Rozprawy doktorskie na temat „Painting (Fine art)”
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Watrous, Shawn. "Undersound: An Investigation of Painting as a form of Expression". Kent State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=kent1366359903.
Pełny tekst źródłaDegges, Douglas Ross. "Master of fine arts thesis". Thesis, University of Iowa, 2012. https://ir.uiowa.edu/etd/2854.
Pełny tekst źródłaSimons, Bridget Anne. "An irreal realm: painting as a means of reflecting on oneirism". Master's thesis, University of Cape Town, 2013. http://hdl.handle.net/11427/13995.
Pełny tekst źródłaMcMorran, Susan Mary. "Interactive painting : an investigation of interactive art and its introduction into a traditional art practice". Thesis, Northumbria University, 2007. http://nrl.northumbria.ac.uk/3125/.
Pełny tekst źródłaLabuschagne, Emily. "Masters, master, masturbate (a master's debate) - relooking at the home, body and self through seventeenth century Dutch still life painting". Master's thesis, Faculty of Humanities, 2020. http://hdl.handle.net/11427/32716.
Pełny tekst źródłaGoodyear, Alison. "Privileged, unique and temporary : interpreting aesthetic experiences of the painter-painting relationship through an address to and from practice". Thesis, University of the Arts London, 2017. http://ualresearchonline.arts.ac.uk/12456/.
Pełny tekst źródłaAmbron, Michael. "Painting as Becoming". The Ohio State University, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=osu1343739050.
Pełny tekst źródłaNichol, Catherine. "Claiming process : a strategy of production in approaching notions of self, biography and community in painting". Master's thesis, University of Cape Town, 2002. http://hdl.handle.net/11427/25921.
Pełny tekst źródłaKruger, Maria. "Growing Things: An Investigation in the ways that plant-growth may inform the process of painting". Master's thesis, Faculty of Humanities, 2019. http://hdl.handle.net/11427/30513.
Pełny tekst źródłaThreapleton, James E. "The corroded surface : portrait of the sublime". Thesis, University of the Arts London, 2016. http://ualresearchonline.arts.ac.uk/9193/.
Pełny tekst źródłaPhipps, Kristen Renee. "'Till the Cows Come Home". The Ohio State University, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=osu1618747544530061.
Pełny tekst źródłaGriffiths, Harriet Celia. "The jury of the Paris Fine Art Salon, 1831-1852". Thesis, University of Exeter, 2013. http://hdl.handle.net/10871/12221.
Pełny tekst źródłaPeterson, Philmore V. "The Art of Bringing Things Together". The Ohio State University, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=osu1308259431.
Pełny tekst źródłaHan, Jane. "Passing through time : the intersection of painting and cinema in the works of Julian Schnabel". Thesis, University of Oxford, 2011. http://ora.ox.ac.uk/objects/uuid:82ffb3f5-02da-4f37-8315-5ba74c33b139.
Pełny tekst źródłaSmith, Callie. "Liminal". Ohio University Honors Tutorial College / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1619183772384797.
Pełny tekst źródłaChan, Janet Bick Lai Art College of Fine Arts UNSW. "Mounting evidence: Traces of things to come". Publisher:University of New South Wales. Art, 2009. http://handle.unsw.edu.au/1959.4/42058.
Pełny tekst źródłaTaylor, B. D. "After constructivism". Thesis, University of Oxford, 2011. http://ora.ox.ac.uk/objects/uuid:a09edf30-cdad-40a1-aa3e-03ce482a478c.
Pełny tekst źródłaParry, Ariana J. "Flow: Abstracting Mundane Environments". Kent State University Honors College / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=ksuhonors1481565925915224.
Pełny tekst źródłaShabtay, Talia Bess. "Still Wet: On Painting, Presence, Pleasure, and You". The Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=osu1250699054.
Pełny tekst źródłaGodliauskas, Egidijus. "Irstančios materijos". Bachelor's thesis, Lithuanian Academic Libraries Network (LABT), 2012. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2010~D_20120211_120421-22316.
