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Artykuły w czasopismach na temat "Orlan"
Katz, Stéphanie. "ORLAN : postface". Cités 55, nr 3 (2013): 59. http://dx.doi.org/10.3917/cite.055.0059.
Pełny tekst źródłaLovelace, Carey. "Orlan: Offensive Acts". Performing Arts Journal 17, nr 1 (styczeń 1995): 13. http://dx.doi.org/10.2307/3245692.
Pełny tekst źródłaInce, Kate. "Orlan: Millennial Female". Woman's Art Journal 22, nr 2 (2001): 59. http://dx.doi.org/10.2307/1358932.
Pełny tekst źródłaSicard, Monique. "Orlan, post-woman". Les cahiers de médiologie 15, nr 1 (2003): 129. http://dx.doi.org/10.3917/cdm.015.0129.
Pełny tekst źródłaHatat, Brigitte. "Entretien avec Orlan". L'en-je lacanien 3, nr 2 (2004): 165. http://dx.doi.org/10.3917/enje.003.0165.
Pełny tekst źródłaO'Bryan, Jill. "Saint Orlan Faces Reincarnation". Art Journal 56, nr 4 (1997): 50. http://dx.doi.org/10.2307/777720.
Pełny tekst źródłaO'Bryan, Jill. "Saint Orlan Faces Reincarnation". Art Journal 56, nr 4 (grudzień 1997): 50–56. http://dx.doi.org/10.1080/00043249.1997.10791849.
Pełny tekst źródłaCLARKE, JULIE. "The Sacrificial Body of Orlan". Body & Society 5, nr 2-3 (czerwiec 1999): 185–207. http://dx.doi.org/10.1177/1357034x99005002011.
Pełny tekst źródłaRodrigues, Rejane Lopes. "CORPO E AUTOEXPERIMENTAÇÃO: UMA LEITURA DA ARTCHARNELDE ORLAN A PARTIR DO PENSAMENTO PÓS-FEMINISTA DE PAUL B. PRECIADO / Body and self-experimentation: a reading of ORLAN's artcharnel from Paul B. Preciado's post-feminist thinking". arte e ensaios 26, nr 39 (15.08.2020): 93–105. http://dx.doi.org/10.37235/ae.n39.8.
Pełny tekst źródłaMcKee, Francis. "Orlan, Portfolio Gallery, Edinburgh, June 1996". Circa, nr 77 (1996): s22. http://dx.doi.org/10.2307/25563036.
Pełny tekst źródłaRozprawy doktorskie na temat "Orlan"
Coulombe, Maxime. "Orlan : l'identité violente". Master's thesis, Université Laval, 2003. http://hdl.handle.net/20.500.11794/17769.
Pełny tekst źródłaTomas, Ilda. "Mac orlan au carrefour des arts". Paris 3, 1988. http://www.theses.fr/1989PA030109.
Pełny tekst źródłaAn attentive reading of p. Mac orlan based on the development of obsessionnel themes reveals some features which can not become obvious with a hasty approach. A sharp visual perception, an amazing analysis and foreknowledge, numerous directions taken by a creation the substance of which is made of memories and imagination : these are the main ways laid out by this writer who is as brilliant in songs as in novels, in poems as in essays. In this complex work, the concrete always interferes with metaphysical implications; the omnipresence of mystery breeds the conscience of a substantial unity of reality, binding life to vision and abstraction to perceptible material. So, it is possible to connect this work with a baroque tradition from which it takes the essential matter. By the painting, the poetry and the writing, the relationship is established with the ontological modalities, and thanks to it, the finite and the infinite keep close : it is the meaning of mac orlan's litterary adventure
Nikolaïdou, Margarita-Matthildi. "L'exotisme dans l'œuvre de Pierre Mac Orlan". Paris 4, 1997. http://www.theses.fr/1997PA040117.
