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Artykuły w czasopismach na temat "Patrimoine culturel – France – 1800-"
Petiteau, Natalie. "Bénédicte Savoy, Patrimoine annexé. Les biens culturels saisis par la France en Allemagne autour de 1800, Paris, Éditions de la Maison des Sciences de l’Homme, 2003, 2 volumes." Revue d'histoire du XIXe siècle, nr 29 (1.12.2004): 175–76. http://dx.doi.org/10.4000/rh19.706.
Pełny tekst źródłaSanner, Pierre. "Le patrimoine culturel immatériel en France". La Géographie N° 1589, nr 2 (5.07.2023): 18–25. http://dx.doi.org/10.3917/geo.1589.0018.
Pełny tekst źródłaDaković, Nevena, i Aleksandra Kolaković. "LE BATACLAN – LE DORĆOL: LE PATRIMOINE CULTUREL ET HISTORIQUE JUIF DE PARIS ET DE BELGRADE". Lipar 22, nr 75 (2021): 85–101. http://dx.doi.org/10.46793/lipar75.085d.
Pełny tekst źródłaHotyat, Micheline. "Les arbres remarquables de France, un patrimoine naturel et culturel". La Géographie N° 1589, nr 2 (5.07.2023): 26–29. http://dx.doi.org/10.3917/geo.1589.0026.
Pełny tekst źródłaCaseau, Cornelia. "Les Liqueurs de France et l’inscription au Patrimoine culturel immatériel : un enjeu du temps ?" Question(s) de management 47, nr 6 (20.12.2023): 79–88. http://dx.doi.org/10.3917/qdm.227.0079.
Pełny tekst źródłaCarvalho, Ana. "Christian Hottin (org.), Le patrimoine culturel immatériel: Premières expériences en France". Etnografica, nr 17 (2) (1.06.2013): 430–32. http://dx.doi.org/10.4000/etnografica.3179.
Pełny tekst źródłaBrayat, Aurélie. "Entre la poire et le fromage". Ethnologies 43, nr 1 (5.10.2021): 3–28. http://dx.doi.org/10.7202/1082157ar.
Pełny tekst źródłaHeiniger-Castéret, Patricia, i Mathilde Lamothe. "Du canot à glace sur le Saint-Laurent au parapluie de berger des Pyrénées : les inventaires du patrimoine culturel immatériel au Québec et en Aquitaine". Études, nr 30 (4.03.2019): 57–75. http://dx.doi.org/10.7202/1056920ar.
Pełny tekst źródłaAguiar, Luciana De Araujo. "La politique du patrimoine culturel immatériel en Bretagne (France): analyse et enjeux". Mouseion, nr 32 (7.05.2019): 09. http://dx.doi.org/10.18316/mouseion.v0i32.5236.
Pełny tekst źródłaThiery, Sébastien. "Écrire, décrire, inscrire : l’acte d’hospitalité au patrimoine culturel immatériel de l’humanité". Diversité 196, nr 1 (2019): 73–77. http://dx.doi.org/10.3406/diver.2019.4843.
Pełny tekst źródłaRozprawy doktorskie na temat "Patrimoine culturel – France – 1800-"
Savoy, Bénédicte. "Les spoliations de biens culturels opérées par la France en Allemagne autour de 1800". Paris 8, 2000. http://www.theses.fr/2000PA081924.
Pełny tekst źródłaOulebsir, Nabila. "Les usages du patrimoine : monuments, musées et politique coloniale en Algérie (1830-1930) /". Paris : Éd. de la Maison des sciences de l'homme, 2004. http://catalogue.bnf.fr/ark:/12148/cb391796122.
Pełny tekst źródłaSavoy, Bénédicte Rosenberg Pierre. "Patrimoine annexé : les biens culturels saisis par la France en Allemagne autour de 1800". Paris : Éd. de la Maison des sciences de l'homme, 2003. http://catalogue.bnf.fr/ark:/12148/cb39064065d.
Pełny tekst źródłaBibliogr. p. 419-442. Notes bibliogr.
