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Daskalopoulos, Anastasios A. "Homer, the manuscripts, and comparative oral traditions /". free to MU campus, to others for purchase, 1999. http://wwwlib.umi.com/cr/mo/fullcit?p9953854.
Pełny tekst źródłaLee, Peace Bakwon. "A Performance Analysis of Chaoxianzu Oral Traditions in Yanbian, China". The Ohio State University, 2002. http://rave.ohiolink.edu/etdc/view?acc_num=osu1392300971.
Pełny tekst źródłaGnoato, Linda <1994>. "Mzwakhe Mbuli, “The People’s Poet”. Keeping South African Oral Traditions Alive". Master's Degree Thesis, Università Ca' Foscari Venezia, 2019. http://hdl.handle.net/10579/14486.
Pełny tekst źródłaBrinton, Ruth M. "The southern French child at play : aspects of his traditional oral lore". Thesis, University of Bath, 1985. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.370457.
Pełny tekst źródłaWatkins, Carl S. "Wonders in central medieval chronicles of the Anglo-Norman realm". Thesis, University of Cambridge, 1998. https://www.repository.cam.ac.uk/handle/1810/272504.
Pełny tekst źródłaKabuta, N. S. "La formule et l'autopanégyrique dans les traditions orales africaines: étude structurelle". Doctoral thesis, Universite Libre de Bruxelles, 1995. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/212519.
Pełny tekst źródłaCole, Tiffany W. "Moonshining in Rockingham County : a case study on oral traditions and folkways /". Full-text of dissertation on the Internet (806.55 KB), 2010. http://www.lib.jmu.edu/general/etd/2010/masters/coletw/coletw_masters_04-26-2010_01.pdf.
Pełny tekst źródłaWilson, Michael. "A study of oral narrative traditions amongst teenagers in Britain and Ireland". Thesis, University of Exeter, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.337749.
Pełny tekst źródłaSaldana, Perez Joel Angel, i Perez Joel Angel Saldana. "Remedios de mi tierra: An Oral History Project on the Changes and Continuity of the Traditional Healing Knowledge and Practices of a Mexican Immigrant Mother from Guanajuato, Mexico". Thesis, The University of Arizona, 2017. http://hdl.handle.net/10150/625695.
Pełny tekst źródłaAbdul, Hadi Nurul Ikhlas. "Mothers, lovers others : an evolutionary analysis of womanhood in Western Malayo-Polynesian oral traditions". Thesis, University of Leeds, 2016. http://etheses.whiterose.ac.uk/16876/.
Pełny tekst źródłaWilliamson, James. "The Book of the Covenant : a comparison of diachronic and synchronic approaches". Thesis, Queen's University Belfast, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.342987.
Pełny tekst źródłaNolan, Grace. "The stories my mother told me : A comparative study of the folktales of Palmi in the context of the European oral tradition". Master's thesis, Australian Catholic University, 2002. https://acuresearchbank.acu.edu.au/download/72d8a6d0c9fb59445d6552436fa3da71efcd74e3dd3d09f1c9743007e4d6a6cd/3006149/Nolan_2002_The_stories_my_mother_told_me.pdf.
Pełny tekst źródłaClinton, Mary S. "Human development, life stages, aging, and gerotranscendence as related to the benefits and frameworks for reminiscence, life review, oral traditions and storytelling a review of the literature /". Online version, 1999. http://www.uwstout.edu/lib/thesis/1999/1999clintonm.pdf.
Pełny tekst źródłaArazi, Noemie. "Tracing history in the inland Niger Delta of Mali : archaeology, oral traditions and written sources". Thesis, University College London (University of London), 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.426077.
Pełny tekst źródłaAgu, Ogonna Chibuzo. "An examination of the Nri-Igbo concept of Chi in the light of oral traditions". Thesis, SOAS, University of London, 1990. http://eprints.soas.ac.uk/28748/.
Pełny tekst źródłaLeith, Eleanor Crowther. "Moving beyond words in Scotland's corp-oral traditions : British Sign Language storytelling meets the 'deaf public voice'". Thesis, University of Edinburgh, 2016. http://hdl.handle.net/1842/23449.