Pełny tekst źródłaPierre Mac Orlan does not arouse the exotic feeling based on distance, despite the diversity of cities and the plurality of geographical names figuring in his works. For him the picturesque resides within the familiar itself characterized by "fantastique social" exoticism depicts the inner adventures of his contemporaries conforming to an irrational unknown that exists in the souls of his characters as well as in the places where the actions take place. It is about an exploration of the world of the 20s and 30s which is at the same time fascinating and threatening, about an imaginary journey taken by means of a poetic writing that serves as an exorcism
Benito, Climent José Ignacio. "Orlan como paradigma de la estética del sacrificio". Doctoral thesis, Universitat de València, 2011. http://hdl.handle.net/10803/80913.
Pełny tekst źródłaThis thesis sets out to study the historical and political context of performance art and the emergence of social movements such as feminism. The theoretical framework of this thesis is drawn from the feminist perspective of difference, as put forward in French Postmodernism by Beatriz Preciado in her ‘Testo Junkie’, as well as by Julia Kristeva and Judith Butler. The hypothesis we aim to demonstate in this research is that Orlan is a paradigm of feminist performance art. We shall make an analysis of her work, through which we will discover that her art is derived from carnal art. This type of art was already present in the art and literature of Francis Bacon and Antonin Artaud especially, and in Orlan's work it is apparent as an aesthetic of sacrifice, as proposed here. That is to say, an aesthetic in which the artist is sacrificed for the sake of a new post-human humanity, a hybrid identity, like that of Odysseus (discussed in Dialectic of Enlightenment by Adorno and Horkheimer) who becomes himself through an inner journey. One of the key ideas of this thesis is that the artist's ego, like the Greek ego, is achieved through sacrifice and this is how we construct the self through art, returning to the idea of sacrifice. We have also studied the politics of minorities, starting with the Postmodern French (Gilles Deleuze, Felix Guattari, Michel Foucault, Jacques Derrida, etc.), so as to be able to identify the concepts that are staged in Orlan's work. We thus discover that this kind of performance art invokes a political shift within the body of the artist, arising from the aesthetic, and so creates social change in the order of discourse, as if it were a political art of resistance today. The mythical and the ideological come together in a dialectic game by way of the theatre. Behind one reality, another one is revealed, masked and elusive.
Baines, Roger W. "'Inquietude' in the work of Pierre Mac Orlan". Thesis, University of Nottingham, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.243664.
Pełny tekst źródłaMarchi, Salette Mafalda Oliveira. "PRESENÇAS DO CORPO FEMININO NA ARTE: APROXIMAÇÕES A PARTIR DE ORLAN". Universidade Federal de Santa Maria, 2009. http://repositorio.ufsm.br/handle/1/5185.
Pełny tekst źródłaEsta investigação, de cunho bibliográfico, compreende os processos de reconfiguração do estatuto do corpo por meio da aproximação da arte com a tecnologia, propondo-se uma reflexão sobre a nova estética da desconstrução corporal. Para esta proposta reflexiva, abordam-se as representações da arte contemporânea realizada por mulheres identificadas por posições feministas, que exploram e problematizam as relações do corpo feminino transformado em objeto pela arte, no qual são incorporados elementos não naturais, como próteses, manipulação da imagem por programas de computador, entre outros. Destaca-se, nessa abordagem, a trajetória artística de Orlan, cujas obras são aqui analisadas a partir da compreensão do corpo como consequência de conflitos sociais e lugar de questões a respeito dos discursos sobre sexualidade, gênero, subjetividade e identidade.
Myers, Cerise Joelle. "Between the folly and the impossibility of seeing Orlan, reclaiming the gaze /". Connect to this title online, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1143500239.
Pełny tekst źródłaMyers, Cerise. "BETWEEN THE FOLLY AND THE IMPOSSIBILITY OF SEEING: ORLAN, RECLAIMING THE GAZE". Bowling Green State University / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1143500239.
