Gotowa bibliografia na temat „Perception spatiale auditive”
Utwórz poprawne odniesienie w stylach APA, MLA, Chicago, Harvard i wielu innych
Zobacz listy aktualnych artykułów, książek, rozpraw, streszczeń i innych źródeł naukowych na temat „Perception spatiale auditive”.
Przycisk „Dodaj do bibliografii” jest dostępny obok każdej pracy w bibliografii. Użyj go – a my automatycznie utworzymy odniesienie bibliograficzne do wybranej pracy w stylu cytowania, którego potrzebujesz: APA, MLA, Harvard, Chicago, Vancouver itp.
Możesz również pobrać pełny tekst publikacji naukowej w formacie „.pdf” i przeczytać adnotację do pracy online, jeśli odpowiednie parametry są dostępne w metadanych.
Artykuły w czasopismach na temat "Perception spatiale auditive"
de Vos, Jeroen. "Listen to the Absent: Binaural Inquiry in Auditive Spatial Perception". Leonardo Music Journal 26 (grudzień 2016): 7–9. http://dx.doi.org/10.1162/lmj_a_00958.
Pełny tekst źródłaRecanzone, Gregg H. "Auditory Influences on Visual Temporal Rate Perception". Journal of Neurophysiology 89, nr 2 (1.02.2003): 1078–93. http://dx.doi.org/10.1152/jn.00706.2002.
Pełny tekst źródłaKeough, Megan, Donald Derrick i Bryan Gick. "Cross-Modal Effects in Speech Perception". Annual Review of Linguistics 5, nr 1 (14.01.2019): 49–66. http://dx.doi.org/10.1146/annurev-linguistics-011718-012353.
Pełny tekst źródłaBertonati, Giorgia, Maria Bianca Amadeo, Claudio Campus i Monica Gori. "Auditory speed processing in sighted and blind individuals". PLOS ONE 16, nr 9 (22.09.2021): e0257676. http://dx.doi.org/10.1371/journal.pone.0257676.
Pełny tekst źródłaCui, Qi N., Babak Razavi, William E. O'Neill i Gary D. Paige. "Perception of Auditory, Visual, and Egocentric Spatial Alignment Adapts Differently to Changes in Eye Position". Journal of Neurophysiology 103, nr 2 (luty 2010): 1020–35. http://dx.doi.org/10.1152/jn.00500.2009.
Pełny tekst źródłaRadić-Šestić, Marina, Mia Šešum i Ljubica Isaković. "The phenomenon of signed music in Deaf culture". Specijalna edukacija i rehabilitacija 20, nr 4 (2021): 259–71. http://dx.doi.org/10.5937/specedreh20-34296.
Pełny tekst źródłaTian, Yapeng. "Towards Unified, Explainable, and Robust Multisensory Perception". Proceedings of the AAAI Conference on Artificial Intelligence 37, nr 13 (26.06.2023): 15456. http://dx.doi.org/10.1609/aaai.v37i13.26823.
Pełny tekst źródłaPlaza, Paula, Isabel Cuevas, Cécile Grandin, Anne G. De Volder i Laurent Renier. "Looking into Task-Specific Activation Using a Prosthesis Substituting Vision with Audition". ISRN Rehabilitation 2012 (6.02.2012): 1–15. http://dx.doi.org/10.5402/2012/490950.
Pełny tekst źródłaBueti, Domenica, i Vincent Walsh. "The parietal cortex and the representation of time, space, number and other magnitudes". Philosophical Transactions of the Royal Society B: Biological Sciences 364, nr 1525 (12.07.2009): 1831–40. http://dx.doi.org/10.1098/rstb.2009.0028.
Pełny tekst źródłaHong, Fangfang, Stephanie Badde i Michael S. Landy. "Causal inference regulates audiovisual spatial recalibration via its influence on audiovisual perception". PLOS Computational Biology 17, nr 11 (15.11.2021): e1008877. http://dx.doi.org/10.1371/journal.pcbi.1008877.
