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Mikami, Wataru. "Problematika osobnosti a díla Nicola Paganini". Master's thesis, Akademie múzických umění v Praze. Hudební fakulta AMU. Knihovna, 2009. http://www.nusl.cz/ntk/nusl-79077.
Pełny tekst źródłaYang, Hokyung. "12 variations on Paganini's 24th caprice : an analysis /". Thesis, Connect to this title online; UW restricted, 1994. http://hdl.handle.net/1773/11263.
Pełny tekst źródłaShen, Keh-Shu. "An analytical study of Paganini's Twenty-four caprices for solo violin /". Thesis, Connect to this title online; UW restricted, 1997. http://hdl.handle.net/1773/11338.
Pełny tekst źródłaWilczkowski, Tobias. "Heinrich Wilhelm Ernst : En stor violinist i skuggan av Paganini". Thesis, Uppsala universitet, Institutionen för musikvetenskap, 2006. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-153805.
Pełny tekst źródłaRybicki, Marie-Hélène. "Le mythe de Paganini dans la presse et la littérature". Paris 4, 2004. https://acces.bibliotheque-diderot.fr/login?url=https://doi.org/10.15122/isbn.978-2-8124-2932-3.
Pełny tekst źródłaThis study is devoted to the presence of Paganini in the press and literature of his time. It explores how this exceptional musician became a character in fictional works in Italy, Germany, France and England, and what influence this "literary career" had on the representation of musicians in novels and short stories during the nineteenth century. The first part of this study begins with a review of the main events in Paganini's life then focuses on the way in which his actions are recounted in the press, revealing the controversies provoked by the violinist's technique. There follows an analysis of the images and stylistic methods adopted by the chroniclers and columnists to convey their impressions of the "Paganini phenomenon". The second part of this study looks at the image of Paganini as it appears in the various literary texts devoted to him. By attributing Paganini's features and his personality to fictional characters, the authors drew the profile of a "romantic virtuoso", which corresponded to the taste of the public of that time - the figure of an artist who surreptitiously distinguished himself from the musician encountered in the works of E. T. A. Hoffmann who served as his model. Moreover, the short stories reveal how the Genoese virtuoso gradually withdrew from the foreground of the narrative to be replaced by the figure of a failed musician. This tragic and ironic dimension, which overrides the idealised vision of the artist, marks the beginning of a trend that established itself in the second half of the nineteenth century. The presence of Paganini in the literature of his time also reveals the permeability of the press and literature at that time. The fact that it is impossible to distinguish clearly between the journalistic and literary treatment of the virtuoso had a major impact on the constitution of the "myth of Paganini"
Bernier, Kiyono Monique. "Disparate measures: Two 20th century treatments of the Paganini theme". Diss., The University of Arizona, 2000. http://hdl.handle.net/10150/284086.
Pełny tekst źródłaCarrau, Mellado Javier. "Aspectos pedagógicos e interpretativos del repertorio para violín solo hasta Paganini". Doctoral thesis, Universitat Jaume I, 2014. http://hdl.handle.net/10803/145316.
Pełny tekst źródłaClavere, Javier. "A Study Guide to Franz Liszt's Grandes etudes de Paganini S.141". University of Cincinnati / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1296847312.
Pełny tekst źródłaKang, Heejung. "Rachmaninoff's Rhapsody on a Theme by Paganini, Op.43; Analysis and Discourse". Thesis, connect to online resource, 2004. http://www.unt.edu/theses/open/20041/kang%5Fheejung/index.htm.
Pełny tekst źródłaKim, Younshin. "An analytical study of Liszt's "Grandes études de Paganini", nos. 3 and 6 /". Thesis, Connect to this title online; UW restricted, 1999. http://hdl.handle.net/1773/11363.
Pełny tekst źródłaPaganini, Claudio F. [Verfasser], i Lars [Akademischer Betreuer] Andersson. "The role of trapping in black hole spacetimes / Claudio Francesco Paganini ; Betreuer: Lars Andersson". Potsdam : Universität Potsdam, 2018. http://d-nb.info/1218403918/34.
Pełny tekst źródłaPaganini, Claudio Francesco [Verfasser], i Lars [Akademischer Betreuer] Andersson. "The role of trapping in black hole spacetimes / Claudio Francesco Paganini ; Betreuer: Lars Andersson". Potsdam : Universität Potsdam, 2018. http://d-nb.info/1218403918/34.
Pełny tekst źródłaAhn, Kwang Sun. "An Analytical Study of the Variations on the Theme of Paganini's Twenty-Fourth Caprice, Op. 1 by Busoni, Friedman, and Muczynski". Thesis, University of North Texas, 2000. https://digital.library.unt.edu/ark:/67531/metadc2548/.
