Gotowa bibliografia na temat „Pakistani Motion pictures”

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Artykuły w czasopismach na temat "Pakistani Motion pictures"

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Tehseem, Tazanfal, Wajiha Amjad i Muhammad Abbas. "Persuading Through the Print Media: A Discourse Historical Analysis of No- confidence Resolution Against IK in Pakistan". Global Digital & Print Media Review V, nr I (30.03.2022): 131–43. http://dx.doi.org/10.31703/gdpmr.2022(v-i).13.

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This research aims at addressing the newspaper headlines during the time of the no-confidence motion to oust the then Prime Minister of Pakistan, Mr Imran Khan and in doing so it highlights the various linguistic choices which help the journalists to persuade the masses. It is found that the newspapers employ various techniques and ways to portraya political conflict and bring it to the public's eye. Drawing on Wodak's Discourse Historical Approach (DHA, 2016) for Critical Discourse Analysis(Fairclough, 1995) the study highlights the ideological perspective presented by the different newspapers through their respective linguistic choices for the same move. It reveals how the various uses of language portray the events differently. The overall findings show that newspapers steer the viewpoint of the general public, and how the news coverage cast an impact on the audience and shapes their opinion. Moreover, the newspapers sensationalize the situation to create the desired impact. By the use of metaphors, phrases and idioms the papers intensify the scenario and paint a dramatic color to the picture.
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Aslam, Erum Hafeez. "Motion pictures as an agent of socialization: A comparative content analysis of demography of population on Indian silver screen and reported crime news in Pakistan (1976 to 2006)". Business Review 7, nr 2 (1.07.2012): 23–50. http://dx.doi.org/10.54784/1990-6587.1202.

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Liaqat, Rabia, Ayesha Isani Majeed, Muhammad Nauman Malik, Aqeel Shafi, Syeda Zakia Shah i Bushra Liaqat. "Confronting our mistakes: A comprehensive evaluation of radiographic errors in digital chest radiography among adult population in a public sector hospital". Annals of PIMS-Shaheed Zulfiqar Ali Bhutto Medical University 17, nr 2 (11.05.2021): 129–33. http://dx.doi.org/10.48036/apims.v17i2.440.

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Objective: To find out the various types of radiographic errors in digital chest radiography and their effect on image quality leading to image rejection. Material and Methods: This cross-sectional study was carried out in Radiology department of Pakistan Institute of Medical Sciences for a period of One month, September 2019. The study included 1560 digital Chest X-Rays, reaching the Picture Archive and Communication System (PACS), fulfilling the inclusion criteria. All these X-rays were analyzed by two radiology residents for the presence of radiographic errors in them. The various radiographic errors were then classified as: Positioning error, poor collimation, Artifacts, improper exposure, motion blur and mislabeling. The frequency of each radiographic error was measured along with their implication on image quality resulting in three major image categories: ACCEPT, JUST ACCEPTABLE and REJECT. The SPSS was adopted for inferential statistical analysis. Results: The study included 1013 (64.9%) male patients and 547 (35.1%) female patients. The mean age came out to be 36 +/- 15 years. Out of 1560 X-rays, 964 (61.8 %) had radiographic errors in them while 596 (38.2%) were completely devoid of radiographic errors. Positioning error (44.5 percent) was the most frequently encountered error followed by poor collimation (29.8%), artifacts (14.9%), Improper exposure (8%), motion blur (2.2%) and mislabeling (0.5%). The rejection rate came out to be 16.5 %. The major cause of image rejection was anatomy cutoff, especially the cut-off of cardio phrenic (CP) angle. Conclusion: Positioning errors represent the commonest cause of image rejection in chest radiography. The main identified pitfall was lack of radiographer’s education and training in performing an examination and indicates a need to improve their performance. Key words: Digital Radiography, Chest X ray, Radiographic error, Image reject
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Joshi, Jigar J., i Kamlesh Kantilal Budhbhatti. "A CRITICAL STUDY OF SELECT THEMES OF NOVEL AND MOVIE TRAIN TO PAKISTAN". Towards Excellence, 30.06.2022, 985–90. http://dx.doi.org/10.37867/te140281.

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Train to Pakistan (1956) by Kushwant Singh and motion picture ‘Train to Pakistan’ centered on a story of religious mistreatment and the consequences of movement. For the duration of the Partition of India in 1947 in which Hindus and Sikhs were made to exchange to India and Muslims were constrained into Pakistan, independent of family past. A few families were exiled afterward several generations of living in one place or the other. This paper centered on the a few basic aspects of novel such as Life of Mano Majra people before 1947, Ghost Train, Cultural, Life style and Social Changes. This paper is also discussed similarities and diverse of novel and movie.
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Pratley, Gerald. "The Irresistible Rise of Asian Cinema 1". Kinema: A Journal for Film and Audiovisual Media, 10.04.1994. http://dx.doi.org/10.15353/kinema.vi.754.

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PRODUCTION ACTIVITY It was not so many years ago it seems when speaking of motion pictures from Asia meant Japanese films as represented by Akira Kurosawa and films from India made by Satyajit Ray. But suddenly time passes and now we are impressed and immersed in the flow of films from Hong Kong, Taiwan, China, South Korea, the Philippines, with Japan a less significant player, and India and Pakistan more prolific than ever in making entertainment for the mass audience. No one has given it a name or described it as "New Wave," it is simply Asian Cinema -- the most exciting development in filmmaking taking place in the world today. In China everything is falling apart yet it manages to hold together, nothing works yet it keeps on going, nothing is ever finished or properly maintained, and yes, here time does wait for every man. But as far...
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Książki na temat "Pakistani Motion pictures"

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Mirzā, Amjad Ayūb. Pākistānī sīnimā men̲ s̲aqāfat kī jaʻlī numāʼish: Pākistānī sīnmā kī ḥālat-i zār aur irtiqāʼ ke imkānāt = Misrepresentation of culture in Pakistani cinema. Lāhaur: Buk Hom, 2014.

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Gazdar, Mushtāq. Pakistan cinema, 1947-1997. Karachi: Oxford University Press, 1997.

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Gazdar, Mushtāq. Pakistan cinema, 1947-1997. Karachi: Oxford University Press, 1997.

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Shahzād, Navīd. Fihrist Pakistani Panjabi filmī gīt: 1947 tūn̲ 1977 tak. Lāhaur: Āḍiyo Vizhyūel Sel, Shuʻbah-yi Panjābī, Yūnīvarsiṭī Orīyanṭal Kālij, 2005.

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Beyond the last mountain: The original screenplay of Pakistan's first feature film, 1976 ... Karachi: MNJ Communications, 2001.

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Jolie, Angelina. Notes from my travels: Visits with refugees in Africa, Cambodia, Pakistan, and Ecuador. New York: Pocket Books, 2003.

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1959-, Bharat Meenakshi, i Nirmal Kumar, red. Filming the line of control: The Indo-Pak relationship through the cinematic lens. New Delhi: Routledge, 2008.

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Kānpūrī, Zak̲h̲mī, i Zak̲h̲mī Kānpūrī. Dabistān-i film ke nagmahnigār: Pāk va Hind ke 80 gīt nigāron̲ par mushtamil majmūʻah-yi maz̤āmīn. Karācī: Bazm-i Fannūn, 2002.

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Kureishi, Hanif. My son, the fanatic. London: Faber and Faber, 1997.

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Hayat, Sofia. Dishonoured. London: John Blake, 2009.

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