Książki: „Novella 2000”

1

Nannini, Monica. Il Peggio di Novella 2000. Wyd. 2. Milano: Rizzoli, 1986.

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2

Llosa, Mario Vargas, i Antoni Munné, red. Obras completas V: Novelas (2000-2006). Barcelona, España: Círculo de Lectores, 2010.

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Illedits, Alexander. Wohnungseigentum kompakt: Mitwirkungsrechte & Gestaltungsmöglichkeiten nach WEG 2002, BTVG-Novelle 2008, Wohnrechtsnovelle 2009. Wyd. 4. Wien: LexisNexis, 2010.

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Illedits, Alexander. Wohnungseigentum kompakt: Mitwirkungsrechte & Gestaltungsmöglichkeiten nach WEG 2002, BTVG-Novelle 2008, Wohnrechtsnovelle 2009. Wyd. 4. Wien: LexisNexis, 2010.

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Rosaria, Belgiorno Maria, red. Mavrorachi: Il profumo di Afrodite e il mistero della dea senza volto : dal 2000 a.C. ad oggi quattromila anni di profumo. Roma: Gangemi, 2007.

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Sacoto, Antonio. La novela ecuatoriana, 1970-2000. Quito, Ecuador: Minsterio de Educación y Cultura, Sistema Nacional de Bibliotecas, 2000.

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Kropik, Andreas. Das Vergaberecht in Österreich: Kurzkommentar & Gesetzestext ; das Bundesvergabegesetz 2006, inkl. Novelle 2009. Wien: Service-GmbH der Wirtschaftskammer Österreich, 2009.

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Durante, Ignacio Soldevila. Historia de la novela española, 1936-2000. Madrid: Ediciones Cátedra, 2001.

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Iriarte, Goñi Eduardo, red. Stonehenge: Una novela del año 2000 a.C. Barcelona: Edhasa, 2005.

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Posser, Herbert. Atomgesetz: Kommentar zur Novelle 2002. Köln: C. Heymanns, 2003.

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Balmaseda, Jesús Martínez. 2000 pasos. Jerez de la frontera: Editorial Origami, 2012.

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Hellerma, Kärt. Unenäoliiv: Novelle ja proosapalu 2005-2011. Tallinn: NyNorden, 2011.

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Gistau, David. A que no hay huevos: Una novela. Madrid: Ediciones Temascinco, 2004.

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Antoni, Guiral, Mundet Joan 1956- i Manjón Pilar, red. 11-M: La novela gráfica. Torroella de Montgri, Girona: Panini Comics, 2009.

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Francisco, Umbral, i Sanz Villanueva Santos, red. La rebelión de los delfines: La novela del 2000. Madrid: Espasa Calpe, 2001.

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Kőrössy, P. József. Novellisták könyve 2005: 68 novella, portré, (ön)életrajz, miniesszé. Budapest: Noran, 2005.

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Cicero, Noah. The human war: A novella and two stories. New York: Fugue State Press, 2003.

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Fernando, Ampuero, i Morales Saravia José 1954-, red. La novísima novela peruana (1990-2005): [entrevistas]. Lima: San Marcos, 2006.

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Austria. Die Gewerbeordnung: Mit Novelle 2002 : Gesetzestext, Erläuterungen zur Regierungsvorlage, Bericht des Wirtschaftsausschusses, Nationalrats- und Bundesratsdebatte zur Novelle 2002. Wien: LexisNexis/ARD Orac, 2003.

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20

Kerschner, Ferdinand. WRG: Wasserrechtsgesetz 1959 idf der WRG-Novelle 2003. Wien: Verlag Österreich, 2003.

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21

aut, Nauglin Pablo, Vingre Vernor aut i Berceló Miquel ed, red. Premio UPC 2002: Novela corta de ciencia ficción. Barcelona [etc.]: Ediciones B, 2003.

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Adriana, Torres Gutiérrez Michel, red. El camino de la novela: Premio de Narrativa Colima, 1980-2000. [Colima, Colima, Mexico]: Universidad de Colima, 2002.

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23

Urioste-Azcorra, Carmen. Novela y sociedad en la España contemporánea, 1994-2009. [Madrid]: Editorial Fundamentos, 2009.

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Urioste-Azcorra, Carmen. Novela y sociedad en la España contemporánea, 1994-2009. [Madrid]: Editorial Fundamentos, 2009.