Pełny tekst źródłaLee, Ji Young. "A Style Study of Sergei Rachmaninoff's and Lowell Liebermann's Rhapsodies on a Theme of Paganini". University of Cincinnati / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1428047656.
Pełny tekst źródłaKo, Cha-Hui. "Solutions to technical difficulties in the rhapsody on a theme by Paganini, Opus 43 of Rachmaninoff". The Ohio State University, 1997. http://rave.ohiolink.edu/etdc/view?acc_num=osu1384532673.
Pełny tekst źródłaRobertson, Gillian. "Variations on a Theme by Paganini| Narrative archetypes in nineteenth- and twentieth-century theme-and-variation sets". Thesis, The Florida State University, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=3705915.
Pełny tekst źródłaThis dissertation explores the applicability of musical narrative models to the genre of theme and variations focusing on large-scale structural transformations in nineteenth- and twentieth-century theme-and-variation sets. Narrative archetypes proposed by Byron Almén (2008) are useful frameworks for understanding and interpreting the types of transformations that are typical in this genre, despite the paratactic and repetitive nature of the variations. My analysis focuses on three variation sets all based on the same theme (Paganini's Twenty-Four Caprices, Op. 1, No. 24): Brahms's Variations on a Theme by Paganini, Op. 35 Book I; Rachmaninoff's Rhapsody on a Theme of Paganini, Op. 43, and Rochberg's Caprice Variations . This invariant theme enables me to demonstrate not only the possibility of diverse narrative readings of these works, but also how each composer treated the theme in his own setting.
Chapter one provides a review of literature on the genre of variations and the sub-discipline of musical narrative. I discuss my eclectic methodological approach, one that includes Almén's theory of musical narrative in conjunction with musical agency, Schenkerian analysis, musical borrowing, topic theory, and integration models. A short analysis of Paganini's Caprice no. 24 from Op. 1 provides context for the remaining works and demonstrates a simple narrative interpretation as a preview of the analysis in the remaining chapters. Chapters two through four offer detailed analyses of the variations by Brahms and Rachmaninoff. The second chapter explores the application of a single narrative archetype to the first book of Brahms's variations, while chapters three and four expand the narrative model to include interpretations of multiple narrative archetypes within Rachmaninoff's Rhapsody. These two chapters focus on intra- and extra-musical narratives and present the notion of embedded narrative models, which provide nuance to an analytical interpretation. Chapter five summarizes my findings from chapters two to four and includes a sample analysis of Rochberg's Caprice Variations in order to demonstrate analytical questions pertinent to a post-modernist theme-and-variation set as well as the narrative or "anti-narrative" possibilities in twentieth-century Western art music.
Filipec, Goran. "Paganini au piano : Franz Liszt, Ferruccio Busoni, Michael Zadora, Mark Hambourg, Ignaz Friedman et la « grande manière »". Thesis, Sorbonne université, 2018. http://www.theses.fr/2018SORUL137.
Pełny tekst źródłaIn the art of instrumental music there were moments of extraordinary evolution. The greatest revolution in the domain of the violin was probably the appearance of Paganini and his innovations in the technique, the texture of violin writings and the exploitation of the timbrical effects of the instrument. In the domain of the piano, Liszt, after having heard the assimilating and imitating violin of the Genovese, reformed his playing and transformed the pianism of his époque. In that mission, he was accompanied by technical improvements of the instrument. The art of piano playing, which inherited from Paganini the assimilating and imitating tendencies and left the salon in favor of big halls, was recognized as the “grand manner” or the “grand style” grand style’, first represented by Liszt. These terms, mainly originating from the conceptual grandeur of his art, refer to a particular pianistic style, based on big acoustic effects and new techniques of execution. The corpus of the present study is constituted by the works after Paganini by Liszt, including the Études d’exécution transcendante d’après Paganini, the Grandes études de Paganini, La Grande fantaisie de bravoure sur La Clochette, and the works related to Paganini of the following generations of pianists of the « grand manner”. These include the arrangements of Liszt’s studies of Busoni, the Introduzione e Capriccio paganinesco, the Variations sur un thème de Paganini of Mark Hambourg and the Paganini-Studies op. 47b of Ignaz Friedman. The study tempts to trace the “grand manner” in the pianistic forms applied in the cited works, and to identify the specificities of the pianism of the concerned authors
Stocker, Melinda Suat-Lee. "The evolution of the caprice for solo violin with reference to the caprices by Locatelli, Paganini and Reitz /". [St. Lucia, Qld.], 2005. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe18759.pdf.
