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Tessier, Alexandre. "Le Grand Hôtel, 110 ans d'hôtellerie parisienne, 1862-1972". Thesis, Tours, 2009. http://www.theses.fr/2009TOUR2012/document.
Pełny tekst źródłaBuilt in the middle of the Opéra district, creator with the Grand Hôtel du Louvre of the great contemporary hotel trade in France, the Grand Hôtel, born in 1862, insert in the French main town a concept spread out in the biggest town around the world. This new concept is still developing and growing nowadays. The most important defiance which the Grand Hôtel should respond is to strengthen its level between the greatest Paris’ hotels. From that angle, the change was important because, departing to a leader role, it had to fight against new competitors that relegate easily the Grand Hôtel to an inferior level. The leading men, from the brothers Pereire, “hotel’s creators”, to a family dynasty, that have an extraodinary history, passing to high finance men, had to modifie the firm strategy to fit the Grand Hôtel to an everyday new market and to answer the new customers needs. Moreover, all accross the Grand Hôtel life we can find important French history moments and personages with a fabulous destiny like brothers Pereire or Arthur and André Millon
Marcoult, Laurence. "L'hospitalité en observation : les grands hôpitaux parisiens au XVIIIe siècle hôtel-Dieu, Hôpital Général". Paris, EHESS, 2016. http://www.theses.fr/2016EHES0130.
Pełny tekst źródłaThe Paris hotel-Dieu and Hopital General, in the XVIIIth century, daily take care of 10 to 1500* people. The Hopital General, comprising the houses of Bicetre, La Salpetriere, La Pitie, has a doubl role of housing the poor and confining the beggars, this confinement being limited : most are seen a deserving poor. Confinement is essentially for prisoners sent by administrative, police or justic order. Children, mostly from the Foundling Hospital, the elderly, women, make the greatest part o its population. The hotel-Dieu has a medical organization with qualified personnel, giving care wit high seasonal variations. He houses a large proportion of patients coming from the Hopital General. Financing hospitals is a challenge : their economy has to work at best when circumstances are bad The Hopital General does not make profit from labour as expected when it was founded except for few luxury products ; neither can he count on charity. Tax revenues especially from wine and fron entertainment (theaters, opera. . . ) becomes crucial and allows regular income. These hospital are gigantic economic structures, requiring large amounts of cereals, wood, wine, meat, fabric. . . Supplying is a major concern of administrations. Organized according to a similar model but not with the same efficiency (the hotel-Dieu being more rigorous), they must insure continuity under any condition. Hospitals fulfill their social, medical or punishing role, and are in great demand by population
Vivien, Béatrice. "Les demeures et collections d'un grand seigneur : René de Longueil, Président de Maisons (1597-1677)". Thesis, Paris 4, 2014. http://www.theses.fr/2014PA040195.
Pełny tekst źródłaIn an unexpected manner, and in a short time, Rene de Longueil inherited to the family seigneury of Maisons in 1629 and the heritage of his wife’s family in 1630 which he took advantage by his cleverness. Ever since Rene de Longueil undertook the construction of a new chateau, trusted François Mansart and Jacques Sarrazin’s team, and celebrated as one of the most beautiful residence in France. But he saw the finishing of the project only ten years before his death: Maisons was an endless building site, done one stage at a time. In Paris, he lived at rue de Béthisy, in a town house, inherited from Nicolas Chevalier, his uncle in-law. His wife, Madeleine, dead too early, stays a mysterious person who inspired the decoration of the new chateau. He had one’s heart set on extending the seigneury with the purchase of fief which constituted a huge territory in le Pincerais, surrounding nearly the crown estate of Saint-Germain. Descendant of a noble family, he baught the charges of la Cour des Aides and Président à mortier. During the Fronde, he played an important role as an agent between the Parlment and the Regency. He had the honour of serving the king as captain of his chateau in Versailles and Saint-Germain, before he’s promoted Superintendent of Finances in 1650. He lived in exile in Normandy a few years. Back in favour, he could assent to rank of Marquis in 1658 and welcoming the king and the Court. His places of residence in Maisons and Bethisy contained sumptuous and precious furniture, as well as many works of art. Man with a lot of taste and moving with the times, he took an interest in tapestries work, chinas, and orange trees. The poets celebrated the gardens of Maisons. Excellence became his rule employing the best craftmens and the best servants. Powerful, rich and famous man, he transferred a considerable heritage and his title of Marquis to his descendants
Chauvel, Jeanne. "La question du Grand Paris (2001-2012)". Thesis, Paris 2, 2015. http://www.theses.fr/2015PA020079/document.
Pełny tekst źródłaThe Greater Paris in in 2001 an utopia. However this planning vision for Paris has brought major changes to the Ile-de-France governance regarding urban development from 2001 to 2012. Three processes jointly carried out illustrate this idea: 1- Since 2001 the City of Paris has been encouraging cooperation between local elected representatives. 2- The Ile-de-France regional development plan has been reviewed since 2004 and as of 2008 a governmental urban development project has been formulated. 3- A new governance project which includes the creation of a metropolitan government has been discussed. The Greater Paris project has led to a new ambitious public transportation plan for its suburbs (2010) and the creation of a metropolitan government(2014). All of these achievements are the result of institutional and political conflicts from the last decade.This monography on the Greater Paris illustrates the issue of urban change of scale in thecontext of increased competition between cities. It aims at understanding the standpoints of public actors (the City of Paris, local mayors, the Ile-de-France region, the State): how they intend to use the Greater Paris idea, how they build up their representations of it and what are the institutional resistance against a metropolitan government. The analytical frame of this study combines three change variables - interests, ideas and institutions – to better understand how the Greater Paris project has changed the regional governance (2001-2012)
Guigo, Michèle. "L'autre Louvre : la société du Louvre (1855-1939)". Electronic Thesis or Diss., Sorbonne université, 2019. http://www.theses.fr/2019SORUL145.
Pełny tekst źródłaThe Grands Magasins du Louvre was born in 1855 in the shadow of the Grand Hôtel du Louvre, in an expanding area following the works of Haussmann, only two years after the creation of the Bon Marché. Their creation is strongly linked to the project and the network of the Pereire brothers who wish to develop trade and luxury tourism in Paris. Louvre shops are quickly becoming one of the leading department stores, and even the most important by turnover in the 1870s and 1880s, as well as occupied space. Indeed, at first locked by the hotel, the store led by its two managers Chauchard and Hériot will engulf all the surrounding shops, as well as the hotel in 1879. They adopt the slogan of "the largest stores in the world". This first foot in the hotel industry will encourage its leaders to continue their expansion in this area by operating three additional hotels, the Terminus Saint-Lazare, the hotel d'Orsay and Crillon. The Grands Magasins du Louvre will therefore be the only department store to have invested in a sector other than commerce to diversify its activities. At the end of the nineteenth century, the store seems to know its heyday extending its influence on the national territory and abroad and sourcing goods from around the world. But the First World War and especially the economic crisis of the 1930s brought him a hard blow which he will not recover. In 1939 it first filed the balance sheet, before the closure was interrupted by the war. It will continue to survive after the Second World War, before finally disappearing in 1974
Faure, Alexandre. "Les temporalités politiques et urbanistiques du Grand Paris : bâtir une métropole hors-norme". Thesis, Paris Sciences et Lettres (ComUE), 2018. http://www.theses.fr/2018PSLEH155.