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Vargas, Luis Miguel. Nostalgia: Ensayos sobre la novela en el Valle de Toluca, 1950-2000. Toluca, México: Instituto Mexiquense de Cultura, 2006.

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26

Powell, Craig M. SHANK Gene Family and Autism. Oxford University Press, 2013. http://dx.doi.org/10.1093/med/9780199744312.003.0011.

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SHANK3 deletion/mutation is an independently replicated, genetic cause of autism (Durand et al., 2007; Gauthier et al., 2009; Moessner et al., 2007) and is the major causative gene in the 22q13 deletion syndrome known as Phelan-McDermid syndrome (Bonaglia et al., 2011; Bonaglia et al., 2001; Bonaglia et al., 2006; Chen et al., 2011; Delahaye et al., 2009; Dhar et al., 2010; Jeffries et al., 2005; Misceo et al., 2011; Sarasua et al., 2011; Wilson et al., 2003). Patients with Phelan-McDermid syndrome uniformly have delayed or absent speech and many carry the diagnosis of autism spectrum disorder (Cusmano-Ozog, Manning, & Hoyme, 2007; Havens, Visootsak, Phelan, & Graham, 2004). More recently, mutations in SHANK2 have been implicated in autism and intellectual disability (Berkel et al., 2010; Pinto et al., 2010). These recent human genetic findings provide a compelling rationale for developing a comprehensive understanding of SHANK3 function in synapses, circuits, and behavior, resulting in three different novel genetic mouse models published by more than four independent laboratories (Bangash et al., 2011; Bozdagi et al., 2010; Peca et al., 2011; Wang et al., 2011). Such studies shed light on the underlying biology of autism caused by SHANK3 mutations. This chapter examines in detail the evidence supporting a role for SHANK genes in autism and intellectual disability as well as insights from the recent genetic animal models of SHANK3 mutations.

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Kazus pristalʹnogo vzgli︠a︡da: Ėstonskai︠a︡ novella 2000-2012 : perevod s ėstonskogo. Tallinn: Aleksandra, 2013.

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Houen, Alex. Reckoning Sacrifice in ‘War on Terror’ Literature. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198806516.003.0016.

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This chapter examines how novelists and poets explore the sacrificial reckonings of the ‘war on terror’ in terms of relations between faith (social and religious), sympathy, and bearing witness. It discusses Ian McEwan’s novel Saturday (2005) and two books of poetry: Claudia Rankine’s Don’t Let Me Be Lonely (2004) and Juliana Spahr’s this connection of everyone with lungs (2005). Both poems balance matters of aesthetics and ethics by comparing modes of bearing witness: watching spectacles of war through television, and testifying to responsibility for others’ lives. The chapter relates those to the contrasting kinds of sacrifice attributed to armed services personnel and jihadi ‘martyrs’. It then discusses how these modes of sacrifice and witnessing are examined in recent novels: Nadeem Aslam’s The Wasted Vigil (2008) and The Blind Man’s Garden (2013); Lorraine Adams’s The Room and the Chair (2010); and James Meek’s We Are Now Beginning Our Descent (2008).

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Sugars, Cynthia. Canada. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199679775.003.0009.

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This chapter examines the history of the English-language novel in Canada since 1950. It first considers how the promotion of Canadian cultural identity and attempts to articulate a distinctly Canadian social ethos became increasingly mobilized in the decades following World War II. It then discusses the newfound optimism about the future of Canadian literature and culture that flourished following the Massey Commission initiatives, as well as Canadian novels published during the 1960s and 1970s — a period regarded as a time of social emancipation, sexual freedom, and counter-culture revolution. It also explores developments in the 1980s and 1990s and during the period 2000–2015, citing a number of important novels published in these years, including Ann-Marie MacDonald's Fall on Your Knees (1996), Austin Clarke's The Polished Hoe (2002), Dionne Brand’s What We All Long For (2005), and David Chariandy's Soucouyant (2007).

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van der Vlies, Andrew. Towards a Critical Nostalgia. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198793762.003.0005.