Raduget, Nicolas. "Les acteurs et les voies de la mise en valeur du patrimoine alimentaire de la Touraine des années 1880 à 1990". Thesis, Tours, 2015. http://www.theses.fr/2015TOUR2016/document.
Pełny tekst źródłaThis study aims at observing the interest in Touraine food specialities and how they were promoted by various players. Starting from the 1880s, with the appearance of regionalism (an integral part of which is gastronomy), our study ends in the late 20th century, when the notion of heritage becomes widespread and gets its current form. Thanks to the meeting of the agricultural theme, regionalist dynamics (politically and culturally speaking), and the tourist identity of the “Garden of France,” the emergence of food heritage is reflected on. All involved players build up a regional identity through the promotion of centres of tourist interest and set their sights on sustaining local attractiveness. The behavioural evolution throughout the period is observed, ranging from qualitative approach to excessive commercial drive; from strong interest in “terroir” to a certain detachment from it
Beaugrand, Justin. "Le fonds des meubles escamotables des souverains et chefs d'État conservé au Mobilier national à Paris". Electronic Thesis or Diss., Université Paris sciences et lettres, 2021. http://www.theses.fr/2021UPSLP038.
Pełny tekst źródłaThe National Furniture houses an original collection of furniture used by nineteenth century French sovereigns during military campaigns and various outdoors festivities and ceremonies.These objects, designed for travelling and numerous handlings, are at the same time robust, light, foldable in the most compact way and generally the fruit of advanced technical innovation. The major part of the collection is centered on the period from 1804 to 1870 and comprises tables, seats, beds, tents and luminaries.These objects accompanied Napoleon Bonaparte during his military campaigns and hunts, the Princes of Orléans during the various north-African expeditions and the July Monarchy maneuver camps, Napoleon III during the campaign of Italy and the camp of Châlons as well as the Imperatrice on the occasion of villegiatures in Biarritz and elsewhere.They were ordered throughout this period by the Furniture Store and are a direct testimony of the sovereigns' lifestyle but even more of the political, diplomatic, cultural and industrial history of nineteenth century France as it passed from one empire to another.This portable furniture allows us to approach some of the most striking events of the nineteenth century from a new point of view. Via the work of tens of innovative craftsmen and manufacturers, it reflects a new approach, as well as many of the changes taking place at that time in the industry
Avilès, Flores Pablo. "La construction de l'idée de patrimoine collectif : des collections privées aux nationalisations révolutionnaires". Paris, EHESS, 2015. http://www.theses.fr/2015EHES0034.
Pełny tekst źródłaThroughout the 20th Century, in different domains and institutions, what seems to be a vocabulary around the collective heritage has taken shape. Yet, the concept contains a contradiction, expressed on different ways, among those a «legal ambiguity ». A « semantic inflation » and a « universalisation ». The current definition of the collective heritage is the product, in one hand, of the history of collections and on the other hand, the arrangement of arts and sciences by the public authority. We wish to conduct a multidisciplinary reflexion underlying the common characteristics all along the history of collection. The cultural heritage is, therefore, a political institution with a particular legal status, requiring publicity. Distinction between private and public property becomes therefore blurred, to the point that the public interest may determine the destination and treatment even of private property goods. The « universalisation of the concept » passes through the history of collectionnisme in the long term to the study of the Commission des monuments, active between 1790 and 1794. The works led by this commission were concerned, at the same time, by the history of collectionnisme since the formation of relics collections, going through the formation of the curiosity chambers, and ending up at the object collecting during the voyages of scientific exploration, and of course, at the establishment of the national collections by the public authority
Fichou, Jean-Christophe. "La signalisation maritime des côtes de France (Manche, Atlantique) : aides visuelles, lumineuses et sonores, 1806-1936". Rennes 2, 1997. http://www.theses.fr/1997REN20001.