Pełny tekst źródłaRozprawy doktorskie na temat "Perception spatiale auditive"
Hartnagel, David. "La perception de l'espace multisensoriel appréhendée par l'étude de la fusion visuo-auditive : les effets de la dissociation des référentiels spatiaux". Paris 8, 2007. http://octaviana.fr/document/135521491#?c=0&m=0&s=0&cv=0.
Pełny tekst źródłaFrames of reference dissociation effect on the multisensory space is estimated in a Visual-Auditory (VA) fusion task. Godfroy et al. (2003), showed that there is a symmetrical organization of the VA space relative to the mid sagittal plane. Spatial information is coded differently in visual and auditory sensory systems, eye-centred for vision, head-centred for audition. A first experiment shows a reference frame dissociation effect, VA fusion space is symmetrically organized relative to an intermediary axis inbetween head and eye position when fixation cross is laterally shifted. In a 2nd experiment in total darkness, this effect is also found. Hence, head and eye position for VA information displays need to be accounted for. To bypass this eye position effect, a third experiment investigates allocentric visual cues influence. Again, multisensory space perception still depends on the eye-in-head position. The dissociation of egocentric reference frames effect on VA fusion is robust and regular, visual cues provided by the environment are not so relevant. These results confirm that VA fusion is an integrative phenomenon; it depends on the spatial coding of each sensory modality. VA reference frame seems not to reflect an intermediate stage in a reference frame transformation from head-centred to eye-centred, but rather as electrophysiological data proposed (Snyder, 2005), an idiosyncratic representation of space
Després, Olivier. "Mécanismes de localisation spatiale chez l'homme : interaction entre le système visuel et le système auditif". Strasbourg 1, 2004. https://publication-theses.unistra.fr/public/theses_doctorat/2004/DESPRES_Olivier_2004.pdf.
Pełny tekst źródłaPires, Isabel Maria Antunes. "La notion d'espace dans la création musicale : idées, concepts et attributions : une réflexion à propos d'"espaces" intentionnellement perçus ou composés de l'"entité sonore"". Paris 8, 2007. http://octaviana.fr/document/133290859#?c=0&m=0&s=0&cv=0.
Pełny tekst źródłaOur research presents some ideas about composing musical spaces. This study includes the intentional use of the perceived sound qualities in sound construction, and, by the consequence, in musical composition. Our research is in the intersection between the sound as a physical phenomenon, the spatial sensations created by the auditory perception of some sound proprieties, and the musical composition of sound spaces. We develop the idea of a sound entity that we can compose from its microstructure to the macrostructure. We conceive it by means of an analogical thinking about the tangible world objects and the auditory sound sensations. We consider the ideas of volume, form and matter, positions and movements of the material objects. We used these ideas as metaphor to conceive sound entities integrated into and musical composed spaces. The conception of the sound entity as a group of heteroclite elements ; il make possible the conception of operational networks. The composer can use these networks for sound manipulations in his compositional work
Pires, Isabel Maria Antunes Vaggione Horacio. "La notion d'espace dans la création musicale". Saint-Denis : Université de Paris 8, 2009. http://www.bu.univ-paris8.fr/web/collections/theses/AntunesPiresThese.pdf.
Pełny tekst źródłaGandemer, Lennie. "Son et posture : le rôle de la perception auditive spatiale dans le maintien de l'équilibre postural". Thesis, Aix-Marseille, 2016. http://www.theses.fr/2016AIXM4749/document.