Pełny tekst źródłaFaria, Anna Amélia de. "Mil e uma Orlans". Programa de Pós-Graduação em Letras e Lingüística da UFBA, 2009. http://www.repositorio.ufba.br/ri/handle/ri/11401.
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Mil e uma Orlans é uma tese que apresenta e discute as produções da artista, performer e criadora da Carnal Art, juntamente com o período que sensibilizou inúmeras noções de representação. Os trabalhos de Orlan vão da mudança de nome, de fisionomia e utilização de composições fotográficas à biotecnologia. Essa plurissemia, mixada, transvalora ícones artísticos e existenciais, ao mesmo tempo em que movimenta o uso de várias tecnologias. Eis a recente herança pós-moderna: a de promover potentes invenções desnaturalizantes, a partir dos rearranjos estético-éticos, propostos desde o grande turning point comportamental dos anos 1960, quando Orlan e outros questionadores rebeldes vieram a público produzir curtos-circuitos nas compreensões sobre o corpo, o gênero, a subjetividade e a arte contemporânea. A tese propõe demonstrar o contexto da artista, situar a época em que iniciou seus trabalhos e apontar algumas diferenças entre as suas criações e as de seus congêneres, artistas que, igualmente, foram tocados pelas transformações sensibilizadoras de um período, que ecoa até os nossos dias.
Salvador
Kidd, Verity. "Perfection? - Recreating the human : an exhibition of works by Orlan, Patricia Piccinini, Margi Geerlinks and Jake and Dinos Chapman". University of Western Australia. School of Architecture, Landscape and Visual Arts, 2007. http://theses.library.uwa.edu.au/adt-WU2008.0036.
Pełny tekst źródłaKsiążki na temat "Orlan"
Léa, Chauvel-Lévy, i Hill Eli, red. Orlan avant Orlan. Saint-Étienne]: Ceysson, 2018.
Znajdź pełny tekst źródłaOrlan. Orlan. Paris: Flammarion, 2004.
Znajdź pełny tekst źródłaCaroline, Cros, red. Orlan. Paris: Flammarion, 2004.
Znajdź pełny tekst źródłaOrlan. Orlan: 1964.1996. Rome: Diagonale, 1996.
Znajdź pełny tekst źródłaOrlan. Orlan conference. New York,etc: Emilie Harvey Gallery in association with Pat Hearn, etc., 1995.
Znajdź pełny tekst źródłaGautheron, Marie, i Nathalie Barjou. Orlan, morceaux choisis. [Lyon]: ENS, 2007.
Znajdź pełny tekst źródłaOrlan. Orlan, 1964-1996. Roma: Diagonale, 1996.
Znajdź pełny tekst źródłaOrlan. Orlan: Self-hybridations. Romainville: Al Dante, 1999.
Znajdź pełny tekst źródłaOrlan. Orlan, 1964-2001. Vitoria-Gasteiz: Artium, 2002.
Znajdź pełny tekst źródłaOrlan i Marie-José Bataille. Une oeuvre de Orlan. Marseille, France: Muntaner, 1998.
Znajdź pełny tekst źródłaCzęści książek na temat "Orlan"
Tambling, Jeremy. "Mac Orlan". W The Palgrave Encyclopedia of Urban Literary Studies, 1–3. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-62592-8_40-1.
Pełny tekst źródłaTambling, Jeremy. "Mac Orlan". W The Palgrave Encyclopedia of Urban Literary Studies, 1207–9. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-319-62419-8_40.
Pełny tekst źródłaWild, Gerhard. "Mac Orlan, Pierre". W Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_12955-1.
Pełny tekst źródłaWagner, Birgit. "Mac Orlan, Pierre: Le quai des brumes". W Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_12956-1.
Pełny tekst źródłaAston, Elaine. "From Orlan to Bernhardt: Recycling French Feminism, Theatre and Performance". W Contemporary French Theatre and Performance, 137–48. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230305663_11.