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South African-born, Scottish-resident author Zoë Wicomb is a key postapartheid literary figure; her oeuvre complicates assumptions about locatedness, ethnicity, and cosmopolitanism. This chapter reads her novels—David’s Story (2000), Playing in the Light (2006), October (2014)—and select short fiction—in You Can’t Get Lost in Cape Town (1987) and The One That Got Away (2008); ‘In Search of Tommie’ (2010)—to consider how Wicomb stages text itself as a privileged space within which to hold open the promise of the ‘loose end’ (a recurring metaphor), exploring its potential to unravel older formations in the social fabric to suggest new narrative and relational threads. It argues that the prevalence of queer subjects in her fiction mirrors Wicomb’s formally ‘queer’ strategies, including meta- and intertextuality, which offer more than the textual equivalent of characters’ displacements or the author’s own restless transnationalism (here October’s debts to Marilynne Robinson’s novel Home are canvassed).

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31

Morpurgo, Michael. UNTITLED NOVELLA 2008. Farshore, 2012.

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32

Ovadia, Kobi, i Ayeleth Nirpaz. 2007: Novela. RESERVOIR BOOKS, 2019.

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Ovadia, Kobi, i Ayeleth Nirpaz. 2007: Novela. RESERVOIR BOOKS, 2019.

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Minter, Peter, i Belinda Wheeler. The Indigenous Australian Novel. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199679775.003.0021.

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The history of the Indigenous Australian novel begins in the second half of the twentieth century and can be traced to the traditions of the Aboriginal and Torres Strait Islander peoples of Australia. The Indigenous novel combines elements of the oral and performance traditions of classical Indigenous cultures with one of Western modernity's central narrative forms. The traditions of storytelling and poetic narration that underpin the Indigenous novel have always occupied a central place in the cultural expression of Indigenous peoples. The chapter considers Indigenous Australian novels published in four different periods: before and during the mid-1970s, 1978–1987, 1988–2000, and 2000 to the present. These include David Unaipon's (Ngarrindjeri) My Life Story (1954), Shirley Perry Smith's (Wiradjuri) Mum Shirl: An Autobiography (1981), Ruby Langford Ginibi's Don't Take Your Love to Town (1988), Kim Scott's Benang (2000), and Alexis Wright's Carpentaria (2006).

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Nada es lo que parece: Estudios sobre la novela Mexicana, 2000-2009. México: Universidad Nacional Autónoma de México, 2012.

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Marinova, Nadejda K. Lebanese-American Allies of the Bush Administration. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190623418.003.0005.

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Utilizing firsthand interviews with activists and Lebanese diaspora leaders, the chapter centers on the active role of a coalition of Lebanese-American organizations who advanced their positions and those of the Bush administration in promoting, before UN diplomats, members of Congress, the public, and the media, the passage of UN Security Council Resolution 1559 (2004). UNSCR 1559 mandated Syrian withdrawal from Lebanese territory and militia disarmament. The chapter also analyzes the involvement of Lebanese-American organizations in lobbying for the Syria Accountability and Lebanese Sovereignty Restoration Act (2003). The novel relationship between US policymakers and their junior Lebanese-American allies was in contrast to the 1990s, when Washington was interested in preserving the status quo with Syria and doors had been closed for the Lebanese diaspora activists. The relationship upholds the theoretical model central to this work, and it traces the interaction between the Bush administration and Lebanese-American organizations from 2001 until 2005, when Syria withdrew its troops from Lebanon.

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Tsunami: Novela. El Salvador: [publisher not identified], 2016.

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ZHONG GUO XIAO SHUO XUE HUI ZHU BIAN XIE YOU SHUN. novella in China in 2003 election. Flower City out, 1991.

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Breathed, Berkeley. Opus: Sunday Comics, 2003-2008. Idea & Design Works, LLC, 2017.

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Novelas (1988-2003). Barcelona, Spain: Galaxia Gutenberg, 2007.

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Tiempo de ruido y soledad: Crónica novelada de los días de la Gran Crisis. [Córdoba]: Editorial Almuzara, 2012.

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42

All and Sundry: Uncollected Work, 2004-2009. Norton & Company, Incorporated, W. W., 2009.

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43

Mandel, Robert. Global Threat. Greenwood Publishing Group, Inc., 2008. http://dx.doi.org/10.5040/9798400657863.

