Artykuły w czasopismach na temat „Parisia”

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1

Page, Timothy J., Kristina von Rintelen i Jane M. Hughes. "Phylogenetic and biogeographic relationships of subterranean and surface genera of Australian Atyidae (Crustacea : Decapoda : Caridea) inferred with mitochondrial DNA". Invertebrate Systematics 21, nr 2 (2007): 137. http://dx.doi.org/10.1071/is06023.

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The biogeographic and phylogenetic relationships of six of the eight Australian genera of freshwater shrimp from the family Atyidae were investigated using mitochondrial 16S rDNA and cytochrome oxidase I sequences. Previous studies on two of the epigean genera (Caridina, Paratya) indicate that Australian species have strong links to congenerics from outside, with Australian members of Paratya being monophyletic and Caridina polyphyletic. The present study found that the endemic Australian epigean genus Australatya forms a strong clade with Pacific ‘Atya-like’ genera (Atyoida, Atyopsis), and that the endemic Australian epigean genus Caridinides falls within a clade containing Caridina species from the Australian ‘indistincta’ group. The two hypogean genera included in this study (Parisia, Pycnisia) form a strong clade in all analyses, implying an Australian subterranean speciation. The possibility of a relationship between Parisia/Pycnisia and an Australian Caridina species may have implications for the monophyly of the highly disjunct genus Parisia (Australia, Madagascar, Philippines). Parisia may descend from local Caridina species and represent convergent morphologies.
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Tixier, P. "The Genus Parisia in New Caledonia". Bryologist 88, nr 4 (1985): 361. http://dx.doi.org/10.2307/3242675.

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Allen, Bruce H. "A Review of the Genus Parisia (Musci: Dicranaceae)". Bryologist 89, nr 3 (1986): 206. http://dx.doi.org/10.2307/3243285.

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Deshmukh, Umakant B. "(100) Request for a binding decision on whether the names Parisia Broth. ( Dicranaceae ) and Parrisia Shalisko & Sundue ( Polypodiaceae ) are sufficiently alike to be confused". TAXON 70, nr 4 (sierpień 2021): 907. http://dx.doi.org/10.1002/tax.12553.

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Sundue, Michael. "Rebuttal to: (100) Request for a binding decision on whether the names Parisia Broth. ( Dicranaceae ) and Parrisia Shalisko & Sundue ( Polypodiaceae ) are sufficiently alike to be confused". TAXON 70, nr 6 (grudzień 2021): 1376–77. http://dx.doi.org/10.1002/tax.12633.

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Yang, Chen, Kristian P. Sendova i Zhong Li. "On the Parisian ruin of the dual Lévy risk model". Journal of Applied Probability 54, nr 4 (30.11.2017): 1193–212. http://dx.doi.org/10.1017/jpr.2017.59.

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AbstractIn this paper we investigate the Parisian ruin problem of the general dual Lévy risk model. Unlike the usual concept of ultimate ruin, allowing the surplus level to be negative within a prespecified period indicates that the deficit at Parisian ruin is not necessarily equal to zero. Hence, we consider a Gerber–Shiu type expected discounted penalty function at the Parisian ruin and obtain an explicit expression for this function under the dual Lévy risk model. As particular cases, we calculate the Parisian ruin probability and the expected discountedkth moments of the deficit at the Parisian ruin for the compound Poisson dual risk model and a drift-diffusion model. Numerical examples are given to illustrate the behavior of Parisian ruin and the expected discounted deficit at Parisian ruin.
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7

Silverman, Max, i Michael Sheringham. "Parisian Fields". Modern Language Review 93, nr 2 (kwiecień 1998): 526. http://dx.doi.org/10.2307/3735429.

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Simeone, Nigel, i Myriam Chimènes. "Parisian Patrons". Musical Times 148, nr 1899 (1.07.2007): 109. http://dx.doi.org/10.2307/25434465.

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9

Verlaine, Paul, i Mary Frances Mooney. "Parisian Night". Books Ireland, nr 202 (1997): 70. http://dx.doi.org/10.2307/20623386.

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Kaufman, T. "Parisina (1833)". Opera Quarterly 14, nr 3 (1.01.1998): 136–39. http://dx.doi.org/10.1093/oq/14.3.136.