Pełny tekst źródłaThe metropolization of Paris, as well as the legal status of the French capital, remains singular in the French political landscape. During the 2000s and the 2010s, two visions of the metropolization process simultaneously emerged: a political or administrative definition and a planning one. They were linked, on the one hand, to a national program to support economic growth and , on the other hand, to a local vision of metropolitan governance. The Grand Paris' law passed in 2010 tried to conciliate these two divergent definitions. The political or administrative metropolization gave rise to a new institution inaugurated in 2016 (Métropole du Grand Paris). The planning and economic vision of metropolization was materialized by a new strategic plan of public transport comprising a metro belt around Paris. The first works also began in 2016 by t. Yet, this research shows that although these two projects are simultaneous, they did not depend on the same field of experience and did not produce the same horizon of expectation. This PhDH thesis aims to study the divergence between the urban scheme's temporalities and the political process' one in order to explain how the metropolization of Paris reflect a change of historicity. Paris' metropolitan dynamics have not only transformed the articulation of spatial scales (from local to global), but also of temporal scales. Indeed, short terms decisions are tangled with intermediate and long term processes of urban planning and path dependency of public policies and institutions.This PhD thesis aims to better comprehend the political and urban planning temporalities. To this end, it combines public policies analyze and the study of the different stakeholders, their roles and reciprocal influences. Furthermore, the research shows the path dependence of policies in a context of institutional reforms (MAPAM and NOTRe). Finally, It contributes to better understand the political configuration, pulled between a local political configuration and a transportation scheme co-financed by the region and the national government
Willesme, Jean-Pierre. "Hubert Rohault de Fleury (1777-1846), un grand commis de l'architecture". Paris, EPHE, 2004. http://www.theses.fr/2004EPHEA006.
Pełny tekst źródłaHubert Rohault de Fleury, who was an architect born in 1777, was one of Durand's students at the Ecole polytechnique at a time when architecture schools were highly disorganised as a consequence of the Revolution. Thanks to the prix de Rome in 1802 he discovered Italy and its Renaissance monuments which influenced him in his research on the civil architecture. To start with he was an architect for City of Paris as soon as 1820. His main work was then the egg and butter market south of Saint-Eustache which will be later demolished to build the Halles de Baltard. He also worked on hospitals. Rohault de Fleury would have liked to demolish the Hôtel-Dieu ; he designed the new area which would be later demolished to build the Halles de Baltard. He also worked on hospitals. Rohault de Fleury would have liked to demolish the Hotel-Dieu ; He designed the new area which would be occupied by the Saint-Louis Hospital. Finally as an architect for the barracks he erected the high façades of the Mouffetard (rue Mouffetard) and Tournon (rue Garancière) barracks, whose cornices and arched windows still exist. From 1833 onwards he was the vice-chairman of the Council for Civil Buildings and wrote many reports on Parisian buildings until his death in 1846
Duranel, Guillaume. "Les conventions de l'Architecture au prisme du dispositif du Grand Paris". Thesis, Paris, CNAM, 2019. http://www.theses.fr/2019CNAM1275.
Pełny tekst źródłaThe 2008 consultation called “l’avenir du Paris métropolitain, le grand pari de l’agglomération parisienne” was organized by the French Bureau of Research in Architecture, Urbanism and Landscape at President Nicolas Sarkozy’s request. Ten teams were gathered, led by architects and composed of professionals and researchers working on urban studies. In 2010, those teams were asked to join the “Scientific Comity” of the “Atelier International du Grand Paris” (AIGP) which was created especially for them to continue their work. In 2012, five more teams joined the AIGP. They worked together until 2016. Therefore, as the government launched action to transform and develop the Île-de-France area (creating a Secretary of State dedicated to that purpose, creating a development company tasked with the creation of a new metro network, and voting three laws …), a group of professionals and researchers worked for eight years to produce a “prospective diagnosis” for the Parisian metropolitan area. For which specific skills were they hired? In the context of this political request, how did those teams work and what did they produce?
Thinard-Morel, Janine. "Nourrir et soigner les malades de l'Hôtel-Dieu de Paris à l'époque moderne". Thesis, Paris 4, 2016. http://www.theses.fr/2016PA040023.
Pełny tekst źródłaHow were the sick of the Hôtel-Dieu de Paris fed in modern times? What role did food play in their care? Where and how did the Hôtel-Dieu get supplies? What were its means? These are the principal questions that this thesis attempts to answer, using the deliberations of the Bureau and, when they still exist, the accounts (income and expenditure) of the Hôtel-Dieu. Mainly consisting of bread, meat and wine, but also broths for the seriously ill persons, the portions given to patients are copious, for the patient to the Hôtel-Dieu must be treated well and a good diet is the first treatment. The essentials do not include vegetables and fruits. It is difficult to know which amount of the latter was consumed. In times of scarcity (war, disaster, famine) the portions of bread, meat and wine are adjusted to the possibilities of supplying. The Hôtel-Dieu is making every effort to ensure its supplying, first relying on its farms and vineyards, then increasingly on the market. If a proper diet is the guarantee of a good health, the doctors at the Hôtel-Dieu waited until the eve of the French Revolution to consider that their prescriptions were to cover not only medicines but also diet. This little "revolution" did not occur without causing the reaction of nuns accustomed to controlling the patients’ diet
Bravard, Alice. "La persistance du modèle aristocratique : mode de vie et sociabilité du grand monde parisien (1900-1939)". Paris 1, 2008. http://books.openedition.org/pur/117792.
Pełny tekst źródłaPlum, Gilles. "Les palais des Beaux-Arts et le pont Alexandre III : un ensemble architectural et urbain en 1900, entre éclectisme et renouveau classique". Paris 4, 1995. http://www.theses.fr/1995PA040199.
Pełny tekst źródłaThe Grand Palais and the Petit Palais, first named the Palais des Beaux-Arts, were built with the pont Alexandre III for the Paris exhibition of 1900. These were not ephemeral realization, but the chief attraction of 1900: permanent monuments like the best known of Paris. The operation was a success for the general public. But historians of architecture quickly consider these monuments as school projects put here without reflection. Nevertheless, that's not what seems to show the important existing archives
Berthier, Alizé. "Oiseaux urbains ? : les conditions d'une cohabitation humains - animaux dans le Grand Paris". Thesis, Paris 1, 2019. http://www.theses.fr/2019PA01H034.
Pełny tekst źródłaThis thesis focuses on human – animal relationships in a densely inhabited city, through the study of discourses about urban birds in the Greater Paris. Since public policies promoting urban biodiversity are growing, this research questions city dwellers’ bird acceptation or reject criteria, as well as management policies implemented in regards birds. Thus, this work wants to depict conditions of cohabitation with a part of ordinary urban biodiversity, based on quantitative (980 questionnaires) and qualitative methods (19 interviews) and inhabitants letters analysis (170 texts). Birds appeared to be widely loved animals in cities, but this positive appreciation depends on perceived specific diversity and the territorial contexts of the encounters between city dwellers and birds. By comparing the appreciations of Carrion crow (Corvus corone) and Ring-necked parakeet (Psittacula krameri), it is shown that cultural representations of birds can be reversed due to species behavior and population dynamics, along with urban territories’ status. City dwellers complain about birds when they cause damage to everyday life territories, revealing urban imaginaries where animals are more or less at their proper place. City administrators’ discourses create a dichotomy between the birds that fall within the type of biodiversity that needs to be promoted and the species with whom cohabitation is problematic. The latter are rarely considered as belonging to that type of biodiversity
Thinard-Morel, Janine. "Nourrir et soigner les malades de l'Hôtel-Dieu de Paris à l'époque moderne". Electronic Thesis or Diss., Paris 4, 2016. http://www.theses.fr/2016PA040023.