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This book provides a fresh perspective on causes, consequences, and cures surrounding today's most pressing global security challenges. After explaining the changes in post-Cold War threat, it develops a novel target-centered approach to assessment and management that is more useful in coping with current foreign dangers than current best practices. After explaining the challenge in coping with current global threat, this book begins by analyzing the distinctiveness of post-Cold War threat and of the nature of enemies prevalent in today's world. Then it considers prevailing threat analysis deficiencies and develops an alternative target-centered conceptual approach for recognizing and prioritizing threat. Illustrating the value of this approach are four post-9/11 case studies: the weapons of mass destruction and terrorism threat linked to the 2003 Iraq War, the natural calamity threat linked to the 2004 tsunami disaster, the terrorist threat linked to the 2005 London Transport bombings, and the undesired mass population threat linked to the 2006 American illegal immigration tensions. The study concludes by presenting some target-centered ideas about how to cope better with incoming threat, calling in the end for strategic transformation.

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Bahoora, Haytham. Iraq. Redaktor Waïl S. Hassan. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199349791.013.16.

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This chapter examines the development of the novel in Iraq. It first considers the beginnings of prose narrative in Iraq, using the intermingling of the short story and the novel, particularly in the first half of the twentieth century, as a framework for reassessing the formal qualities of the Arabic novel. It then turns to romantic and historical novels published in the 1920s, as well as novels dealing with social issues like poverty and the condition of peasants in the countryside. It discusses the narrative emergence of the bourgeois intellectual’s self-awareness and interiority in Iraqi fiction, especially the novella; works that continued the expression of a critical social realism in the Iraqi novelistic tradition and the appearance of modernist aesthetics; and narratives that addressed dictatorship and war in Iraq. The chapter concludes with an overview of the novel genre in Iraq after 2003.

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Entre dos mundos: [novela]. Santo Domingo, R. Domincana: Mente Editorial, 2002.

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Coqueiro, Wilma dos Santos. Poéticas do deslocamento: O Bildungsroman de autoria feminina contemporânea. Brazil Publishing, 2021. http://dx.doi.org/10.31012/978-65-5861-338-1.

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The novel as a great socio-literary institution, which projects the ideals of bourgeois class, becomes the maximum expression of modernity from the 18th century on. The genre, characterized by its malleability and ambivalence, reflects an individualistic and innovative orientation. In this sense, the novels of characters originate subtypes, as the Bildungsroman, whose paradigmatic model would be Wilhelm Meister’s Apprenticeship (1795), by the German writer Johann Wolfgang von Goethe. Since the novel is a genre in constant becoming, the concept of Bildungsroman undergoes problematizations and revisions and, today, it is possible to consider a novel of formation which includes ethnic, racial and sexual minorities. Some important steps in male Bildungsroman, such as fulfillment in love from several experiences and the discovery of a professional vocation and a philosophy of life, are still problematic in female novels of formation along the 20th century, due to the small space dedicated to woman in society, making her formative experiences more subjective, and culminating, in most cases, in the failed end of characters who cannot escape the webs of social oppresion. In this book I try to show that there is a process of subjectification of the female characters, in which the formative experiences occur through spatial and identity displacements, characteristic of modern times. Thus in the novels of formation from the 21th century – such as Pérolas Absolutas (2003), by Heloísa Seixas, Algum Lugar (2009), by Paloma Vidal, and Azul-corvo (2010), by Adriana Lisboa, – amid globalization and the dismantling of great utopias and truths, they experience other conflicts and problems resulting from the fluidity of human relations in modern times.

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47

Chica, Jimmy Jorge. La Novela Ecuatoriana 1970-2000 (Spie Press Monograph). Peter Lang Publishing, 2000.

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Stonehenge : una novela del año 2000 a. C. Barcelona: Planeta-DeAgostini, 2002.

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La familia en la novela española, 1975-2000. Salamanca: Universidad Pontificia de Salamanca, 2007.

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50

Meffan, James. Multicultural and Transnational Novels. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199679775.003.0032.

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This chapter discusses the history of multicultural and transnational novels in New Zealand. A novel set in New Zealand will have to deal with questions about cultural access rights on the one hand and cultural coverage on the other. The term ‘transnational novel’ gains its relevance from questions about cultural and national identity, questions that have particularly exercised nations formed from colonial history. The chapter considers novels that demonstrate and respond to perceived deficiencies in wider discourses of cultural and national identity by way of comparison between New Zealand and somewhere else. These include Amelia Batistich's Another Mountain, Another Song (1981), Albert Wendt's Sons for the Return Home (1973) and Black Rainbow (1992), James McNeish's Penelope's Island (1990), Stephanie Johnson's The Heart's Wild Surf (2003), and Lloyd Jones's Mister Pip (2006).

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