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Kang, Kyoung-Lae. "Novel genres or generic novels considering Korean movies adapted from amateur Internet novels /". Connect to this title online, 2008. http://scholarworks.umass.edu/theses/96/.
Pełny tekst źródłaBastin, Nina. "World games : constructing and configuring the worlds of Queneau's novels". Thesis, University of Bristol, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.324341.
Pełny tekst źródłaPrévost-Levac, Caroline. "Defining graphic novels : the contentious case of wordless novels". Master's thesis, Université Laval, 2018. http://hdl.handle.net/20.500.11794/29545.
Pełny tekst źródłaIn spite of comics’ long and rich history, their definition remains today a significant source of contention in the field. Scholars cannot seem to agree on what constitutes comics, with some of them stressing the importance of conventions such as speech balloons or motion lines, and others focusingon the pictorial and narrative elements of the form. A perfect definition may be impossible, but one issue that needs tobe addressed is the current exclusion of wordless graphic novels. While occasionally acknowledged, these works remain mainly ignored, as most working definitions present comics as a combination of text and image. This thesis intends to show that there is a need for more inclusive definitions of the medium, in order to incorporate wordless graphic novels. By first exploring the wordless ancestry of the medium and the role of text in creating and reading graphic novels, this thesis refutes the foundationally baseless assumptions about the form that have made text so widely accepted as a defining element. Then, through an analysis of Shaun Tan’s The Arrival and Peter Kuper’s The System, both of which are wordless graphic novels, this thesis demonstrates the superfluous nature of text when it comes to narrative in this medium. Finally, through readings of Peter Kuper’s The System and David Mazzucchelli’s Asterios Polyp, the thesis considers the contribution of the image to the complexity of graphic novels with and without text, in order to prove that images are not more simplistic in nature than text. The case is thereby made that wordless novels are as worthy of academic attention as graphic novels with text, and deserve acknowledgement in definitions of the medium.
Hernandez, Fisher Carlos. "The design process of The Legend of Wild Man Fischer /". Burnaby B.C. : Simon Fraser University, 2005. http://ir.lib.sfu.ca/handle/1892/2353.
Pełny tekst źródłaSabbah, Youssef. "Philosophical history in Scott's Waverley novels". Thesis, Bangor University, 2003. https://research.bangor.ac.uk/portal/en/theses/philosophical-history-in-scotts-waverley-novels(a69912b9-af58-4bbc-9e27-ffb6e7eb6433).html.
Pełny tekst źródłaPhelps, Valarie L. "Pedagogy of Graphic Novels". TopSCHOLAR®, 2011. http://digitalcommons.wku.edu/theses/1065.
Pełny tekst źródłaVilleneuve, Philippe. "The early Nabokov novels". Thesis, University of Ottawa (Canada), 2008. http://hdl.handle.net/10393/27739.
Pełny tekst źródłaBlumberg, Jane. "Mary Shelley's early novels". Thesis, University of Oxford, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.305729.
Pełny tekst źródła麥雅琳 i Ngah-lam Elaine Mak. "Eugenics in dystopian novels". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2001. http://hub.hku.hk/bib/B31226516.
Pełny tekst źródłaMak, Ngah-lam Elaine. "Eugenics in dystopian novels /". Hong Kong : University of Hong Kong, 2001. http://sunzi.lib.hku.hk/hkuto/record.jsp?B23595954.
Pełny tekst źródłaSchulze, Klaus-Heinrich. "Charles Dickens'ds child-novels". reponame:Repositório Institucional da UFSC, 2013. https://repositorio.ufsc.br/handle/123456789/106165.
Pełny tekst źródłaMade available in DSpace on 2013-12-05T19:28:26Z (GMT). No. of bitstreams: 1 321773.pdf: 11274676 bytes, checksum: 56a3b5622939ef146127d901a00a1704 (MD5)
Ray, Girindra Narayan. "Iris Murdoch : a study of her novels". Thesis, University of North Bengal, 1998. http://hdl.handle.net/123456789/1195.
Pełny tekst źródłaSvärd-Molin, Michaela. ""Who woudln't choose the easiest way out?" : A Study on the Teaching of Fiction within the Swedish EFL-classroom". Thesis, Högskolan i Halmstad, Akademin för lärande, humaniora och samhälle, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-31261.
