording”

Autor: Grafiati

Data publikacji: 4 czerwca 2021

Data aktualizacji: 11 lutego 2022

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1

Groth Andersson, Signe, i Verner Denvall. "Data Recording in Performance Management". American Journal of Evaluation 38, nr 2 (16.12.2016): 190–204. http://dx.doi.org/10.1177/1098214016681510.

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In recent years, performance management (PM) has become a buzzword in public sector organizations. Well-functioning PM systems rely on valid performance data, but critics point out that conflicting rationale or logic among professional staff in recording information can undermine the quality of the data. Based on a case study of social service staff members, the authors explore three recording logics. The findings reveal a complexity of recording behavior and show how frontline staff shift between recording logics according to the situation. The actual data recordings depend not only on the overall logic but also on factors such as attitudes, assumptions, and motives. The authors suggest that shifting recording logics weaken the validity of performance data. These shifts undermine the idea of PM as a trustworthy strategy to bridge the gap between professional and managerial staff, as well as the possibility of a well-informed management.

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2

Yamakawa, Kiyoshi, Kaori Taguchi i Kazuhiro Ouchi. "Recording Performance of Narrow-Trackwidth Perpendicular Recording Head". Journal of the Magnetics Society of Japan 23, S_2_PMRS_99 (1999): S2_29–33. http://dx.doi.org/10.3379/jmsjmag.23.s2_29.

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Ikekame, H., T. Yamashita, H. Ide, H. Takano, N. Nishiyama, T. Tsuyoshi, Y. Shiroishi i H. Aoi. "Degradation of recording performance in high-speed recording". IEEE Transactions on Magnetics 35, nr 5 (1999): 2259–61. http://dx.doi.org/10.1109/20.800792.

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Negus, Keith. "Bob Dylan's phonographic imagination". Popular Music 29, nr 2 (maj 2010): 213–27. http://dx.doi.org/10.1017/s0261143010000048.

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AbstractIn this article I emphasise the deliberate and reflexive way that Bob Dylan has approached studio recording, sketching the features of a phonographic aesthetic, to highlight a neglected aspect of Dylan's creative practice and to counter the view of Dylan as primarily a ‘performing artist’, one who approaches the studio in a casual manner as a place to cut relatively spontaneous drafts of songs that are later developed on stage. Drawing on Evan Eisenberg's discussion of the ‘art of phonography’ and the way recording radically separates a performance from its contexts of ‘origin’ (allowing recordings to be taken into a private space and subjected to intense, repeated listening), I argue that studio practice, a recording aesthetic and the art of phonography are integral to Dylan's songwriting. The process and practice of songwriting is realised through the act of recording and informed by listening to songs and performances from recordings, regardless of how much time is actually spent in the studio. Exploring how Dylan's phonographic imagination has been shaped by folk, blues and pop sonorities, along with film music, I argue that recording should be integrated into discussions of Dylan's art, alongside the attention devoted to lyrics, performance and biography.

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5

Tanaka, Yoichiro. "Recording performance and system integration of perpendicular magnetic recording". Journal of Magnetism and Magnetic Materials 287 (luty 2005): 468–74. http://dx.doi.org/10.1016/j.jmmm.2004.10.077.

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Alex, M., i D. Wachenschwanz. "Thermal effects and recording performance at high recording densities". IEEE Transactions on Magnetics 35, nr 5 (1999): 2796–801. http://dx.doi.org/10.1109/20.800988.

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7

Iwanaga, Toshiaki, Satoshi Sugaya, Hiroshi Inada i Tadashi Nomura. "Magnetooptic recording readout performance improvement". Applied Optics 27, nr 4 (15.02.1988): 717. http://dx.doi.org/10.1364/ao.27.000717.

