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Bonnet, Jean-Claude. "Le culte des grands hommes : essai sur le panthéon littéraire et républicain". Paris 4, 1997. http://www.theses.fr/1997PA040220.
Pełny tekst źródłaThe creation of the Pantheon in 1791 can be interpreted as the natural outcome of the celebration of great men, a literary and social practice which gathered momentum throughout the eighteenth century the formerly lesser genre of the academic eulogy, a truly lay kind of discourse, had by then superseded the funeral oration. A previous watershed was the year 1758, when the Academie proposed the eulogy of great men as the topic of its oratorical contest. This grave rises to a commemorative experience of the civic past which involved all the arts and developed its own visual representations. Eminent men of letters (Diderot, Rousseau, Voltaire) became the focus of public scrutiny, and the fact that they were both read and observed as individuals triggered radical changes in the public image of the writer. By the tue of the Pantheon, attention to great men was deflected from their learned psyche in favor of monumental fetish-like icons, with spectacular effects in the case of Marat. The Pantheon turned out to be a fragile and paradoxical institution, however, for in no way was the revolutionary time-experience attuned to the distant perspectives of the collective memory. And yet the cult of great men did not vanish with the Thermidor reaction, as the rehabilitation of men of letters and the Girondins testifies. Then Mme de Staël and Chateaubriand made this practice their own and even turned it against Napoleon in person
Cousin, Guillaume. "La Revue de Paris (1829 -1834) : un "panthéon où sont admis tous les cultes"". Thesis, Normandie, 2018. http://www.theses.fr/2018NORMR104.
Pełny tekst źródłaThis dissertation proposes the first study of the Revue de Paris since its creation in April 1829 until its sale in May 1834 and aims to define the identity of this literary periodical.The first part of this thesis attempts to replace "The Revue de Paris in its time". First of all, in an approach that belongs to the field of sociology of literature, the author recreates the social fabric constituted by the men who lead the Journal, by those who allow it to exist financially, and finally by those who publish there. This first sociological approach shows the deep diversity of the collaborators: from the beginning, the Revue de Paris is affirmed as a "pantheon where are admitted all the cults". This metaphor, which gives its subtitle to this thesis, is taken from the introductory text that announces the creation of the Album, in November 1829 and gives an indication of the eclecticism that governs the choice of authors whose articles are published. The reading of the Review from a political angle, which constitutes the second chapter of this dissertation, reveals the liberalism of the Review. The Review participates in its own way to the fall of Charles X. The Revue de Paris is located in the center-right. Initially favorable to the new regime, the Review is becoming increasingly critical of Orleanism, and the choice of Pichot to abandon the "Political Review" only confirms the growing distance between the Revue de Paris and the July polity. Finally, this first approach to the identity of the Review analyzes its place in the field of the literary press between 1829 and 1834. At the time of its creation, the Review is considered by its creator as the French version of British Reviews and Magazines. Between 1829 and 1834, and contrary to what affirms the long critical tradition that makes the Revue des deux mondes the main literary review of the early 1830s, the Revue de Paris is the true model of the time. The combined approaches of literary sociology, politics and the history of the press lead the author to give a first definition of the Revue de Paris: it is eclectic, mundane, liberal and is at the top of the "pyramid" of the literary press. During its five years of existence, it was the largest French literary periodical. It is then, after having replaced the Review in its time, to question the very heart of the Review, that is to say the articles it publishes.Making the choice to treat literary creation first, the author analyzes texts from the generic point of view. The literary creation of the Revue deals with the great themes of the literature of 1830, and in this sense the Review is the mirror of its time. Nevertheless, if there is not, strictly speaking, a "Revue de Paris literature", the Review must be considered as a crucible of literary genres. Concerning the short story, it find in the Review of the achievements whose variety rests essentially on the hybridity. Beyond its simple entertaining function, the short story is a success mainly based on its plasticity, which allows it to be both exotic and historical, exotic and fanciful, historical and frantic ... Because it offers authors a great creative freedom, the Revue defines itself as a pantheon where the imagination is concretized in plural narrative forms. On the contrary, dramatic production is dominated by the genre of the proverb. As for poetry, it appears as the weakest literary part. This set is dominated by major and minor authors of Romanticism, so much so that one can consider the Revue de Paris as a romantic review. Nevertheless, the critical part makes it necessary to qualify this analysis: the literary criticism of the Revue de Paris reveals a sometimes violent critique of romanticism. The moral condemnation of literature is becoming increasingly insistent over the months, THE ultimate romantic review proves to be the "pantheon where are admitted all the cults", whether romantic or anti-romantic. In fact, the Review is the mirror of its time
Soulié, Charles. "La fabrique des philosophes, ou des usages sociaux de l'UFR de philosophie de Paris I". Paris, EHESS, 1994. http://www.theses.fr/1994EHES0339.