Pełny tekst źródłaPostural control is known to be the result of the integration by the central nervous system of several sensory modalities. In the literature, visual, proprioceptive, plantar touch and vestibular inputs are generally mentioned, and the role of audition is often neglected, even though sound is a rich and broad source of information on the whole surroundind 3D space. In the frame of this PhD, we focused on the specific role of sound on posture. The first part of this work is related to the design, the set-up and the perceptual evaluation of a fifth order ambisonics sound spatialization system. This system makes it possible to generate and move sound sources in the 3D space surrounding the listener and also to synthesize immersive and realistic sound environments. Then, this sound spatialization system was used as a tool to generate sound stimuli used in five different postural tests. In these tests, we studied the static upright stance of young and healthy subjects. The results of these studies show that the spatial auditory information can be integrated in the postural control system, allowing the subjects to reach a better stability.Two complementary trails are proposed to explain these stabilizing effects. Firstly, the spatial acoustic cues can contribute to the building of a mental representation of the surrounding environment; given this representation, the subjects could improve their stability. Secondly, we introduce multisensory integration phenomena: the auditory component could facilitate the integration of the other modalities implied in the postural control system
Fekih, Kabil. "Le parcours sonore : de la construction urbaine aux constructions mentales". Grenoble 2, 2006. http://www.theses.fr/2006GRE29063.
Pełny tekst źródłaHartnagel, David Roumes Corinne. "La perception de l'espace multisensoriel appréhendée par l'étude de la fusion visuo-auditive les effets de la dissociation des référentiels spatiaux /". Saint-Denis : Université de Paris 8, 2009. http://www.bu.univ-paris8.fr/consult.php?url_these=theses/HartnagelThese.pdf.
Pełny tekst źródłaBordeau, Camille. "Développement d’un dispositif de substitution sensorielle vision-vers-audition : étude des performances de localisation et comparaison de schémas d’encodage". Electronic Thesis or Diss., Bourgogne Franche-Comté, 2023. https://nuxeo.u-bourgogne.fr/nuxeo/site/esupversions/32b91892-b42f-4d42-bf10-0ad744828698.
Pełny tekst źródłaVisual-to-auditory sensory substitution devices convert visual information into soundscapes for the purpose of allowing the perception of the environment with the auditory modality when the visual modality is impaired. They constitute a promising solution for improving the autonomy of visually impaired people when traveling on foot. The main objective of this thesis work was to determine an encoding scheme for sensory substitution allowing 3-dimensional spatial perception by proposing familiarization and evaluation protocols in virtual environments with different complexities. The first aim was to determine whether the reproduction of acoustic cues for auditory spatial perception was more effective than the use of acoustic cues involved in audio-visual interactions. The first study demonstrated that the modulation of pitch in the encoding scheme could partly compensate for the perceptual limits of spatialization for the dimension of elevation. The second study showed that the modification of the sound envelope could partly compensate for the compressed perception of distance. The second objective was to determine to what extent the determined encoding scheme preserved spatial perception abilities in a complex environment where several objects were present. The third study demonstrated that the segregation capabilities of a complex visual scene through the soundscape depend on the specific spectral signature of the objects composing it when pitch modulation is used as an acoustic cue in the encoding scheme. The work of this thesis has practical implications for the improvement of substitution devices concerning, on the one hand, the possibility of compensating spatial perceptual limits with non-spatial acoustic cues in the encoding scheme, and on the other hand, the need to reduce the amount of auditory information to preserve the segregation abilities of the soundscape. The familiarization and evaluation protocols in a virtual environment having been developed to be adapted to the visually impaired population, the work of this thesis highlights the potential of virtual environments to precisely evaluate the abilities to use sensory substitution devices in a secure context
Masson, Damien. "La perception embarquée : analyse sensible des voyages urbains". Phd thesis, Grenoble 2, 2009. http://tel.archives-ouvertes.fr/tel-00441955.
Pełny tekst źródłaHendrickx, Etienne. "Influence de la stéréoscopie sur la perception du son : cas de mixages sonores pour le cinéma en relief". Thesis, Brest, 2015. http://www.theses.fr/2015BRES0078/document.
