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Artykuły w czasopismach na temat "Painting, 19th century – Dictionaries"
Myakshin, V. A. "A Brief Report on the Research Regarding Art History Texts (19th – First Half of the 20th Century) into Foreign Language Teaching (Courses: “Foreign Language” and “English for Professional Communication”) Carried out at Sergey Andriaka Academy of Watercolor and Fine Arts". Secreta Artis 6, nr 4 (22.05.2024): 27–35. http://dx.doi.org/10.51236/2618-7140-2023-6-4-27-35.
Pełny tekst źródłaTatham, David, Albert Boime, Elizabeth Johns i John Wilmerding. "19th-Century American Painting". Art Journal 51, nr 4 (1992): 95. http://dx.doi.org/10.2307/777290.
Pełny tekst źródłaKasemu, Shermaymayti, Alfiya Sh Yusupova, Elvira N. Denmukhametova i Firdaus G. Khisamitdinova. "Dialect vocabulary that has enriched bilingual dictionaries". Laplage em Revista 6, Extra-B (24.12.2020): 117–22. http://dx.doi.org/10.24115/s2446-622020206extra-b601p.111-116.
Pełny tekst źródłaKasemu, Shermaymayti, Alfiya Sh Yusupova, Elvira N. Denmukhametova i Firdaus G. Khisamitdinova. "Dialect vocabulary that has enriched bilingual dictionaries". Laplage em Revista 6, Extra-B (24.12.2020): 117–22. http://dx.doi.org/10.24115/s2446-622020206extra-b601p.117-122.
Pełny tekst źródłaGoldberg, Marcia. "Textured Panels in 19th-Century American Painting". Journal of the American Institute for Conservation 32, nr 1 (1993): 33. http://dx.doi.org/10.2307/3179650.
Pełny tekst źródłaGoldberg, Marcia. "Textured Panels in 19th-Century American Painting". Journal of the American Institute for Conservation 32, nr 1 (styczeń 1993): 33–42. http://dx.doi.org/10.1179/019713693806066492.
Pełny tekst źródłaPandevska, Maria, i Makedonka Mitrova. "The Concept of the millet in Turkish dictionaries: Its alteration and the impact on Ottoman Macedonia". Balcanica Posnaniensia. Acta et studia 26 (26.01.2020): 171–92. http://dx.doi.org/10.14746/bp.2019.26.10.
Pełny tekst źródłaHuang, Xinyi. "The influence of Japanese Ukiyo-e on Western painting art in the 19th Century". BCP Social Sciences & Humanities 20 (18.10.2022): 304–10. http://dx.doi.org/10.54691/bcpssh.v20i.2334.
Pełny tekst źródłaKaszewski, Marek. "Opisy interiekcji w wybranych XIX-wiecznych słownikach języka polskiego". LingVaria 31, nr 1 (10.05.2021): 11–24. http://dx.doi.org/10.12797/lv.16.2021.31.02.
Pełny tekst źródłaHilton, Alison, i Elizabeth K. Valkenier. "The Wanderers: Masters of 19th-Century Russian Painting". Russian Review 52, nr 1 (styczeń 1993): 106. http://dx.doi.org/10.2307/130872.
Pełny tekst źródłaRozprawy doktorskie na temat "Painting, 19th century – Dictionaries"
Lee, Sai-chong Jack, i 李世莊. "China trade painting: 1750s to 1880s". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2005. http://hub.hku.hk/bib/B45015442.
Pełny tekst źródłaGill, Laura Fox. "Peripheral vision : the Miltonic in Victorian painting, poetry, and prose, 1825-1901". Thesis, University of Sussex, 2017. http://sro.sussex.ac.uk/id/eprint/72673/.
Pełny tekst źródłaSprague, Abbie Noel. "The craftsman painters of the arts and crafts movement". Thesis, University of Cambridge, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609045.
Pełny tekst źródłaHoene, Katherine Anne. "Tracing the Romantic impulse in 19th-century landscape painting in the United States, Australia, and Canada". Thesis, The University of Arizona, 2000. http://hdl.handle.net/10150/278748.
Pełny tekst źródłaDudley, Ian A. "Edward Goodall's 'Sketches in British Guiana' : art, anthropography and colonialism in 19th century Amazonia". Thesis, University of Essex, 2017. http://repository.essex.ac.uk/20121/.
Pełny tekst źródłaLam, Lai Sing. "Origins and development of the traditional Chinese roof : 16th century B.C.-19th century A.D". Thesis, Queensland University of Technology, 2001.
Znajdź pełny tekst źródłaAnesti, Maria. "'La femme modèle' from the first communicant to the affectionate mother : a dialogue between painting and moral discourse under the early Third Republic (1870-1900)". Thesis, University of Edinburgh, 2012. http://hdl.handle.net/1842/7574.
Pełny tekst źródłaPasco, Hélène. "When 19th century painters prepared organic-inorganic hybrid gels : physico-chemical study of « gumtions »". Electronic Thesis or Diss., Sorbonne université, 2019. https://accesdistant.sorbonne-universite.fr/login?url=https://theses-intra.sorbonne-universite.fr/2019SORUS296.pdf.