Pełny tekst źródłaHow were the sick of the Hôtel-Dieu de Paris fed in modern times? What role did food play in their care? Where and how did the Hôtel-Dieu get supplies? What were its means? These are the principal questions that this thesis attempts to answer, using the deliberations of the Bureau and, when they still exist, the accounts (income and expenditure) of the Hôtel-Dieu. Mainly consisting of bread, meat and wine, but also broths for the seriously ill persons, the portions given to patients are copious, for the patient to the Hôtel-Dieu must be treated well and a good diet is the first treatment. The essentials do not include vegetables and fruits. It is difficult to know which amount of the latter was consumed. In times of scarcity (war, disaster, famine) the portions of bread, meat and wine are adjusted to the possibilities of supplying. The Hôtel-Dieu is making every effort to ensure its supplying, first relying on its farms and vineyards, then increasingly on the market. If a proper diet is the guarantee of a good health, the doctors at the Hôtel-Dieu waited until the eve of the French Revolution to consider that their prescriptions were to cover not only medicines but also diet. This little "revolution" did not occur without causing the reaction of nuns accustomed to controlling the patients’ diet
Taveaux-Grandpierre, Karine. "De la diffusion de la presse parisienne quotidienne en France : Hachette et les quotidiens à grand tirage, 1870-1914". Paris 3, 1999. http://www.theses.fr/1999PA030123.
Pełny tekst źródłaAlsina, Dominique. "Louyse Moillon (Paris, vers 1610-1696) : la nature morte au Grand Siècle : catalogue raisonné". Toulouse 2, 2010. http://www.theses.fr/2010TOU20066.
Pełny tekst źródłaNieden, Gesa zur. "Vom grand spectacle zur great season : das Pariser Théâtre du Châtelet als Raum musikalischer Produktion und Rezeption (1862-1914)". Paris, EHESS, 2008. http://www.theses.fr/2008EHES0104.
Pełny tekst źródłaIn the period from 1862 to 1914 the Parisian Théâtre du Châtelet hosted the three different musical genres grand spectacle, symphonic concert (Concerts Colonne) and musical theatre of the avant-garde (Salome of Richard Strauss, Ballets Russes). This range of genres is musically and socially representative of the musical life of Paris. The study of this theatre as a room of musical production and reception in the period from 1862 to 1914 analyses the establishment and the institutionalisation of these different genres in the Théâtre du Châtelet and defines a reception model for each of them. Methodologically our study is based on the approach of sociology of architecture and the spatial concept of the theatre historian Mercedes Viale-Ferrero. A comparison of the three different types of musical production in that époque sheds light on the eclecticism of the 1920s when Paris advanced to be the European capital of the arts
Lepoutre, David. "Paroles d'honneur : la culture des rues dans un grand ensemble de la banlieue parisienne". Paris, EHESS, 1996. http://www.theses.fr/1996EHES0075.
Pełny tekst źródłaBreaking off the problematic of suburbs social desorganisation, this thesis proposes a real cultural approach of teenagers social relations in housing schemes. This kind of approach is supposed to allow, firstly, to bring to light original behaviours and practices and, secondly, to understand the logic and the symbolic coherence of social relation system. The specificity of young people sociability is first considered and studied in spatial, social and ethnic context of housing schemes. Then, the principal aspects of streets language are described and analysed on linguistic (slang, obscene language, diction features) and social (dozens, insults, gossip, lies, swearwords) bases. The antagonistic and ritual dimension of verbal exchanges is also present in violence exchanges, wich constitute a second and essentiel aspect of the social relations system of teenagers. Violence may be dependent on feuds and justified by revenge principle or integrated in plays and sports. In any way, it generally produces structuring effects on the groups and is also a major element of adolescent representation system. In fine, the global analysis of interactions and practices brings questions about this subculture system of values. In this case, honour seems to be the moving force of exemplary behaviours, most of feuds, and of certain sports or artistics competitions. Honour certainly sheds light best the essentiel social stakes in the group of adolescents
Zheng, Lihua. "Les stratégies de communication des Chinois pour la face : observation dans un grand restaurant chinois de Paris". Paris 5, 1994. http://www.theses.fr/1994PA05H013.
Pełny tekst źródłaAvide, Elise. "La fabrique des "gares du quotidien" : imaginaires et fonctions symboliques d'une nouvelle catégorie du Grand Paris". Thesis, Paris Est, 2018. http://www.theses.fr/2018PESC1006/document.
Pełny tekst źródłaThe beginning of the years 2010s saw a terminological shift within political discourses: railway stations in the Île-de-France region, previously designated as ‘suburban stations’, increasingly became known as ‘everyday life stations’. Unlike other trending expressions such as ‘sensitive neighbourhoods’ or ‘agglomerations’, this expression does not relate to a well-identified political or administrative category. Nonetheless, it appears in public debate at a peculiar moment, in the context of the Greater Paris (Grand Paris) project, as if it were precipitated by a wide array of actors sharing conveying ideals and strategies. It is also accompanied by important work in the stations of these networks. As a result, this substitution cannot be incidental, and the term ‘everyday life’ indeed refers to imaginaries that differ substantially from the previously used adjective – ‘suburban’. By analysing the representations conveyed by different forms of stakeholders’ narratives, and by exploring stations and the urban projects they are part of in the Seine Aval territory, this dissertation seeks to unravel the fractures and discontinuities that allow for the emergence of ‘everyday life stations’ as a new category of the Greater Paris, its interweaving meanings, and the way in which it renews the materiality of spaces. Its ambition is thus to discuss more broadly the imaginary functions of categorisation in urban fabric. In doing so, the work offers a new reading grid for the contemporary history of planning in the Île-de-France region. By looking through the lens of ‘everyday life’, it uncovers a number of shifts in the relationships between actors in the transportation and urban planning sectors, with suburban areas and their inhabitants. This approach is also insightful for the assessment of professional segmentations and power relations at work
Sibout, Cécile-Anne. "Paris-Normandie à l'époque de Pierre-René Wolf, un grand patron de la presse régionale (1945-1972)". Paris 4, 1999. http://www.theses.fr/1998PA040273.
Pełny tekst źródłaBassieres, Laurence. "Un inventaire architectural et urbain pour le premier Grand Paris : le casier archéologique et artistique de Paris et du département de la Seine, 1916-1928". Thesis, Strasbourg, 2016. http://www.theses.fr/2016STRAG009.