Pełny tekst źródłaJeppsson, Arvid, i Johansson Max Pudas. "VISUAL NOVELS OCH ORDKUNSKAP : Användares attityder till Visual Novels med ordinlärning som huvudsyfte". Thesis, Högskolan i Skövde, Institutionen för informationsteknologi, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:his:diva-17018.
Pełny tekst źródłaBen, Mohammed Ghazi. "What is falling in love? : A study of the literary archetype of falling in love with special reference to Don Quixote, Le Rouge et le Noir, and Madame Bovary". Thesis, University of Cambridge, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.307061.
Pełny tekst źródłaMcCarthy, Margot. "The construction of identity in Victorian sensation fiction". Thesis, University of Oxford, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.367839.
Pełny tekst źródłaCelikel, Mehmet Ali. "The post-colonial condition : the fiction of Rushdie, Kureishi and Roy". Thesis, University of Liverpool, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.368686.
Pełny tekst źródłaPrice, Jacqueline. "'Born out of war' : the relationship between war and the family in the selected works of Doris Lessing". Thesis, Keele University, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.301160.
Pełny tekst źródłaEdwards, Rachel. "Myth in contemporary French fiction with particular reference to Michel Tournier and Patrick Grainville". Thesis, University of Exeter, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.481193.
Pełny tekst źródłaStevens, D. R. "The novelist as engineer : a thesis on credible engineering components of fiction novels (supplemented by an "engineering" fiction novel)". Thesis, View thesis, 2007. http://handle.uws.edu.au:8081/1959.7/39903.
Pełny tekst źródłaStevens, D. R. "The novelist as engineer a thesis on credible engineering components of fiction novels (supplemented by an "engineering" fiction novel) /". View thesis, 2007. http://handle.uws.edu.au:8081/1959.7/39903.
Pełny tekst źródłaA thesis submitted to the University of Western Sydney, College of Health and Science, School of Engineering, in fulfilment of the requirements for the degree of Master of Engineering (Hons.). Includes bibliographical references.
Josaph, G. "Democratic socialism in George Orwells Novels". Thesis, University of North Bengal, 1990. http://hdl.handle.net/123456789/1187.
Pełny tekst źródłaPurdy, Martha Leete. "Adult Experience of Learning From Novels". Diss., Virginia Tech, 1998. http://hdl.handle.net/10919/40505.
Pełny tekst źródłaEd. D.
Kirca, Mustafa. "Postmodernist Historical Novels: Jeanette Winterson". Phd thesis, METU, 2009. http://etd.lib.metu.edu.tr/upload/12610813/index.pdf.
Pełny tekst źródłahistoriographic metafictions&rdquo
(Hutcheon 1989: 92), in terms of their allowing for different voices and alternative, plural histories by subverting the historical documents and events that they refer to. The study analyzes texts from feminist and postcolonial literature, Jeanette Winterson&rsquo
s The Passion and Sexing the Cherry, and Salman Rushdie&rsquo
s Midnight&rsquo
s Children and Shame as examples in which the transgression of boundaries between fact and fiction is achieved. Basing its arguments on postmodern understanding of history, the thesis puts forward that historiography not only represents past events but it also gives meaning to them, as it is a signifying system, and turns historical events into historical facts. Historiography, while constructing historical facts, singles out certain past events while omitting others, for ideological reasons. This inevitably leads to the fact that marginalized groups are denied an official voice by hegemonic ideologies. Therefore, history is regarded as monologic, representing the dominant discourse. The thesis will analyze four novels by Winterson and Rushdie as double-voiced discourses where the dominant voice of history is refracted through subversion and gives way to other voices that have been suppressed. While analyzing the novels themselves, the thesis will look for the metafictional elements of the texts, stressing self-reflexivity, non-linear narrative, and parodic intention to pinpoint the refraction and the co-existence of plural voices. As a result, historiographic metafiction is proved to be a liberating genre, for feminist and postcolonial writers, that enables other histories to be verbalized.
Twidale, Kathleen M. "Sensibility in Frances Burney's novels /". Title page, table of contents and introduction only, 1994. http://web4.library.adelaide.edu.au/theses/09PH/09pht9713.pdf.