Pełny tekst źródłaMediums were used by painters in order to modify the texture and drying properties of their paint. During the 19th century, British artists developed a particular medium made of siccative oil, mastic resin and lead acetate trihydrate. The so-called “gumtions” form gel-like materials in a relatively short time, outperforming the existing paint media. This thesis contributes unveiling the chemical processes involved in the formation and ageing of gumtions. As a first step, we focused on mastic resin since it is a key component for the preparation of gumtion. The triterpenic fraction of the resin was identified and quantified using GC and GC/MS. Moreover, we took advantage of Spectroscopic Ellipsometry so as to study the optical properties of varnish thin films as well as their behaviour (swelling) under various atmospheres. Then, we reproduced historical recipes that helped us afterwards to define simplified formulations to deepen the understanding of the chemical interactions between the gel components, made of oleanolic acid (commercial triterpenoid) and a lead compound (acetate or oxide). They were investigated at dierent scales by spectroscopic (FTIR, MASNMR) and supramolecular analyses (Cryo-TEM, SAXS). The use of these complementary techniques gives an overview of the gel’s structure and formation: rapidly, a coordination complex is formed between lead and the carboxylic acid moieties of the triterpenoids, that organizeinto2Dobjectsleadingtothesolid-likebehaviorofthematerial. After few months ageing, we observed the self-assembly of crystalline nanoparticles into lamellar structures, witnessing the dynamic occurring in the material even after gelation.bly of crystalline nanoparticles into lamellar structures, witnessing the dynamic occurring in the material even after gelation
Filippa, Kenne. "The object biography of Breakfast-Piece by Nicolaes Gillis : The reception of Netherlandish art in Sweden during the 19th century". Thesis, Stockholms universitet, Institutionen för kultur och estetik, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-182722.
Pełny tekst źródłaWilsey, Shannon K. "Interpretations of Medievalism in the 19th Century: Keats, Tennyson and the Pre-Raphaelites". Scholarship @ Claremont, 2010. http://scholarship.claremont.edu/cmc_theses/20.
Pełny tekst źródłaKsiążki na temat "Painting, 19th century – Dictionaries"
Mark, Poltimore, red. Popular 19th century painting: A dictionary of European genre painters. Woodbridge, Suffolk: Antique Collectors' Club, 1986.
Znajdź pełny tekst źródłaChristopher, Wood. Victorian painters. Woodbridge, Suffolk: Antique Collectors' Club, 1995.
Znajdź pełny tekst źródłaGalleries, Hammer. 19th & 20th century American paintings. New York: Hammer Galleries, 1991.
Znajdź pełny tekst źródłaMarius, Gerarda Hermina. Dutch painters of the 19th century. Woodbridge: Antique Collectors' Club, 1988.
Znajdź pełny tekst źródłaKossak, Steven. Indian court painting, 16th-19th century. New York: Metropolitan Museum of Art, 1997.
Znajdź pełny tekst źródłaKossak, Steven. Indian court painting, 16th-19th century. London: bThemes and Hudson, 1997.
Znajdź pełny tekst źródłaCleveland Museum of Art. European paintings of the 19th century. [Cleveland]: Cleveland Museum of Art, 1999.
Znajdź pełny tekst źródłaVincent, Adrian. 19th century maritime watercolours. Newton Abbot: David & Charles, 1989.
Znajdź pełny tekst źródłaFriborg, Flemming. French painting in the 19th century: Catalogue. Copenhagen: Carlsberg Glyptotek, 1994.
Znajdź pełny tekst źródłaChicago, Art Institute of. Treasures of 19th- and 20th- century painting. New York: Abbeville, 1993.
Znajdź pełny tekst źródłaCzęści książek na temat "Painting, 19th century – Dictionaries"
Nuccorini, Stefania. "Chapter 3. Teaching phraseology in the 19th century". W AILA Applied Linguistics Series, 43–58. Amsterdam: John Benjamins Publishing Company, 2023. http://dx.doi.org/10.1075/aals.20.03nuc.
Pełny tekst źródłaEitner, Lorenz. "French Landscape". W An Outline of 19th Century European Painting, 197–223. New York: Routledge, 2021. http://dx.doi.org/10.4324/9780429032714-8.
Pełny tekst źródłaEitner, Lorenz. "David and His School". W An Outline of 19th Century European Painting, 15–54. New York: Routledge, 2021. http://dx.doi.org/10.4324/9780429032714-2.
Pełny tekst źródłaEitner, Lorenz. "British Neoclassicism and William Blake". W An Outline of 19th Century European Painting, 75–99. New York: Routledge, 2021. http://dx.doi.org/10.4324/9780429032714-4.
Pełny tekst źródłaEitner, Lorenz. "English Landscape". W An Outline of 19th Century European Painting, 121–54. New York: Routledge, 2021. http://dx.doi.org/10.4324/9780429032714-6.
Pełny tekst źródłaEitner, Lorenz. "Edouard Manet, 1832-1883". W An Outline of 19th Century European Painting, 289–312. New York: Routledge, 2021. http://dx.doi.org/10.4324/9780429032714-11.