Pełny tekst źródłaRogers, Katherine, i Katherine Rogers. "Written Fragments of an Oral Tradition: "Re-Envisioning" the Seventeenth-Century Division Violin". Thesis, University of Oregon, 2012. http://hdl.handle.net/1794/12433.
Pełny tekst źródłaYaya, Isabel History & Philosophy Faculty of Arts & Social Sciences UNSW. "The two faces of Incan history: Unravelling dual representations in oral traditions of pre-Hispanic Cuzco". Publisher:University of New South Wales. History & Philosophy, 2008. http://handle.unsw.edu.au/1959.4/43333.
Pełny tekst źródłaHart, Elisa. "Getting started in oral traditions research, a case study in applied anthropology in the Northwest Territories". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ32924.pdf.
Pełny tekst źródłaPrendergast-Tarena, Eruera Tarena. "He Atua, He Tipua, He Takata Rānei: The Dynamics of Change in South Island Māori Oral Traditions". Thesis, University of Canterbury. Te Aotahi: Maori and Indigenous Studies, 2008. http://hdl.handle.net/10092/1976.
Pełny tekst źródłaMadlala, Ntokoza. "Kwasukasukela : a practical exploration of Nguni oral storytelling traditions on contemporary physical forms of storytelling for theatre". Master's thesis, University of Cape Town, 2001. http://hdl.handle.net/11427/13898.
Pełny tekst źródłaThe present study is a written explication of the production Kwasukasukela created and staged by the author in September 2001. The production involved a practical exploration of the impact of the Nguni storytelling tradition on contemporary physical form of storytelling for theatre. In the introduction, the terms of the study: the Nguni storytelling tradition and contemporary physical forms of storytelling, are defined. The theoretical proposal is then laid out, followed by a performance historical context for the study focusing on the works of Herbert Dhlomo, Mbongeni Ngema and Gcina Mhlophe. The final section provides a discussion of the creative methods employed and the discoveries made through the process of creating and staging Kwasukasukela. The study concludes that the bringing together of the Nguni storytelling tradition and contemporary physical forms of storytelling, in the context of a theatrical production, causes changes in both forms, giving rise to a hybrid third form which provides opportunities for the creation of new subject position in theatre practice in South Africa for more critical representations of identity and history.
Estrada, Gabriel S. "In nahui ollin, a cycle of four indigenous movements: Mexican Indian rights, oral traditions, sexualities, and new media". Diss., The University of Arizona, 2002. http://hdl.handle.net/10150/280008.
Pełny tekst źródłaShepherd, Eric Todd. "A pedagogy of storytelling based on Chinese storytelling traditions". The Ohio State University, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=osu1180552747.
Pełny tekst źródłaGordon-Burns, Diane. "“ ... AND DID SHE CRY IN MĀORI?” Recovering, reassembling and restorying Tainui ancestresses in Aotearoa New Zealand". Thesis, University of Canterbury. History, 2014. http://hdl.handle.net/10092/9977.
Pełny tekst źródłaHopkins, Maren P. "A Storied Land: Tiyo and the Epic Journey down the Colorado River". Thesis, The University of Arizona, 2012. http://hdl.handle.net/10150/222850.
Pełny tekst źródłaErapu, Laban Omella. "A study of Ngugi wa Thiong'o's later novels to assess his adaptation of dramatic techniques and Gikuyu oral traditions to the requirements of fiction". Thesis, Rhodes University, 1992. http://hdl.handle.net/10962/d1002278.
Pełny tekst źródłaAnderson, Danica. "The Use of Oral Memory Traditions Embedded in Somatic Psychology Practices by South Slavic Female Survivors of War and War Crimes". Thesis, The Chicago School of Professional Psychology, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=3643903.