Pełny tekst źródłaWong, Chi-hung, i 黃自鴻. "Space in Taiwan urban novels". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2006. http://hub.hku.hk/bib/B35808068.
Pełny tekst źródłaConway, Mary Alma. "The novels of Manuel Scorza". Thesis, Queen's University Belfast, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.264083.
Pełny tekst źródłaMohatlane, Edwin Joseph. "Tragedy in selected Sesotho novels". Thesis, Stellenbosch : University of Stellenbosch, 2002. http://hdl.handle.net/10019.1/15495.
Pełny tekst źródła207 leaves printed single pages, preliminary pages i-xiii and numbered pages 1-195. Includes bibliography.
Digitized at 600 dpi grayscale to pdf format (OCR), using a Bizhub 250 Konica Minolta Scanner.
ENGLISH ABSTRACT: The object of this study is to examine the expression of tragedy in randomly selected Sesotho novels in two major periods, namely the early period (1925 to 1970s) and the later period (1970s to 1990s). Five Sesotho novels will be discussed in each period and give an indication of tragic expression in that period. It is however not the main emphasis in this work to compare and contrast between the two periods but mainly to observe patterns of tragedy and tragic expressions in Sesotho novels. Chapter One orientates the reader by indicating aspects such as the problem identification, aim of the research, the approach or modus operandi, the scope as well as the organisation of the study, that is, a brief arrangement of chapters and presentation of what would be contained in subsequent chapters. Chapter Two presents the theoretical framework within which the research will be based. As the theoretical framework in this work, aspects of tragedy, namely, character, plot and theme will be discussed. Chapter Three focuses on the early Sesotho tragedies within the literary period 1925 to 1970s. As already indicated, five novels, namely, Chaka, Mphatlalatsane, Moiketsi, Mosali a nkhola, and Leshala Ie tswala molora will be discussed in terms of the theoretical principles suggested in Chapter Two. At the end of the chapter, an analysis of the findings and conclusions will be drawn on tragic expressions in these novels. These novels distinguish themselves as largely classical tragedies (there are modern ones also) in terms of the nature of tragic characters available. Chapter Four examines the later Sesotho tragedies ranging between the period 1970s to 1990s. As in early Sesotho novels, five novels will be discussed with a view to highlight tragic expressions in this period. Peo ena ejetswe ke wena, Mehaladitwe ha e eketheha, Nna ke mang, Ke lesheleshele leo a iphehletseng lona and Lehlaba la lephako will be the novels we analyse. Analysis of the findings will be made and conclusions drawn at the end of the chapter in how tragedy is expressed in all these novels. These novels distinguish themselves as largely modern tragedies in terms of the tragic characters portrayed in them. Chapter Five presents the general conclusions on all the novels discussed in the two periods. A comparison will be made as to how tragic expression differs from one period to another particularly in terms of the three aspects of tragedy. Each novel will be given the individual attention and focussed exclusively as to how it presents tragedy and how perhaps it differs from others.