Pełny tekst źródłaFew psychoacoustic studies have been carried out about the influence of stereoscopy on the sound mixing of movies. Yet very different opinions can be found in the cinema industry and in scientific papers. Some argue that sound needs to be mixed differently for stereoscopic movies while others pretend that this influence is negligible.A first set of experiments was conducted, which focused on the perception of ambience. Eight sequences - in their stereoscopic (s-3D) and non-stereoscopic (2D) versions, with several different sound mixes - were presented to subjects. For each presentation, subjects had to judge to what extent the mix sounded frontal or “surround.” The goal was to verify whether stereoscopy had an influence on the perception of the front/surround balance of ambience. Results showed that this influence was weak, which was consistent with a preliminary experiment conducted in a mixing auditorium where subjects had to mix the front/surround balance of several sequences themselves.Studies were then conducted on the perception of sound objects such as dialogs or on-screen effects. A fourth experiment focused on ventriloquism in elevation: when presented with a spatially discordant auditory-visual stimulus, subjects sometimes perceive the sound and the visual stimuli as coming from the same location. Such a phenomenon is often referred to as ventriloquism, because it evokes the illusion created by a ventriloquist when his voice seems to emanate from his puppet rather than from his mouth. While this effect has been extensively examined in the horizontal plane and to a lesser extent in distance, few psychoacoustic studies have focused on elevation. In this experiment, sequences of a man talking were presented to subjects. His voice could be reproduced on different loudspeakers, which created disparities in both azimuth and elevation between the sound and the visual stimuli. For each presentation, subjects had to indicate whether or not the voice seemed to emanate from the mouth of the actor. Ventriloquism was found to be highly effective in elevation, which suggests that audiovisual coherence in elevation might be unnecessary in theaters
Książki na temat "Perception spatiale auditive"
H, Gilkey Robert, i Anderson Timothy R, red. Binaural and spatial hearing in real and virtual environments. Mahwah, N.J: Lawrence Erlbaum Associates, 1997.
Znajdź pełny tekst źródłaBlauert, Jens. Spatial hearing: The psychophysics of human sound localization. Cambridge, Mass: MIT Press, 1997.
Znajdź pełny tekst źródłaAnderson, Timothy R., i Robert Gilkey. Binaural and Spatial Hearing in Real and Virtual Environments. Taylor & Francis Group, 2014.
Znajdź pełny tekst źródłaAnderson, Timothy R., i Robert Gilkey. Binaural and Spatial Hearing in Real and Virtual Environments. Taylor & Francis Group, 2014.
Znajdź pełny tekst źródłaAnderson, Timothy R., i Robert Gilkey. Binaural and Spatial Hearing in Real and Virtual Environments. Taylor & Francis Group, 2014.
Znajdź pełny tekst źródłaAnderson, Timothy R., i Robert Gilkey. Binaural and Spatial Hearing in Real and Virtual Environments. Taylor & Francis Group, 2014.
Znajdź pełny tekst źródłaAnderson, Timothy R., i Robert H. Gilkey. Binaural and Spatial Hearing in Real and Virtual Environments. Taylor & Francis Group, 2015.
Znajdź pełny tekst źródłaBerenbaum, Sheri A. Gonadal Hormones and Sex Differences in Behavior: A Special Issue of Developmental Neuropsychology. Taylor & Francis Group, 2014.
Znajdź pełny tekst źródłaBerenbaum, Sheri A. Gonadal Hormones and Sex Differences in Behavior: A Special Issue of Developmental Neuropsychology. Taylor & Francis Group, 2014.
Znajdź pełny tekst źródłaBerenbaum, Sheri A. Gonadal Hormones and Sex Differences in Behavior: A Special Issue of Developmental Neuropsychology. Taylor & Francis Group, 2014.
Znajdź pełny tekst źródłaCzęści książek na temat "Perception spatiale auditive"
Mandrigin, Alisa, i Matthew Nudds. "Sameness of place and the senses". W The World at Our Fingertips, 215–30. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198851738.003.0012.
Pełny tekst źródła