Artykuły w czasopismach na temat „Painting”
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Jovanović, Vanja, Suzana Erić, Philippe Colomban i Aleksandar Kremenović. "Identification of Lithol Red Synthetic Organic Pigment Reveals the Cause of Paint Layer Degradation on the Lazar Vozarević Painting “Untitled” with Copper Plates". Heritage 2, nr 3 (4.09.2019): 2612–24. http://dx.doi.org/10.3390/heritage2030160.
Pełny tekst źródłaYe, Zhihao, i Xinyun Jiao. "Contemporary Art on Realistic Subjects in the New Era of Lacquer Painting". Asian Journal of Social Science Studies 7, nr 7 (1.08.2022): 75. http://dx.doi.org/10.20849/ajsss.v7i7.1249.
Pełny tekst źródłaMoon, Mi-jin. "A study of picture titles and images of “Three old men asked their age”". Society for Chinese Humanities in Korea 84 (31.08.2023): 365–82. http://dx.doi.org/10.35955/jch.2023.08.84.365.
Pełny tekst źródłaSarkar, Asmita, i Aileen Blaney. "Material Metaphor and Reflexivity in Contemporary Painting: A Practice-based Investigation". Journal of Aesthetic Education 57, nr 1 (1.04.2023): 98–119. http://dx.doi.org/10.5406/15437809.57.1.07.
Pełny tekst źródłaWilson, Sarah Kate. "Painting’s liveness". Journal of Contemporary Painting 9, nr 2 (1.10.2023): 267–85. http://dx.doi.org/10.1386/jcp_00059_1.
Pełny tekst źródłaBarron, Irving R., i Gaurav Sharma. "Toward CanvasChain: A Block Chain and Craquelure Hash Based System For Authenticating and Tracking Fine Art Paintings". Electronic Imaging 2020, nr 4 (26.01.2020): 399–1. http://dx.doi.org/10.2352/issn.2470-1173.2020.4.mwsf-399.
Pełny tekst źródłaChen, Jiajun. "The Style and Characteristics of Flower-and-Bird Painting in The Western Fujian Province in Modern Times". Scientific and Social Research 3, nr 6 (29.12.2021): 157–63. http://dx.doi.org/10.36922/ssr.v3i6.1293.
Pełny tekst źródłaXu, Yixuan. "Color Expression and Mood Creation in Imagery Oil Painting". Journal of Contemporary Educational Research 8, nr 1 (18.01.2024): 7–12. http://dx.doi.org/10.26689/jcer.v8i1.5934.
Pełny tekst źródłaHariwarman, Made Satya, I. Gusti Ngurah Sura Ardana i Luh Suartini. "ANALISIS FORMAL KARYA LUKISAN IDA BAGUS KETUT SUTA". Jurnal Pendidikan Seni Rupa Undiksha 12, nr 3 (30.09.2022): 161–73. http://dx.doi.org/10.23887/jjpsp.v12i3.52685.
Pełny tekst źródłaCasey, Edward S. "Place in Painting". Research in Phenomenology 54, nr 1 (27.03.2024): 1–12. http://dx.doi.org/10.1163/15691640-12341535.
Pełny tekst źródłaZeng, Xi. "Research on Cross-Contrast Neural Network Based Intelligent Painting: Taking Oil Painting Language Classification as an Example". Computational Intelligence and Neuroscience 2022 (6.06.2022): 1–10. http://dx.doi.org/10.1155/2022/7827587.
Pełny tekst źródłaLin, Jun. "Research on the Performance of Impressionist Painting Color Visual Communication Based on Wireless Communication and Machine Vision". Security and Communication Networks 2021 (5.03.2021): 1–6. http://dx.doi.org/10.1155/2021/5511252.
Pełny tekst źródłaAytaç, A. "Turkish textiles which have been described in paintings of artist Şevket Dağ". Universum Humanitarium, nr 1 (13.07.2021): 73–89. http://dx.doi.org/10.25205/2499-9997-2021-1-73-89.
Pełny tekst źródłaLee, Taemin, i Sanghyun Seo. "Painting-Emotion Matching Technology Learning System through Repetition". Sustainability 11, nr 16 (20.08.2019): 4507. http://dx.doi.org/10.3390/su11164507.
Pełny tekst źródłaNi Ketut Wiriani Merta, I Putu Sudana i Yohanes Kristianto. "Benefits of Wayang Kamasan Klungkung Bali in Improving Dignified Cultural Character and Sustainability of International Tourism". Jurnal Multidisiplin Madani 3, nr 9 (29.09.2023): 1898–901. http://dx.doi.org/10.55927/mudima.v3i9.4861.
Pełny tekst źródłaYan, Zhiqi, Zidi Guo i Miao Guo. "On the Combination of Oil Painting Techniques and Modern Illustration Art". Highlights in Art and Design 4, nr 1 (28.08.2023): 118–21. http://dx.doi.org/10.54097/hiaad.v4i1.12015.
Pełny tekst źródłaNa Ri, Ge Le. "Characteristics of Mongol Figures in Persian Miniature Paintings". Highlights in Art and Design 4, nr 2 (1.09.2023): 62–64. http://dx.doi.org/10.54097/hiaad.v4i2.12855.