Pełny tekst źródłaInterdisciplinary war trauma research suggests wars involving ethnic cleansing have debilitating and serious impacts on the physical and mental health of survivors. There has been a lack of focus on female-specific victimization, although female-driven cultural practices are altered as a result of traumatization. The South Slavic female survivors of the Balkan War partake in extensive cultural practices that have been shaped by their experiences of trauma. The current study used a qualitative approach to understand how women's traumatic experiences are manifested in and ameliorated by their oral memory traditions, or the cultural practice of sharing transgenerational information. Specifically, data from psychosomatic clinical sessions spanning a ten-year period were analyzed to identify how the somatic practice of the Kolo, or the round dance or sharing of information in a circle, has provided the women an outlet for their cultural expression and healing. Results are discussed in terms of psychosomatic themes that help us understand the effects of trauma.
Guemona, Djimet. "La paléo-métallurgie dans la région du Guéra (centre du Tchad) : inventaire des sites et essai de caractérisation des traditions sidérurgiques". Electronic Thesis or Diss., Toulouse 2, 2020. http://www.theses.fr/2020TOU20084.
Pełny tekst źródłaLocated in the south-east of the Lake Chad basin, the Guéra region has so far not benefited from any archaeological research work. However, this region has a rich metallurgical heritage. Combining oral information and archaeological data, this study is a contribution to the history of ancient iron production. To this end, we seek to determine the technical, economic and human impacts of this activity. In order to conduct this study properly, our questions focused on the identity of the metallurgists who worked iron in this region, their migration paths and their settlement in the Guéra. We also tried to describe and characterize the smelting techniques that were used, to quantify the volume of metallurgical waste, and to date the metallurgy of iron in the Guéra
Lee, Michelle. "Te whatu o poutini a visual art exploration of new media storytelling, 2007". Click here to access this resource online, 2007. http://hdl.handle.net/10292/419.
Pełny tekst źródłaGutjahr, Eva. "Entre tradições orais e registros da oralidade indígena". Universidade de São Paulo, 2008. http://www.teses.usp.br/teses/disponiveis/8/8134/tde-04052009-155701/.
Pełny tekst źródłaThis study focus on the relationships between oral traditions, and products and events related to the documentation of indigenous oral sayings from the starting point of two case-studies of different scales: Xavante, from the Pimentel Barbosa village in Central Brazil, and Kanak, from the islands of New Caledonia, in Melanesia. For each of this cases I intended the search for relations or rhizomes, in order to identify effects that documentation of oral statements, narratives and sayings produced in the point of view of their very actors. I call such effects proliferation, resistance or indifference. Basing my analysis in expressive and discourse-mediated interaction as considered adequate by these populations in specific contexts, I wished to reflect on traditions as announced, in situations that demand the institutionalization of patrimonies and identities, as well as identify ways that documentation practices and products are invested by these people according to their own dynamic forms of creativity and innovation. My objective was to establish, through making these two cases comparables, a critical reflection on the contemporary intangible cultural heritage policies based on the safeguarding of oral traditions and expressions of indigenous people.
Obsieh, Moussa Souleiman. "L'oralité dans la littérature de la Corne de l'Afrique : traditions orales, formes et mythologies de la littérature pastorale, marques de l'oralité dans la littérature". Thesis, Dijon, 2012. http://www.theses.fr/2012DIJOL016/document.
Pełny tekst źródłaThe Horn of Africa has a traditional oral literature which is rich and varied as the rest of the continent, starting from pastoral mythology to poetry, legend and storytelling. But with the social upheaval which occurred with the arrival of European settlers and the introduction of writing, the chain of transmission of the oral tradition is threatened. Many Europeans have sought to describe the habits and customs of these people. Whereas on the other hand, the writers from the Horn of Africa are often inspired by giving it (orality) and a new way of doing it. The following research work strives to reflect traditional forms of orality and their impact on modern literature
Clarkson, Rebecca. "Singing With the New Order Amish: How Their Current Musical Practices Reflect Their Culture and History". University of Cincinnati / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1352993454.
Pełny tekst źródłaGromov, Mikhail D. "East African Literature: Essays on Written and Oral Traditions. Ed. by J.K.S. Makokha, Egara Kabaji and Dominica Dipio. Berlin: Logos Verlag, 2011, 513 pp. ISBN 978-3-8325-2816-4". Universitätsbibliothek Leipzig, 2013. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-107482.