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8

Uwazumi, H., T. Shimatsu, Y. Sakai, A. Otsuki, I. Watanabe, H. Muraoka i Y. Nakamura. "Recording performance of CoCrPt-(Ta, B)/TiCr perpendicular recording media". IEEE Transactions on Magnetics 37, nr 4 (lipiec 2001): 1595–98. http://dx.doi.org/10.1109/20.950911.

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9

Albrecht, Thomas R., Hitesh Arora, Vipin Ayanoor-Vitikkate, Jean-Marc Beaujour, Daniel Bedau, David Berman, Alexei L. Bogdanov i in. "Bit-Patterned Magnetic Recording: Theory, Media Fabrication, and Recording Performance". IEEE Transactions on Magnetics 51, nr 5 (maj 2015): 1–42. http://dx.doi.org/10.1109/tmag.2015.2397880.

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10

Gronow, Pekka. "Recording the History of Recording: A Retrospective of the Field". International Journal for History, Culture and Modernity 7, nr 1 (2.11.2019): 443–57. http://dx.doi.org/10.18352/hcm.565.

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The recording industry is now over 120 years old. During the first half of its existence, however, few archives documented or collected its products. Many early recordings have been lost, and discography, the documentation of historical recordings, has mainly been in the hands of private collectors. An emphasis on genre-based discographies such as jazz or opera has often left other areas of record production in the shade. Recent years have seen a growth of national sound collections with online catalogues and at least partial online access to content. While academic historians have been slow to approach the field, there has been outstanding new research on the history of the recording industry, particularly in the USA and UK. This has encouraged the development of new academic research on musical performance, based on historical sound recordings. The article discusses some recent works in this field.

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11

Oikawa, T., H. Uwazumi, T. Shimatsu, H. Muraoka i Y. Nakamura. "Magnetic Properties and Recording Performance of CoPtCr-SiO2 Perpendicular Recording Media." Journal of the Magnetics Society of Japan 27, nr 4 (2003): 196–99. http://dx.doi.org/10.3379/jmsjmag.27.196.

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12

Lakshmikumaran, A. V., J. C. Cates i G. A. Hungerford. "Recording performance and tribological evaluation of FIB defined tape recording heads". IEEE Transactions on Magnetics 36, nr 5 (2000): 2718–20. http://dx.doi.org/10.1109/20.908569.

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13

WAN, D. F., Z. Y. LEE, X. S. MIAO, G. Q. LIN i X. Y. LEE. "HIGH PERFORMANCE MAGNETO-OPTICAL RECORDING MEDIA". Journal of the Magnetics Society of Japan 15, S_1_MORIS_91 (1991): S1_441–442. http://dx.doi.org/10.3379/jmsjmag.15.s1_441.

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14

Zieren, V., S. B. Luitjens, M. J. Piena, R. W. de Bie, C. P. G. Schrauwen i J. P. C. Bernards. "High performance heads for perpendicular recording". IEEE Transactions on Magnetics 24, nr 6 (1988): 2597–602. http://dx.doi.org/10.1109/20.92185.

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15

Xiaoping Bian, M. Doerner, Jinshan Li, Kai Tang, Shanlin Duan i M. Mirzamaani. "High performance laminated longitudinal recording media". IEEE Transactions on Magnetics 35, nr 5 (1999): 2658–60. http://dx.doi.org/10.1109/20.800936.

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16

Coughlin, T. M., Y. S. Tang, E. M. T. Velu i B. Lairson. "Magnetic recording performance of keepered media". Journal of Applied Physics 81, nr 8 (15.04.1997): 4693–95. http://dx.doi.org/10.1063/1.365529.

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17

Speliotis, D. E. "On remanence loops and recording performance". Journal of Applied Physics 67, nr 9 (maj 1990): 5358–60. http://dx.doi.org/10.1063/1.344610.

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18

Harght, Pamela. "Recording in an outdoor performance space". Journal of the Acoustical Society of America 120, nr 5 (listopad 2006): 3054. http://dx.doi.org/10.1121/1.4787282.