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Parker, R. "Parisina (1833)". Opera Quarterly 16, nr 3 (1.01.2000): 504–5. http://dx.doi.org/10.1093/oq/16.3.504.

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12

Latta, John. "Parisian Miniatures". Iowa Review 29, nr 3 (grudzień 1999): 28–30. http://dx.doi.org/10.17077/0021-065x.5190.

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13

Sheppard, Terry L. "PARISian arches". Nature Chemical Biology 12, nr 7 (17.06.2016): 467. http://dx.doi.org/10.1038/nchembio.2121.

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Rankin, Susan. "Parisian polyphony". Early Music XXV, nr 1 (luty 1997): 139–41. http://dx.doi.org/10.1093/earlyj/xxv.1.139.

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15

De Oliveira, Patrick Luiz Sullivan. "Parisian Palimpsest". Journal of Urban History 41, nr 4 (9.04.2015): 739–45. http://dx.doi.org/10.1177/0096144215579348.

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16

Kristin Ross. "Parisian Noir". New Literary History 41, nr 1 (2010): 95–109. http://dx.doi.org/10.1353/nlh.0.0134.

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17

AAS i Shelley Rice. "Parisian Views". Art Journal 57, nr 3 (1998): 99. http://dx.doi.org/10.2307/777983.

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Dassios, Angelos, i Junyi Zhang. "Parisian Time of Reflected Brownian Motion with Drift on Rays and Its Application in Banking". Risks 8, nr 4 (1.12.2020): 127. http://dx.doi.org/10.3390/risks8040127.

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In this paper, we study the Parisian time of a reflected Brownian motion with drift on a finite collection of rays. We derive the Laplace transform of the Parisian time using a recursive method, and provide an exact simulation algorithm to sample from the distribution of the Parisian time. The paper was motivated by the settlement delay in the real-time gross settlement (RTGS) system. Both the central bank and the participating banks in the system are concerned about the liquidity risk, and are interested in the first time that the duration of settlement delay exceeds a predefined limit. We reduce this problem to the calculation of the Parisian time. The Parisian time is also crucial in the pricing of Parisian type options; to this end, we will compare our results to the existing literature.
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19

Talagrand, Michel. "Parisi measures". Journal of Functional Analysis 231, nr 2 (luty 2006): 269–86. http://dx.doi.org/10.1016/j.jfa.2005.03.001.

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20

Dębicki, Krzysztof, Enkelejd Hashorva i Lanpeng Ji. "Parisian ruin of self-similar Gaussian risk processes". Journal of Applied Probability 52, nr 3 (wrzesień 2015): 688–702. http://dx.doi.org/10.1239/jap/1445543840.

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In this paper we derive the exact asymptotics of the probability of Parisian ruin for self-similar Gaussian risk processes. Additionally, we obtain the normal approximation of the Parisian ruin time and derive an asymptotic relation between the Parisian and the classical ruin times.
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21

Dębicki, Krzysztof, Enkelejd Hashorva i Lanpeng Ji. "Parisian ruin of self-similar Gaussian risk processes". Journal of Applied Probability 52, nr 03 (wrzesień 2015): 688–702. http://dx.doi.org/10.1017/s0021900200113373.

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In this paper we derive the exact asymptotics of the probability of Parisian ruin for self-similar Gaussian risk processes. Additionally, we obtain the normal approximation of the Parisian ruin time and derive an asymptotic relation between the Parisian and the classical ruin times.
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22

Wang, Wenyuan, i Xiaowen Zhou. "Draw-down Parisian ruin for spectrally negative Lévy processes". Advances in Applied Probability 52, nr 4 (grudzień 2020): 1164–96. http://dx.doi.org/10.1017/apr.2020.36.

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AbstractDraw-down time for a stochastic process is the first passage time of a draw-down level that depends on the previous maximum of the process. In this paper we study the draw-down-related Parisian ruin problem for spectrally negative Lévy risk processes. Intuitively, a draw-down Parisian ruin occurs when the surplus process has continuously stayed below the dynamic draw-down level for a fixed amount of time. We introduce the draw-down Parisian ruin time and solve the corresponding two-sided exit problems via excursion theory. We also find an expression for the potential measure for the process killed at the draw-down Parisian time. As applications, we obtain new results for spectrally negative Lévy risk processes with dividend barrier and with Parisian ruin.
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23

Kurki, Leena. "Sosiaalipedagogikka ikäihmisten parissa". Sosiaalipedagoginen aikakauskirja 8 (30.11.2007): 197–230. http://dx.doi.org/10.30675/sa.120131.

