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Artykuły w czasopismach na temat "Peacocks in art"
Hidayat, Venny Agustin. "BENTUK VISUAL KOSTUM TARI MERAK JAWA BARAT KARYA IRAWATI DURBAN ARDJO". Joged 15, nr 1 (2.12.2020): 84–95. http://dx.doi.org/10.24821/joged.v15i1.4664.
Pełny tekst źródłaVikrant, Dr Vikrant Shah. "“SANJHYA” THE GODDESS TRADITIONAL ART FORM OF INDIAN ART". International Journal of Research -GRANTHAALAYAH 9, nr 9 (30.09.2021): 51–54. http://dx.doi.org/10.29121/granthaalayah.v9.i9.2021.4227.
Pełny tekst źródłaPandey, Anjali. "WOOD CRAFT OF BIHAR AND UTTAR PRADESH –A SURVEY". International Journal of Research -GRANTHAALAYAH 4, nr 2 (29.02.2016): 239–42. http://dx.doi.org/10.29121/granthaalayah.v4.i2.2016.2834.
Pełny tekst źródłaPietrini, Sandra. "The Parody of Musical Instruments in Medieval Iconography". Revista de Poética Medieval 31 (14.12.2018): 87–107. http://dx.doi.org/10.37536/rpm.2017.31.0.58895.
Pełny tekst źródłaLozano, João, Cristina Almeida, Manuela Oliveira, Adolfo Paz-Silva i Luís Madeira de Carvalho. "Biocontrol of Avian Gastrointestinal Parasites Using Predatory Fungi: Current Status, Challenges, and Opportunities". Parasitologia 2, nr 1 (1.03.2022): 37–44. http://dx.doi.org/10.3390/parasitologia2010004.
Pełny tekst źródłaSookkaew, Jirawat, Nakarin Chaikaew, Donticha Chiewsuwan i Somchai Seviset. "A creation in abstract 3D art insprired from Pavo muticus imperator". Indonesian Journal of Electrical Engineering and Computer Science 27, nr 3 (1.09.2022): 1419. http://dx.doi.org/10.11591/ijeecs.v27.i3.pp1419-1427.
Pełny tekst źródłaPrintz, Jessica Kimball. "Marketable Bodies, Possessive Peacocks, and Text as Excess: Edwards-Yearwood's In the Shadow of the Peacock". Callaloo 15, nr 4 (1992): 1066. http://dx.doi.org/10.2307/2931921.
Pełny tekst źródłaZahra, Fatima, i Dr Sarena Abdullah. "Aesthetic, Patriotic and Religious Peacock Motifs: Framing the Meanings of Pakistani Truck Art through Foss’ and Aristotle’s Rhetorical Approach". Journal of Social Sciences Research, nr 54 (6.04.2019): 892–901. http://dx.doi.org/10.32861/jssr.54.892.901.
Pełny tekst źródłaZahra, Fatima, i Dr Sarena Abdullah. "Aesthetic, Patriotic and Religious Peacock Motifs: Framing the Meanings of Pakistani Truck Art through Foss’ and Aristotle’s Rhetorical Approach." Journal of Social Sciences Research, Special Issue 5 (15.12.2018): 610–19. http://dx.doi.org/10.32861/jssr.spi5.610.619.
Pełny tekst źródłaNakagawa, Asako. "Changes to the Peacock Motif in Art Textiles". International Journal of Human Culture Studies 2022, nr 32 (1.01.2022): 385–98. http://dx.doi.org/10.9748/hcs.2022.385.
Pełny tekst źródłaRozprawy doktorskie na temat "Peacocks in art"
Fowler-Smith, Penelope Jane Art College of Fine Arts UNSW. "Peacock pilgrimage: an ode to India". Publisher:University of New South Wales. Art, 2008. http://handle.unsw.edu.au/1959.4/41230.
Pełny tekst źródłaDreher, Anne M. ""Proud as a peacock" an historic and semiotic analysis of illustrated "Vogue" magazine covers from 1909 and 1911 /". Laramie, Wyo. : University of Wyoming, 2008. http://proquest.umi.com/pqdweb?did=1798480841&sid=1&Fmt=2&clientId=18949&RQT=309&VName=PQD.
Pełny tekst źródłaMcKay, Margaret. "Peacock's progress : aspects of artistic development in the novels of Thomas Love Peacock /". Stockholm : Almqvist och Wiksell, 1992. http://catalogue.bnf.fr/ark:/12148/cb35544250t.
Pełny tekst źródłaHe, Man. "The Peacock on Stage and in Print: A Study of the 1920s New Drama Adaptations of Southeast Flies the Peacock". The Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=osu1250531758.
Pełny tekst źródłaШеретюк, Руслана. "Образ павича в українському мистецтві і дизайні кінця ХІХ – початку ХХ ст.: символіка та художня інтерпретація". Thesis, Київський національний університет технологій та дизайну, 2021. https://er.knutd.edu.ua/handle/123456789/17918.