Pełny tekst źródłaThe subject of this work concerns socially differenciated uses made by paris 1 u. F. R. Philosophy students of their study. After describing these students and their professional destinations, i studied their relationship to culture, their pedagogical choices and their research practices in the master degree. The last element allowed me to treat in a concrete way the question of social determination in philosophy research. This is shown to be highly related to teaching programmes and specifically to the agregation exam. But variables such as scholarly capital (khagne, e. N. S etc. ), social origin, and gender, also play a determining role. I have thus been able to expose the relationship between the research subject treated and the student profil. The study was enlarged to encompass master students in the parisian area, and then doctoral students. This confirmed, taking account of the level of study, the afore-mentionned relationship. The conclusion emphasises the weight of secondary teaching, via the philosophy agregation and the system of preparatory classes, on french university philosophy teaching and its research activities
Sawkins, Annemarie. "The architecture of the Parisian parish churches between 1489 and 1590 /". Thesis, McGill University, 1993. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=68135.
Pełny tekst źródłaBontemps, Sébastien. "Le décor sculpté religieux à Paris (1660-1760)". Thesis, Aix-Marseille, 2012. http://www.theses.fr/2012AIXM3110.
Pełny tekst źródłaThis work on the religious sculptured decoration in Paris had for ambition to built the image of a partially disappeared heritage : the space interns of the Parisian church between 1660 and 1760 through the liturgical furniture, the relief decoration or in round-bump, in the nave, the transept and the choir of the churches of the capital of the kingdom. Our study so analyzes the religious sculpture in its immediate space, between monumental art and decorative art, the end of the big royal religious orders of the XVIIth century, such the Dome des Invalides, in the advent of the neoclassicism in the choir of Saint-Germain-l'Auxerrois in 1760, before the resumption of the big royal construction works, inaugurated by the works in the basilica saint-Geneviève. Even if a part of these decorations was destroyed in the Revolution, it is possible to determinate exactly their contents : the destroyed elements are analyzed from numerous iconographic and written sources which allow to restore the eye of the contemporary in a church. Thanks to the discovery of contracts of archives, it was possible to determine the conditions and the material and religious factors of the order. The study of the critical texts, stemming from the contemporary artistic and religious theory, raises the problem of the luxury of the religious decoration, as well as the problem of the organization of the internal space of the church, and on which is widely dependent the stylistic and formal evolution of the decoration. This work combine art history, history of the picture, economic history and religious history to contributes to the knowledge of an underestimated French artistic heritage
Genin, Bonin Sophie. "Paroles d'habitants, discours sur les paysages : des modèles aux territoires : l'évaluation des paysages du fleuve Loire du Gerbier-de-Jonc à Nantes : thèse pour obtenir le grade de docteur en géographie de l'Université Panthéon-Sorbonne (Paris I)". Paris 1, 2002. http://www.theses.fr/2002PA010503.
Pełny tekst źródłaGuzzo, Eleonora. "Le tombeau de Jean-Jacques Rousseau au Panthéon : du mythe de la cabane rustique de Vitruve à sa fortune dans l'iconographie des traités d'architecture entre XVe et XVIIIe siècle". Paris, EPHE, 2014. http://www.theses.fr/2014EPHE4027.
