Rozprawy doktorskie na temat „Operas”
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Friedman, Arnold Jacob. "A Different Drummer: A Chamber Opera". Thesis, view full-text document. Access restricted to the University of North Texas campus, 1999. http://www.library.unt.edu/theses.
Pełny tekst źródłaEvans, Anne Megan. "The evolving role of the director in Xiqu innovation". Thesis, University of Hawaii at Manoa, 2003. http://proquest.umi.com/pqdweb?index=0&did=764745581&SrchMode=1&sid=4&Fmt=2&VInst=PROD&VType=PQD&RQT=309&VName=PQD&TS=1233276975&clientId=23440.
Pełny tekst źródłaSalfen, Kevin McGregor. "Paintings and Palaces, or the Lament of the Burger Flipper". Thesis, University of North Texas, 1999. https://digital.library.unt.edu/ark:/67531/metadc2186/.
Pełny tekst źródłaAsplund, Christian T. "Two chamber operas /". Thesis, Connect to this title online; UW restricted, 1998. http://hdl.handle.net/1773/15513.
Pełny tekst źródłaBergström, Gunnel. "In search of meaning in opera : an opera singer's approach to the dialetics of words, music, & myth in opera from Monteverdi to Verdi /". Online version, 2000. http://bibpurl.oclc.org/web/26209.
Pełny tekst źródłaMarx, Hannelie. "Narrative and soap opera a study of selected South African soap operas /". Diss., Connect to this title online, 2007. http://upetd.up.ac.za/thesis/available/etd-05192008-162153/.
Pełny tekst źródłaO'Keefe, Patricia Beatrice. "Selected Operas of Isabelle Aboulker As Repertoire for the University Opera Studio". Thesis, University of North Texas, 2014. https://digital.library.unt.edu/ark:/67531/metadc699840/.
Pełny tekst źródłaMcKellar, Shannon Colwyn. "Institutional voices : five Britten operas". Thesis, University of Oxford, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.267084.
Pełny tekst źródłaArtemas-Polak, Natalie. "The operas of Gustav Holst". Thesis, University of Surrey, 2006. http://epubs.surrey.ac.uk/843193/.
Pełny tekst źródłaSeinen, Nathan Christopher. "Prokofiev's Soviet operas : four essays". Thesis, University of Cambridge, 2012. https://www.repository.cam.ac.uk/handle/1810/283904.
Pełny tekst źródłaHarris, Ellen T. "Harmonic Organization of Handel's Operas". Bärenreiter Verlag, 1987. https://slub.qucosa.de/id/qucosa%3A37217.
Pełny tekst źródłaDrake, Jeremy. "The operas of Darius Milhaud /". New York ; London : Garland, 1989. http://catalogue.bnf.fr/ark:/12148/cb35521748h.
Pełny tekst źródłaJackson, Paul. "The operas of David Pérez /". Ann Arbor : Mich. : UMI, 2000. http://catalogue.bnf.fr/ark:/12148/cb371220232.
Pełny tekst źródłaIrvin, Nat 1951. "A Voice Crying in the Wilderness: An Opera Based on the Life of John the Baptist". Thesis, North Texas State University, 1987. https://digital.library.unt.edu/ark:/67531/metadc1038784/.
Pełny tekst źródłaDumigan, Darryl Jacqueline. "Nicola Porpora's operas for the 'opera of the nobility' : the poetry and the music". Thesis, University of Huddersfield, 2014. http://eprints.hud.ac.uk/id/eprint/24693/.
Pełny tekst źródłaFrehner, Paul (Paul Anton). "Sirius on earth : 2001-2003, a chamber opera in five scenes, in full score". Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=84688.
Pełny tekst źródłaStraughn, Gregory. "Reconstructing Convention: Ensemble Forms in the Operas of Jules Massenet". Thesis, University of North Texas, 2004. https://digital.library.unt.edu/ark:/67531/metadc4651/.
Pełny tekst źródłaPatino, Julio. "Matador". Thesis, University of North Texas, 1998. https://digital.library.unt.edu/ark:/67531/metadc279182/.
Pełny tekst źródłaRodmell, Paul Julian. "The operas of Sir Charles Stanford". Thesis, University of Birmingham, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.398152.
Pełny tekst źródłaBruce, Richard Douglas. "Schubert's mature operas : an analytical study". Thesis, Durham University, 2003. http://etheses.dur.ac.uk/4050/.