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19

Rodríguez, Eva Moreda. "Reconstructing Zarzuela Performance Practices ca. 1900". Journal of Musicology 37, nr 4 (2020): 459–87. http://dx.doi.org/10.1525/jm.2020.37.4.459.

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This article makes an initial contribution to the largely unexplored field of historical performance practice in zarzuela by examining the earliest surviving recordings of Manuel Fernández Caballero’s Gigantes y cabezudos (1898). One of the greatest successes of the género chico subgenre of zarzuela during the early years of commercial phonography in Spain, it is also the zarzuela of which the most recordings made before 1905 have survived: nineteen, made on wax cylinders by local gabinetes fonográficos and on disc by Gramophone. Both the thriving género chico culture and its singing practices, as well as the technological, commercial, and cultural aspects of the early recording industry in Spain, are discussed to consider how recordings related to live performance in this particular context, what the value is of these recordings as documents of performance practice, and what questions they open up for further study of performance practice in zarzuela.

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20

Mazzanti, Sergio. "The live album or many ways of representing performance". Muzikologija, nr 17 (2014): 69–86. http://dx.doi.org/10.2298/muz1417069m.

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The analysis of live albums can clarify the dialectic between studio recordings and live performances. After discussing key concepts such as authenticity, space, time and place, and documentation, the author gives a preliminary definition of live albums, combining available descriptions and comparing them with different typologies and functions of these recordings. The article aims to give a new definition of the concept of live albums, gathering their primary elements: ?A live album is an officially released extended recording of popular music representing one or more actually occurred public performances?.

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21

NAGAOKA, Toru, Jun TAKAHASHI, Noboru IWATO, Bill HIGGINS i Chandler BALDWIN. "RECORDING PERFORMANCE IN CoCrTa MEDIA WITH CoCr SEED LAYER FOR PERPENDICULAR RECORDING". Journal of the Magnetics Society of Japan 15, S_2_PMRC_91 (1991): S2_359–364. http://dx.doi.org/10.3379/jmsjmag.15.s2_359.

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22

Jianping Chen, H. J. Richter, Li-Ping Wang i V. B. Minuhin. "Texture noise and its impact on recording performance at high recording density". IEEE Transactions on Magnetics 35, nr 5 (1999): 2727–29. http://dx.doi.org/10.1109/20.800966.

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23

Watanabe, S., S. Takenoiri, Y. Sakai, K. Enomoto i H. Uwazumi. "Recording performance of double-layered perpendicular recording media with an antiferromagnetic layer". IEEE Transactions on Magnetics 39, nr 5 (wrzesień 2003): 2288–90. http://dx.doi.org/10.1109/tmag.2003.816274.

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24

Gubbins, Mark, Alexandru Cazacu, Paul Kolbo, Tom Nolan, Robert Lamberton i Alan Johnston. "Recording performance improvement for perpendicular recording head with shielded sloped pole design". Journal of Applied Physics 104, nr 11 (grudzień 2008): 113914. http://dx.doi.org/10.1063/1.3040018.

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25

Li Hui Hong, J. K., B. K. Middleton i J. J. Miles. "Modelling of recording system performance and its relationship to recording media properties". Journal of Magnetism and Magnetic Materials 120, nr 1-3 (marzec 1993): 206–9. http://dx.doi.org/10.1016/0304-8853(93)91323-y.

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26

Zuo, J. M., M. R. McCartney i J. C. H. Spence. "Performance of imaging plates for electron recording". Ultramicroscopy 66, nr 1-2 (listopad 1996): 35–47. http://dx.doi.org/10.1016/s0304-3991(96)00076-9.

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27

Wen Jiang, E. M. T. Velu, S. Malhotra, H. S. Jung, Chi Kong Kwok, G. Bertero i D. Wachenschwanz. "Recording performance characteristics of granular perpendicular media". IEEE Transactions on Magnetics 41, nr 2 (luty 2005): 587–92. http://dx.doi.org/10.1109/tmag.2004.838046.