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24

Moharram, Jehanne. "Isabella HammadThe Parisian". World Literature Today 94, nr 1 (2020): 110–11. http://dx.doi.org/10.1353/wlt.2020.0027.

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25

Caddy, Davinia. "Parisian Cake Walks". 19th-Century Music 30, nr 3 (2007): 288–317. http://dx.doi.org/10.1525/ncm.2007.30.3.288.

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The popularity of the cake walk among Parisians in the early 1900s is usually attributed to the dance's assumed racial signification. Scholars have argued that the cake walk, owing to its African American origins, was welcomed by Parisians as iconic of a racial "other," a signifier of the primitive, uncultured, and grotesque. This article proposes an alternative reading, setting the standard scholarly line against other, more subtle impressions of the cake walk's cultural import. A consideration of popular response to the dance--on stage, on film, and in the circus arena--reveals Parisian tastes not only for distinct styles of gesture but for American chic, athleticism, and popular participation, as well as the world of the "other." These connotations invite us to consider afresh what is perhaps the most celebrated cake walk of the period, Debussy's "Golliwogg's cake walk" (1908), known particularly for its quotation of Wagner's Tristan. Debussy's piece, I argue, has a more complex significance than that of a mere canvas on which to poke fun at Wagner or a straightforward reference to a minstrel doll. By means of various cultural and aesthetic nuances, it suggests a persona shaped by buffoonery, slapstick, despondency, and irony: in short, a persona identified with that fetish of modernist art, the clown.
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26

Fregosi, W. "Parisina. Pietro Mascagni". Opera Quarterly 17, nr 4 (1.01.2001): 775–77. http://dx.doi.org/10.1093/oq/17.4.775.

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27

Squire, Charles F. "Antiferromagnetism's Parisian Premiere". Physics Today 48, nr 3 (marzec 1995): 15–121. http://dx.doi.org/10.1063/1.2807934.

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Nicole Sealey. "Afro-Parisian Brothers". Callaloo 32, nr 4 (2009): 1073–74. http://dx.doi.org/10.1353/cal.0.0586.

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29

McC. Gatch, M. "The Bibliotheca Parisina". Library 12, nr 2 (1.06.2011): 89–118. http://dx.doi.org/10.1093/library/12.2.89.

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30

Chen, An, i Michael Suchanecki. "Parisian exchange options". Quantitative Finance 11, nr 8 (sierpień 2011): 1207–20. http://dx.doi.org/10.1080/14697680903194577.

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31

Chesney, Marc, i Laurent Gauthier. "American Parisian options". Finance and Stochastics 10, nr 4 (11.08.2006): 475–506. http://dx.doi.org/10.1007/s00780-006-0015-3.

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32

Deutsch, Allison. "Parisian Masculinities Revisited". Oxford Art Journal 41, nr 1 (1.03.2018): 119–24. http://dx.doi.org/10.1093/oxartj/kcx045.

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33

Lee, Min-Ku, i Kyu-Hwan Jang. "Pricing Parisian Option under a Stochastic Volatility Model". Journal of Applied Mathematics 2014 (2014): 1–7. http://dx.doi.org/10.1155/2014/956454.

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We study the pricing of a Parisian option under a stochastic volatility model. Based on the manipulation problem that barrier options might create near barriers, the Parisian option has been designed as an extended barrier option. A stochastic volatility correction to the Black-Scholes price of the Parisian option is obtained in a partial differential equation form and the solution is characterized numerically.
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34

Talagrand, Michel. "The Parisi formula". Annals of Mathematics 163, nr 1 (1.01.2006): 221–63. http://dx.doi.org/10.4007/annals.2006.163.221.

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35

Snyder, Douglas M. "Comment on Parisi." American Psychologist 43, nr 8 (sierpień 1988): 661–62. http://dx.doi.org/10.1037/0003-066x.43.8.661.

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36

Parisi, Flavia. "Flavia Parisi reviews". Journal of the Institute of Conservation 43, nr 2 (3.05.2020): 187–89. http://dx.doi.org/10.1080/19455224.2020.1765593.