Pełny tekst źródłaThe ancient world had built a few fire-towers in some tricky channels in order to help the fleets supplying the major mediterrenean empires. Only in the 18th century did people manage to concentrate light, thanks to parabolic reflectors first, and then through annular lenses, developed by Augustin Fresnel in 1823. Lamps too were greatly improved all along that period. Messages transmitted by flags were also devised. Sea trade greatly increased in the 19th century. In order to keep up with this increased traffic and ensure maximum safety for ships, day and night, lights had to be multiplied along the main capes and about the busiest harbours. In 1811, France created the lighthouse commission in charge of improving the sea signals all along our coastline. They collaborated with the naval officers and hydrographers who mentioned the potential weaknesses and with the roadworks engineers who had to build the various structures, install the optical apparatus, keep them in working order; and also with Parisian industrialists interested in their projects. In 1820, there were only about 20 short-range lighthouses in France, over 800 of them in 1936 ; the number of beacon-towers at sea increased from a dozen to 350 in the same period. This system is completed with over 500 buoys and 600 beacons of every description, fog-signals, port-stations, signal-stations. . . This system went through dramatic improvements all through the period under consideration, in relation to the technical discoveries of the day. Rapidly, the French industry cut its lion share in this particular field and acquired an international fame that led it to equip a fair percentage of the coastlines all over the world
Fiori, Ruth. "La construction d'une conscience patrimoniale parisienne à la fin du XIX siècle : acteurs, pratiques et représentations (1884-1914)". Paris 1, 2009. http://www.theses.fr/2009PA010572.
Pełny tekst źródłaDelivré, Cendrine. "Finances publiques et protection du patrimoine culturel". Lyon 3, 2004. http://www.theses.fr/2004LYO33043.
Pełny tekst źródłaThis thesis intends to study the relations between public finance, understood widely as tax rules and financing, and protection of cultural heritage defined as the group of goods proving cultural interest and revealing social worthy to inheritance purpose. Protection of cultural heritage takes place in the French law by means of numerous juridical instruments, more particularly financial and fiscal ones. The diversification of financial and fiscal instruments related to the protection of cultural heritage has been improving since the end of the old regime. These variegate tools need a well-ordered description. Afterwards, an analysis of the public finance action in favour of the protection of cultural heritage was undertaken in order to elucidate the recent objective-oriented financial and fiscal mechanisms
Perrier, Arnaud. "Le Patrimoine culturel en droit privé : l'empreinte de la patrimonialité culturelle". Clermont-Ferrand 1, 2010. http://www.theses.fr/2010CLF10325.
Pełny tekst źródłaCultural heritage is made up of assets heaving an identifiable value and a collective value for the social group. Legal mechanisms have been instituted with a view to protect and transmit this heritage to future generations. The fact that this heritage is cultural modifies the classical civil rules of private property by conferring rights upon the public. The pluralism of private cultural ownership leads to the acknowledgement of the existence of a “propriété privée mixte”. The private owner of a cultural property is entrusted with the mission of conservation in the prospect of transmitting the cultural heritage to future generations. The constraints he is subjected to in that capacity are justified by the role of he plays as an intermediary for the present generation in the transmission of this heritage between past and future generations. Cultural heritage is a product of the essence of man. “La patrimonialité culturelle” allows a transfer from having to being through identifiable assets
Książki na temat "Patrimoine culturel – France – 1800-"
Nicolas, Labasque, red. Patrimoine annexé: Les biens culturels saisis par la France en Allemagne autour de 1800. Paris: Maison des sciences de l'homme, 2003.
Znajdź pełny tekst źródłaSavoy, Bénédicte. Patrimoine annexé: Les saisies de biens culturels opérées par la France en Allemagne autour de 1800. Paris: MSH - Maison des sciences de l'homme, 2003.
Znajdź pełny tekst źródłaLe patrimoine culturel immatériel: Premières expériences en France. Montréal: Leméac, 2011.
Znajdź pełny tekst źródłaMirabilia: Essai sur l'inventaire général du patrimoine culturel. Paris]: Gallimard, 2012.
Znajdź pełny tekst źródłaInventaire général du patrimoine culturel (France). Région Île-de-France, red. État des lieux: Croisement des regards sur le patrimoine. Paris]: Loco, 2017.