Pełny tekst źródłaFan, Wenwei. "Analysis of the Artistic Characteristics of Literati Paintings". International Journal of Education and Humanities 11, nr 1 (19.10.2023): 170–74. http://dx.doi.org/10.54097/ijeh.v11i1.13092.
Pełny tekst źródłaHerz, Rachel S., i Gerald C. Cupchik. "The Effect of Hedonic Context on Evaluations and Experience of Paintings". Empirical Studies of the Arts 11, nr 2 (lipiec 1993): 147–66. http://dx.doi.org/10.2190/36rg-0v9j-4y4g-7803.
Pełny tekst źródłaZhou, Zhensheng. "Image Thinking and Modeling of Chinese Painting". Scientific and Social Research 6, nr 3 (30.03.2024): 242–47. http://dx.doi.org/10.26689/ssr.v6i3.6435.
Pełny tekst źródłaDaneyko, Olga, Natale Stucchi i Daniele Zavagno. "The Poggendorff illusion in Ruben's Descent from the Cross in Antwerp: Does the illusion even matter?" i-Perception 13, nr 5 (wrzesień 2022): 204166952211258. http://dx.doi.org/10.1177/20416695221125879.
Pełny tekst źródłaWei, Ping. "Emotional Cognitive Expression in Lacquer Colors Based on Prior Knowledge". Journal of Environmental and Public Health 2022 (30.08.2022): 1–10. http://dx.doi.org/10.1155/2022/1151676.
Pełny tekst źródłaRahim, Muhamad Ali, Wawan Suryana i Abdusyukur Budiarvin Septiadi. "Eksplorasi Penggambaran pada Material Bergambar sebagai Lukis Alternatif". Ideas: Jurnal Pendidikan, Sosial, dan Budaya 10, nr 2 (31.05.2024): 385. http://dx.doi.org/10.32884/ideas.v10i2.1562.
Pełny tekst źródłaZhao, Yuanyuan. "Formation and Schema Analysis of Oil Painting Style Based on Texture and Color Texture Features under Few Shot". Computational Intelligence and Neuroscience 2022 (13.06.2022): 1–10. http://dx.doi.org/10.1155/2022/4125833.
Pełny tekst źródłaFeng, Jiarui. "The Spirit of Freehand Brushwork in Chinese Oil Painting". Pacific International Journal 6, nr 1 (31.03.2023): 56–60. http://dx.doi.org/10.55014/pij.v6i1.306.
Pełny tekst źródłaKim, Yeonjoo. "Pursuing the Aesthetics of ‘non-vulgarization’: Focusing on Shanshuichunquanji by Han Zhuo". Institute of Humanities at Soonchunhyang University 42, nr 3 (30.09.2023): 163–94. http://dx.doi.org/10.35222/ihsu.2023.42.3.163.
Pełny tekst źródłaPedram, Behnam, Mahdi Hosseini i Gholam Reza Rahmani. "The Importance of Painting in Qajar Dynasty Based on the Sociology Point of View". Journal of History Culture and Art Research 6, nr 3 (16.06.2017): 985. http://dx.doi.org/10.7596/taksad.v6i3.967.
Pełny tekst źródłaSalama, Kholod K., Said M. El-Sheikh i Mona F. Ali. "Using Ca(OH)2 as Alternative Support for an Egyptian Coptic Fresco Painting". Journal of Nano Research 60 (listopad 2019): 174–80. http://dx.doi.org/10.4028/www.scientific.net/jnanor.60.174.
Pełny tekst źródłaYu, Lan, i Yukari Nagai. "Painting Practical Support: A Study about the Usage of Painting Materials in Children’s Painting Works". Social Sciences 9, nr 4 (26.03.2020): 33. http://dx.doi.org/10.3390/socsci9040033.
Pełny tekst źródłaXu, Yuwei. "Immensity in Trivialness, Integrity in Brokenness --To View The Bapo Painting from The Dimension of Time and Space". Communications in Humanities Research 3, nr 1 (17.05.2023): 56–63. http://dx.doi.org/10.54254/2753-7064/3/20220145.
Pełny tekst źródłaButnariu, Ioan. "Restaurarea unei picturi pe carton". Anuarul Muzeului Etnograif al Transilvaniei 30 (20.12.2016): 293–301. http://dx.doi.org/10.47802/amet.2016.30.16.
Pełny tekst źródłaAbadi, Angga Cahya, Reichan Muhammad Maulana i Rizky Septiana Abdul Razak. "Implementation of the Hybrid Mobile Application in The Street Artist Painting Auction Application “Strauction”". International Journal of Research and Applied Technology 3, nr 1 (1.06.2023): 179–88. http://dx.doi.org/10.34010/injuratech.v3i1.10124.
Pełny tekst źródłaWang, Feng, i Haozhang Sun. "The Texture and Color Matching of Oil Painting Materials Based on Multimedia Visual Communication". Advances in Materials Science and Engineering 2022 (18.07.2022): 1–12. http://dx.doi.org/10.1155/2022/7792008.
