Gotowa bibliografia na temat „Paradise, fiction”
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Artykuły w czasopismach na temat "Paradise, fiction"
Miano i Chilcoat. "The Open Door of Paradise • Fiction". Transition, nr 110 (2013): 91. http://dx.doi.org/10.2979/transition.110.91.
Pełny tekst źródłaOlenich, Olga Pavlinova. "Momentary Paradise". After Dinner Conversation 4, nr 2 (2023): 50–56. http://dx.doi.org/10.5840/adc20234216.
Pełny tekst źródłaAgar, James N. "Self-mourning in Paradise: Writing (about) AIDS through Death-bed Delirium". Paragraph 30, nr 1 (marzec 2007): 67–84. http://dx.doi.org/10.3366/prg.2007.0009.
Pełny tekst źródłaRickard, Matt. "The Probability of Paradise Lost". ELH 91, nr 2 (czerwiec 2024): 345–75. http://dx.doi.org/10.1353/elh.2024.a929152.
Pełny tekst źródłaCouncil, Norman. "“ANSWERING HIS GREAT IDEA”: THE FICTION OF “PARADISE LOST”". Milton Studies 32 (1.01.1995): 45–62. http://dx.doi.org/10.2307/26395598.
Pełny tekst źródłaRutgers, Mark R. "The Borg Administration: Science Fiction". Public Voices 6, nr 1 (27.01.2017): 35. http://dx.doi.org/10.22140/pv.333.
Pełny tekst źródłaMorace, Robert A. "From Parallels to Paradise: The Lyrical Structure of Cheever's Fiction". Twentieth Century Literature 35, nr 4 (1989): 502. http://dx.doi.org/10.2307/441899.
Pełny tekst źródłaSantos, Tomas N., i Gilbert H. Muller. "New Strangers in Paradise: The Immigrant Experience and Contemporary American Fiction". Rocky Mountain Review of Language and Literature 55, nr 2 (2001): 118. http://dx.doi.org/10.2307/1348274.
Pełny tekst źródłaDong, Lorraine. "New Strangers in Paradise: The Immigrant Experience and Contemporary American Fiction". Journal of American Ethnic History 21, nr 2 (1.01.2002): 99–101. http://dx.doi.org/10.2307/27502819.
Pełny tekst źródłaFrank, Susi K. "Arctic Science and Fiction". Journal of Northern Studies 4, nr 1 (1.07.2010): 67–86. http://dx.doi.org/10.36368/jns.v4i1.630.
Pełny tekst źródłaRozprawy doktorskie na temat "Paradise, fiction"
Lou, Sabrina. "Paradise girls : contemporary realistic young adult fiction /". Access resource online, 2009. http://scholar.simmons.edu/handle/10090/12593.
Pełny tekst źródłaRheams, Genevieve A. "We Will Plant Birds of Paradise". ScholarWorks@UNO, 2019. https://scholarworks.uno.edu/td/2703.
Pełny tekst źródłaPalmer, Kelly. "Belonging at the end of the world: (Re)imagining paradise through narratives of low-income locals on the Gold Coast". Thesis, Queensland University of Technology, 2020. https://eprints.qut.edu.au/198040/3/Kelly_Palmer_Thesis.pdf.
Pełny tekst źródłaOstrowidzki, Eric A. "The bunkerfication of paradise : heterotopias, closed spaces, and the pathological geographies of exclusion in J. G. Ballard's fiction". Thesis, McGill University, 2001. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=38543.
Pełny tekst źródłaThe first part of this dissertation examines Ballard's "Concentration City," "Report on an Unidentified Space Station," "The Enormous Space," "The Overloaded Man," and the novel High-Rise. This section concludes generally that the imaginative geographies inscribed within those texts are closed, insular, homogeneous, pathological and exclusionary social spaces that are antithetical to a Postmodern Utopia whose socio-cultural inclusiveness would be predicated upon a "politics of difference."
The second half of the dissertation examines Ballard's later works, such as Rushing to Paradise (1994), Cocaine Nights (1996), and Super-Cannes (2001). By discursively analyzing the similar yet more ideologically transparent imaginative geographies in these recent works, the dissertation concludes that it is not exclusively the material and ideological conquest of social space by global capital that poses the greatest threat to Ballard's "utopian" socio-spatial imaginary. Rather, it is also the postcolonial threat of the dislocations and mass immigrations of the Indigenous Other precipitated by globalization. It is the emergence of the de-territorialized Other that impels Ballard's imaginative geographies to recoil inwardly into "Privatopias," "white enclaves" and "imperial ghettos" demarcated by neocolonial pathological geographies of exclusion.
Arès, Mathieu. "A paradigm of Earth : traduction performative et science-fiction queer". Mémoire, Université de Sherbrooke, 2017. http://hdl.handle.net/11143/11595.