Pełny tekst źródłaIt is indicated, that one of the main zoomorphic motives of the European Art of Nouveau style was a peacock. Symbolism, as well as art interpretation of his character in architecture, interior design, easel painting, sacred monumental painting, communicative design, as well as decorative art of Ukraine in the late nineteenth – early twentieth is researched. It is concluded, that the European modern dream of eternal beauty, symbolically embodied in the image of a peacock, turned out to be consonant with ethno cultural features of Ukrainian aesthetics.
Roditi, Mattei Mary Muriel. "L'Héroine lawrencienne et sa spécificité d'après cinq romans de D.H. Lawrence The White Peacock, Women in Love, The Lost Girl, The Plumed Serpent, Lady Chatterley's Lover". Lille 3 : ANRT, 1986. http://catalogue.bnf.fr/ark:/12148/cb37595139k.
Pełny tekst źródłaFoord, Peter Michael, i res cand@acu edu au. "Theology Engaging Evolutionary Theory: Fresh insights into the nature of God". Australian Catholic University. School of Theology, 2004. http://dlibrary.acu.edu.au/digitaltheses/public/adt-acuvp45.29082005.
Pełny tekst źródłaDarby, Garry. "G. E. Peacock and art in colonial Sydney, 1837-1857". Thesis, 1989. http://hdl.handle.net/2123/2449.
Pełny tekst źródła"From the Divine to the Diabolical:The Peacock in Medieval and Renaissance Art". Master's thesis, 2016. http://hdl.handle.net/2286/R.I.41286.
Pełny tekst źródłaDissertation/Thesis
Masters Thesis Art History 2016
Fan, Jui-Hsin, i 范瑞鑫. "To Play Methodological Peacock or Ostrich?: Differences, Similarities, Relationships and Implications in Two Debates between SSK and ANT". Thesis, 2019. http://ndltd.ncl.edu.tw/handle/rakcmv.
Pełny tekst źródła國立陽明大學
科技與社會研究所
107
Sociology of Scientific Knowledge (includes Strong Programme and Empirical Programme of Relativism) and Actor-network Theory are two significant theories and methodological approaches in Science, Technology and Society (STS) at present. There was twice serious debates between them, called “Epistemological Chicken” (1992) and “Anti-Latour” (1999). The aim and concern of this thesis is to explore the content of this academic controversy and thereby to clarify degree of differences and relationships of two schools and those possible implications to STS. Through showing relevant discussions and literature reviews, applying close reading to those debate texts in detail, and following up on their development by virtue of further prolonged reading, this study also takes “methodological space” as an auxiliary concept to the debates and delineates focus of problematique, discursive gesture, knowledge resources, theoretical purposes, wording and academic commitment presented by academic knowledge actors, namely David Bloor, Harry Collins and Bruno Latour. In addition to displaying current opinions from commentators and finding possible root of the conflicts, more importantly, this study reminds that those methodologies and its judgements as a knowledge style are quite special to scholars. A main characteristic of this knowledge condition is that knowledge actors have been able to modify, remake and criticize other’s ideas partly but creatively with peculiar coherence. We could understand actual outlook of the two debates better by means of this type of knowledge. Finally, this study answers the three initial questions. Firstly, it concludes that even if there are clear and apparent differences in the sense of methodologically relative particularity, there also are compatible similarities in general and vice versa. Secondly, the debates suggest a necessity for STS (and social science) researchers need to identify and extract methodological knowledge in and by individualizing them, thus we can find the differentials among various theories and methodologies. Thirdly, the controversy and its discussions alert us that we must pay attention to whether some theories and methodologies we use are merely showing off new insights (playing as peacock); and avoiding the recognition of, or need to deal with, substantial difficulties (playing as ostrich). They might be two sides of the same coin; the SSK-ANT debates have demonstrated that already.
Książki na temat "Peacocks in art"
Türk sanatında Tavus kuşu ikonografisi. Erzurum: Fenomen Yayıncılık, 2015.
Znajdź pełny tekst źródłastudio), Timorous Beasties (Design, i Dundee Contemporary Arts (Art center), red. Peacocks among the ruins. [Dundee: Dundee Contemporary Arts], 2007.
Znajdź pełny tekst źródłaRighi, François. Summa pavonica. Limoges: Editions du F.R.A.C. Limousin, 1991.
Znajdź pełny tekst źródła1945-, Lang Sen, red. Hong Yun cheng xiang tu. Kunming Shi: Yunnan mei shu chu ban she, 2004.
Znajdź pełny tekst źródłaAmes, Lee J. Draw 50 birds: [the step-by-step way to draw flamingos, swans, woodpeckers, peacocks and many more...]. London: Kingfisher, 1998.
Znajdź pełny tekst źródłaTonia, Di Risio, Bartlett Linda i Mount Saint Vincent University. Art Gallery., red. In absentia: Linda Bartlett, Elsii Caetano Faria, Rosalie Favell, Jan Peacock, Andrea Ward. Halifax, N.S: MSVU Art Gallery, 1998.