Pełny tekst źródłaObject of work - a collection of four paintings "The Disintegration of Mater". In my works I tried to display the walls in painting. E. A. Cukermanas wrote - "If the painter was little concern for domestic / social issues, or old news, if it turns thoughts to the Universe, it is possible that he turned toward abstraction". My works are abstract. I’m painting the disintegration of matter and trying to break away from the physical world that surrounds us. People alienated withdrawn life. I want to show people with paintings that the world is not necessarily what has become normal for us to see. Art objects are surrounded by everyone. Just be carefully monitored. It may be that the soil or ramshackle wall graphics surface can inspire new painting works. The aim is to adapt my learned painting techniques. Provide into pictorial language broken to the small pieces, disintegrated, multi-wall and break away from their original image. Find solutions for the problems; solve the tasks set out for myself.
Jhaveri, Shanay. "The journey in my head : cosmopolitanism and Indian male self-portraiture in 20th century India : Umrao Singh Sher-Gil, Bhupen Khakhar, Ragubhir Singh". Thesis, Royal College of Art, 2016. http://researchonline.rca.ac.uk/1808/.
Pełny tekst źródłaJones, Sarah. "Moving slowly or not at all". Thesis, Royal College of Art, 2015. http://researchonline.rca.ac.uk/1679/.
Pełny tekst źródłaSummanen, Grace. "Dimension". Kent State University / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=kent1310497356.
Pełny tekst źródłaPasek, Jeffrey Douglas. "Worry My Head: An Exploration of Head-Like Forms as an Expression of Existential Concerns". Kent State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=kent1385383454.
Pełny tekst źródłaCojanu, Cristina. "Arabesque : recovered fragments of what could have been a novel of manners". Thesis, Royal College of Art, 2013. http://researchonline.rca.ac.uk/1644/.
Pełny tekst źródłaHaggett, Matthew. "Songs and Stories that Only You Know: Multiplicity, Meaning, & the Metaphorical Bridge". PDXScholar, 1996. https://pdxscholar.library.pdx.edu/open_access_etds/5191.
Pełny tekst źródłaChapman, Dana L. "Dutch costume in paintings by Dutch artists : a study of women's clothing and art from 1600 to 1650". Connect to resource, 1986. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1239103291.
Pełny tekst źródłaGodliauskas, Egidijus. "Irstančios materijos". Bachelor's thesis, Lithuanian Academic Libraries Network (LABT), 2010. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2010~D_20100907_095915-41153.
Pełny tekst źródłaObject of work - a collection of four paintings "The Disintegration of Mater". In my works I tried to display the walls in painting. E. A. Cukermanas wrote - "If the painter was little concern for domestic / social issues, or old news, if it turns thoughts to the Universe, it is possible that he turned toward abstraction". My works are abstract. I’m painting the disintegration of matter and trying to break away from the physical world that surrounds us. People alienated withdrawn life. I want to show people with paintings that the world is not necessarily what has become normal for us to see. Art objects are surrounded by everyone. Just be carefully monitored. It may be that the soil or ramshackle wall graphics surface can inspire new painting works. The aim is to adapt my learned painting techniques. Provide into pictorial language broken to the small pieces, disintegrated, multi-wall and break away from their original image. Find solutions for the problems; solve the tasks set out for myself.
Wang, Xuning. "Realist painting and its relationship to my creative practice". Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2010. https://ro.ecu.edu.au/theses/122.
Pełny tekst źródłaBowie, Taylor. "Cultural Biases in the West and the Disadvantages Created for Eastern and Eastern-Influenced Art". ScholarWorks@UNO, 2017. http://scholarworks.uno.edu/honors_theses/84.
Pełny tekst źródłaHowell, Audrey. "The Biomorphic Grotesque in Modernist and Contemporary Painting". Scholarship @ Claremont, 2014. http://scholarship.claremont.edu/scripps_theses/327.
Pełny tekst źródłaLee, Alice Hui Fang. "The spirit of Chinese brush lines and its application to creativity in UK art and design education". Thesis, Manchester Metropolitan University, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.319231.
Pełny tekst źródłaBoch, Elizabeth. "A Pawn’s Toil: Advocating for a Return to the Toybox". Ohio University Honors Tutorial College / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors153599598226024.