Pełny tekst źródłaKunju, Hleze Welsh. "A critical and intercultural analysis of selected isiXhosa operas in the East Cape Opera Company's repertory". Thesis, Rhodes University, 2013. http://hdl.handle.net/10962/d1001861.
Pełny tekst źródłaAnbari, Alan Roy. "Richard Wagner's concepts of history /". Austin, Tex. : University of Texas Libraries, 2007. http://www.lib.utexas.edu/etd/d/2007/anbaria35075/anbaria35075.pdf#page=3.
Pełny tekst źródłaMiller, Robin A. (Robin Annette). "The Prologue in the Seventeenth-Century Venetian Operatic Libretto: its Dramatic Purpose and the Function of its Characters". Thesis, University of North Texas, 1998. https://digital.library.unt.edu/ark:/67531/metadc277705/.
Pełny tekst źródłaCheng, Yu-sum Anthony. "From Hades an opera in four acts /". Click to view the E-thesis via HKUTO, 2007. http://sunzi.lib.hku.hk/hkuto/record/B38522883.
Pełny tekst źródłaStolz, Nolan Ryan. "The touch : a black box opera /". view abstract or download file of text, 2006. http://proquest.umi.com/pqdweb?did=1394663551&sid=1&Fmt=2&clientId=11238&RQT=309&VName=PQD.
Pełny tekst źródłaThomalla, Hans. "Fremd, Medea, strange : opera-scene for soprano, choir, instrumental ensemble and live electronics /". May be available electronically:, 2007. http://proquest.umi.com/login?COPT=REJTPTU1MTUmSU5UPTAmVkVSPTI=&clientId=12498.
Pełny tekst źródłaSohet, Dominique. "Les operas de haydn : contraintes et liberte". Paris 4, 1987. http://www.theses.fr/1987PA040388.
Pełny tekst źródłaEsterhaza, where most of haydn's operas were composed, implied, because of its geographical, political and cultural position and of its reigning princes tastes, a set of constraints. These had direct consequences both of selected libretti (themes, adaptations) and on musical choices concessing the makeup of the troupe (orchestra, choir, soloists). It appears that the composer, ever respectful of his prince and his artists, found in these constraints the true originality of his opera style: from constraint to liberty
Jobe, Robert DeRoy. "The operas of André-Ernest-Modeste Grétry /". Ann Arbor : Mich. : UMI, 2000. http://catalogue.bnf.fr/ark:/12148/cb371219281.
Pełny tekst źródłaKeith, John. "The operas of Jean-François Le Sueur /". Ann Arbor : Mich. : UMI, 2000. http://catalogue.bnf.fr/ark:/12148/cb371221580.
Pełny tekst źródłaPaige, Diane Marie. "Women in the operas of Leoš Janáček /". Ann Arbor (Mich.) : UMI, 2005. http://catalogue.bnf.fr/ark:/12148/cb40043438t.
Pełny tekst źródłaShirey, Benjamin 1985. "Transient Delete: Original Composition with a Critical Examination of the Compositional Process and a Survey of Digital Technology in Opera". Thesis, University of North Texas, 2016. https://digital.library.unt.edu/ark:/67531/metadc849752/.
Pełny tekst źródłaSauceda, Jonathan. "Opera and Society in Early-Twentieth-Century Argentina: Felipe Boero's El Matrero". Thesis, University of North Texas, 2016. https://digital.library.unt.edu/ark:/67531/metadc862860/.
Pełny tekst źródłaLi, Yiman. "Study of symbolic expressions in Peking Opera's costumes and lyrics". Orlando, Fla. : University of Central Florida, 2008. http://purl.fcla.edu/fcla/etd/CFE0002149.
Pełny tekst źródłaChowrimootoo, Christopher Craig. "Middlebrow Modernism: Britten's Operas and the Great Divide". Thesis, Harvard University, 2013. http://dissertations.umi.com/gsas.harvard:11102.
Pełny tekst źródłaMusic
Mundye, Charles. "Ezra Pound's operas : an analytical and contextual study". Thesis, University of York, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.245908.
Pełny tekst źródłaBrown, L. R. "Woman and telenovelas (soap operas) in northeast Brazil". Thesis, University of Cambridge, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.597019.