Pełny tekst źródłaNo more than the Grand Paris today in the making, the first and ephemeral Grand Paris which was envisioned during the years 1910-1920 did not seem to place protection of heritage among its priorities. However, an attempt in that direction was clearly made. The ambition to act according to ideas which at the time, were still far from being called Heritage Urbanism’s principles, brought upon the creation of an original Urbanism tool, half a century before the Malraux’s laws were voted : the “Casier archéologique et artistique of Paris and the Seine’s department.”This architectural and urban inventory, established between 1916 and 1928, was studied with a double focus. The first was to place the Casier archéologique – an object that now seems isolated – back into the Grand Paris’s perspective in which it had been designed for, recalling its articulation with policy-making underway at the time on urbanism and heritage, as well as the multidisciplinarity of its constitution. The second was to retrace the evolution of the Casier archéologique’s elaboration, from its creation as an innovative tool of Heritage Urbanism, to its transformation as an inventory with a more classic format, but on Grand Paris’s scale
Rouchi, Camille. "Culture et tourisme à l'ouest du Grand Paris : gouvernance en réseaux pour une métropole culturelle multipolaire". Thesis, Paris 1, 2017. http://www.theses.fr/2017PA01H125.
Pełny tekst źródłaThis thesis proposes a geohistorical analysis of cultural policies and their entanglement with metropolisation: from the implementation of major suburban cultural facilities and the creation of new tourist destinations, to the absorption of the Suburbs into new political spheres. All of which compels us to rethink the relations between the Center and its periphery. In that perspective, the geopolitical dynamic, meaning the institutionalization of the “Grand Paris” (Greater Paris) project, undeniably impacts the Ile-de-France area. One only needs to observe the generalized success of polycentrism, the resort to strategies of polarization and clusters, to construe the metropolitan strategies at work. While several territories have embarked on this generalized enthusiasm, which propels culture into creative tropism, some of them possess greater resources. In that regard, the western suburban area acts as a model. The “Vallée de la culture”, with the “île Seguin” project as its figurehead, reiterates the desire to centralize a territory, whose early and continuous enrichment have been patiently built up. Similar dynamics with similar tools of public action are being used by the northern suburban area in an attempt to disrupt this shift of Parisian centrality to the West. Meanwhile, the cultural relegation of the outskirts seems to be ongoing. In that context, does the cultural metropolis constitute a system? How does metropolization create new cultural territories? What is the impact of public action on the metropolitan territory in terms of standardization and differentiation? And finally, what are the new political functions of culture at the time of the “Grand Paris”?
Laouès, Corinne. ""Oser la grande toile" : Paris et le grand tableau d'histoire(s) XVIIe- XIXe siècles". Thesis, Paris 1, 2019. http://www.theses.fr/2019PA01H014.
Pełny tekst źródłaHow did Paris become the capital of large format artworks on a historical subject ? What were the motivations of a small circle of artists to produce oversized paintings ? Bounded between the modern era and the Third Republic, this thesis tells the story of these cumbersome works that French museums are now interested in presenting in a careful scenography after having them restored. Introduced in the Parisian artistic home by Charles Le Brun, the practice of large size easel painting finds, through the execution of theatrical genre high-warp tapestry cartoons (paint on large canvas), and the philosophy of sensualism, the essential resources to renew the narrative of a story in painting. During the Age of Enlightenment, large size paintings became objects of spectacle and the stage set of the scene copies the frame of these oversized paintings. David’s use of large format is particularly representative of a period in which the linearity of history is thwarted by the gradual introduction of a new regime of historicity, the repercussions of which are significantly felt in the way a story is interpreted, but also in the way in which the public and the painter’s career are approached. During the 19th century, the gigantic easel paintings were still essential components of the public sphere now extended to museums, including that of Amiens, expressly built to accommodate them. Correlating to the exhibition artist’s strategies, the large movable painting is a stimulating and demanding device from which an artist can claim to embody the figure of the genius. In general, it makes it possible to consider new pictorial concepts, to elaborate new truths, to historicize events and many other things that the reader will discover during this study
Jehanno, Christine. ""Sustenter les povres malades" : alimentation et approvisionnement à la fin du Moyen âge : l'exemple de l'Hôtel-Dieu de Paris". Paris 1, 2000. http://www.theses.fr/2000PA010690.
Pełny tekst źródłaGey, Adrien. "L'évolution des rapports ville nature dans la pensée et la pratique aménagistes : la consultation internationale du Grand Paris". Phd thesis, Université de Grenoble, 2013. http://tel.archives-ouvertes.fr/tel-01002384.
Pełny tekst źródłaBourniche, Kévin. "Les d'Espinose aux jardins : attentes, intégration et occupation d'un espace par les noblesses de province au Grand Siècle". Thesis, Tours, 2018. http://www.theses.fr/2018TOUR2021.
Pełny tekst źródłaThe garden enables one to approach dwelling places and landscapes as well as society of the Ancient Régime. During the Grand Siècle, three generations of the Espinose family and their relations, whether the latter are descended from the bourgeoisie or the nobility, have put their stamp on gardens in town or in the countryside in the eastern part of ancient Brittany. These enclosed areas have tried to meet at best the logical requirements of their environment. Whether in town or in the countryside, the garden of the estate met aesthetic, social, economic and technical requirements. And as the cornerstone of the landed property and its management, the garden also reflects an evolution in tastes, and therefore is liable to mutations. The marks of time and the status of the owners are apparent, with obvious signs of the prestige and/or the difficulties of the family. Thus the garden as a place where to take walks or grow flowers and plants is the expression of a knowledge as well as of a social status
Guigo, Michèle. "L'autre Louvre : la société du Louvre (1855-1939)". Thesis, Sorbonne université, 2019. http://www.theses.fr/2019SORUL145.
Pełny tekst źródłaThe Grands Magasins du Louvre was born in 1855 in the shadow of the Grand Hôtel du Louvre, in an expanding area following the works of Haussmann, only two years after the creation of the Bon Marché. Their creation is strongly linked to the project and the network of the Pereire brothers who wish to develop trade and luxury tourism in Paris. Louvre shops are quickly becoming one of the leading department stores, and even the most important by turnover in the 1870s and 1880s, as well as occupied space. Indeed, at first locked by the hotel, the store led by its two managers Chauchard and Hériot will engulf all the surrounding shops, as well as the hotel in 1879. They adopt the slogan of "the largest stores in the world". This first foot in the hotel industry will encourage its leaders to continue their expansion in this area by operating three additional hotels, the Terminus Saint-Lazare, the hotel d'Orsay and Crillon. The Grands Magasins du Louvre will therefore be the only department store to have invested in a sector other than commerce to diversify its activities. At the end of the nineteenth century, the store seems to know its heyday extending its influence on the national territory and abroad and sourcing goods from around the world. But the First World War and especially the economic crisis of the 1930s brought him a hard blow which he will not recover. In 1939 it first filed the balance sheet, before the closure was interrupted by the war. It will continue to survive after the Second World War, before finally disappearing in 1974
Polack, Emmanuelle. "Le paradigme du marché de l'art à Paris sous l'Occupation 1940-1945". Thesis, Paris 1, 2017. http://www.theses.fr/2017PA01H043/document.
Pełny tekst źródłaThe euphoria of the art market under the Nazi Occupation is also a reflection of an influx of goods resulting from the artistic spoliations of the Jewish community along with any opponent of the Third Reich. The main concern of this thesis deliberately places itself on this question. It proposes an analysis of the paradigms of an art market during a war period under the control of a collaborationist State
Deutsch, Kristina. "Jean Marot et l'estampe d'architecture au Grand Siècle : la représentation du palais du Louvre dans le "Grand Marot"". Paris, EPHE, 2010. http://www.theses.fr/2010EPHE4040.
