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Artykuły w czasopismach na temat "Perception of art"
Young, Bernard. "Children' Perception about Art". Art Education 38, nr 6 (listopad 1985): 47. http://dx.doi.org/10.2307/3192879.
Pełny tekst źródłaHerman, Amy E. "The Art of Perception". Journal of Museum Education 36, nr 1 (marzec 2011): 81–89. http://dx.doi.org/10.1080/10598650.2011.11510686.
Pełny tekst źródłaPawlik, Jacek Jan. "Perception/Reception". Roczniki Kulturoznawcze 13, nr 4 (31.12.2022): 145–47. http://dx.doi.org/10.18290/rkult22134.20.
Pełny tekst źródłaPavia, Luke, Simon Grima, Inna Romanova i Jonathan V. Spiteri. "Fine Art Insurance Policies and Risk Perceptions: The Case of Malta". Journal of Risk and Financial Management 14, nr 2 (6.02.2021): 66. http://dx.doi.org/10.3390/jrfm14020066.
Pełny tekst źródłaMacQueen, J. C. "Pure Perception: God as Art". International Journal of Religion and Spirituality in Society 1, nr 1 (2011): 45–56. http://dx.doi.org/10.18848/2154-8633/cgp/v01i01/51192.
Pełny tekst źródłaGorglione, Nancy, i Brigitte Burgmer. "Holographic Art: Perception, Evolution, Future". Leonardo 22, nr 3/4 (1989): 439. http://dx.doi.org/10.2307/1575414.
Pełny tekst źródłaNadaner, Dan. "Teaching Perception through Video Art". Art Education 61, nr 1 (styczeń 2008): 19–24. http://dx.doi.org/10.1080/00043125.2008.11518983.
Pełny tekst źródłaJacquette, Dale. "Art, Expression, Perception and Intentionality". Journal of Aesthetics and Phenomenology 1, nr 1 (maj 2014): 63–90. http://dx.doi.org/10.2752/20539339xx14005942183973.
Pełny tekst źródłaEdensor, Tim. "Light Art, Perception, and Sensation". Senses and Society 10, nr 2 (4.05.2015): 138–57. http://dx.doi.org/10.1080/17458927.2015.1042228.
Pełny tekst źródłaSasmita, Husni. "Persepsi Siswa terhadap Kurikulum 2013 Mata Pelajaran Seni Budaya Pada Kelas VII.3 di SMP Negeri 13 Pekanbaru Tahun pelajaran 2016/2017". Instructional Development Journal 1, nr 1 (30.06.2018): 22. http://dx.doi.org/10.24014/idj.v1i1.6417.
Pełny tekst źródłaRozprawy doktorskie na temat "Perception of art"
Phillips, Jessica. "The art of perception". This title; PDF viewer required. Home page for entire collection, 2009. http://archives.udmercy.edu:8080/dspace/handle/10429/9.
Pełny tekst źródłaHawes, Robin J. "Art and visual perception : what value do contemporary theories of visual perception have for art practice?" Thesis, Cardiff Metropolitan University, 2014. http://hdl.handle.net/10369/6524.
Pełny tekst źródłaHillard, Wonda Y. "An Art Educators' Perception of an Art Professional Development Workshop". ScholarWorks, 2019. https://scholarworks.waldenu.edu/dissertations/6578.
Pełny tekst źródłaSobieszczanski, Marcin. "Art et perception : essai d'esthétique cognitiviste". Paris 8, 1999. http://www.theses.fr/1999PA082101.
Pełny tekst źródłaWhite, Christopher D. "A Perception of Change, A Change of Perception". VCU Scholars Compass, 2015. http://scholarscompass.vcu.edu/etd/3756.
Pełny tekst źródłaBrewer, Rhett, of Western Sydney Nepean University, of Performance Fine Arts and Design Faculty i School of Design. "Paint, painters and primary perception". THESIS_FPFAD_SD_Brewer_R.xml, 1996. http://handle.uws.edu.au:8081/1959.7/300.