Pełny tekst źródłaJoo, Kwan Kyun. "An Anthology of Tenor Arias from Korean Operas". Thesis, University of North Texas, 2020. https://digital.library.unt.edu/ark:/67531/metadc1752385/.
Pełny tekst źródłaMeneer, Nathanael. "Horatio Parker's Mona: an experiment in American grand opera". Thesis, Boston University, 2012. https://hdl.handle.net/2144/32036.
Pełny tekst źródłaHoratio William Parker (1863-1919) was a prominent American composer who belonged to the Second New England School (the "Boston Six"), and served as the Dean of Music at Yale University from 1904 until his death. His opera Mona (Opus 71) was created in collaboration with his librettist, Brian Hooker (1880-1946), as an entry to a contest that was being held by the Metropolitan Opera Company for the best English-language opera written by an American-born composer. Parker and Hooker won the contest, and received $10,000 in prize money along with a production of Mona at the Met. The contest generated a considerable amount of interest in the American musical community, and sparked debate concerning the characteristics that should epitomize "American" opera. After difficult rehearsals and extensive revisions, Mona premiered on March 14'h, 1912. Despite its lavish production, the opera was met with a lukewarm reception by the American public, and failed to make its way into the permanent repertory of the Met. Willie American opera of this era was commonly criticized for being simple and frivolous, Mona is notable for being a serious opera of considerable complexity that was ultimately rejected by the American public. The opera is also significant in that it seems to mark a turning point in Parker's biography, after which he placed greater emphasis on the popular appeal of his compositions.
Yang, Wai Yin. "The historical development of Cantonese opera in the Republican period /". View Abstract or Full-Text, 2003. http://library.ust.hk/cgi/db/thesis.pl?HUMA%202003%20YANG.
Pełny tekst źródłaIncludes bibliographical references (leaves 232-238). Also available in electronic version. Access restricted to campus users.
Shainin, Christopher David Aristophanes. "Bird scenes /". Thesis, Connect to this title online; UW restricted, 2003. http://hdl.handle.net/1773/11296.
Pełny tekst źródłaPoovey, Christopher 1993. "Music as a Woven Narrative to an Absurd Tale in Act One of The Metamorphosis". Thesis, University of North Texas, 2018. https://digital.library.unt.edu/ark:/67531/metadc1157611/.
Pełny tekst źródłaCarson, Michael 1959. "Riders to the Sea". Thesis, University of North Texas, 1993. https://digital.library.unt.edu/ark:/67531/metadc277892/.
Pełny tekst źródłaCho, Chul Hyung. "Madame Chrysanthème : the opera and its relationship to Madame Butterfly /". Thesis, Connect to this title online; UW restricted, 2003. http://hdl.handle.net/1773/11430.
Pełny tekst źródłaKye, Hee-seng. "The third voice : anima as drama in Mozart's operas". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2015. http://hdl.handle.net/10722/212609.
Pełny tekst źródłapublished_or_final_version
Music
Doctoral
Doctor of Philosophy
Hodge, Andrew M. Hodge Andrew M. "Modernist continuities of realist opera in the twentieth century : some thoughts about contemporary music drama /". 2003. http://wwwlib.umi.com/cr/yorku/fullcit?pMQ99324.
Pełny tekst źródłaTypescript. Includes portions of the libretto and score of the author's opera Hanging at dawn. Includes bibliographical references. Also available on the Internet. MODE OF ACCESS via web browser by entering the following URL: http://wwwlib.umi.com/cr/yorku/fullcit?pMQ99324
Cho, Eun Deuk. "Doctoral thesis recital (voice)". 2014. http://hdl.handle.net/2152/25242.
Pełny tekst źródłaMiller, Joshua. "Doctoral thesis recital (directing)". 2015. http://hdl.handle.net/2152/30119.
Pełny tekst źródłaBazler, Corbett. "The Comedies of Opera Seria: Handel's Post-Academy Operas, 1738-1744". Thesis, 2013. https://doi.org/10.7916/D8M90GW5.
Pełny tekst źródłaBazler, Corbett. "The Comedies of Opera Seria: Handel’s Post-academy Operas, 1738-1744". Thesis, 2012. https://doi.org/10.7916/D8DN4C7H.
Pełny tekst źródłaReed, Russell Mathew Welcher Dan. "Scenes from imaginary operas". 2005. http://wwwlib.umi.com/cr/utexas/fullcit?p3165089.
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