Pełny tekst źródłaUntil now, the main interest of historians towards the work of the etcher of architecture Jean Marot (about 1619-1679), who represented many buildings of the Grand Siècle (the “great century”, as one calls the 17th century in France), was based on their value as sources for the history of the building in question. Our thesis parts from another point of view and asks about the method, the evolution, the form, the objectives and the reception of these images as part of the tradition of the representation of real architecture which becomes important during the Renaissance in Italy and reaches a climax with the Cabinet du Roi of Louis XIV. One of Jean Marot’s major works is the anthologie called the “Grand Marot” (small folio, probably 1686), which renews with the tradition of collections of prints showing the most important buildings of the kingdom, founded by Jacques Androuet du Cerceau, author of the Plus excellents bâtiments de France (Paris, 1576/1579). As the latter, Marot consecrated a group of prints (etched with some engraved details) to the Louvre and the Tuileries in Paris, two initially separated palaces related according to the « grand dessein des rois », initiated by Henri IV as a major symbol of power of the king. The Louvre-etchings are appropriate for the examination of a concrete example and at the same time offer the possibility to learn more about of the evolution of the “Grand Marot”. Interpreting the drawings of architects, Marot often disposes only of a fragmentary documentation, which he combines and completes, always attempting to present his own inventions concerning architecture and decoration. Related to various objectives of self-promotion, dedication and representation of power, the work of Jean Marot gives evidence of a crucial moment, when the state undertook a growing control and organization of artistic production
Abdela, Sophie. "Formes et réformes : la prison parisienne au XVIIIe siècle". Electronic Thesis or Diss., Normandie, 2017. http://www.theses.fr/2017NORMC012.
Pełny tekst źródłaWe know very little about the Parisian prison of the XVIIIth century. Historians have been fascinated by the XIXth century penitentiary but they have largely neglected the Ancien Régime prison. The period was not entirely ignored, of course: it sees the birth of Beccaria's writings which question the relevance of physical punishment and set in motion the penal reform. It's also the time of the Grand Renfermement of paupers and asocials, of which the Hôpital général and the dépôt de mendicité are the clearest incarnations. However, the prison, which was an integral part of the judicial procedure, was discarded. The present research aims to fill a part of this gap by exploring the world of prepenal prison in XVIIIth century Paris. Far from forming an isolated object, this Ancien Régime jail must be fully integrated in the history of prisons which leads all the way to the penitentiary.The demonstration is articulated in three parts between which the links are numerous. The first takes as its basis the structure of the prison, its framework, its buildings, its material constitution. It addresses the detention facilities first and foremost as tangible and concrete objects. The second part leaves the structure of the Parisian prison to dive into its financial circuits. It explores two large questions: where does the money come from and where does it go? Finally, the third part penetrates even deeper in the prison world by targeting the men who compose it. The prison, after all, is made up of human relations
Leasia, Charlotte M. "The Grand Paris Express: An Analysis of Social and Political Trends towards Mass Transit Planning in the Île-de-France Region". Scholarship @ Claremont, 2013. http://scholarship.claremont.edu/scripps_theses/213.
Pełny tekst źródłaGaumy, Tiphaine. "Le chapeau à Paris. Couvre-chefs, économie et société, des guerres de Religion au Grand Siècle (1550-1660)". Thesis, Paris, Ecole nationale des chartes, 2015. http://www.theses.fr/2015ENCP0001/document.
Pełny tekst źródłaIn the first half of the early modern period, time of political and religious troubles, and of great geographical discoveries that opened new trade opportunities, we approached the subject of hat and headdresses history in their technical, commercial (in the capital, the Court, the kingdom and abroad), esthetical (evolutions of forms, embroideries, feathers, hat badges) and social ways (manners and signification of wearing them). In the peculiar Parisian context of this period, this trade, changed by the apparition of beaver and the social obligation to have everybody’s head covered, has a deep impact not only on the evolution of the Parisian hatters’ wealth but also on Parisians’ and Courtiers’ wardrobes themselves. Without headdresses preserved, details about them are scattered in documentary sources: for example, we can find them in the writings of authors and moralizing people, in engravings of French people like Abraham Bosse, in works of Flemish painters like Jan Miense Molenaer, but also in criminal archives where they can be sometimes even motives of murder! Far from just being clothing accessories, headdresses in the early modern period are essential to socialize and characterize human beings: through them, we can grasp national identity, age, wealth, profession, social status and knowledge of civility rules (especially to raisesomebody’s cap to someone, a tradition established from medieval times). Also, at that time, their importance is reconsidered because of the challenge by the Protestants about their social significance and by the discovery of new societies with other relation to clothes, which put the traditional and European approach into perspective
Abdela, Sophie. "Formes et réformes : la prison parisienne au XVIIIe siècle". Thesis, Normandie, 2017. http://www.theses.fr/2017NORMC012/document.
Pełny tekst źródłaWe know very little about the Parisian prison of the XVIIIth century. Historians have been fascinated by the XIXth century penitentiary but they have largely neglected the Ancien Régime prison. The period was not entirely ignored, of course: it sees the birth of Beccaria's writings which question the relevance of physical punishment and set in motion the penal reform. It's also the time of the Grand Renfermement of paupers and asocials, of which the Hôpital général and the dépôt de mendicité are the clearest incarnations. However, the prison, which was an integral part of the judicial procedure, was discarded. The present research aims to fill a part of this gap by exploring the world of prepenal prison in XVIIIth century Paris. Far from forming an isolated object, this Ancien Régime jail must be fully integrated in the history of prisons which leads all the way to the penitentiary.The demonstration is articulated in three parts between which the links are numerous. The first takes as its basis the structure of the prison, its framework, its buildings, its material constitution. It addresses the detention facilities first and foremost as tangible and concrete objects. The second part leaves the structure of the Parisian prison to dive into its financial circuits. It explores two large questions: where does the money come from and where does it go? Finally, the third part penetrates even deeper in the prison world by targeting the men who compose it. The prison, after all, is made up of human relations
Barreau, Joëlle. "Être architecte au XVIIe siècle : Libéral Bruand, architecte et ingénieur du roi". Paris 4, 2004. http://www.theses.fr/2003PA040271.
Pełny tekst źródłaLibéral Bruand (1631-1697) was concurrently an architect, a Royal Engineer, and one of the first members of the Royal Academy of Architecture. His great work was the Hôtel royal des Invalides that he built from 1671 to 1676. In addition, he built houses and hôtels intended for a wealthy clientele (aristocrats and financiers). He participated in creating the typology of the "maison de maître" by introducing technical and distributive innovations in hôtels in the years from 1630 to 1650. His art is characterized by a close respect of the program, clarity in planning, and sober ornamentation. This study is the first monograph dedicated to an architect who is representative of the second half of the seventeenth century and who had all the professional qualifications of the builder's milieu of his day. It is founded on abundant source material and unpublished archives, in particular the notarial records of the Minutier central des notaires (Archives nationales, Paris). Beyond the systematic study of the fourteen works that were previously credited to the architect, this research has made it possible to credit him with an additional twenty-three works and to deattribute four
Gatta, Federica. "(Contre)pouvoirs urbains ? : une critique des dispositifs non-institutionnels de l’aménagement urbain dans les transformations du Nord-Est de la métropole parisienne". Thesis, Paris 10, 2014. http://www.theses.fr/2014PA100164.