Pełny tekst źródłaMaster of Arts (Hons)
Barber, LaMar. "Perception and reception of complexion". Thesis, University of Iowa, 2015. https://ir.uiowa.edu/etd/1541.
Pełny tekst źródłaBoetzkes, Amanda. "Beyond perception : the ethics of contemporary earth art". Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=102788.
Pełny tekst źródłaParker, Margaret Ina. "Landscape painting : connection, perception and attention /". Access full text, 2006. http://www.lib.latrobe.edu.au/thesis/public/adt-LTU20080225.113947/index.html.
Pełny tekst źródłaResearch. "An exegesis submitted in partial fulfilment of the requirements for the degree of Master of Visual Arts by Research, School of Visual Arts and Design, Faculty of Humanities and Social Sciences, La Trobe University, Bundoora". Includes bibliographical references (leaves 87-92). Also available via the World Wide Web.
Landais, David. "La synesthésie, les sens et la quasi-synesthésie en art". Thesis, Paris Sciences et Lettres (ComUE), 2018. http://www.theses.fr/2018PSLEH187.
Pełny tekst źródłaSynesthesia is a phenomenon in which either (i) stimulation of a sense modality A triggers a sensation in A as well as an additional sensation in A (i.e., unimodal synesthesia, like grapheme/color synesthesia) or (ii) stimulation of a sense modality B triggers a sensation in B and in another sense modality C (i.e., bimodal synesthesia, like colored-hearing). In this thesis I want to argue that synesthesia is a sui generis quasi-perceptual phenomenon. To that effect, I introduce a semantic-perceptual account of synesthesia that I call perceptual mannerism. This account is about synesthesia experience and its perceptual content. I start with some background about synesthesia, especially phenomenological and empirical data. I present six types of synesthesia and draw several sub-distinctions. I show that these six types ultimately reduce to only three basic types. And I discuss some theoretical and methodological issues concerning the philosophical study of synesthesia, and present some of the main recent theories of synesthesia. Finally, I suggest using the terms “synesthesia” and “synesthesic experience” carefully in aesthetics and discuss some issues about visual music, Henri Valensi’s musicalism and Auguste Herbin’s plastic alphabet
Książki na temat "Perception of art"
Art et perception. Paris: Delagrave, 2004.
Znajdź pełny tekst źródłaColor perception in art. West Chester, Pa: Schiffer Pub., 1986.
Znajdź pełny tekst źródłaRosengren, Mats. Cave Art, Perception and Knowledge. London: Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9781137271976.
Pełny tekst źródłaSosno, Sacha. De la perception esthétique. Nice: Ovadia, 2011.
Znajdź pełny tekst źródła1829-1916, Watkins Carleton E., Hambourg Maria Morris i San Francisco Museum of Modern Art., red. Carleton Watkins: The art of perception. San Francisco, Calif: San Francisco Museum of Modern Art, 1999.
Znajdź pełny tekst źródłaSumpf, Denise. Art Experience and Human Resources’ Perception. Wiesbaden: Deutscher Universitätsverlag, 2005. http://dx.doi.org/10.1007/978-3-322-81213-1.
Pełny tekst źródłaStyhre, Alexander. Perception and organization: Art, music, media. New York: Palgrave Macmillan, 2008.
Znajdź pełny tekst źródłaBeyond vision: Essays on the perception of art. London: Reaktion, 2002.
Znajdź pełny tekst źródłaBloomer, Carolyn M. Principles of visual perception. Wyd. 2. New York, NY: Design Press, 1990.
Znajdź pełny tekst źródłaBloomer, Carolyn M. Principles of visual perception. Wyd. 2. London: Herbert, 1990.
Znajdź pełny tekst źródłaCzęści książek na temat "Perception of art"
Masè, Stefania. "Art and Consumer Perception". W Art and Business, 123–35. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-51769-4_9.
Pełny tekst źródłaHopkins, Robert. "Critical Reasoning and Critical Perception". W Knowing Art, 137–53. Dordrecht: Springer Netherlands, 2007. http://dx.doi.org/10.1007/978-1-4020-5265-1_10.