SESOTHO ABSTRACT: Ka mosebetsi ona wa diphuputso re hlahloba ka moo mahlomola a totobatswang ka teng dingolweng tse kgethilweng dinakong tsena tsa bongodi, e leng ho tloha selemong sa 1925 ho isa selemong sa 1970 le tse hlahlamang esita le nako ya morao e qalang selemong sa 1970 ho isa dilemong tsa 1990 le tse hlahlamang. Re tla hlahloba dipale tse hlano mokgahlelong 0 mong le 0 mong wa nako e le ho totobatsa ka moo mahlomola a hlahiswang ka teng dipaleng tsa Sesotho. Ha se sepheo se seholo sa mosebetsi ona ho bapisa totobatso ya mahlomola mekgahlelong ena ya nako empa sepheo se seholo ke ho bontsha ka moo mahlomola a hlahiswang ka teng dipaleng tsa Sesotho. Kgaolong ya Pele re tla nyenyeletsa mrnadi diphuputsong tsena ka ho mo tsebisa dintlha tsa bohlokwa malebana Ie mosebetsi ona tse kang totobatso ya qaka, sepheo sa phuputso ena, mokgwa oo phuputso e tla etswa ka ona, dintlha tse tla fuputswa esita le tlhophiso ya mosebetsi ona. Ka tlhophiso ya mosebetsi ona re bolela tatelano ya dikgaolo esita le tlhahiso ya kgaolo ka nngwe, ho tse tla latela. Kgaolong ya Bobedi re hlahisa teori kapa moralo wa tsebo 0 tla sebediswa bakeng sa phuputso ena. Tse ding tsa dikarolwana tsa moralo ona wa tsebo e tla ba dikarolo tsa bohlokwa tsa pale ya mahlomola, mme ka hona mosebetsi 0 tla totobatsa mophetwa, moralo wa kgohlano (poloto) le mookotaba. Dintlha tsena tsa moralo wa tsebo di tla sebediswa dipaleng tsa Sesotho tse tla hlahlojwa dikgaolong tse tla latela. Kgaolong ya Boraro re hlahloba dipale tsa Sesotho tse ngotsweng mokgahlelong wa pele wa nako mme e le nako e qalang selemong sa 1925 ho isa selemong sa 1970 le tse mmalwa tse latelang. Jwalo ka ha re se re hlalositse, re tla hlahloba dipale tse hlano e leng Chaka, Mphatlalatsane, Moiketsi, Mosali a nkhola le Leshala le tswala rnolora ho latela dintlha tseo re buileng ka tsona kgaolong ya bobedi. Qetellong ya kgaolo ena re tla hlahloba diqeto tseo re di etsang ho latela tseo re di lemohileng dipaleng tsena malebana Ie tlhahiso ya mahlomola. Dipale tsena ke dipale tsa tlelaseki tse tshwanang le tsa.S ekgerike (le hoja ho ntse ho na le dipale tsa sejwalejwale) ho latela semelo sa mophetwa wa mahlomola. Kgaolong ya Bone re hlahloba dipale tsa mahlomola tsa mokgahlelo wa sejwalejwale mme e le dipale tse ngotsweng nakong ya selemo sa 1970 ho tla tihla dilemong tsa 1990 le tse hlahlamang. Jwalo ka ha re ile ra etsa dipaleng tsa kgale, re tla hlahloba dipale tse hlano e le ho bontsha ka moo mahlomola a totobatswang ka teng paleng tsa Sesotho. Dipale tseo re tla di hlahloba ke Pea ena ejetswe ke wena, Mehaladitwe ha e eketheha, Nna ke mang, Ke lesheleshele lea a iphehletseng lana Ie Lehlaba la lephaka. Ha re se re hlahlobile dipale tsena re tla fana ka diqeto tseo re di tihleletseng mabapi le ka moo mahlomola a hlahiswang ka teng paleng tsena. Dipale tsena di ka tsejwa e le dipale tsa sejwalejwale ho latela mofuta wa mophetwa wa mahlomola ya fumanwang ho tsona. Kgaolong ya Bohlano re fana ka diqeto tse akaretsang malebana Ie dipale tsohle tseo re di hlahlobileng mekgahlelong ena e mmedi ya nako. Re tla bapisa ka moo tlhahiso ya mahlomola e fapaneng ka teng ka lebaka la tshwaetso ya semelo sa mophetwa, diketsahalo kapa moralo esita Ie mookotaba kapa molaetsa. Re tla lekola pale ka nngwe mme re hlahlobe ka moo e hlahisang mahlomola ka teng le ka moo e fapanang le dipale tse ding ka teng.