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28

Shimpuku, Y., H. Ino i S. Higashino. "Performance of TCPR in magnetic azimuth recording". IEEE Transactions on Magnetics 34, nr 1 (1998): 124–28. http://dx.doi.org/10.1109/20.663493.

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29

Zhi-Min Yuan, Jianzhong Shi, Chun Lian Ong, Pantelis Sophoclis Alexopoulos, Chunling Du, Anmin Kong, Shiming Ang i in. "Dedicated Servo Recording System and Performance Evaluation". IEEE Transactions on Magnetics 51, nr 4 (kwiecień 2015): 1–7. http://dx.doi.org/10.1109/tmag.2014.2354379.

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30

Rausch, Tim, Alfredo S. Chu, Pu-Ling Lu, Siva Puranam, Deepthi Nagulapally, Todd Lammers, John W. Dykes i Edward C. Gage. "Recording Performance of a Pulsed HAMR Architecture". IEEE Transactions on Magnetics 51, nr 4 (kwiecień 2015): 1–5. http://dx.doi.org/10.1109/tmag.2014.2355173.

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31

Brug, J. A., H. S. Gill, E. Murdock, S. Naberhuis, G. Tarnopolsky i R. Simmons. "Measured fields and performance of recording heads". Journal of Applied Physics 63, nr 8 (15.04.1988): 4039–41. http://dx.doi.org/10.1063/1.340542.

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32

Ohe, Ichiro. "Apparatus for recording and reproducing musical performance". Journal of the Acoustical Society of America 77, nr 5 (maj 1985): 1981. http://dx.doi.org/10.1121/1.391801.

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Speliotis, D. E. "Digital recording performance of Ba‐ferrite media". Journal of Applied Physics 61, nr 8 (15.04.1987): 3878–80. http://dx.doi.org/10.1063/1.338627.

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34

Harris, Alexander R., Ben J. Allitt i Antonio G. Paolini. "Predicting neural recording performance of implantable electrodes". Analyst 144, nr 9 (2019): 2973–83. http://dx.doi.org/10.1039/c8an02214c.

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Tanaka, Kenji, Masaaki Hara, Kazutatsu Tokuyama, Kazuyuki Hirooka, Koji Ishioka, Atsushi Fukumoto i Kenjiro Watanabe. "Improved performance in coaxial holographic data recording". Optics Express 15, nr 24 (2007): 16196. http://dx.doi.org/10.1364/oe.15.016196.

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36

Koga, R., F. Akagi i K. Yoshida. "Increase in AC-Field Frequency and Recording Performance in Microwave-Assisted Magnetic Recording". Journal of the Magnetics Society of Japan 40, nr 2 (2016): 22–27. http://dx.doi.org/10.3379/msjmag.1602r002.

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Shiimoto, Masato, Masukazu Igarashi, Mikito Sugiyama, Yasutaka Nishida i Ikuya Tagawa. "Effect of Effective Field Distribution on Recording Performance in Microwave Assisted Magnetic Recording". IEEE Transactions on Magnetics 49, nr 7 (lipiec 2013): 3636–39. http://dx.doi.org/10.1109/tmag.2012.2236543.

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Miura, S., T. Yamashita, G. Ching i T. Chen. "Noise and bit jitter performance of CoNiPt thin film longitudinal recording media and its effect on recording performance". IEEE Transactions on Magnetics 24, nr 6 (1988): 2718–20. http://dx.doi.org/10.1109/20.92223.

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MOREDA RODRÍGUEZ, EVA. "Amateur Recording on the Phonograph in Fin-de-siècle Barcelona: Practices, Repertoires and Performers in the Regordosa-Turull Wax Cylinder Collection". Journal of the Royal Musical Association 145, nr 2 (listopad 2020): 385–415. http://dx.doi.org/10.1017/rma.2020.17.