Pełny tekst źródłaCochrane, Andrew, i Andrew Meirion Jones. "Cognition, perception, affect". W The Archaeology of Art, 75–86. New York : Routledge, 2018. | Series: Themes in archaeology: Routledge, 2018. http://dx.doi.org/10.4324/9781315691343-6.
Pełny tekst źródłaHackett, Paul M. W. "Theorizing Perception". W Psychology and Philosophy of Abstract Art, 11–34. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-48332-4_2.
Pełny tekst źródłaOsborne, Harold. "Aesthetic perception*". W Aesthetics and the Philosophy of Art, 25–32. Abingdon, Oxon; New York: Routledge, 2021.: Routledge India, 2021. http://dx.doi.org/10.4324/9781003094401-3.
Pełny tekst źródłaStyhre, Alexander. "Art: Visual Perception and the Aesthetic". W Perception and Organization, 44–99. London: Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/9780230584167_2.
Pełny tekst źródłaRichardson, Nathan. "Perception, Cognition, and Imagination". W The Art of Enterprise, 18–29. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003031406-4.
Pełny tekst źródłaFarennikova, Anya. "Would You Buy Absence Art?" W Perception, Cognition and Aesthetics, 255–78. 1 [edition]. | New York : Taylor & Francis, 2019. | Series: Routledge studies in contemporary philosophy ; 119: Routledge, 2019. http://dx.doi.org/10.4324/9780429462658-14.
Pełny tekst źródłaVerbovsek, Alexandra. "Reception and Perception". W A Companion to Ancient Egyptian Art, 141–54. Chichester, UK: John Wiley & Sons, Ltd, 2014. http://dx.doi.org/10.1002/9781118325070.ch8.
Pełny tekst źródłaRethorst, John. "Perception and Representation". W Why Teaching Art Is Teaching Ethics, 21–29. Cham: Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-19511-2_3.
Pełny tekst źródłaStreszczenia konferencji na temat "Perception of art"
Pepperell, Robert. "The perception of art and the science of perception". W IS&T/SPIE Electronic Imaging. SPIE, 2012. http://dx.doi.org/10.1117/12.914774.
Pełny tekst źródłaWallraven, Christian, Kathrin Kaulard, Cora Kürner, Robert Pepperell i Heinrich H. Bülthoff. "Psychophysics for perception of (in)determinate art". W the 4th symposium. New York, New York, USA: ACM Press, 2007. http://dx.doi.org/10.1145/1272582.1272605.
Pełny tekst źródłaYen, Shao-Wei, Chih-Kuo Yeh, Charles C. Morace, Sheng-Yuan Chen, Shih-Syun Lin, Chia-Hsiang Chen i Tong-Yee Lee. "Content enhanced word art with depth perception". W SA '16: SIGGRAPH Asia 2016. New York, NY, USA: ACM, 2016. http://dx.doi.org/10.1145/3005274.3005280.
Pełny tekst źródłaKnowlton, Ken. "Nude (studying in perception), 1996". W ACM SIGGRAPH 98 Electronic art and animation catalog. New York, New York, USA: ACM Press, 1998. http://dx.doi.org/10.1145/281388.281647.
Pełny tekst źródłaJaller, Camilla. "Cyborgism: Artistic Hybridizations of Human Perception". W Politics of the Machines - Art and After. BCS Learning & Development, 2018. http://dx.doi.org/10.14236/ewic/evac18.20.
Pełny tekst źródła"Inside Art — Mechanics of Hearing: Protein to Perception". W MECHANICS OF HEARING: PROTEIN TO PERCEPTION: Proceedings of the 12th International Workshop on the Mechanics of Hearing. AIP Publishing LLC, 2015. http://dx.doi.org/10.1063/1.4939307.
Pełny tekst źródłaWei Hong, Chin, Loo Chu Kiong i Naoki Masuyama. "Multi-Channel Bayesian ART for robot fusion perception". W 2016 IEEE Symposium Series on Computational Intelligence (SSCI). IEEE, 2016. http://dx.doi.org/10.1109/ssci.2016.7850240.