Pełny tekst źródłaTu, Maxine. "Underneath the Film: Reconstructing Reality Behind Taiwanese Family Portrait Through Contemporary Painting". Scholarship @ Claremont, 2017. http://scholarship.claremont.edu/scripps_theses/948.
Pełny tekst źródłaShanks, Sarah M. "The Memory Yields: B.F.A. Thesis Exhibition". Ohio University Honors Tutorial College / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1401583720.
Pełny tekst źródłaDavies, Eranah Laura Ann. "SKELETON WOMAN: EMBRACING THE UNKNOWNALLOWS FOR SURPRISES". Kent State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=kent1429968887.
Pełny tekst źródłaJohnson, Alyssa Marie. "Views From The House". The Ohio State University, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=osu1429835120.
Pełny tekst źródłaKass, Jason. "Cognitive aspects of pictorial address and seriality in art : a practice-led investigation". Thesis, University of Southampton, 2017. https://eprints.soton.ac.uk/408222/.
Pełny tekst źródłaReichelt, Victoria, i n/a. "Painting's Wrongful Death: The Revivalist Practices of Glenn Brown and Gerhard Richter". Griffith University. Queensland College of Art, 2005. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20060901.143140.
Pełny tekst źródłaReichelt, Victoria. "Painting's Wrongful Death: The Revivalist Practices of Glenn Brown and Gerhard Richter". Thesis, Griffith University, 2005. http://hdl.handle.net/10072/366187.
Pełny tekst źródłaThesis (Professional Doctorate)
Doctor of Visual Arts (DVA)
Queensland College of Art
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Blunt, Gregory. "ULTRA". Thesis, University of Waterloo, 2006. http://hdl.handle.net/10012/741.
Pełny tekst źródłaThe aesthetic style of my paintings makes a strong reference to the visual vocabulary of computer software. More specifically, it mimics architectural computer vector graphics from the 1980s. There is a visual metaphor created in my paintings where it blueprint drawing has 'evolved' into computer vector graphics, ultimately though, nothing has changed. The images are still hand drafted with pencils and then hand painted. The lexicon of digital software is appropriated, but by transferring the images from the virtual space of the screen to a literal three-dimensional space, the meaning is discarded. They become generalized abstract signs that retain their connotations, but not their meaning and function. The work thus makes a simple point in its refusal to 'get digital. ' There is a fetishization of technology, yet simultaneously a refusal of it.
Other concerns that I deal with in my work and thesis paper, include notions of good and bad taste, kitsch and the Camp aesthetic, science-fiction, nostalgia, representations of the 'future,' Suprematist painting, Minimalism, Design, and the utopian ideals of Modernism.
Christensen, William. "Dweller". CSUSB ScholarWorks, 2014. https://scholarworks.lib.csusb.edu/etd/250.
Pełny tekst źródłaPruett, Richard Brandon. "Cannibalism: A Failure to Be Satisfied". Digital Commons @ East Tennessee State University, 2009. https://dc.etsu.edu/etd/1813.
Pełny tekst źródłaPeters, Eddie. "Painter's Wilderness". PDXScholar, 1992. https://pdxscholar.library.pdx.edu/open_access_etds/4533.
Pełny tekst źródłaGimenez, Catalán Juan Pedro. "Exploring opportunities of complex LED colour mix systems for lighting in the art. Fine colour tuning a painting". Thesis, KTH, Ljusdesign, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-280015.
Pełny tekst źródłaHair, Harper D. "People Like Ourselves". ScholarWorks@UNO, 2017. https://scholarworks.uno.edu/td/2408.
Pełny tekst źródłaAgyeman, Cynthia A. "Artists' Perception of the Use of Digital Media in Painting". Ohio University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1443101832.
Pełny tekst źródłaLee, Eunji (Jubee). "After the big wind stops I see gentle waves". VCU Scholars Compass, 2018. https://scholarscompass.vcu.edu/etd/5367.
Pełny tekst źródłaGarbett, Gary. "Insequential Sequence". VCU Scholars Compass, 2010. http://scholarscompass.vcu.edu/etd/2277.
Pełny tekst źródłaMiettinen-Harris, Maija Helena. "Contextualizing Epiphanies and Theories on a Surface of a Painting". The Ohio State University, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=osu1436836349.
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