Pełny tekst źródłaHolm, Andrea Hernandez, i Andrea Hernandez Holm. "Floating Borderlands: Chicanas and Mexicanas Moving Knowledge in the Borderlands". Diss., The University of Arizona, 2016. http://hdl.handle.net/10150/620872.
Pełny tekst źródłaMusandu, Phoebe A. "Daughter of Odoro Grace Onyango and African women's history /". Oxford, Ohio : Miami University, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1152280364.
Pełny tekst źródłaAndersson, Josefina. "Bildstenarna och den muntliga traditionen på Gotland under yngre järnålder". Thesis, University of Kalmar, School of Human Sciences, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:hik:diva-2122.
Pełny tekst źródłaAndersson, J. 2008. Bildstenarna och den muntliga traditionen på Gotland under yngre järnålder. The Picture Stones and the Oral Tradition of Gotland During the Late Iron Age. Högskolan i Kalmar ht 2008.
This is a study of the picture stones of Gotland and the oral tradition connected to them. This study consists of two main parts; in the main part the discussion focus on the oral tradition and the continuity of the same, where the memory plays a significant role. It also contains a discussion of the physical environment and its influences of the oral tradition. The second part concentrates around the picture stones, the variation of the scenes and the numerous of them.
Keywords: oral traditions, picture stones, late iron age, Gotland, Nordic mythology.
Medica, Hazra C. "The influence of anxiety : re-presentations of identity in Antiguan literature from 1890 to the present". Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:e9aa4fdc-35f8-4ccc-b4bb-b46dc45cb52e.
Pełny tekst źródłaByrd, Gayle. "The Presence and Use of the Native American and African American Oral Trickster Traditions in Zitkala-Sa's Old Indian Legends and American Indian Stories and Charles Chesnutt's The Conjure Woman". Diss., Temple University Libraries, 2014. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/258606.
Pełny tekst źródłaPh.D.
The Presence and Use of the Native American and African American Oral Trickster Traditions in Zitkala-Sa's Old Indian Legends and American Indian Stories and Charles Chesnutt's The Conjure Woman My dissertation examines early Native American and African American oral trickster tales and shows how the pioneering authors Zitkala-Sa (Lakota) and Charles W. Chesnutt (African American) drew on them to provide the basis for a written literature that critiqued the political and social oppression their peoples were experiencing. The dissertation comprises 5 chapters. Chapter 1 defines the meaning and role of the oral trickster figure in Native American and African American folklore. It also explains how my participation in the Native American and African American communities as a long-time storyteller and as a trained academic combine to allow me to discern the hidden messages contained in Native American and African American oral and written trickster literature. Chapter 2 pinpoints what is distinctive about the Native American oral tradition, provides examples of trickster tales, explains their meaning, purpose, and cultural grounding, and discusses the challenges of translating the oral tradition into print. The chapter also includes an analysis of Jane Schoolcraft's short story "Mishosha" (1827). Chapter 3 focuses on Zitkala-Sa's Old Indian Legends (1901) and American Indian Stories (1921). In the legends and stories, Zitkala-Sa is able to preserve much of the mystical, magical, supernatural, and mythical quality of the original oral trickster tradition. She also uses the oral trickster tradition to describe and critique her particular nineteenth-century situation, the larger historical, cultural, and political context of the Sioux Nation, and Native American oppression under the United States government. Chapter 4 examines the African American oral tradition, provides examples of African and African American trickster tales, and explains their meaning, purpose, and cultural grounding. The chapter ends with close readings of the trickster tale elements embedded in William Wells Brown's Clotel; or, The President's Daughter (1853), Harriett Jacobs's Incidents in the Life of a Slave Girl (1861), and Martin R. Delany's Blake, or the Huts of America (serialized 1859 - 1862). Chapter 5 shows how Charles Chesnutt's The Conjure Woman rests upon African-derived oral trickster myths, legends, and folklore preserved in enslavement culture. Throughout the Conjure tales, Chesnutt uses the supernatural as a metaphor for enslaved people's resistance, survival skills and methods, and for leveling the ground upon which Blacks and Whites struggled within the confines of the enslavement and post-Reconstruction South. Native American and African American oral and written trickster tales give voice to their authors' concerns about the social and political quality of life for themselves and for members of their communities. My dissertation allows these voices a forum from which to "speak."