Pełny tekst źródłaThe thesis concerns the study of Jean-Jacques Rousseau's tombeau in the crypt of Pantheon in Paris, a subject still unexploited. The formal characteristics of the wooden monument, a small scale rustic temple, are observed and framed within the context of the iconographic tradition of the origins of architecture with te Vitruvian Hut as its archetype. The role played by architects Auguste Cheval de Saint-Hubert and Jean-Thomas Thibault in the conception of the tomb has been analysed, based on original documents uncovered in french archives and supported by a punctual analysis of many types of resources. The possible participation of Antoine-Chrysostome Quatremère de Quincy for the development of the concept of the monument is also included as part of the debate about the organisation, in octobre 1794, of the ceremony in honour of Rousseau. Morever, an architectural survey has been executed in the context of this work, in order to study the proportions of the monuments that strongly resembles a wooden rustic temple. This survey reveals several interesting connections with the Classical Order System (specifically the Tuscan Order) theorised upon within the literature. The tree-shaped wooden columns of the tombeau recall directly Vitruvius' description of the first human-built structure, so similar to the one Laugier tries to illustrate in the frontispiece of his treatise and very near to the primitive house after the first revolution theorised by Rousseau himself
Ozenne, Elodie. "Les sépultures dans les établissements religieux à Paris du XIIIe au XVe siècle d’après l’Epitaphier du vieux Paris". Thesis, Paris 10, 2015. http://www.theses.fr/2015PA100082.
Pełny tekst źródłaThis study aims at showing the evolution of sepulchres and at analysing different burial places and populations burried in Paris between the 13th and 15th century through the funerary inscriptions listed in the collection : the Épitaphier du vieux Paris. Religious establishments of the capital city can be identified through their funerary policies and through the treatment of their secular sepulchres. Non-existent until the 13th century, ad ecclesiam burials become more widespread and remain at the centre of places of worships. As a result of the significant evolution of funerary practices, new social groups of influence have access to presitigious sepulchres.Royal and governmental officers who now rest by the royal family and ecclesiasts sides originated the expansion of funerary chapels for families in churches of the capital city. Despite its increasing influence on the economic and political life of the capital city, the « bourgeoisie » still faces hardships in forcing itself on the funerary area and remains in the shadow of the so-called royal officers. The burial location is of a major importance for most wealthy Parisians who show their generosity towards religious communities so then their graves can be placed as close as possible from the altar and get masses and prayers that can guarantee their salvation. Indeed, as proven through the accurate analysis of tombs and epitaphs of Paris, salvation for the dead is at the core of funerary representations. Graves must appeal the living to pray but also share the memory of life on earth and reveal the social place of the deceased
Lambert, Richard. "Representations of space in exempla and chronicles : constructions of royal and ecclesiastical power in northern France, c. 1180-1260". Thesis, University of Bristol, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.343350.
Pełny tekst źródłaVerhaeghe, Sidonie. "De la Commune de Paris au Panthéon (1871-2013) : célébrité, postérité et mémoires de Louise Michel Sociologie historique de la circulation d’une figure politique". Thesis, Lille 2, 2016. http://www.theses.fr/2016LIL20010/document.