Pełny tekst źródłaIn which way is urbanism confronting both the evolution taking place in contemporary urban movements and the simultaneous growth of political rhetoric concerning sustainable, participatory development? The present thesis stems from the observation of an ongoing process of institutionalization, begun in the seventies, of social movements and critical theories that emphasize the role and importance of city residents in the construction of their city. This process is analyzed through an ethnography conducted in the Parisian northeastern metropolitan area, thus situating it in an illustrative context of significant recent transformation. The challenge of this work is in studying a number of situations in which actors who are generally considered separately, interact: organizations involved in the development of communal urban participation, groups actively occupying abandoned urban spaces, the technicians and decision-makers of large-scale renovation projects, collectives of artists and architects advocating urban art and participation. Through an analysis of the explanations and (mis)understandings these actors use and reach while discussing projects in progress, what appears is a specific form of control of social counter-powers. This process is framed by apparatus attributing value to the idea of uncertainty in the urban imagination, asserting the “inhabitant” as an ambiguous subject-object of urban transformation, conceiving the intermittent progression of events and temporalities as a new paradigm of urban planning. What follows from this analysis is a questioning into where libertarian self-governance and urban neoliberalism converge, and into the evolving relationship between technical and critical urbanism
Flegeau, Morgane. "La Ceinture verte d'Ile-de-France à l'épreuve du Grand Paris : effacement ou renouveau ? : Reconfigurations spatiales, territoriales et paysagères dans les marges de l'aire urbaine métropolitaine". Thesis, Sorbonne Paris Cité, 2018. http://www.theses.fr/2018USPCD062.
Pełny tekst źródłaThe concept of green belt is a manner of thinking the margins of the surroundings of Paris. This urban planning tool has been used by the Île-de-France regional Council in the early 1980’s. The implementation of a green belt aimed to give a global vision of the woodland, cropland and wasteland in that area. Due to a lack of law support and political changes, the Green belt policy never really came to an existence. However, the area of the Green belt is filled with several expectations in terms of recreation, landscapes, quality of life and environment from the city dwellers and public players. Meanwhile, the Grand Paris project tends, in the same time, to put under pressure these spaces by its urban planning projects, and to consider the idea of a green belt for the Paris region. We have chosen in this thesis to highlight the features of the Green belt by a social and spatial approach of the dynamics through a multiscalar approach. It reveals the fragmentation and the heterogeneity of this space on several levels : spatial organization, landscapes and social distribution. The study of the dynamics concerning the territories shows the discrepancy of the urban planning logics in the Île-de-France region. In the Green belt space, a large number of territory projects occurs around open spaces. It aims, in most of the case, to preserve the qualities of the landscapes (in the vallée de Chevreuse for example) or to attain a certain type of landscape (the forest project in Plaine de Pierrelaye shows that). But this type of territorialities leaves out marginalized population, living in the Green belt space. Finally, this study enlightens the mixed relationship and the tensions between local and metropolitan authorities in a decentralized context
Pennec, Tangui. "Géopolitique d’une « banlieue bleue » : les Hauts-de-Seine dans le Grand Paris : un essai d’analyse géopolitique locale". Thesis, Paris 8, 2017. http://www.theses.fr/2017PA080076/document.
Pełny tekst źródłaSince they were created in 1964, the Hauts-de-Seine have been a stronghold of the Ile-de-France's right wing. The political stakes are high as this 'departement-metropole' is often qualified as the second richest after Paris. Like the hub of La Defense, which has become Europe's first business centre, the Hauts-de-Seine have lately undergone deep sociological and economical changes as well as consequent urban transformations. The geopolitical analyse proves itself meaningful to understand these mutations. They indeed are tightly connected to a set of territorial strategies, the aim of which is the political control of the Hauts-de-Seine. The right-wing thus contrived, set up and developped a local geopolitical system which, to many aspects, is the mirror image of the red suburb. This dissertation first shows how the Hauts-de-Seine's blue suburb was organized. It then focuses on how the actors of the local geopolitical system operate by insisting on the outstanding geopolitical dimension of the public policies of the urban planning and on how this transformed the aspect of the department's cities. It also focuses on the competition for power at a metropolitan scale. Confronted to the risk of being assimilated by the Greater Paris, the departement is developping a large-scale geopolitical project, the merging between the Hauts-de-Seine and the Yvelines which, if put in practice, would make these suburbs a major blue suburb
Monnin-Tonetti, Lucette. "Le cahier des charges au Palais Garnier (1879-1914) : grandeur et misères du grand opéra". Thesis, Besançon, 2013. http://www.theses.fr/2013BESA1026.
Pełny tekst źródłaThroughout the 19th century Paris remained by a cultural and artistic point of view a tropism at the heart of Europe, in particular thanks to big french opera which was accoding the specialists of the question a major political art from 1820 till 1870 ; so that the opera of Paris became the first Euopean stage. Given that, in 1879 the Republic of the opportunist was not only going to prime a radical turning point in the french political life but also to fix number of elements which belong of our current political scene. So, it seemed to us interesting to ask us one hand, if the big French opera at the end of the 19th century and more exactly from 1879 till 1914 remained a representative musical genre with regard to the artistic realities and on the other hand, if it always joined one a historical and political perspective either on the contrary it had become an old-fashioned archetype ? For that purpose, we are attached in a critical study of the various specifications which legally the big opera of Paris, even if the musical genre is previous is it true a little of these, before interesting us in the esthetics itself of the latter. Then, secondly we chose to bring the light the financial implications of the artistic compagny at the heart of the IIIth Republic, by estimating the part of the opera of Paris with the regard of the otherbordering frendh-speaking theaters. It is a socialcritical study of determined genre by the Institution which reflects is that we dedicated ouselves while demonstrating that the IIIth Republic had comitted the Institution in heavy contraints governed by a specifications which bound the Opera of Paris to the State, at a period of political stability
Boisseuil, Clément. "Mettre en œuvre la mixité : rénovation et renouvellement urbains au sein des métropoles de Paris et de Chicago". Thesis, Paris, Institut d'études politiques, 2016. http://www.theses.fr/2016IEPP0052.
Pełny tekst źródłaThe first objective of this dissertation is to understand the contrasted results of public programs aiming at the urban, social and economic transformation of low-income neighborhoods in the metropolitan areas of Paris and Chicago. Since the 1990s, large-scale programs have been implemented in those areas. They follow the goal of poverty deconcentration and try to tackle the multiple forms of urban segregation. If those initiatives have led to significant urban results, they have not engendered the expected social and economic outcomes. The analysis of implementation contributes to explain this phenomenon. This dissertation is structured around three main lines: institutions, practices and representations, learning effects. It builds upon a multi-scalar international comparison of four case studies conducted in two specific metropolises. First, we focus on the institutional heritage and the governance of urban renewal projects targeting diversity. Then, we analyze the multiple processes that relate to their implementation, emphasizing the significance of both contextual factors and the different interpretive frames within public policies. Finally, we study the learning processes recently at stake. We show that policy adaptation is only possible under certain conditions. In conclusion, distinct modes of implementation are theorized based on our empirical results and in accordance with the third generation of implementation research. Their theoretical analysis shows that ambiguities of policy design are leading toward proportional tensions, even conflicts, in the implementation phase
Le, Hervet Maud. "Les politiques de l'habitat à l'épreuve de la fragmentation métropolitaine : le cas de l'Ile-de-France". Thesis, Paris Est, 2013. http://www.theses.fr/2013PEST1201.