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AbstractThe Regordosa-Turull wax cylinder collection, held at the Biblioteca de Catalunya, Barcelona, is unique among early recording collections. It contains 358 cylinders recorded by the textile industrialist Ruperto Regordosa, mostly at his Barcelona home, featuring prominent Spanish and non-Spanish singers of opera and zarzuela, as well as the composer Isaac Albéniz. This article aims to establish the significance of the collection for the study both of the amateur recording culture that existed alongside commercial phonograph recordings and of performance practices in opera and zarzuela. By examining the broader characteristics of the collection and textual sources from the period, and by closely analysing some of the cylinders, this article explores how Regordosa adopted (and in some cases adapted) certain generic conventions employed in commercial recordings of the time, and what the implications of this are when considering these early recordings as documents of performance practice.

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40

Round, Michael. "‘Bachianas Brasileiras’ in Performance". Tempo, nr 169 (czerwiec 1989): 34–41. http://dx.doi.org/10.1017/s0040298200025146.

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The 1987 centenary celebrations of the birth of Heitor Villa-Lobos (1887–1959) produced the first readily available complete recording in this country of the Bachianas Brasileiras. These nine suites, though containing some of his most popular pieces, are nevertheless very incompletely known, and deserve some examination. What follows is not a review of the EMI recording, but a use of it to shed light on the urgent need for a proper critical edition of this important composer's major works.

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41

Wang, Kezhong, Christopher L. Frewin, Dorna Esrafilzadeh, Changchun Yu, Caiyun Wang, Joseph J. Pancrazio, Mario Romero‐Ortega, Rouhollah Jalili i Gordon Wallace. "Neural Recording: High‐Performance Graphene‐Fiber‐Based Neural Recording Microelectrodes (Adv. Mater. 15/2019)". Advanced Materials 31, nr 15 (kwiecień 2019): 1970105. http://dx.doi.org/10.1002/adma.201970105.

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Coutinho, Eduardo, i Klaus R. Scherer. "The effect of context and audio-visual modality on emotions elicited by a musical performance". Psychology of Music 45, nr 4 (26.10.2016): 550–69. http://dx.doi.org/10.1177/0305735616670496.

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In this work, we compared emotions induced by the same performance of Schubert Lieder during a live concert and in a laboratory viewing/listening setting to determine the extent to which laboratory research on affective reactions to music approximates real listening conditions in dedicated performances. We measured emotions experienced by volunteer members of an audience that attended a Lieder recital in a church (Context 1) and emotional reactions to an audio-video-recording of the same performance in a university lecture hall (Context 2). Three groups of participants were exposed to three presentation versions in Context 2: (1) an audio-visual recording, (2) an audio-only recording, and (3) a video-only recording. Participants achieved statistically higher levels of emotional convergence in the live performance than in the laboratory context, and the experience of particular emotions was determined by complex interactions between auditory and visual cues in the performance. This study demonstrates the contribution of the performance setting and the performers’ appearance and nonverbal expression to emotion induction by music, encouraging further systematic research into the factors involved.

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Scherf, B., i M. Tixier-Boichard. "Production environment recording". Animal Genetic Resources Information 44 (kwiecień 2009): 7–10. http://dx.doi.org/10.1017/s1014233900002820.

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SummaryImproved understanding of the adaptation of livestock breeds to their production environments is important for many decisions in the field of AnGR management, ranging from genetic improvement to conservation. However, adaptation is complex and difficult to measure. One approach to this problem is to characterize adaptation indirectly by describing the production environments in which a breed has been kept over time, and to which it has probably become adapted. Comprehensive and comparable descriptions of the production environments in which animals are kept are also needed to make meaningful evaluations of performance data and to enable comparative analysis of the performance of different breeds. To address these requirements and in accordance with the Global Plan of Action for Animal Genetic Resources, it has been proposed that a recognized set of “production environment descriptors“ should be established and used throughout the world as a common framework for describing breeds' production environments. An important aspect of the process will be the georeferencing of breed distributions, which will allow them to be linked to a range of existing georeferenced data sets (e.g. climatic data). The link between a breed and a specific production environment may offer a basis for the development of a niche market; examples in include the Bresse chicken of France and the Abondance and Tarentaise cattle breeds of the northern Alps. Such niche markets represent important opportunities for keeping traditional breeds in use.

