Gotowa bibliografia na temat „Opera in Australia”
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Artykuły w czasopismach na temat "Opera in Australia"
Sussman, Sally, i Tony Day. "Orientalia, Orientalism, and The Peking Opera Artist as ‘Subject’ in Contemporary Australian Performance". Theatre Research International 22, nr 2 (1997): 130–49. http://dx.doi.org/10.1017/s030788330002054x.
Pełny tekst źródłaGamage, Shashini. "Migration, identity, and television audiences: Sri Lankan women’s soap opera clubs and diasporic life in Melbourne". Media International Australia 176, nr 1 (5.05.2020): 93–106. http://dx.doi.org/10.1177/1329878x20916946.
Pełny tekst źródłaSergi, Michael, i Peter Dodds. "How Reality Bites: The Production of Australian Soap Operas". Media International Australia 106, nr 1 (luty 2003): 71–83. http://dx.doi.org/10.1177/1329878x0310600109.
Pełny tekst źródłaJarman, Douglas. "THE MUSIC OF ANTHONY GILBERT (PART 2)". Tempo 58, nr 230 (październik 2004): 38–49. http://dx.doi.org/10.1017/s0040298204000300.
Pełny tekst źródłaLefoe, Geraldine E. "Journal of University Teaching and Learning Practice Editorial 8.2". Journal of University Teaching and Learning Practice 8, nr 2 (1.04.2011): 2–4. http://dx.doi.org/10.53761/1.8.2.1.
Pełny tekst źródłaKelly, Veronica. "The Globalized and the Local: Theatre in Australia and Aotearoa/New Zealand Enters the New Millennium". Theatre Research International 26, nr 1 (marzec 2001): 1–14. http://dx.doi.org/10.1017/s0307883301000013.
Pełny tekst źródłaBrinke, Josef. "26th Congress of the International Geographical Union". Geografie 94, nr 1 (1989): 1–4. http://dx.doi.org/10.37040/geografie1989094010001.
Pełny tekst źródłaHalliwell, Michael. "Annarosa Berman (text) and Bridget Elliot (photographs)The company we keep: An intimate celebration of opera Australia". Musicology Australia 30, nr 1 (styczeń 2008): 75–79. http://dx.doi.org/10.1080/08145857.2008.10416734.
Pełny tekst źródłaAnderson, Margot. "Dance Overview of the Australian Performing Arts Collection". Dance Research 38, nr 2 (listopad 2020): 149–67. http://dx.doi.org/10.3366/drs.2020.0305.
Pełny tekst źródłaBrown, Paul, Taylor L. Hunt i Khageswor Giri. "Effects of gear type, entrance size and soak time on trap efficiency for freshwater crayfish Cherax destructor and C. albidus". Marine and Freshwater Research 66, nr 11 (2015): 989. http://dx.doi.org/10.1071/mf14284.
Pełny tekst źródłaRozprawy doktorskie na temat "Opera in Australia"
Smart, Bonnie Jane. "Leon Caron and the music profession in Australia". Connect to thesis, 2003. http://repository.unimelb.edu.au/10187/1427.
Pełny tekst źródłaHowlett, May Catherine. "The production of a contemporary chamber opera (The boy who wasn't there)". Thesis, Electronic version, 2005. http://hdl.handle.net/1959.14/769.
Pełny tekst źródłaDissertation, libretto and score of the opera.
Thesis (MA)--Macquarie University (Division of Humanities, Dept. of Contemporary Music Studies), 2005.
Bibliography: p. 138-141.
Introduction -- Historical background and literature review -- Structural and philosophic changes -- Chamber opera: a genre in evolution -- Chamber opera: its potential for the future -- The personal experiment -- Conclusion..