Temple University--Theses
Wanjema, Richard Wachira. "INTERACTIVE MEDIA and CULTURAL HERITAGE: Interpreting Oral Culture in a Digital Environment". The Ohio State University, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=osu1343405232.
Pełny tekst źródłaMouanda, Merril Rosthand. "Valorisation du patrimoine des peuples autochtones du Congo Brazzaville : proposition d’un centre d’interprétation pour la promotion des traditions orales de l’ethnie Aka". Master's thesis, Universidade de Évora, 2021. http://hdl.handle.net/10174/30749.
Pełny tekst źródłaMezop, Temgoua Alice Lucie. "Archéologie, traditions orales et ethnographie au nord du Cameroun: histoire du peuplement de la région du Faro durant le dernier millénaire". Doctoral thesis, Universite Libre de Bruxelles, 2011. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/209940.
Pełny tekst źródłaDans ce travail, j’apporte par le biais d'une approche historique et comparative des éléments susceptible d’expliquer, d’une part la complexité qui caractérise le peuplement du Faro et, d’autre part, la façon dont le peuplement de cette région a évolué au cours du dernier millénaire. Il est également question de faire progresser la réflexion méthodologique, en évaluant la façon dont les modèles obtenus par l’archéologie peuvent être confrontés avec ceux qui se basent sur les traditions orales, les éléments de la culture matérielle actuelle et la linguistique.
L’étude des traditions orales a permis de classer par ordre chronologique les éléments historiques importants et d’établir une histoire du peuplement durant ces derniers siècles. Elle confirme qu’il est possible de reconnaître des racines remontant au delà du 19ème siècle à la plupart des groupes qui peuplent encore la région aujourd’hui, ainsi que de nombreuses ruptures dans l’histoire du peuplement du Faro. Contrairement aux travaux antérieurs, la plus importante de ces fractures date du début du 19ème siècle, avec l’occupation des conquérants foulbé, qui ont provoqué l’insécurité généralisée, la division de la région en deux et les plus importantes déportations de populations des plaines vers les montagnes refuges.
L’approche archéologique a permis d’établir la première séquence chrono-culturelle du Faro au cours du dernier millénaire. Si la présence d’un peuplement ancien dans la plaine était envisagée, l’étude archéologique apporte la preuve que des communautés humaines vivent dans le Faro depuis environ 1000 ans. A partir du 15ème siècle, des modifications surviennent. Celles-ci se manifestent surtout par l’apparition d’une nouvelle poterie ornée au Blepharis sp. Lorsque l’on compare la carte de distribution des sites associés à cette céramique, au trajet suivi par les Bata, qui remontent le cours du Faro en implantant des villages et à l’aire d’extension des langues tchadiques au Faro, il semble plausible que de nouvelles populations occupent la région vers le milieu du dernier millénaire de notre ère. Pour le 19ème siècle bien documenté par les traditions orales, les données archéologiques viennent renforcer l’idée d’une profonde rupture durant cette période.
En abordant l’histoire du peuplement du Faro, il était nécessaire d’examiner le concept de l’ethnicité comme il est classiquement employé dans la région. D’une manière générale, l’étude conforte l’idée qu’il est très difficile d’aborder la profondeur historique des identités des groupes actuels.
La confrontation entre les faits des cultures vivantes et les résultats archéologiques a permis d’évaluer les potentialités de raisonnements historique et comparatif. On ne peut que constater, dans cet exemple concret, le grand intérêt qu’il y a à fonder la reconstitution du passé sur de multiples sources.
Doctorat en Histoire, art et archéologie
info:eu-repo/semantics/nonPublished
Pavlović, Aleksandar. "From traditional to transitional texts : Montenegrin oral tradition and Vuk Karadžić’s Narodne srpske pjesme". Thesis, University of Nottingham, 2012. http://eprints.nottingham.ac.uk/14346/.