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LABART, CÉLINE, i JÉRÔME LELONG. "PRICING DOUBLE BARRIER PARISIAN OPTIONS USING LAPLACE TRANSFORMS". International Journal of Theoretical and Applied Finance 12, nr 01 (luty 2009): 19–44. http://dx.doi.org/10.1142/s0219024909005154.

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In this article, we study a double barrier version of the standard Parisian options. We give closed formulas for the Laplace transforms of their prices with respect to the maturity time. We explain how to invert them numerically and prove a result on the accuracy of the numerical inversion when the function to be recovered is sufficiently smooth. Henceforth, we study the regularity of the Parisian option prices with respect to maturity time and prove that except for particular values of the barriers, the prices are of class [Formula: see text] (see Theorem 5.1). This study heavily relies on the existence of a density for the Parisian times, so we have deeply investigated the existence and the regularity of the density for the Parisian times (see Theorem 5.3).
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38

LE, NHAT-TAN, XIAOPING LU i SONG-PING ZHU. "AN ANALYTICAL SOLUTION FOR PARISIAN UP-AND-IN CALLS". ANZIAM Journal 57, nr 3 (styczeń 2016): 269–79. http://dx.doi.org/10.1017/s1446181115000267.

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We derive an analytical solution for the value of Parisian up-and-in calls by using the “moving window” technique for pricing European-style Parisian up-and-out calls. Our pricing formula can be applied to both European-style and American-style Parisian up-and-in calls, due to the fact that with an “in” barrier, the option holder cannot do or decide on anything before the option is activated, and once the option is activated it is just a plain vanilla call, which could be of American style or European style.
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39

Mrozowicki, Michał Piotr. "Tannhäuser réhabilité (IV) – « La quatrième » devant la presse parisienne – les décors et la mise en scene". Cahiers ERTA, nr 26 (2021): 111–26. http://dx.doi.org/10.4467/23538953ce.21.029.14001.

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Tannhäuser rehabilitted (IV) – « La quatrième »’s image in the parisian press – the decor and the staging The article is devoted to the presentation of various aspects of the Tannhäuser’s fourth performance on the Parisian stage on May 13th, 1895, conducted by Paul Taffanel and directed by Alexander Lapissida. The author, following the reviews that appeared in many Parisian journals after this performance, describes the most characteristic elements of the scenery made by Dauphin Amable Petit, known as Amable (the first tableau of the first act), Marcel Jambon (the second tableau of the first act and the third act) and Eugène Carpezat (the second act). All the reviewers underlined the enthusiastic reactions of the audience that were not only provoked by the brilliant interpretation of the Wagner’s opera by the artists in 1895 but first off all by its intention to efface the compromising recollections of the Parisian Tannhäuser’s premiere in 1861.
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Migliavacca, G. "Parisina d'Este. Gaetano Donizetti". Opera Quarterly 17, nr 4 (1.01.2001): 747–51. http://dx.doi.org/10.1093/oq/17.4.747.

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41

Hanson, B. "ATMOSPHERIC SCIENCE: Parisian Airs". Science 301, nr 5641 (26.09.2003): 1815b—1815. http://dx.doi.org/10.1126/science.301.5641.1815b.

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42

Ingram, Susan. "Fashion in Parisian Modernity". European Legacy 14, nr 4 (lipiec 2009): 471–72. http://dx.doi.org/10.1080/10848770902999583.

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Dassios, Angelos, i Shanle Wu. "Double-Barrier Parisian Options". Journal of Applied Probability 48, nr 1 (marzec 2011): 1–20. http://dx.doi.org/10.1239/jap/1300198132.

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In this paper we study the excursion time of a Brownian motion with drift outside a corridor by using a four-state semi-Markov model. In mathematical finance, these results have an important application in the valuation of double-barrier Parisian options. We subsequently obtain an explicit expression for the Laplace transform of its price.
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44

Waterman, Bryan. "American Adventurers, Parisian Opportunities". Early American Literature 49, nr 2 (2014): 571–82. http://dx.doi.org/10.1353/eal.2014.0036.

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45

Stratigos, John D., A. Katsambas i C. Moulopoulou. "Obituary: Nickolas Parisis, M.D." International Journal of Dermatology 29, nr 10 (grudzień 1990): 743. http://dx.doi.org/10.1111/j.1365-4362.1990.tb03790.x.