From its origins as chamber opera just over four hundred years ago, Opera developed through the 18th and 19th centuries, in length and complexity, to attain the status of 'grand', a term that most people associate with opera to this day ... At the beginning of the 20th century, radical innovations in the arts influenced by movements such as the Bauhaus phenomenon, added to the aftermath of a world war that shattered existing socio-political structures and artistic sentiments turned from extroverted displays of grandeur to the creation of more cerebral, introverted styles. ... On the threshold of a new millennium, small, often experimental companies, passionately convinced of the relevance of, and excited by the artistic potential inherent in this revitalized form of opera, formed a loose consortium of creative artists internationally, similar in spirit to the original Camerata of the 16th century, making use of current technologies. Whether these newer works may be styled 'chamber opera' or 'music theatre', they represent a form in evolution, capable of further development into a new genre, a vital nexus of traditional skills applied to current issues, peculiarly suited to integration with electronic modes such as television.
Mode of access: World Wide Web.
141 leaves music
Stock, Cheryl F. "Making intercultural dance in Vietnam : issues of context and process from the perspective of an Australian choreographer and her colleagues from Vietnam Opera Ballet Theatre (Nhà Hát Nhạc Vũ Kịch Việt Nam) 1995-1999". Queensland University of Technology, 1999. http://eprints.qut.edu.au/17527/.
Pełny tekst źródłaWood, Alison J. E. "The poetics of Libretti: reading the opera works of Gwen Harwood and Larry Sitsky". 2008. http://hdl.handle.net/2440/49219.
Pełny tekst źródłahttp://proxy.library.adelaide.edu.au/login?url= http://library.adelaide.edu.au/cgi-bin/Pwebrecon.cgi?BBID=1331575
Thesis (M.A.) -- University of Adelaide, School of Humanities, 2008
Câmara, Fernando Américo Carlos da. "Análise da capacidade cognitiva dos empresários do distrito da Matola para entender e usar informações financeiras no contexto do ambiente de negócios em que operam". Master's thesis, 2017. http://hdl.handle.net/10071/15520.
Pełny tekst źródłaThe purpose of this study is to evaluate the level of financial literacy and its impact on entrepreneurship among entrepreneurs in Matola province. For the preparation of this document, the questionnaire was supplemented by an interview to evaluate the level of financial literacy among the entrepreneurs of Matola province. Education and training, both in primary and high school, with an emphasis on financial literacy and entrepreneurial skills, can have significant implications for the development and growth of small and medium-sized enterprises. We find that financial literacy among young entrepreneurs in Matola District is medium and contributes significantly to their entrepreneurship skills. This work is the first to study the level of financial literacy among entrepreneurs in Matola District and as such establishes an important reference for new research in this area.
Boshoff, Dorothea. "Crafting positions : representations of intimacy and gender in The Sentients of Orion". Thesis, 2017. http://hdl.handle.net/10500/23473.
Pełny tekst źródłaEnglish Studies
D. Litt. et Phil. (English)
Książki na temat "Opera in Australia"
Opera for the Antipodes: Opera in Australia, 1881-1939. Sydney: Currency Press and Pellinor, 1990.
Znajdź pełny tekst źródłaZietz, Karyl Lynn. Opera companies and houses of western Europe, Canada, Australia, and New Zealand: A comprehensive illustrated reference. Jefferson, N.C: McFarland, 1999.
Znajdź pełny tekst źródłaSilsbury, Elizabeth. State of opera: An intimate new history of the State Opera of South Australia, 1957-2000. Kent Town, S. Aust: Wakefield Press, 2001.
Znajdź pełny tekst źródłaDreamscapes. Oxford: Isis, 2006.
Znajdź pełny tekst źródłaThe saga of Sydney Opera House: The dramatic story of the design and construction of the icon of modern Australia. New York: Spon Press, 2004.
Znajdź pełny tekst źródłaDownes, Peter. The Pollards: A family and its child and adult opera companies in New Zealand and Australia, 1880-1910. Wellinton, NZ: Steele Roberts, 2002.
Znajdź pełny tekst źródłaBonynge, Richard. Joan Sutherland & Richard Bonynge with the Australian Opera. Roseville, NSW, Australia: Craftsman House, 1990.