Pełny tekst źródłaWizorek, J. J., i T. G. Buchman. "Organ-Organ Interactions in Multiple Organ Failure". W Mechanisms of Organ Dysfunction in Critical Illness, 159–71. Berlin, Heidelberg: Springer Berlin Heidelberg, 2002. http://dx.doi.org/10.1007/978-3-642-56107-8_11.
Pełny tekst źródłaBährle-Rapp, Marina. "Organ". W Springer Lexikon Kosmetik und Körperpflege, 390. Berlin, Heidelberg: Springer Berlin Heidelberg, 2007. http://dx.doi.org/10.1007/978-3-540-71095-0_7228.
Pełny tekst źródłaJaski, Brian E. "Organ". W Developments in Cardiovascular Medicine, 53–68. Boston, MA: Springer US, 2000. http://dx.doi.org/10.1007/978-1-4615-4379-4_5.
Pełny tekst źródłaUmebayashi, Katsu, Thomas Daniell, Michael Webb, Peter Allison i Kazuhiro Kojima. "Organ". W FOBA, 119–32. New York, NY: Princeton Archit.Press, 2005. http://dx.doi.org/10.1007/1-56898-635-1_10.
Pełny tekst źródłaGooch, Jan W. "Orlon". W Encyclopedic Dictionary of Polymers, 506. New York, NY: Springer New York, 2011. http://dx.doi.org/10.1007/978-1-4419-6247-8_8254.
Pełny tekst źródłaStreszczenia konferencji na temat "Orlan"
Granahan, John E., John W. Steele, Richard C. Wilde, Jose A. Marmolejo, Isaak P. Abramov i Aram Z. Elbakian. "EMU and Orlan-M: Sharing a Common Coolant Loop". W International Conference On Environmental Systems. 400 Commonwealth Drive, Warrendale, PA, United States: SAE International, 1996. http://dx.doi.org/10.4271/961423.
Pełny tekst źródłaHiggins, Anthony Michael, Boris Zuskov i Paul Vande Zande. "CIDS to Orlan: Transformation and Start-Up of Sakhalin's Ice Resistant Drilling Platform". W SPE/IADC Drilling Conference. Society of Petroleum Engineers, 2007. http://dx.doi.org/10.2118/105649-ms.
Pełny tekst źródłaYounan, Adel H., Amir M. Kaynia, Max M. Loo, Widianto i Jameel Khalifa. "Seismic Design of Hebron Platform: An Integrated Soil-Structure-Interaction Approach". W ASME 2015 34th International Conference on Ocean, Offshore and Arctic Engineering. American Society of Mechanical Engineers, 2015. http://dx.doi.org/10.1115/omae2015-42134.
Pełny tekst źródłaPulla González, Jorge. "Walker Evans y Europa. La influencia de las vanguardias en el estilo documental norteamericano." W I Congreso Internacional sobre Fotografia: Nuevas propuestas en Investigacion y Docencia de la Fotografia. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/cifo17.2017.6740.
Pełny tekst źródłaFurst, Jacob D., Ruchaneewan Susomboom i Daniela S. Raicu. "Single Organ Segmentation Filters for Multiple Organ Segmentation". W Conference Proceedings. Annual International Conference of the IEEE Engineering in Medicine and Biology Society. IEEE, 2006. http://dx.doi.org/10.1109/iembs.2006.260625.
Pełny tekst źródłaFurst, Jacob D., Ruchaneewan Susomboom i Daniela S. Raicu. "Single Organ Segmentation Filters for Multiple Organ Segmentation". W Conference Proceedings. Annual International Conference of the IEEE Engineering in Medicine and Biology Society. IEEE, 2006. http://dx.doi.org/10.1109/iembs.2006.4398086.
Pełny tekst źródłaSteggell, Amanda. "The emotion organ". W Proceeding of the 16th ACM international conference. New York, New York, USA: ACM Press, 2008. http://dx.doi.org/10.1145/1459359.1459594.