Pełny tekst źródłaAt the crossroads of political historical sociology, social history of ideas, and political sociology of collective memories, this research starts from an interrogation on the republican integration dynamics of political radicalism. Itfocuses on explaining the conditions in which Louise Michel, a 19th century woman and anarchist, has become an eligible icon for pantheonisation in 2013. The longitudinal analysis of Louise Michel's career broadly questions the processes of canonization, circulation and transmission which characterize the schemes of political celebration. Initiated by the monographic study of Louise Michel's numerous apparitions, from the last third of the 19th century to the early21st century (press, speeches, memorial events, biographies or textbooks), this essay highlights how a politically marginalized character turns into a leftist icon. It's only by apprehending the political posture and social background ofher interpreters that one can acknowledge the different areas and forms of commemoration. The process of institutional recognition of Louise Michel's legacy is made possible on the one hand by the pacification process of the officialremembrance of the Paris Commune, and on the other hand by the incorporation of Women History in state feminism. It explained the enlargement of both collective and individual identification to Louise Michel's figure. It also authorizedthe hypothesis of Louise Michel's entry to the republican Pantheon. However, this thesis demonstrates as well that some resistance mechanisms remains. The edification of Louise Michel's emblematic figure isn't a linear process but issubject to multiples appropriations that coexist nowadays. Historical figure in collective memories poses a divisive mechanism, characterized by shifting conjunctures that confront forces at the crossroads of different political, activist, academic and intellectual spaces
Salerno, Eva. "Les Chinois catholiques de Paris et de Milan : étude ethnographique comparative de deux communautés de fidèles". Thesis, Paris, EPHE, 2016. http://www.theses.fr/2016EPHE5082.
Pełny tekst źródłaChinese Catholic communities living in Paris and Milan developed throughout 20th century following Asian migration flows. Being aware of the challenge of welcoming these new believers, French and Italian church authorities implemented specific structures for Catholic migrants. Through a comparative ethnographic study, this thesis offers to analyze how ecclesiastical institutions in Italy and France follow the structuring of Chinese faithful groups. During this research, we focused on churchgoers’ life stories and motivations behind their Catholic faith. More specifically, we analyzed how all these elements influenced their daily practice of Catholicism. We also studied the role that these Catholic communities play in terms of keeping connections between Chinese migrants and their culture
Losserand, Léonore. "Les chantiers d’églises paroissiales à Paris aux XVIIe et XVIIIe siècles". Thesis, Paris 4, 2017. http://www.theses.fr/2017PA040222.
Pełny tekst źródłaParis under the first Bourbons is a flourishing time for religious building, amongt which parish churches form a category of their own. As worships related to a urban territory, parish churches are funded and built by many-faceted clients, with sometimes conflicting interests : marguilliers, priests, parishioners. Held by financial constraints specific to their case, projects for these churches needed to adjust to the accounts of factories and to the day-to-day activity of parishioners, for decades. Projects of buildfing or total rebuilding are the subject of this study : Saint-Jacques-du-Haut-Pas (1630 – c.1690), Saint-Sulpice (1646 –c.1791), Saint-Roch (1633 and 1653 – 1740), Saint-Nicolas-du-Chardonnet (1656 – c.1720), Saint-Louis-en-l’Île (1656 – vers 1735), and Sainte-Marguerite (from 1624). Establishing the project, whether it is global or partial, sometimes precede the start of the construction by far, and the church’s consecration does not always mean that the shell has been finished. From the project until the final adjunctions (façade, chapel, etc.) through the digging of foundations or discontinuations of work, the process of parish building reveals a permanent aspect, on perpetual renewal. However, these churches are built with techniques and materials of common use at the time in the Parisian basin, by a great number of craftmen, although not well documented.Through the restitution of the different stemps of the project, a face is given to history of modern construction
Leblanc, Jean-Marc. "Saint-Martin de Paris : pérennité architecturale, musicale et picturale d’une église provisoire fondée en 1855". Thesis, Université de Lorraine, 2016. http://www.theses.fr/2016LORR0216.