Znajdź pełny tekst źródłaLe vase qui parle: Un dispositif numérique de médiation pour le patrimoine culturel. Villeneuve d'Ascq: Pu du Septentrion, 2014.
Znajdź pełny tekst źródłaMarion, Diez, i Chaudun Nicolas 1962-, red. La France au patrimoine mondial: Les 30 sites inscrits par l'Unesco. [Paris]: National geographic [France], 2002.
Znajdź pełny tekst źródłaUnesco, red. La France au patrimoine mondial: Les 28 sites inscrits par l'UNESCO. Paris: National geographic, 2002.
Znajdź pełny tekst źródłaBoura, Frédérique. Une aventure de l'esprit: L'Inventaire général du patrimoine culturel : actes du colloque "1794, 1964, 2004, 2014, Dynamiques d'une aventure de l'esprit : l'inventaire général du patrimoine culturel", 5-7 novembre 2014, Paris. Lyon: Éditions Lieux dits, 2016.
Znajdź pełny tekst źródłaJean, Chatelain, i Strassburger Kolloquium (7th : 1984), red. Denkmalpflege und Denkmalschutz an den Sakralbauten in der Bundesrepublik Deutschland und in Frankreich =: Protection et conservation du patrimoine culturel religieux en France et en République fédérale d'Allemagne. Kehl am Rhein: N.P. Engel, 1987.
Znajdź pełny tekst źródłaCzęści książek na temat "Patrimoine culturel – France – 1800-"
Hottin, Christian. "Le patrimoine culturel immatériel en France en 2015". W Le patrimoine culturel immatériel au seuil des sciences sociales. Éditions de la Maison des sciences de l’homme, 2020. http://dx.doi.org/10.4000/books.editionsmsh.16057.
Pełny tekst źródłaArchambault, Soline. "Labellisation et mise en réseau : l’exemple des Grands Sites de France". W Les labels dans le domaine du patrimoine culturel et naturel, 279–85. Presses universitaires de Rennes, 2020. http://dx.doi.org/10.3917/pur.priet.2020.01.0279.
Pełny tekst źródłaBLONDEAU, Virginie, Stéphane CHAUDIRON, Amélie DALOZ, Bernard JACQUEMIN, Éric KERGOSIEN, Sylvie LELEU-MERVIEL, Juliette LE MARQUER i Cécile TARDY. "Préserver, valoriser et transmettre le patrimoine minier des Hauts-de-France". W Corpus audiovisuels, 95–112. Editions des archives contemporaines, 2022. http://dx.doi.org/10.17184/eac.5703.
Pełny tekst źródłaHautefaye-Bosseboeuf, Claire. "Les paradoxes liés à la mise en oeuvre des dispositions relatives à l’appellation Musée de France". W Les labels dans le domaine du patrimoine culturel et naturel, 145–52. Presses universitaires de Rennes, 2020. http://dx.doi.org/10.3917/pur.priet.2020.01.0145.
Pełny tekst źródłaIsnard, Laurence. "Les Maisons des Illustres en Île-de-France, mise en place d’un nouveau réseau patrimonial sur le territoire francilien". W Les labels dans le domaine du patrimoine culturel et naturel, 311–18. Presses universitaires de Rennes, 2020. http://dx.doi.org/10.3917/pur.priet.2020.01.0311.
Pełny tekst źródłaDucros, Hélène B. "« Glocal village » et transruralité : de l’Association des Plus Beaux Villages de France à la Fédération des Plus Beaux Villages de la Terre". W Les labels dans le domaine du patrimoine culturel et naturel, 319–32. Presses universitaires de Rennes, 2020. http://dx.doi.org/10.3917/pur.priet.2020.01.0319.
Pełny tekst źródłaBories, Clémentine. "La France et la convention sur la protection du patrimoine culturel subaquatique – beaucoup de bruit pour rien ?" W Des patrimoines et des normes, 273–93. Presses de l’Université Toulouse 1 Capitole, 2015. http://dx.doi.org/10.4000/books.putc.10149.
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