Pełny tekst źródłaAncín, Itziar. "The Kabir Project. Bangalore and Mumbai (India)". Thesis, Malmö högskola, Fakulteten för kultur och samhälle (KS), 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-23290.
Pełny tekst źródłaSaponov, Mikhail. "Musical Historiography and Oral Tradition". Bärenreiter Verlag, 2000. https://slub.qucosa.de/id/qucosa%3A36659.
Pełny tekst źródłaReea, Goenda. "Le comique dans la tradition orale et la littérature contemporaine tahitiennes - vision du rire, vision du monde". Thesis, Polynésie française, 2016. http://www.theses.fr/2016POLF0005.
Pełny tekst źródłaIn Tahiti, no research has been done about “comic words” in Tahitian language, demonstrating a way to consider the world. The relevance of this study is to reveal a reality in an internal point of view as well as unconscious processes which govern the laughter of and in the Tahitian society. The purpose of the present Thesis is to define the characteristics of Comic in the Tahitian oral tradition and contemporary literature, through the 'ūtē 'ārearea (traditional funny songs), in the context of July’s cultural celebrations in Tahiti, from 1986 to 2014, and through two plays, "Te pe'ape'a hau 'ore o Pāpā Pēnū 'e o Māmā Rōrō" by Maco Tevane (1972, played again in 2011) and “E'ita ïa” by John Mairai (1989). Placing this analysis into a conceptual and methodological as well as a semiolinguistical and psychocritical frameworks, makes us suppose that it is possible to abstract, by the superposition of the texts from the corpus of research, a substratum made of invariables, which contribute to the meaning of words
Sinclair-Reynolds, Emma. "(Re)writing Pathways : Oral Tradition, Written Tradition, and Identity Construction in Kanaky/Nouvelle-Calédonie". Thesis, Nouvelle Calédonie, 2014. http://www.theses.fr/2014NCAL0066/document.
Pełny tekst źródłaHow might Kanak oral traditions move beyond their usual boundaries and influence identity construction processes in contemporary New Caledonian society? This thesis explores the interactions between Kanak oral tradition and New Caledonian written tradition, by examining the (re)writings that are places of encounter between these traditions, and thus constitute a space of shared heritage. This study traces the pathways taken by a story, Le Chef et le lézard, (a number of versions of which are found in different Kanak oral traditions), as it moves into and within written tradition. The historical, political, and literary contexts of the (re)writing processes that produce versions of Le Chef et le lézard are elucidated, to demonstrate the forces at work and shed light on how the representations that figure in the (re)writings might participate in identity construction processes. The conceptual tools used in the study include: rewriting; vā (the relational space of exchange and encounter found throughout Oceania); and literature as a means of building community. The original contribution of this thesis has been to demonstrate the degree and the extent of the integration of a Kanak story into the New Caledonian literary polysystem; to highlight the active role played by Kanak actors in the rewriting process; to develop anextended geographic metaphor for the New Caledonian literary landscape; to bear witness to the richness of oral and written traditions in Kanaky/Nouvelle-Calédonie; and to create a bridge between non-Francophone researchers/readers and New Caledonian literature (oral and written)
Yamamoto, Kumiko. "The oral background of Persian Epics : storytelling and poetry /". Leiden : Brill, 2003. http://catalogue.bnf.fr/ark:/12148/cb38998044f.
Pełny tekst źródłaCockell, James Edward. "Schenkerism and the Hungarian oral tradition". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0010/MQ34305.pdf.
Pełny tekst źródłaZizz, John Thomas. "Oral communication and the psyche of an aural community, as seen in Acts 2:14-41". Johnson City, TN : Emmanuel School of Religion, 2008. http://dx.doi.org/10.2986/tren.062-0306.
Pełny tekst źródłaZizz, John Thomas. "Oral communication and the psyche of an aural community, as seen in Acts 2:14-41". Theological Research Exchange Network (TREN), 2007. http://www.tren.com/search.cfm?p062-0306.
Pełny tekst źródła