Pełny tekst źródłaHillman, Elizabeth M. C. "Mouse Organ Imaging". W Frontiers in Optics. Washington, D.C.: OSA, 2008. http://dx.doi.org/10.1364/fio.2008.ftur1.
Pełny tekst źródłaNaveed, Khushbakht, Zofishan Hameed, Aqsa Khalid, Adeena Hamid, Beenish Fatima i Amna Batool. "Exploratory study on organ donation and organ transplantation in Pakistan". W ICTD '19: Tenth International Conference on Information and Communication Technologies and Development. New York, NY, USA: ACM, 2019. http://dx.doi.org/10.1145/3287098.3287145.
Pełny tekst źródłaBaptista, P. M., G. Orlando, S. H. Mirmalek-Sani, M. Siddiqui, A. Atala i S. Soker. "Whole organ decellularization - a tool for bioscaffold fabrication and organ bioengineering". W 2009 Annual International Conference of the IEEE Engineering in Medicine and Biology Society. IEEE, 2009. http://dx.doi.org/10.1109/iembs.2009.5333145.
Pełny tekst źródłaRaporty organizacyjne na temat "Orlan"
Ur, Shmuel. Analysis of Online Algorithms for Organ Allocation. Fort Belvoir, VA: Defense Technical Information Center, październik 1990. http://dx.doi.org/10.21236/ada249361.
Pełny tekst źródłaBasu, Sayani. Organ Transplantation: A New Lease of Life. Science Repository, luty 2021. http://dx.doi.org/10.31487/sr.blog.24.
Pełny tekst źródłaKessler, Judd, i Alvin Roth. Organ Allocation Policy and the Decision to Donate. Cambridge, MA: National Bureau of Economic Research, sierpień 2011. http://dx.doi.org/10.3386/w17324.
Pełny tekst źródłaNam, Jae Hyun, Hee Jin Kwack, Woo Seob Ha i Jee-Eun Chung. Resuscitation fluids for patients with risk factors of multiple organ failure: A systematic review and meta-analysis. INPLASY - International Platform of Registered Systematic Review and Meta-analysis Protocols, lipiec 2022. http://dx.doi.org/10.37766/inplasy2022.7.0091.
Pełny tekst źródłaDavid E. Hintenlang, Ph D. OSL Based Anthropomorphic Phantom and Real-Time Organ Dosimetry. Office of Scientific and Technical Information (OSTI), luty 2009. http://dx.doi.org/10.2172/948743.
Pełny tekst źródłaColpan, Asli, i Randall Morck. Business Groups: Panics, Runs, Organ Banks and Zombie Firms. Cambridge, MA: National Bureau of Economic Research, lipiec 2021. http://dx.doi.org/10.3386/w29035.
Pełny tekst źródłaDe Mel, Stephanie, Kaivan Munshi, Soenje Reiche i Hamid Sabourian. Herding with Heterogeneous Ability: An Application to Organ Transplantation. Cambridge, MA: National Bureau of Economic Research, październik 2021. http://dx.doi.org/10.3386/w29412.
Pełny tekst źródłaKellerLynn, Katie. Organ Pipe Cactus National Monument: Geologic resources inventory report. National Park Service, czerwiec 2022. http://dx.doi.org/10.36967/2293664.
Pełny tekst źródłaWang, Li Fang, Yan Ting Cao, Tegeleqi Bu, Lin Fu, Jun Li Liu i Jing Zhao. Do We Receive Cytomegalovirus Vaccination Before Solid Organ Transplant: a Meta-Analysis. INPLASY - International Platform of Registered Systematic Review and Meta-analysis Protocols, listopad 2022. http://dx.doi.org/10.37766/inplasy2022.11.0143.
Pełny tekst źródłaJoshi, Sarang C., Mark Foskey i Brad Davis. Automatic Organ Localization for Adaptive Radiation Therapy for Prostate Cancer. Fort Belvoir, VA: Defense Technical Information Center, maj 2005. http://dx.doi.org/10.21236/ada442678.
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