Pełny tekst źródłaKim, Warren. "Marc-André Hamelin's "Variations on a Theme of Paganini": The Effect of Polystylism through Pastiche and Musical Borrowing in Variations". Thesis, University of North Texas, 2019. https://digital.library.unt.edu/ark:/67531/metadc1609093/.
Pełny tekst źródłaWilczkowski, Tobias. "Heinrich Wilhelm Ernst and his Contributions to the Development of Left-hand pizzicato and Harmonics". Thesis, Stockholms universitet, Institutionen för musik- och teatervetenskap, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-83237.
Pełny tekst źródłaPark, Jeeyoung. "Comparing Musical Expression in Teresa Millanollo’s “Grand Fantaisie Elegiaque” Opus 1 with Niccolo Paganini’s Compositions". University of Cincinnati / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1613745055878857.
Pełny tekst źródłaPaganini, Nicole Maria [Verfasser], i Alfonso [Akademischer Betreuer] Sousa-Poza. "It is not about spinach : a food justice perspective on urban agriculture in Cape Town and Maputo / Nicole Maria Paganini ; Betreuer: Alfonso Sousa-Poza". Hohenheim : Kommunikations-, Informations- und Medienzentrum der Universität Hohenheim, 2021. http://d-nb.info/123972943X/34.
Pełny tekst źródłaPaganini, Ulrich [Verfasser]. "Bedürfnisorientierte Strukturentwicklung in Organisationen : Modellierung eines systemischen Strukturmodells zur Förderung von Selbstorganisation sowie der Handhabung dynamischer Komplexität System-Umwelt - Eine Fallstudie im industriellen Kontext der chemischen Industrie / Ulrich Paganini". Aachen : Shaker, 2014. http://d-nb.info/1049381874/34.
Pełny tekst źródłaMcLean, Florence Anne. "Rakhmaninov's "Corelli" variations : new directions". Thesis, University of British Columbia, 1990. http://hdl.handle.net/2429/31115.
Pełny tekst źródłaArts, Faculty of
Music, School of
Graduate
Harris, Adrian Paul. "Embodied knowing in eco-paganism". Thesis, University of Winchester, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.502243.
Pełny tekst źródłaJamison, Ian. "Embodied ethics and contemporary paganism". Thesis, Open University, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.543849.
Pełny tekst źródłaHallett, Jennifer Rachel. "Paganism in England, 1885-1914". Thesis, University of Bristol, 2006. http://hdl.handle.net/1983/84df7e45-7965-486b-b1c8-059bc148a95b.
Pełny tekst źródłaKofsky, Arieh. "Eusebius of Caesarea against paganism /". Leiden : Brill, 2000. http://catalogue.bnf.fr/ark:/12148/cb391827105.
Pełny tekst źródłaSwim, Jeffrey. "Idle Worship: Kenneth Grahame's Literary Paganism". Thesis, Université d'Ottawa / University of Ottawa, 2016. http://hdl.handle.net/10393/35158.
Pełny tekst źródłaSimes, Amy Caroline. "Contemporary paganism in the East Midlands". Thesis, University of Nottingham, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.282514.
Pełny tekst źródłaJones, Ieuan Thomas. "Modern paganism in the United Kingdom". Thesis, University of York, 2003. http://etheses.whiterose.ac.uk/10965/.
Pełny tekst źródłaMoore, Richard. "Christianity and paganism in Victorian fiction". Thesis, University of Wales Trinity Saint David, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683121.
Pełny tekst źródłaCarpenter, Clare. "Medievalism and paganism : interpretations of the Carmina Burana". Thesis, University of York, 2001. http://etheses.whiterose.ac.uk/10816/.
Pełny tekst źródłaSpajic, Ana-Marija. "Women's empowerment in Neo-Paganism : A study of power and gender and what we can learn about women’s empowerment in Neo- Paganism". Thesis, Uppsala universitet, Teologiska institutionen, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-412858.
Pełny tekst źródłaBumblauskas, Mangirdas. "Samogitia's Christianisation and the paganism factor (15-16th c.)". Doctoral thesis, Lithuanian Academic Libraries Network (LABT), 2014. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2014~D_20140411_151000-25977.