Pełny tekst źródłaAbstract : Utopia is often used in feminist and queer literature, because it is a genre which questions some categories such as sex and gender representations. Science fiction concerns utopia since it provides cognitive estrangement, a concept that deconstructs gender binarism in feminist and queer utopias. Cognitive estrangement introduces a novum, a destabilizing element based on the author’s created reality, and shared by the reader (Suvin, 2010 : 68). The novum is a narratological device that so dominates its fiction that every science fiction narrative aspect derives from it (Csicsery-Ronay, Jr, 2008 : 49); this novum influences the translation process because the translator must reinsert it in a new context. Since the only studies which can be found today on translation in queer science fiction are generally dedicated to the reception of translation strategies (Bérard, 2015), this work situates translation within a performative approach. Translation is performative; it provides a viability to the text in another language-culture, another context. In studying an excerpt of Canadian Candas Jane Dorsey’s queer science fiction novel A Paradigm of Earth (2001), as well as my translation of it, my objective with this thesis is to consider how some translation paradigm shifts can be made according to feminist (Lotbinière-Harwood, 1991; Simon, 1996; Von Flotow, 1997 et 1999) and queer translation precepts (Louar, 2008; Larkosh, 2011; Casagranda, 2013). This work takes into consideration gender designations, which in Dorsey’s novel ensue from the character Blue, the ungendered alien; Blue represents the novum in A Paradigm of Earth, which allows the translator to take a performative approach in order to deconstruct gender binarism in French.
Saward, Melanie A. "Down in the river: Marcia's identity status paradigm in the cult novel". Thesis, Queensland University of Technology, 2020. https://eprints.qut.edu.au/136517/1/Melanie_Saward_Thesis.pdf.
Pełny tekst źródłaClark, Hilary Anne. "The idea of a fictional encyclopaedia : Finnegans wake, Paradis, the Cantos". Thesis, University of British Columbia, 1985. http://hdl.handle.net/2429/25575.
Pełny tekst źródłaArts, Faculty of
English, Department of
Graduate
King, Liesl Eleyn. "Transforming the Post-patriarchal Paradigm : Alternative Spiritual Vision in Feminist Science Fiction and Fantasy". Thesis, Queen Mary, University of London, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.515255.
Pełny tekst źródłaDyjas, Antonina [Verfasser]. "Paradisien an der Weichsel. Polnische Science Fiction 1945-1989 im Kontext der literarischen Utopie / Antonina Dyjas". Bonn : Universitäts- und Landesbibliothek Bonn, 2013. http://d-nb.info/1042960429/34.
Pełny tekst źródłaAmorena, Maria Florencia. "Science, art, fiction : l'image chez Juan José Saer". Electronic Thesis or Diss., Paris 8, 2015. http://www.theses.fr/2015PA080143.
Pełny tekst źródłaThe objective of this thesis is to analyze verbal images in the work of the Argentinian writer Juan José Saer. By analyzing his novels, shorts stories and the unpublished film script Las nubes de Magallanes, we wish to understand the implications of the verbal images in the construction of a specific aesthetics and epistemology.Throughout the analysis of verbal and mental images in the work of Saer, this study has two fundamental aims: first, to show that description and narration are intimately linked; second, that this link enables us to think arts and sciences in the work of Saer in a non-dualistic way. The narrative structure by which we analyze the images seeks the complementarity of the opposites. This allows us to think the connection that man has with the world as well as the link between art and sciences as elements of a holistic system, instead of dualistic. The key to this new form of narration will be an aesthetic of empathy
Książki na temat "Paradise, fiction"
Shaw, Tina. Paradise. Auckland, N.Z: Penguin Books, 2002.
Znajdź pełny tekst źródłaBarthelme, Donald. Paradise. New York: Putnam, 1986.
Znajdź pełny tekst źródłaBarthelme, Donald. Paradise. New York, N.Y., U.S.A: Penguin Books, 1987.
Znajdź pełny tekst źródłaGurnah, Abdulrazak. Paradise. New York: New Press, 1994.
Znajdź pełny tekst źródłaCastedo, Elena, i Elena Castedo. Paradise. New York: Warner Books, 1990.
Znajdź pełny tekst źródłaNadin, Joanna. Paradise. Somerville, Mass: Candlewick, 2012.
Znajdź pełny tekst źródłaParadise. London: Walker, 2011.
Znajdź pełny tekst źródłaCopyright Paperback Collection (Library of Congress), red. Paradise. New York, N.Y: HarperPaperbacks, 1994.
Znajdź pełny tekst źródłaBarthelme, Donald. Paradise. Normal, IL: Dalkey Archive Press, 2005.
Znajdź pełny tekst źródłaSavage, Marc. Paradise. New York: Doubleday, 1993.