Pełny tekst źródłaThe parish church of Saint-Martin-des-Champs in the current 10th district of Paris, was founded at the beginning of the Second Empire, in 1854, to meet the expectations of the population of a suburb of Paris in full transformation, the neighborhood of Château-d'Eau. Erected at 36 rue des Marais, thanks to the zeal and generosity of Father Bruyère, the first parish priest, it was opened for worship on January 31, 1856.In this dissertation is investigated a unique case in Paris. It is demonstrated how, over a century and a half, the history of Saint-Martin was that of a temporary facility (sooner or later, the church was meant to be demolished and eventually replaced) which, by virtue of exceptional institutional sustainability, has remained in service until today. The building, a place of worship and of gathering of the faithful, is the focus of this monograph. It can be witnessed on its walls the inextricable traces of this transition from provisional to permanent premise. In the urban and religious topography of the capital, these traces bear witness of its history and origins inseparable from the other succursales constructed at the same time in response to the needs of evangelization, and the desire of the archbishop of Paris, Monseigneur Sibour.The intrinsic interest of the history of Saint-Martin justified a specific monographic approach. The peculiar status of the church ended with the law of the separation of Church and State introduced in the early twentieth century. Thus, it was necessary to bring to light its factors as well as its institutional and artistic stakes inseparable from the historical context. At the intersection of urban geography, religious, political and social history of art (architecture, painting), music and organology, this study aims for a comparative approach to understand what happened, what was decided and implemented at particular moments in Saint-Martin. In doing so, it was necessary to extend the research to other special cases already investigated or not. The similarities and differences that had emerged allow to refine the historical outline of the church of Saint-Martin
Philip, Marion. "La sexualité légitime comme privilège. Masculinités parisiennes à l’époque moderne (1600-1750)". Electronic Thesis or Diss., Sorbonne université, 2022. http://www.theses.fr/2022SORUL065.
Pełny tekst źródłaThe Catholic Reformation in the 17th century is well known for its promotion of the sacrament of marriage. The State also conducted a policy of regulating sexuality and marriage, thereby protecting and asserting paternal authority over the matrimonial destiny of its dependents. This austerity sharply contrasts with the “sexual liberation” of the 18th century, which mainly benefited men. Sexuality would then gradually escape the moral constraints and legitimacy of marriage. These developments shaped men's relationship with sexuality between 1600-1750. This study establishes a clearer chronology for this shift. It mainly relies on Parisian’s Church Court’s archives, which documented the sexuality of Parisians from various social backgrounds: from clerics and lay people, to single and married men. These archives are looked at in correlation to a set of medical, moral and legal texts, pornographic writings, songs, proverbs and iconography. Three lines of inquiry are considered. Firstly, whilst marriage was an attractive ideal in the 17th century, because it gave people access to a legitimate sexuality which did not affect the chances of salvation, we argue that the patriarchal figures (such as father, master and captain) gradually increased their control of it. Secondly, by scrutinising the fragility of conjugal masculinities, we demonstrate how domestic power is indexed to the exercise of exemplary sexual conduct. Finally, the study delves deep into lay and ecclesiastical single men’s relation to illegitimate sexuality, and what it reveals about their relationship to women, but also to other men
Soulay, Véronique. "Étude d’un paysage urbain : l’impact du fait monumental religieux sur la structuration de la rive droite de la Seine à Paris au Moyen Âge". Thesis, Paris 4, 2014. http://www.theses.fr/2014PA040219.
Pełny tekst źródłaThe history of the religious monuments of Paris right bank in the Middle Ages is closely linked to that of thecity’s development. This study is looking at every monumental expression as structuring elements of the ‘City’,from the simple chapel to the monastic enclosure, over ten centuries of history. When medieval Paris reachedits pinnacle during the fourteenth century, the evolution of religious construction depended on a complexurban space in which royal, ecclesiastical and lay powers confronted each other. The creation and developmentof the religious monumental phenomenon were the result of diverse architectural influences and manifoldsituations, in a progressively denser built context. The compiling of this architectural data responds to newproblems regarding the study of the urban landscape, specifically the iconology of monuments, by establishinga new methodology at the crossroad of architectural, topographical, cartographical and iconological analysis
Lavoie, Alex. "Les chartes de donations en Île-de-France au XIIe siècle : les exemples de l'abbaye Saint-Pierre-de-Montmartre et du prieuré Saint-Martin-des-Champs". Thèse, 2018. http://hdl.handle.net/1866/22030.
Pełny tekst źródłaVlková, Tereza. "České země a avignonské papežství v letech 1378-1419, diplomatické aspekty". Master's thesis, 2012. http://www.nusl.cz/ntk/nusl-309293.
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