Znajdź pełny tekst źródłaHelen, Marzolf, Cachia Amanda 1978- i Dunlop Art Gallery, red. Cynthia Girard: The black glove and the peacock : Dunlop Art Gallery, June 26-August 29, 2010. Regina: Dunlop Art Gallery, 2010.
Znajdź pełny tekst źródłaMoore, William. The Northwest: A collector's vision : an exhibition of native art of the Pacific Northwest Coast from the Peacock Collection. Redaktor Barrie Art Gallery. Barrie, Ont: Barrie Art Gallery, 1988.
Znajdź pełny tekst źródłaCronin, Helena. The ant and the peacock: Altruism and sexual selection from Darwin to today. Cambridge: Press Syndicate of the University of Cambridge, 1991.
Znajdź pełny tekst źródłaCronin, Helena. The ant and the peacock: Altruism and sexual selection from Darwin to today. Cambridge: Press Syndicate of the University of Cambridge, 1991.
Znajdź pełny tekst źródłaCzęści książek na temat "Peacocks in art"
White, Robert S. "The chameleon and the peacock". W Kipling and Yeats at 150, 137–51. Abingdon, Oxon ; New York, NY : Routledge, 2019.: Routledge India, 2019. http://dx.doi.org/10.4324/9780429283857-10.
Pełny tekst źródłaStewart-Williams, Steve. "Are Humans Peacocks or Robins?" W The Cambridge Handbook of Evolutionary Perspectives on Human Behavior, 342–52. Cambridge University Press, 2020. http://dx.doi.org/10.1017/9781108131797.029.
Pełny tekst źródła"CHAPTER 14 Art History and Anthropology: LOULY PEACOCK KONZ and JAMES PEACOCK". W Viewpoints, 327–58. University of Texas Press, 2009. http://dx.doi.org/10.7560/706712-018.
Pełny tekst źródłaZolten, Jerry. "“Loves Me Like a Rock”". W Great God A'Mighty! The Dixie Hummingbirds, 255–94. Wyd. 2. Oxford University PressNew York, 2022. http://dx.doi.org/10.1093/oso/9780190071493.003.0008.
Pełny tekst źródłaZolten, Jerry. "“Let’s Go Out to the Programs”". W Great God A'Mighty! The Dixie Hummingbirds, 199–254. Wyd. 2. Oxford University PressNew York, 2022. http://dx.doi.org/10.1093/oso/9780190071493.003.0007.
Pełny tekst źródłaBermúdez, José Luis. "The Sources of Self-Consciousness". W The Bodily Self. The MIT Press, 2018. http://dx.doi.org/10.7551/mitpress/9780262037501.003.0004.
Pełny tekst źródłaPapineau, David. "The Structure of Experience". W The Metaphysics of Sensory Experience, 83–113. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198862390.003.0004.
Pełny tekst źródłaLoges, Natasha. "Hafiz between Nations: Song Settings by Daumer/Brahms and Peacock/Beamish". W Song Beyond the Nation, 13–29. British Academy, 2021. http://dx.doi.org/10.5871/bacad/9780197267196.003.0002.
Pełny tekst źródłaSeaman, Bruce A. "Framing Nonprofit Arts and Culture Sectors Through Economic Theory". W The Oxford Handbook of Arts and Cultural Management, C7S1—C7N2. Oxford University Press, 2023. http://dx.doi.org/10.1093/oxfordhb/9780197621615.013.7.
Pełny tekst źródłaWright, Crispin. "Further Reflections on the Sorites Paradox". W The Riddle of Vagueness, 107–66. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780199277339.003.0005.
Pełny tekst źródłaStreszczenia konferencji na temat "Peacocks in art"
Chupa, Anna M. "Peacock". W ACM SIGGRAPH 97 Visual Proceedings: The art and interdisciplinary programs of SIGGRAPH '97. New York, New York, USA: ACM Press, 1997. http://dx.doi.org/10.1145/259081.259105.
Pełny tekst źródłaMikdar, Tresna Noventy. "Appreciation of Peacock Dance With Field Trip Method". W 3rd International Conference on Arts and Design Education (ICADE 2020). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210203.010.
Pełny tekst źródłaMcKeown, Gary. "Turing's menagerie: Talking lions, virtual bats, electric sheep and analogical peacocks: Common ground and common interest are necessary components of engagement". W 2015 International Conference on Affective Computing and Intelligent Interaction (ACII). IEEE, 2015. http://dx.doi.org/10.1109/acii.2015.7344689.
Pełny tekst źródłaLiesner, Karsten, Robert Meyer, Matthias Lemke, Christoph Gmelin i Frank Thiele. "On the Efficiency of Secondary Flow Suction in a Compressor Cascade". W ASME Turbo Expo 2010: Power for Land, Sea, and Air. ASMEDC, 2010. http://dx.doi.org/10.1115/gt2010-22336.
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