AFRIKAANSE OPSOMMING: Die doel van hierdie studie is om die voorkoms van die tragedie in geselekteerde Suid-Soetoe romans gedurende hoofsaaklik twee periodes, naamlik, die vroeere periode (1925 tot die 1970's) en die latere periode (1970 tot die 1990's) te ondersoek. Vyf Suid-Soetoe romans sal bespreek word rakende elke periode en sal 'n aanduiding gee van die tragedie gedurende die betrokke periode. Dit is egter nie die hoofdoel van die werk om vergelykings en onderskeidinge tussen die twee periodes te tref nie, maar eerder om tragedie en tragiese elemente binne Suid-Soetoe romans te bespreek. Hoofstuk Een se doel sal wees om die leser te orienteer aangesien dit aspekte soos die probleem identifikasie, die doel van die studie, die omvang en die voorlopige navorsing gemaak in terme van ander navorsingswerke rakende die onderwerp bevat, naamlik, vorige studies rakende die karakter in Suid-Soetoe romans met spesifieke verwysing na tragiese karakters. Die hoofstuk sal ook die uiteensetting van die studie, soos die uitleg van die hoofstukke en inhoud van daaropvolgende hoofstukke bevat, bespreek. Hoofstuk Twee stel die teoretiese raamwerk bekend waarop die navorsing gebasseer is. As deel van die raamwerk, sal aspekte van die tragedie soos karakter, intrige en tema bespreek word. Hierdie teoretiese aspekte sal dan toegepas word op Suid-Soetoe romans in opvolgende hoofstukke. Hoofstuk Drie fokus op die vroeere Suid-Soetoe tragedies binne die literere periode 1925 tot 1970s. Vyf romans, naamlik Chaka, Mphatlalatsane, Moiketsi, Mosali a nkhola en Leshala Ie tswala rnolora sal bespreek word in terme van teoretiese beginsels genoem in Hoofstuk Twee. Aan die einde van die hoofstuk sal 'n analise gemaak word van die bevindinge en gevolgtrekkings rakende die tragedie se voorkoms in hierdie romans. Hierdie romans onderskei hulself grootliks as klassieke tragedies in terme van die tragiese karakters se voorkoms. Hoofstuk Vier ondersoek die latere Suid-Soetoe tragedies gedurende die tydperk 1970 tot 1990. Soos in die vroeere tydperk, sal vyf romans bespreek word met die doel om die aspekte van tragedie te aksentueer. Peo ena e jetswe ke wena, Mehaladitwe ha e eketheha, Nna ke mang, Ke lesheleshele leo a iphehletseng lona en Lehlaba la lephako sal romans wees waarop gefokus word. 'n Analise van die bevindinge en gevolgtrekkings sal gemaak word aan die einde van die hoofstuk en sal die voorkoms van die tragedie in al die romans beskryf. Hierdie romans onderskei hulself hoofsaaklik as moderne tragedies in terme van die tragiese karakters se voorkoms. Hoofstuk Vyf verskaf algemene gevolgtrekkings waartoe gekom is in die voorafgaande bespreking van die genoemde twee periodes. 'n Vergelyking sal gemaak word oor hoe die voorkoms van die tragedie verskil van een periode na die ander, rakende die tragiese figuur. Elke roman sal individuele aandag kry en klem sal gele word op hoe dit verskil van ander romans.
Ball, Derek Gordon. "Mathematics in George Eliot's novels". Thesis, University of Leicester, 2016. http://hdl.handle.net/2381/38755.
Pełny tekst źródłaThompson-Casado, Kathleen. "The novels of Rosa Montero". Connect to resource, 1994. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1219849235.
Pełny tekst źródłaGunnarsson, Bo. "The novels of William Gerhardie". Åbo : Åbo akademis förlag = Åbo academy university press, 1995. http://catalogue.bnf.fr/ark:/12148/cb369584642.
Pełny tekst źródłaSharma, Kajali. "Symbolism in Anita Desai's novels /". Sittingsbourne (GB) : Asia publishing house, 1991. http://catalogue.bnf.fr/ark:/12148/cb374709766.
Pełny tekst źródłaRakotomena-Rajonson, Norosoa Auberthine. "Ethics in Mrs Gaskell's novels". Dijon, 1995. http://www.theses.fr/1995DIJOL009.
Pełny tekst źródłaThe study of ethics, of world vision, as it is seen through Mrs Gaskell’s novels, is the gist of the present work. The corpus of the study is made up of Mary Barton, Cranford, North and South, Ruth, Sylvia's lovers wives and daughters. This study rests on the analysis of the victorians' reactions when faced with the ongoing transformations. The first part offers a picture of the socio-economic scene of Manchester where Mrs Gaskell spent most of her lifetime. It analyses the repercussions of the changes brought about by urbanization and industrialization on the socio-economic side of the nancunians' lives. The second part describes the intellectual scene through an analysis of the various reactions of the characters towards education and science, business and trade, religion, politics, and other questions linked to moral problems. The third part attempts a synthesis, a kind of evaluation of the previous two parts. It analyses some means implemented by the novelist to weigh on her readers, to influence them as regards her own stance towards the moral problems of the period
Duncan, Samantha. "What are we doing when we read novels? : reading circles novels and adult reading development". Thesis, University College London (University of London), 2010. http://discovery.ucl.ac.uk/10019927/.