Pełny tekst źródłaEitner, Lorenz. "Academic and Salon Painters". W An Outline of 19th Century European Painting, 269–87. New York: Routledge, 2021. http://dx.doi.org/10.4324/9780429032714-10.
Pełny tekst źródłaEitner, Lorenz. "Francisco José de Goya y Lucientes, 1746-1828". W An Outline of 19th Century European Painting, 55–73. New York: Routledge, 2021. http://dx.doi.org/10.4324/9780429032714-3.
Pełny tekst źródłaEitner, Lorenz. "Impressionism". W An Outline of 19th Century European Painting, 334–418. New York: Routledge, 2021. http://dx.doi.org/10.4324/9780429032714-13.
Pełny tekst źródłaEitner, Lorenz. "Edgar Degas, 1834-1917". W An Outline of 19th Century European Painting, 313–31. New York: Routledge, 2021. http://dx.doi.org/10.4324/9780429032714-12.
Pełny tekst źródłaStreszczenia konferencji na temat "Painting, 19th century – Dictionaries"
Lu, Zhang. "THE INTERTEXTUALITY OF RUSSIAN LITERATURE AND RUSSIAN PAINTING IN THE 19TH CENTURY". W INNOVATIONS IN THE SOCIOCULTURAL SPACE. Amur State University, 2020. http://dx.doi.org/10.22250/iss.2020.21.
Pełny tekst źródłaFarhangpour, Yasaman. "THE EFFECTS OF AESTHETIC HEDONISM IN PAINTING RESTORATION IN THE 19TH CENTURY". W 2nd Arts & Humanities Conference, Florence. International Institute of Social and Economic Sciences, 2018. http://dx.doi.org/10.20472/ahc.2017.002.001.
Pełny tekst źródłaBardik, M. А. "THE PRESERVED MURAL PAINTING OF THE LATE 19TH CENTURY IN THE GREAT PECHERSK CHURCH". W DEVELOPMENT OF CULTURE AND ART IN THE WAR AND POST-WAR PERIODS. Izdevnieciba “Baltija Publishing”, 2023. http://dx.doi.org/10.30525/978-9934-26-341-5-20.
Pełny tekst źródłaZhang, Xiaojie. "The Painting Technical Characteristics and Sources of Hungarian Painter MihALy MunkACsy in the 19th Century". W 4th International Conference on Arts, Design and Contemporary Education (ICADCE 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/icadce-18.2018.65.
Pełny tekst źródłaMorozova, Anna Valentinovna. "THE DEVELOPMENT OF RUSSIAN PERCEPTION OF SPANISH PAINTING IN THE PERIOD FROM THE MIDDLE OF THE 19TH CENTURY TO THE BEGINNING OF THE 20TH CENTURY". W 2nd International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2015. Stef92 Technology, 2015. http://dx.doi.org/10.5593/sgemsocial2015/b41/s12.004.
Pełny tekst źródłaАртемова, А. А. "ORCHID PAINTING IN ART OF CHUSA KIM JEONGHUI (1786–1856)". W Месмахеровские чтения — 2024 : материалы междунар. науч.-практ. конф., 21– 22 марта 2024 г. : сб. науч. ст. / ФГБОУ ВО «Санкт-Петербургская государственная художественно-промышленная академия имени А. Л. Штиглица». Crossref, 2024. http://dx.doi.org/10.54874/9785605162926.2024.10.16.
Pełny tekst źródłaEdlichko, Anzhela I. "CODIFICATION OF THE ORTHOEPIC NORMS OF THE GERMAN LANGUAGE: HISTORY AND CURRENT SITUATION". W 49th International Philological Conference in Memory of Professor Ludmila Verbitskaya (1936–2019). St. Petersburg State University, 2022. http://dx.doi.org/10.21638/11701/9785288062353.07.
Pełny tekst źródłaKushida, Maria. "Образ писателя-художника как коммуникативный феномен". W Пражская Русистика 2020 – Prague Russian Studies 2020. Charles University, Faculty of Education, 2020. http://dx.doi.org/10.14712/9788076032088.16.
Pełny tekst źródłaIstrate, George Dan. "The image of the other in titles pertaining to visual arts. References to painting". W International Conference on Onomastics “Name and Naming”. Editura Mega, 2022. http://dx.doi.org/10.30816/iconn5/2019/56.
Pełny tekst źródłaNivat, Georges. "“TRACTS OF RUSSIAN MEMORY” OR THE MAIN “NESTS” OF MEMORY IN RUSSIA". W 49th International Philological Conference in Memory of Professor Ludmila Verbitskaya (1936–2019). St. Petersburg State University, 2022. http://dx.doi.org/10.21638/11701/9785288062353.02.
Pełny tekst źródłaRaporty organizacyjne na temat "Painting, 19th century – Dictionaries"
Leading Figures in Venezuelan Painting of the Nineteenth Century. Inter-American Development Bank, wrzesień 1999. http://dx.doi.org/10.18235/0006227.
Pełny tekst źródłaA Challenging Endeavor: The Arts in Trinidad and Tobago. Inter-American Development Bank, maj 2002. http://dx.doi.org/10.18235/0006229.
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