Pełny tekst źródłaLee, Rosemary. "The Limits of Algorithmic Perception: technological Umwelt". W Politics of the Machines - Art and After. BCS Learning & Development, 2018. http://dx.doi.org/10.14236/ewic/evac18.44.
Pełny tekst źródłaFedotova, Natalia Aleksandrovna. "The problems of children' artistic perception development in art". W 8th International research and practice conference, Chair Ulia Fedorovna Katahanova. TSNS Interaktiv Plus, 2016. http://dx.doi.org/10.21661/r-114639.
Pełny tekst źródłaHiggins, Darragh, Donal Egan, Rebecca Fribourg, Benjamin Cowan i Rachel McDonnell. "Ascending from the valley: Can state-of-the-art photorealism avoid the uncanny?" W SAP '21: ACM Symposium on Applied Perception 2021. New York, NY, USA: ACM, 2021. http://dx.doi.org/10.1145/3474451.3476242.
Pełny tekst źródłaRaporty organizacyjne na temat "Perception of art"
Buraschi, Daniel, i Dirk Godenau. How does Tenerife society perceive immigration? Observatorio de la Inmigración de Tenerife. Departamento de Geografía e Historia. Universidad de La Laguna. Tenerife, 2020. http://dx.doi.org/10.25145/r.obitfact.2019.15.
Pełny tekst źródłaPookulangara, Sanjukta, Shannon Koonsman i Nicole Corts. How Secure Are You? Consumer Perceptions of Cybersecurity. Ames: Iowa State University, Digital Repository, 2013. http://dx.doi.org/10.31274/itaa_proceedings-180814-663.
Pełny tekst źródłaTreadwell, Mark B. When Does a Act of Information Warfare Become an Act of War? Ambiguity in Perception. Fort Belvoir, VA: Defense Technical Information Center, maj 1998. http://dx.doi.org/10.21236/ada345572.
Pełny tekst źródłaCaetano, Ana Paula, Clara Cruz Santos i Lisete Mónico. Welfare Deservingness in the perspective of public opinion and street-level bureaucrats: a scoping review protocol. INPLASY - International Platform of Registered Systematic Review and Meta-analysis Protocols, luty 2023. http://dx.doi.org/10.37766/inplasy2023.2.0010.
Pełny tekst źródłaChatelain, Amber. Career Arts Students' Perceptions of Credibility Based on Instructor Attire and Gender. Ames: Iowa State University, Digital Repository, listopad 2015. http://dx.doi.org/10.31274/itaa_proceedings-180814-165.
Pełny tekst źródłaO'Connor, Ramona. Perceptions of Indian tribal leaders regarding the Indian self-determination act (Public law 93-638). Portland State University Library, styczeń 2000. http://dx.doi.org/10.15760/etd.2828.
Pełny tekst źródłaAndersen, Gisle, Christine Merk, Marie L. Ljones i Mikael P. Johannessen. Interim report on public perceptions of marine CDR. OceanNets, 2022. http://dx.doi.org/10.3289/oceannets_d3.4.
Pełny tekst źródłaTulloch, Olivia, Tamara Roldan de Jong i Kevin Bardosh. Data Synthesis: COVID-19 Vaccine Perceptions in Sub-Saharan Africa: Social and Behavioural Science Data, March 2020-April 2021. Institute of Development Studies (IDS), maj 2021. http://dx.doi.org/10.19088/sshap.2028.
Pełny tekst źródłaTulloch, Olivia, Tamara Roldan de Jong i Kevin Bardosh. Data Synthesis: COVID-19 Vaccine Perceptions in Africa: Social and Behavioural Science Data, March 2020-March 2021. Institute of Development Studies (IDS), maj 2021. http://dx.doi.org/10.19088/sshap.2021.030.
Pełny tekst źródłaMahat, Marian, Vivienne Awad, Christopher Bradbeer, Chengxin Guo, Wesley Imms i Julia Morris. Furniture for Engagement. University of Melbourne, luty 2023. http://dx.doi.org/10.46580/124374.
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