Pełny tekst źródłaThe beginning of the 2000s was marked by numerous diagnoses and reports on the critical situation of the housing market in the French region Ile-de-France. The law on Greater Paris of June 3rd 2010 set the ambitious objective of building 70 000 new “geographically and socially adapted” dwellings per year. However its application falls foul of obstacles arising from the complexity of the steering of public action in the metropolitan area. Indeed, Paris region shows a lack of metropolitan-wide territorialised housing policy. In this dual context of housing and governance crises, this research aims at showing, from qualitative and quantitative elements, that it is effective to speak of a metropolitan habitat fragmentation in Ile-de-France. The latter is of two kinds: firstly a fragmentation of governance, the implementation of housing policies suffering from a lack of steering, secondly a socio-spatial fragmentation, the housing market resulting into significant social disparities between the various components of the metropolis. Furthermore, this research tries to develop an analysis grid in order to understand how the political fragmentation is a hindrance to an efficient political response to housing issues and opposes the reduction of socio-spatial disparities with respect to habitat. It is based for this purpose on a comparative study of four sub-metropolitan policies (in Paris, Plaine-Commune, in the Hauts-de-Bièvre and in Mantes-en-Yvelines)
Serisier, Wilfried. "Géopolitique de la Seine-Saint-Denis : mutations territoriales, stratégies des acteurs et gouvernance en Seine-Saint-Denis, 1998-2018". Electronic Thesis or Diss., Paris 8, 2019. http://www.theses.fr/2019PA080075.
Pełny tekst źródłaIf the Seine-Saint-Denis is not the red suburbs of the sixties, it remains an exceptional field in the sense that abstention continues to grow from election to election, national and local, and where it does not follow the electoral evolutions of France and even less of the Île-de-France. This thesis aims to study changes in territorial and political governance between 1998 and 2018.The department of Seine-Saint-Denis, which we can call geopolitical creation since fashioned because of political motives, has received since its birth in 1968 the name "red suburb". If its local geopolitical system justified this name, the social, urban and political crisis that affects the departmental territory, contributes to dismantle it in the nineties. Not only are the social inequalities aggravated by the accentuation of the socio-spatial segregation affecting the Île-de-France, but the social question is redoubled by the postcolonial question. At first, this thesis shows the contradictory dynamisms that confront each other in Seine-Saint-Denis: the postcolonial question with its religious turn; the strong rise of social segregation with its effects on national education and the challenges of the territories in the face of the contradictory dynamics of settlement (gentrification, ghettoisation).In a last time, against the backdrop of metropolisation, we see how territorial governance is modified through the complexification of the local political system: new relations with Paris, interventions by the regional council, public planning institutions, and even Europe ... The debate of the Grand Paris revived in 2007 has rebuffed the cards in the development of territories and local power relations. But with the appearance of the Metropolis of Greater Paris, this young department is it not likely to implose ?
Papiez, Katarzyna. "Préserver la polonité en exil : les formes de mobilisation politique de l’Hôtel Lambert en France et dans l’Empire ottoman (1831-1853)". Thesis, Sorbonne université, 2018. http://www.theses.fr/2018SORUL166.
Pełny tekst źródłaThis thesis shows the role of l’Hôtel Lambert, political party led by Prince A. J. Czartoryski from Paris, and his agency, founded by Michał Czaykowski, in Constantinople, in the struggle for Poland’s freedom. Through the comparison of the political actions taken by these two characters from France and the Ottoman Empire in the first half of the 19th century, emerges the analysis of the modus operandi of l’Hôtel Lambert, guided by the hope of reconquering independence of the oppressed homeland and to preserve “la polonité” abroad. This research is complemented by the study of the reception policy of the Sublime Porte, vis-à-vis the refugees of the Hungarian Revolution who seek asylum on the Ottoman territory, in which the conversion to Islam of some of these exiles holds an important place. Moreover, the analysis of the cultural transfer in the two host countries and of the socio-economic situation of the Polish refugees in the Ottoman Empire gives an in-depth view of the construction of the interactions of these exiles in their new societies. Another aspect of this research is centered on the creation of the Polish colony in the Ottoman Empire, social laboratory of “la polonité” in exile
Prévot, Géraldine. "Alibis d’un autre monde ? : expériences théâtrales au-dehors à Paris et à New York : 1913- 1939". Thesis, Paris 10, 2017. http://www.theses.fr/2017PA100152.
Pełny tekst źródłaMany outdoor theatrical experiences could be observed in Paris and in New York, between 1913 and 1939 and, more broadly, in the whole theatrical world. How can we interpret them? And how can we insert them in the larger history of theatrical forms? Their extreme diversity prevents us from having a homogeneous discourse about them and calls for a method based on case studies more than on a systematic approach. This thesis aims at creating an operative concept, the « outdoor » concept (« dehors » in French), which will enable us to dig deeper into those theatrical forms and to restore their polysemy. By focusing on an urban context and by choosing a comparative approach, this thesis aspires to take into account the spectacle of the cities of Paris and New York and the spectacles in them, at a time when the exchanges between the two cities were very productive. Jacques Copeau, André Barsacq, the « groupe Octobre », the showings of the Vray Mistère de la Passion in the 1930s, the great shows during the Popular Front or Jean-Richard Bloch are some of the figures and theatrical events discussed in the first part of this work. The second part deals with the American context, it draws on experiences such as the Provincetown Players, the pageant tradition and its ideological shift, the theatrical vision of Percy MacKaye, the architectural projects of Friedrich Kiesler or Norman Bel Geddes, or the Federal Theatre Project. This thesis will hopefully help to understand these outdoor performances, what they indicate in terms of history and aesthetics and how their relatively cursory consideration can paradoxically be meaningful in several respects
Sirota-Chelzen, Hélène. "La place de la concertation dans la mise en oeuvre de projets urbains durables à travers l'exemple de l'agglomération parisienne : territoires, acteurs, représentations". Thesis, Paris 1, 2018. http://www.theses.fr/2018PA01H041/document.
Pełny tekst źródłaSince Rio 1992, consultation has become an essential political and social practice. It responds to a request from citizens to participate in public debate, decision-making, local management and the city's factory. Consultation, which has become regulatory and brings together a plurality of actors, is the place and time when issues of governance, territorial management and urban sustainability are at stake. The thesis seeks to answer the following questions: to what extent are governance processes, put into practice through consultation and resulting from environmental public policies, effective in territorial planning strategies ? How to measure the effects of these processes? What roles do these processes play in the development of land-use patterns? The scientific approach used was based on observation of consultation meetings. The surveys were carried out in the territories of the Greater Paris Metropolis, which is changing as a result of the metropolization of the territory and the application of the principles of urban sustainability.The survey made it possible to compare the representations of the in habitants and those of the project leaders with regard to the evaluation of participation, the objects that make up the territory and the spatial representations. This confrontation of representations highlights the dissonances and meeting points between these categories of actors. Another part of the thesis attempted to understand the inhabitants' motivation for participation, their expectations and spatial practices. As a result of these surveys, it appears that the "city factory" can no longer be built without the inhabitants - users who want to be informed about urban projects and heard by project leaders. However, when consultation is taken seriously by all stakeholders, it tends to best meet the principles of urban sustainability
Cho, Sung Yeun. "Les expositions aux galeries nationales du Grand Palais : enjeux, pratique et développements 1966-2005". Thesis, Paris 1, 2016. http://www.theses.fr/2016PA01H026.