Znajdź pełny tekst źródłaWilmoth, Peter. Diva: Dame Joan Sutherland : Australia's opera legend. Melbourne: Australia Post, 2004.
Znajdź pełny tekst źródłaWang, Zheng-Ting. Chinese music in Australia, Victoria: 1850s to mid 1990s. Melbourne: Australia Asia Foundation, 1997.
Znajdź pełny tekst źródłaMercado, Andrew. Super Aussie soaps: Behind the scenes of Australia's best loved TV shows. North Melbourne: Pluto Press, 2004.
Znajdź pełny tekst źródłaCzęści książek na temat "Opera in Australia"
Akın, Ömer. "Sydney Opera House, Sydney, Australia". W Design Added Value, 177–85. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-28860-0_16.
Pełny tekst źródłaStaples, David. "Sydney Opera House, 1973 Sydney, Australia". W Modern Theatres 1950–2020, 237–48. New York: Routledge, 2021.: Routledge, 2021. http://dx.doi.org/10.4324/9781351052184-30.
Pełny tekst źródłaHalliwell, Michael. "Prologue". W National Identity in Contemporary Australian Opera, 1–14. Abingdon, Oxon ; New York, NY : Routledge, 2017. |: Routledge, 2017. http://dx.doi.org/10.4324/9781315597171-1.
Pełny tekst źródłaHalliwell, Michael. "Coda". W National Identity in Contemporary Australian Opera, 187–90. Abingdon, Oxon ; New York, NY : Routledge, 2017. |: Routledge, 2017. http://dx.doi.org/10.4324/9781315597171-10.
Pełny tekst źródłaHalliwell, Michael. "Failure". W National Identity in Contemporary Australian Opera, 15–34. Abingdon, Oxon ; New York, NY : Routledge, 2017. |: Routledge, 2017. http://dx.doi.org/10.4324/9781315597171-2.
Pełny tekst źródłaHalliwell, Michael. "The bush – The Ghost Wife, Whitsunday and Fly Away Peter". W National Identity in Contemporary Australian Opera, 35–58. Abingdon, Oxon ; New York, NY : Routledge, 2017. |: Routledge, 2017. http://dx.doi.org/10.4324/9781315597171-3.
Pełny tekst źródłaHalliwell, Michael. "Postwar disillusion". W National Identity in Contemporary Australian Opera, 59–80. Abingdon, Oxon ; New York, NY : Routledge, 2017. |: Routledge, 2017. http://dx.doi.org/10.4324/9781315597171-4.
Pełny tekst źródłaHalliwell, Michael. "New beginnings – Bride of Fortune and The Riders". W National Identity in Contemporary Australian Opera, 81–99. Abingdon, Oxon ; New York, NY : Routledge, 2017. |: Routledge, 2017. http://dx.doi.org/10.4324/9781315597171-5.
Pełny tekst źródłaHalliwell, Michael. "Cultural renaissance – The Eighth Wonder". W National Identity in Contemporary Australian Opera, 100–117. Abingdon, Oxon ; New York, NY : Routledge, 2017. |: Routledge, 2017. http://dx.doi.org/10.4324/9781315597171-6.
Pełny tekst źródłaHalliwell, Michael. "Suburban dreams and nightmares – The Children’s Bach, Love in the Age of Therapy and Midnight Son". W National Identity in Contemporary Australian Opera, 118–40. Abingdon, Oxon ; New York, NY : Routledge, 2017. |: Routledge, 2017. http://dx.doi.org/10.4324/9781315597171-7.
Pełny tekst źródłaStreszczenia konferencji na temat "Opera in Australia"
Moulis, Antony. "Architecture in Translation: Le Corbusier’s influence in Australia". W LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.752.
Pełny tekst źródłaLeong, Tuck Wah, i Peter Wright. "Understanding 'tingle' in opera performances". W the 25th Australian Computer-Human Interaction Conference. New York, New York, USA: ACM Press, 2013. http://dx.doi.org/10.1145/2541016.2541026.
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