Pełny tekst źródłaHolmwood, Sigrid. "The peasant paints: Minor painting and peasant cosmopolitics". Journal of Contemporary Painting 8, nr 1 (6.04.2023): 73–96. http://dx.doi.org/10.1386/jcp_00040_1.
Pełny tekst źródłaCui, Jiaxuan. "The Annunciation in Art: Revealing the Irreplaceability of Art in the Age of Artificial Intelligence". Communications in Humanities Research 29, nr 1 (19.04.2024): 231–37. http://dx.doi.org/10.54254/2753-7064/29/20230754.
Pełny tekst źródłaHe, Xing, i Eun-Jun Park. "Hair Art with Traditional Chinese Flower-and-Bird Painting as Motives". Korean Society of Beauty and Art 24, nr 1 (20.03.2023): 151–62. http://dx.doi.org/10.18693/jksba.2023.24.1.151.
Pełny tekst źródłaSchweidler, Walter. "Time and Trace: The Mirror of Time". Kronoscope 14, nr 2 (26.08.2014): 150–62. http://dx.doi.org/10.1163/15685241-12341302.
Pełny tekst źródłaHua, Jianing. "Integration of Chinese and Western Art in Late Ming Dynasty: Imitation and Innovation with Wu Bin as an Example". Communications in Humanities Research 8, nr 1 (31.10.2023): 76–82. http://dx.doi.org/10.54254/2753-7064/8/20230972.
Pełny tekst źródłaBardik, Maryna. "Kyiv Metropolitans were in the Artistic Process of the Kyiv-Pechersk Lavra at the End of the 18th – the Early 20th Centuries". National Academy of Managerial Staff of Culture and Arts Herald, nr 2 (17.09.2021): 128–32. http://dx.doi.org/10.32461/2226-3209.2.2021.239989.
Pełny tekst źródłaMahobia, Usha. "COLOR COMBINATION IN MUGHAL PAINTING". International Journal of Research -GRANTHAALAYAH 2, nr 3SE (31.12.2014): 1. http://dx.doi.org/10.29121/granthaalayah.v2.i3se.2014.3667.
Pełny tekst źródłaSharma, Yam Prasad. "Nepali Paintings: A Departure From Religious Contents to Secular Subject Matters". Tribhuvan University Journal 36, nr 01 (31.12.2021): 85–95. http://dx.doi.org/10.3126/tuj.v36i01.43582.
Pełny tekst źródłaTizzoni, Marco, i Costanza Cucini. "A Blast Furnace Painting by Jan Brueghel the Elder (1568-1625): a New Interpretation". METALLA 27, nr 1 (30.06.2023): 81–94. http://dx.doi.org/10.46586/metalla.v27.2023.i1.81-94.
Pełny tekst źródłaDulal, Lok Nath. "Wall Painting of Pujari Math of Bhaktapur: An Exploration". Contemporary Research: An Interdisciplinary Academic Journal 6, nr 2 (5.12.2023): 124–43. http://dx.doi.org/10.3126/craiaj.v6i2.60252.
Pełny tekst źródłaUtomo, M. Indra Bayu, I. Wayan Setem i I. Made Bendi Yudha. "Nusantara’s Ornaments as a Source of Inspiration for Creating Paintings on Silk Fabrics". CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI 2, nr 2 (24.10.2022): 39–42. http://dx.doi.org/10.59997/citakara.v2i2.1839.
Pełny tekst źródłaCodling, Rosamunde. "Further notes about the Antarctic paintings of Edward Seago". Polar Record 37, nr 201 (kwiecień 2001): 153–54. http://dx.doi.org/10.1017/s003224740002698x.
Pełny tekst źródłaQian, Xingyu. "Oriental Consciousness in André Masson’s Automatic Paintings". SHS Web of Conferences 183 (2024): 03001. http://dx.doi.org/10.1051/shsconf/202418303001.
Pełny tekst źródłaLee, Sang Hwa, i Jung-Yoon Kim. "Classification of the Era Emotion Reflected on the Image Using Characteristics of Color and Color-Based Classification Method". International Journal of Software Engineering and Knowledge Engineering 29, nr 08 (sierpień 2019): 1103–23. http://dx.doi.org/10.1142/s0218194019400114.
Pełny tekst źródłaS. VIMALA. "ANALYSIS OF THE TANJORE MARATHAS' PAINTINGS". International Journal of Educational Review, Law And Social Sciences (IJERLAS) 3, nr 5 (28.06.2023): 1409–15. http://dx.doi.org/10.54443/ijerlas.v3i5.1007.
Pełny tekst źródłaBivens, Becky. "An Unlikely Match: Modernism and Feminism in Lynda Benglis’s Contraband". Arts 13, nr 3 (8.06.2024): 106. http://dx.doi.org/10.3390/arts13030106.
Pełny tekst źródłaRen, Shuwan. "Exploration of Artistic Expression in the Context of the Renaissance from Different Countries: Take Innovations in Painting Techniques as an Example". Journal of Education, Humanities and Social Sciences 21 (15.11.2023): 58–64. http://dx.doi.org/10.54097/ehss.v21i.13031.
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