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SUZUKI, Toshiyuki, Masanori ISSHIKI, Toshihiko OGUCHI i Kengo KURATA. "ORIENTATION AND RECORDING PERFORMANCE FOR Ba-FERRITE TAPES". Journal of the Magnetics Society of Japan 15, S_2_PMRC_91 (1991): S2_833–838. http://dx.doi.org/10.3379/jmsjmag.15.s2_833.

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Muraoka, H., K. Miura, Y. Sugita i Y. Nakamura. "Characterization of Perpendicular Magnetic Recording and Performance Estimation". Journal of the Magnetics Society of Japan 23, S_2_PMRS_99 (1999): S2_35–40. http://dx.doi.org/10.3379/jmsjmag.23.s2_35.

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Jagielinski, Tomasz. "Materials for Future High Performance Magnetic Recording Heads". MRS Bulletin 15, nr 3 (marzec 1990): 36–44. http://dx.doi.org/10.1557/s0883769400060164.

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Recording in the 1990s will be high density, high frequency, in-contact recording on high coercivity media. Today's state-of-the-art head materials, NiFe, Sendust and amorphous alloys, will be used in some applications. However, layered structured and artificial superlattices will become the key head technologies of the future. Use of advanced preparation techniques will allow “true” materials engineering and the fabrication of devices to incredibly accurate specifications.These very high density recording systems will require optimal inter-play between all the components—media, head, and head/media interface. Future media will be very smooth, high coercivity, large moment thin films. The head/media spacing will be less than 50 nm, and recording at more than 100 MHz will be required. Single-track heads will be replaced by very narrow track-width multitrack devices in high data rate recorders. Thin film heads will provide the answer to most of the problems of large recording fields and high frequency response. These changes will define new requirements for head materials, some of which cannot be met by currently used materials. Conventional ferrite heads will not be found in high performance recording systems; thin film inductive and magnetoresistive (MR) heads (Figure 1) will be widely used. Thin films, metals and alloys, both crystalline and amorphous, layered structures and artificial superlattices will be the key head technologies in the future. New material preparation technologies, MBE (molecular beam epitaxy), MOCVD (molecular chemical vapor deposition), sputtering, and ion beam deposition are becoming increasingly available and less expensive. These methods will be used to fabricate future devices to incredibly accurate specifications.

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47

Lynch, Robert T. "Modeling the performance of optical recording read channels". Applied Optics 27, nr 4 (15.02.1988): 723. http://dx.doi.org/10.1364/ao.27.000723.

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Valcu, Bogdan, Tomoko Seki, Alexander Chernyshov, Fenghua Zong i Antony Ajan. "Thermal Layers Effect on Recording Performance in HAMR". IEEE Transactions on Magnetics 50, nr 11 (listopad 2014): 1–4. http://dx.doi.org/10.1109/tmag.2014.2331282.

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Tazaki, S., i Y. Yamada. "Decisive factors to performance of ternary recording code". IEEE Transactions on Magnetics 27, nr 6 (listopad 1991): 4918–20. http://dx.doi.org/10.1109/20.278698.

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50

Park, Kyoung-Su, Young-Pil Park i No-Cheol Park. "Prospect of Recording Technologies for Higher Storage Performance". IEEE Transactions on Magnetics 47, nr 3 (marzec 2011): 539–45. http://dx.doi.org/10.1109/tmag.2010.2102343.

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