Pełny tekst źródłaMackenzie, Robin Malcolm James. "'L'inconscient' in Proust's A la recherche du temps perdu : narratorial content and textual structure". Thesis, University of Cambridge, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.357775.
Pełny tekst źródłaSingleton, Charles John. "House of Water". Thesis, Lancaster University, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.387445.
Pełny tekst źródłaSarll, Pauline Letitia. "Boundaries, borders and frontiers in the fiction of Larry McMurtry". Thesis, University of Nottingham, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.240736.
Pełny tekst źródłaUhrig, Reinhard Mathias. "First-person narration in the early modern novel with special reference to Sorel's Francion, Grimmelshausen's Courasche, and Defoe's Moll Flanders". Thesis, University College London (University of London), 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.325410.
Pełny tekst źródłaDavis, Michael Dominic. "Exploring the unmapped country : George Eliot and nineteenth-century science of mind". Thesis, University of Liverpool, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.368684.
Pełny tekst źródłaLien, Vincent Wen-Shan. "E.M. Forster and transgressive aesthetics". Thesis, University of York, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.341812.
Pełny tekst źródłaYousaf, Nahem. "Writing and resistance : Alex La Guma's aparteid narratives". Thesis, University of Hertfordshire, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.245405.
Pełny tekst źródłaAnderson, N. S. "Anatomy of the Libro aureo de Marco Aurelio by Antonio de Guevara". Thesis, University of Edinburgh, 1990. http://hdl.handle.net/1842/18919.
Pełny tekst źródłaSimpson, Jennifer Lesley. "'Magic, spectacle and illness' : masquerade and gender identity in nineteenth century fiction by women". Thesis, University of Aberdeen, 1999. http://digitool.abdn.ac.uk/R?func=search-advanced-go&find_code1=WSN&request1=AAIU484336.
Pełny tekst źródłaBalodis, Janis Maris. "The practice of adaptation : turning fact and fiction into theatre". Thesis, Queensland University of Technology, 2012. https://eprints.qut.edu.au/60917/1/Janis_Balodis_Thesis.pdf.
Pełny tekst źródłaChhetri, Chitrabahadur. "Alienation and survival : a study of the novels of Anita Desai". Thesis, University of North Bengal, 2003. http://hdl.handle.net/123456789/1198.
Pełny tekst źródłaJohannessen, Lindsey. "Incorporating graphic novels into social studies based instruction an effective means of determining quality graphic novels". Honors in the Major Thesis, University of Central Florida, 2011. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/442.
Pełny tekst źródłaB.S.
Bachelors
Education
Elementary Education
Comorau, Nancy Alla. "Postcolonial refashionings reading forms, reading novels /". College Park, Md. : University of Maryland, 2009. http://hdl.handle.net/1903/9951.
Pełny tekst źródłaThesis research directed by: Dept. of English. Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.
Larsson, Hanna. "Code-Switching in Chinua Achebe's Novels". Thesis, University of Skövde, School of Humanities and Informatics, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:his:diva-1046.
Pełny tekst źródłaThe aim of this essay is to point out how Chinua Achebe uses different features of Igbo and Nigerian Pidgin English (NPE) in four of his novels. Firstly, there will be an explanation of the terms code switching and proverb, followed by an overview of Pidgin Languages and Nigerian Pidgin English. This study will then deal with two aspects of code-switching in Achebe’s novels: semantic, which includes intertwined Igbo vocabulary and proverbs; and syntactic, which is a study of Nigerian Pidgin English verb phrase constructions. The study will examine how the Igbo lexicon and proverbs function in the text and if/how it is possible to understand the meaning of the Igbo vocabulary. Further, it will examine how the verb constructions of the NPE dialogues are used and if they follow the norm set up by other linguists, or if Achebe alters their usage according to his own style.
Dunphy, Mark Raymond. "Double consciousness in Melville's middle novels /". Access abstract and link to full text, 1985. http://0-wwwlib.umi.com.library.utulsa.edu/dissertations/fullcit/8522800.
Pełny tekst źródłaHarvey, Alban Thomas. "The historical novels of Charles Dickens". Thesis, University of Cambridge, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.293764.
Pełny tekst źródła