Pełny tekst źródłaDarbas skirtas paskutinio Europoje pagoniško regiono – Žemaitijos christianizacijos kaip pagonybės įveikos arba depagonizacijos proceso XV–XVI a. išsiaiškinimui. Pagrindinė problema – istoriografijoje egzistuojantis 500 metų chronologinis sampratų skirtumas tarp to, kas laikoma Žemaitijos christianizacijos pabaiga. Ši problema sprendžiama pirmiausia teoriniame lygmenyje, perimant iš Vakarų istoriografijos „konversijos“ sąvoką, taikomą tiek christianizacijos politinių permainų laikotarpiui („oficialioji konversija“), tiek visuomenės virsmo iš pagoniškos į krikščionišką epochai („konversija“ plačiąja prasme). Disertacijoje siekiama parodyti pagrindinius Žemaitijos ankstyvosios christianizacijos tarpsnius, pradedant misijiniu christianizacijos etapu, kurios pagrindinis istorinis faktas yra Jeronimo Prahiškio misija 1401–1404 m., pasibaigusi paskutine pagonybės pergale. „Oficialiosios konversijos“ lūžyje, kuris apima krikštijimo akcijas ir vyskupijos įkūrimą, pagoniškasis veiksnys pasireiškė pagoniška reakcija – 1418 m. maištu, kuris vis dėlto nebenutraukė to meto tarptautinio forumo – Konstanco bažnytinio susirinkimo kuruojamo proceso. Konversijos plačiąja prasme pabaiga yra įvertinama pagal tokius rodiklius: parapijų tinklo tankis, paskutinių suaugusiųjų krikštijimų faktai, bažnyčių lankymo socialinės kontrolės sistemos faktai, dievų sąrašų bei pagoniškų praktikų liudijimai. Visi šie rodikliai leidžia teigti, kad XVII a. pradžią galima laikyti Žemaitijos konversijos pabaiga.
Edwards, Leila Dudley. "Modern expressions of a traditional festival : contemporary Paganism and Halloween". Thesis, University of Sheffield, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.481527.
Pełny tekst źródłaHarris, Adrian Paul. "The wisdom of the body : embodied knowledge in eco-paganism". Thesis, University of Winchester, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.550230.
Pełny tekst źródłaCollins, Loleta B. "A Coming Home: Neo-Paganism and the Search for Community". Oxford, Ohio : Miami University, 2002. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1020253276.
Pełny tekst źródłaTitle from first page of PDF document. Document formatted into pages; contains 74 p. Includes bibliographical references (p. 64-74).
Loughlin, Felicity Perpetua. "Religion, erudition, and enlightenment : histories of paganism in eighteenth-century Scotland". Thesis, University of Edinburgh, 2018. http://hdl.handle.net/1842/31488.
Pełny tekst źródłade, Millo Cole. "Gaze not upon the * : Paganism and history use within digital games". Thesis, Linnéuniversitetet, Institutionen för kulturvetenskaper (KV), 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-100115.
Pełny tekst źródłaGradel, Ittai. "Heavenly honours : emperor worship in Italy from Augustus to the Severans". Thesis, University of Oxford, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.307227.
Pełny tekst źródłaBerry, Damon. "White blood, white Gods an assessment of racialist paganism in the United States /". Connect to resource, 2006. http://hdl.handle.net/1811/6559.
Pełny tekst źródłaTitle from first page of PDF file. Document formatted into pages: contains 61 p.; also includes graphics. Includes bibliographical references (p. 59-61). Available online via Ohio State University's Knowledge Bank.
Pavlova, Maria. "'Il fior de Pagania' : Saracens and their world in Boiardo and Ariosto". Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:ef19b552-3215-436c-8744-e91f6fe5f2cf.
Pełny tekst źródłaPagani, Alain [Verfasser]. "Reality models for efficient registration in Augmented Reality / Alain Pagani". München : Verlag Dr. Hut, 2015. http://d-nb.info/1069019852/34.
Pełny tekst źródłaStanciu, Radu Razvan. "Attitudes towards Paganism in Medieval Irish and Old Norse Texts of the Trojan War". Thesis, University of Cambridge, 2016. https://www.repository.cam.ac.uk/handle/1810/290141.
Pełny tekst źródłaGrossman, Deborah. "Survivals of Paganism in Christian Medieval Iceland as Evidenced by the Icelandic Family Sagas". Oberlin College Honors Theses / OhioLINK, 1988. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1363964743.
Pełny tekst źródłaPearson, Joannne Elizabeth. "Religion and the return of magic : Wicca as esoteric spirituality". Thesis, Lancaster University, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.322133.
Pełny tekst źródłaRock, Stella Kathleen. "Russian 'double-belief' : text, context, concept". Thesis, University of Sussex, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.323055.
Pełny tekst źródłaCharbonneau, Marisol. "A distinct Paganism: The Contemporary Pagan revival in Montreal at the turn of the millennium". Thesis, University of Ottawa (Canada), 2008. http://hdl.handle.net/10393/27669.
Pełny tekst źródłaMoretti, Debora. "The witch and the shaman : elements of paganism and regional differences in Italian witches' trials". Thesis, University of Bristol, 2017. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.761223.
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