Pełny tekst źródłaThis thesis presents an investigation on the history of temporary art exhibitions at the Galeries nationales du Grand Palais (GNGP) between 1966 and 2005. The analysis of the historical, political and socialistic background and the international artistic policy of France show that the government has played a central role in the development of art exhibitions at the GNGP : the government has encouraged and institutionalized art exhibitions as one of its cultural policy. These exhibitions were mostly planned by three public institutions; Réunion des Musées Nationaux (RMN), Association française d’Action artistique, and the institution for contemporary arts. Each exhibition named as a major representation has been taken place for the commemoration and the presentation of friendly diplomatic relations with foreign countries. Some exhibitions announced academic achievements in art history and outcomes of museum and cultural heritage policies. The enhancement policy of the cultural exchange with foreign museums has led to the internationalization of artexhibitions, and the development of the RMN specialized for the planning of international art exhibitions. This policyalso contributes to the art history research development through the academic collaboration with foreign museums. These grand exhibitions that took place at the GNGP have contributed to make the GNGP as a major cultural institution in the centre of capital city, comparable to other main museums of Paris. This works also discusses the introduction of management for running exhibitions at the GNGP. First, this management included the systematic care and presentationof collections, then the funding of exhibitions and even more the reception of visitors. Moreover, during these years, there has arisen a professionalization of jobs related to art exhibition planning and operation. This thesis presents the development of grand art exhibitions organised in the frame of the public administrations, public audiences for fine arts exhibition, and also allows the understanding of the development of the temporary museum exhibitions held in thesecond half of the twentieth century
Jégou, Anne. "Territoires, acteurs, enjeux des dynamiques de durabilité urbaine : le cas de la métropole parisienne". Phd thesis, Université Panthéon-Sorbonne - Paris I, 2011. http://tel.archives-ouvertes.fr/tel-00681586.
Pełny tekst źródłaChen, Jie. "Le théâtre et le pouvoir au XVIIe siècle : le patronage en question". Thesis, Paris 4, 2015. http://www.theses.fr/2015PA040076/document.
Pełny tekst źródłaWe studied in this work the concrete ways in which are expressed the relations between the power and the theater in the seventeenth century, when this art was already associated with the principle of mass distribution which allows it to flourish regardless of patronage. As the theater is both a practice and a literature, our investigation was conducted in two stages. We are primarily interested in professional actors, most of whom have formed theatre troops bearing the name of a powerful man. This reality seems a priori obvious is nevertheless revealing. The history of the Royal troupe of Hôtel de Bourgogne is a prime example. Other smaller companies maintain also close relations with their protectors. This is for example the case of the theater troop of Great Condé that we studied. But most of the time, these touring companies are not close to their patrons. Rather, they are in contact with other bodies of power, especially the municipal power. Thus the first part of our work ends with two case studies on Dijon and Brussels, two favorite destinations of theater troops. After studying the actors, our investigation continues by focusing on playwrights. The question of relations between playwrights and patrons is part of a vast subject that is the literary patronage in general. We tried to illustrate it through the example of the patronage of Richelieu, preceded by a preliminary inquiry into the question of dedication who served our whole second part
Demeilliez, Marie. "« Un plaisir sage et réglé ». Musiques et danses sur la scène des collèges parisiens (1640-1762)". Thesis, Paris 4, 2010. http://www.theses.fr/2010PA040163.
Pełny tekst źródłaDuring the 17th and 18th centuries, there were regular performances given by Parisian Colleges, the ten belonging to Paris University, and the one held by the Jesuits (College de Clermont, later College Louis-le-Grand), with variable pomp and success, in which music and dance took a significant role. This thesis studies musical practices and dances as part of these performances. A complete catalog of the performances and the preserved sources along with a reconstruction of musical fragments gives an image of the artistic life in these pedagogical institutions in particular and in the Parisian theatrical context of the period. The specific conditions for these performances, the numerous publications (programmes, commentaries, manuscripts, posters, etc.), the actors and their professional environment have been studied. The ballet, with its continuity and prestige, is the subject of the 2nd part of this work. Since the mid-17th century, it holds an important and polemic position within the theatrical performance. The particularities of the college ballet and its century-long evolution are analyzed. The Parisian College Scene appears as a place of multiple assimilations, with actors, chorographic and musical practices from various origins and styles
Zhiltsova, Maria. "Le transfert des ballets de Paris à Saint-Pétersbourg au milieu du XIXe siècle, entre copie et création : le cas de Jules Perrot (1810-1892), chorégraphe français dans l'Empire russe". Thesis, Paris 1, 2020. http://www.theses.fr/2020PA01H054.
Pełny tekst źródłaThis thesis intends to understand the phenomenon of the circulation of choreographic performances from Paris to St. Petersburg in the middle of the 19th century and is part of the history of international cultural relations. The research focuses on ballets created at the Paris Opera and returned to the Grand Theater of St. Petersburg by Jules Perrot (1810-1892), a French dancer and choreographer who worked in Russia from 1848 to 1861, and aims to explain in what measure the Parisian ballets performed in St. Petersburg correspond to their original versions. The problem of transferring shows is approached from different angles, in its dual export-reception context and a long tradition of Franco-Russian cultural exchanges. First, we shed light on the mechanism of ballet exchanges between France and Russia, which includes human movements, dance imports and the transportation of objects. Then the shows are studied in the process of their realization from the choreographic, musical and scenographic points of view. Finally, we examine the ballet reception in both countries. The ballets performed in St. Petersburg under artistic, intellectual and technical conditions similar to those of their creation in Paris are close to their original versions but revisited for the better by Perrot: as a ballet master with a strong artistic personality, a great talent and a lot of experience, Perrot influences and coordinates different parts of the shows. The tradition of transferring ballets from France to Russia in the mid-nineteenth century makes it possible to preserve the works but also to enrich them thanks to the contribution of better Russian and European artists, particularly French, constantly present in Russia in the context of cultural exchanges developed between the two countries
Grégoire, Laurence. "La franc-maçonnerie parisienne sous le Second Empire (1852-1870)". Paris 4, 2008. http://www.theses.fr/2008PA040013.
Pełny tekst źródłaThe free masonry is according to the Larousse Encyclopaedia "an association partly secret of people that profess brotherhood views, identify themselves by signs and emblems and are divided in groups called freemason's lodges". We might question about the free masonry's development in Paris between 1852 and 1870. The choice of this period is related to the will to emphasise the importance of the Second Empire, often forgotten, because encircled between the First Empire, presented as glorious, and the birth of the Third Republic. To wonder about the situation of the free masonry within the French capital also brings up many questions. Is there a Parisian remarkablneness in the free mason's lodge studied ? Could the proximity of the imperial power have some incidence ? Can we remark social characteristics worthy of note ? To conduct this work, the researcher profits of his own investigations as well as important work on which he can learn on. One must point out Vincent Wright and Sudhir Hazareesingh's study on the Grand Orient's lodge, just before the Third Republic. This approach raises the picture of the provincial lodge's situation during a part of the Empire and allows many comparisons. It also puts a useful outlook regarding the Parisian situation. This situation was tackled under several points of view in general History books as well as punctual articles. My thesis on the Parisian free masonry under the Second Empire studies three distinct characteristics, by searching and distinguishing the different tendencies fluctuating between continuity and changes