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46

Dassios, Angelos, i Shanle Wu. "Double-Barrier Parisian Options". Journal of Applied Probability 48, nr 01 (marzec 2011): 1–20. http://dx.doi.org/10.1017/s0021900200007592.

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In this paper we study the excursion time of a Brownian motion with drift outside a corridor by using a four-state semi-Markov model. In mathematical finance, these results have an important application in the valuation of double-barrier Parisian options. We subsequently obtain an explicit expression for the Laplace transform of its price.
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47

Sheringham, Michael. "Essay Review : Parisian fields". French Cultural Studies 4, nr 11 (czerwiec 1993): 191–96. http://dx.doi.org/10.1177/095715589300401107.

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48

NAZZI, THIERRY, KARIMA MERSAD, MEGHA SUNDARA, GALINA IAKIMOVA i LINDA POLKA. "Early word segmentation in infants acquiring Parisian French: task-dependent and dialect-specific aspects". Journal of Child Language 41, nr 3 (10.05.2013): 600–633. http://dx.doi.org/10.1017/s0305000913000111.

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ABSTRACTSix experiments explored Parisian French-learning infants' ability to segment bisyllabic words from fluent speech. The first goal was to assess whether bisyllabic word segmentation emerges later in infants acquiring European French compared to other languages. The second goal was to determine whether infants learning different dialects of the same language have partly different segmentation abilities, and whether segmenting a non-native dialect has a cost. Infants were tested on standard European or Canadian French stimuli, in the word–passage or passage–word order. Our study first establishes an early onset of segmentation abilities: Parisian infants segment bisyllabic words at age 0;8 in the passage–word order only (revealing a robust order of presentation effect). Second, it shows that there are differences in segmentation abilities across Parisian and Canadian French infants, and that there is a cost for cross-dialect segmentation for Parisian infants. We discuss the implications of these findings for understanding word segmentation processes.
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Mrozowicki, Michał Piotr. "Tannhäuser réhabilité (VI) – « La Quatrième » devant la presse parisienne – le snobisme et l’enthousiasme". Cahiers ERTA, nr 28 (30.12.2021): 196–220. http://dx.doi.org/10.4467/23538953ce.21.041.15191.

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« La quatrième »’s image in the parisian press – the snobbery and the enthusiasm The greatest star of the Parisian Tannhäuser’s performances in 1895 was Ernest Van Dyck in the title role. According to the Parisian press this production of Wagner’s work owed its success mainly to this Belgian tenor. However after his departure from Paris, and after some other changes of the cast that took place rather rapidly (still in the summer 1895), the performances’ artistic level hasn’t decreased in a significant way, and the work, played continuously until December 15th, 1913, was always highly appreciated by the French audience. Were the enthusiastic reactions of the Parisian public at the turn of the XIXth and XXth centuries to Wagner’s Tannhäuser and his other operas and musical dramas sincere and spontaneous? What was the part of the snobbery in Wagner’s reception in France during La Belle Époque? That was the question asked by some French journalists (Heugel, Maret, Doumic, Coppée and others). The author of the article recalls Georges Rodenbach’s Solomonic answer to this question presented in his text Tannhäuser et le snobisme.
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GROSJEAN, FRANÇOIS, SÉVERINE CARRARD, CORALIE GODIO, LYSIANE GROSJEAN i JEAN-YVES DOMMERGUES. "Long and short vowels in Swiss French: Their production and perception". Journal of French Language Studies 17, nr 1 (9.02.2007): 1–19. http://dx.doi.org/10.1017/s0959269506002626.

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Contrary to what is stated in much of the literature which is based in large part on Parisian French, many dialects of French still have long and short vowels (e.g. in Switzerland and Belgium). This study had two aims. The first was to show that Swiss French speakers, as opposed to Parisian French speakers, produce long vowels with durations that are markedly different from those of short vowels. The second aim was to show that, for these two groups, vowel duration has a different impact on word recognition. A production study showed that Swiss French speakers make a clear duration difference between short and long vowels (the latter are more than twice the length of the former on average) whereas the Parisian French do not. In an identification study which used stimuli pronounced in Swiss French, it was shown that words articulated with long vowels created no recognition problem for Swiss French listeners whereas they did so for Parisian French listeners. These results are discussed in terms of models of speech perception and word recognition.
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