Znajdź pełny tekst źródłaCzęści książek na temat "Paradise, fiction"
Miller, David. "Hudson’s Fiction". W W. H. Hudson and the Elusive Paradise, 87–94. London: Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-20550-9_10.
Pełny tekst źródłaStrehle, Susan. "Homeless in the American Empire: Toni Morrison’s Paradise". W Transnational Women's Fiction, 28–52. London: Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/9780230583863_2.
Pełny tekst źródłaMiller, David. "Approaches to the Fiction — I". W W. H. Hudson and the Elusive Paradise, 95–101. London: Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-20550-9_11.
Pełny tekst źródłaMiller, David. "Approaches to the Fiction — II". W W. H. Hudson and the Elusive Paradise, 102–5. London: Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-20550-9_12.
Pełny tekst źródłaGauthier, Marni. "The Other Side of Paradise: Toni Morrison’s (Un)Making of Mythic History". W Amnesia and Redress in Contemporary American Fiction, 69–93. New York: Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230337824_4.
Pełny tekst źródłaPalmer, Kelly. "Challenging the Beach as Paradise in Fiction and Memoir: The Gold Coast’s Bathing Beauties". W Writing the Australian Beach, 143–63. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-35264-6_9.
Pełny tekst źródłaDodds, Lara. "Virtual or Immediate Touch: Queer Adaptations of Paradise Lost in Science Fiction and Fantasy". W Queer Milton, 153–77. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-97049-3_7.
Pełny tekst źródłaGuerriero, Gianluca. "Punishment, Purgatory, and Paradise: Hating the Sin, and Sometimes the Sinner, in H.G. Wells’s The Island of Doctor Moreau and The Invisible Man". W Utopias and Dystopias in the Fiction of H. G. Wells and William Morris, 189–207. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-52340-2_12.
Pełny tekst źródłaWilliams, Dana A. "Dancing Minds and Plays in the Dark: Intersections of Fiction and Critical Texts in Gayl Jones’s Corregidora, Toni Cade Bambara’s The Salt Eaters, and Toni Morrison’s Paradise". W New Essays on the African American Novel, 93–106. New York: Palgrave Macmillan US, 2008. http://dx.doi.org/10.1007/978-0-230-61275-4_7.
Pełny tekst źródłaHosmer, Robert E. "Paradigm and Passage: The Fiction of Anita Brookner". W Contemporary British Women Writers, 26–54. London: Palgrave Macmillan UK, 1993. http://dx.doi.org/10.1007/978-1-349-22565-1_2.
Pełny tekst źródłaStreszczenia konferencji na temat "Paradise, fiction"
Delevallée, Aurélie. "«The Flight of Pigeons from the Palace» de Donald Barthelme ou la drôle de parade". W Territoires du récit bref. De l'image dans la fiction à l'imaginaire en science-fiction. Fabula, 2018. http://dx.doi.org/10.58282/colloques.5226.
Pełny tekst źródłaSermain, Jean-Paul. "Les fins intermédiaires : paradoxe, interprétation, mémoire, dialogue". W Les fins intermédiaires dans les fictions narratives des XVIIe et XVIIIe siècles. Fabula, 2019. http://dx.doi.org/10.58282/colloques.6446.
Pełny tekst źródłaTavares, Tatiana. "Carnival Land: An creative consideration of sequential storytelling to discuss cultural dislocation". W LINK 2023. Tuwhera Open Access, 2023. http://dx.doi.org/10.24135/link2022.v4i1.196.
Pełny tekst źródłaKuzmina, Luiza, i Elena Remchukova. "RUSSIAN CLASSICAL LITERATURE TEXT AS A PRECEDENT PHENOMENON OF THE MODERN MEDIA SPACE". W NORDSCI International Conference. SAIMA Consult Ltd, 2020. http://dx.doi.org/10.32008/nordsci2020/b1/v3/18.
Pełny tekst źródłaPapakonstantinou, Nikolaos, Douglas L. Van Bossuyt, Joonas Linnosmaa, Britta Hale i Bryan O’Halloran. "Towards a Zero Trust Hybrid Security and Safety Risk Analysis Method". W ASME 2020 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. American Society of Mechanical Engineers, 2020. http://dx.doi.org/10.1115/detc2020-22380.
Pełny tekst źródłaKramskova, Anna S. "TESTIMONIAL EVIDENTIALITY AT EXPRESSING EMOTIONAL-EVALUATIVE INTENSION IN TIBETAN". W 49th International Philological Conference in Memory of Professor Ludmila Verbitskaya (1936–2019). St. Petersburg State University, 2022. http://dx.doi.org/10.21638/11701/9785288062353.15.
Pełny tekst źródłaTavares, Tatiana. "Paradoxical saints: Polyvocality in an interactive AR digital narrative". W LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.81.
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