Gotowe bibliografie tematyczne / Nineteenth Century women writers

Gotowa bibliografia na temat „Nineteenth Century women writers”

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Data publikacji: 4 czerwca 2021
Data aktualizacji: 14 lutego 2022

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Artykuły w czasopismach na temat "Nineteenth Century women writers"

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Styler, Rebecca. "Women Writers and Nineteenth-Century Medievalism". English Studies 92, nr 6 (październik 2011): 697–98. http://dx.doi.org/10.1080/0013838x.2011.604910.

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Sutherland, G. "Women Writers and the Nineteenth-century Marketplace". Cambridge Quarterly 39, nr 1 (1.03.2010): 95–101. http://dx.doi.org/10.1093/camqtly/bfp029.

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Šalinović, Ivana. "Women writers of 19th century Britain". Journal of Education Culture and Society 5, nr 1 (7.01.2020): 218–25. http://dx.doi.org/10.15503/jecs20141.218.225.

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The theme of this paper are the nineteenth century woman authors in the United Kingdom and their writing. A brief overview of the woman writers during the whole century will be given. The most important authors will be represented. The paper will also explore the economic, social, political and other circumstances that determined their writing and try to represent their lives, their struggles, their writing and the styles they used.
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Glade, B. "African American Women Writers of the Nineteenth Century". Journal of American History 102, nr 1 (1.06.2015): 333–34. http://dx.doi.org/10.1093/jahist/jav222.

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Komar, Kathleen L., i Avriel H. Goldberger. "Woman as Mediatrix: Essays on Nineteenth-Century European Women Writers". German Quarterly 61, nr 3 (1988): 453. http://dx.doi.org/10.2307/406449.

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Glass, Erlis, i Avriel H. Goldberger. "Woman as Mediatrix: Essays on Nineteenth Century European Women Writers". German Studies Review 11, nr 1 (luty 1988): 147. http://dx.doi.org/10.2307/1430853.

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Brookman, Helen. "Shakespeare and Victorian Women/Women Writers and Nineteenth-Century Medievalism". Journal of Victorian Culture 15, nr 3 (grudzień 2010): 402–6. http://dx.doi.org/10.1080/13555502.2010.519540.

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Ujma, Christina, i Carol Diethe. "Towards Emancipation: German Women Writers of the Nineteenth Century". Modern Language Review 95, nr 4 (październik 2000): 1125. http://dx.doi.org/10.2307/3736686.

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Ammons, Elizabeth, i Henry Louis Gates. "The Schomburg Library of Nineteenth-Century Black Women Writers." Black American Literature Forum 22, nr 4 (1988): 811. http://dx.doi.org/10.2307/2904057.

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Simmons, Clare A. "Women Writers and Nineteenth-Century Medievalism. Clare Broome Saunders." Wordsworth Circle 40, nr 4 (wrzesień 2009): 167–68. http://dx.doi.org/10.1086/twc24043559.

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Rozprawy doktorskie na temat "Nineteenth Century women writers"

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McKenzie-Stearns, Precious. "Venturesome women : nineteenth-century British women travel writers and sport". [Tampa, Fla] : University of South Florida, 2007. http://purl.fcla.edu/usf/dc/et/SFE0001901.

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Bunting, Kirsty. "The Possibilities For Collaboration between Late-Nineteenth-Century Women Writers". Thesis, University of Birmingham, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.521939.

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Webster, Rachel Louise. "Nineteenth-century dissenting women writers : literary communities, conviction and genre". Thesis, University of Leeds, 2014. http://etheses.whiterose.ac.uk/7892/.

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This thesis reconstructs the dissenting religious communities of five nineteenth-century women writers: Hannah More, Catherine and Susanna Winkworth, Elizabeth Gaskell and Josephine Butler. The case study approach locates each woman within an active, religious environment, arguing that community played a significant role in her spiritual and literary development. A recent trend in Romantic Studies has examined creativity in collaborations, in order to dismiss once and for all the myth of an individual genius. This thesis extends the preoccupation to consider the presence of sociability and creative communities in the lives of nineteenth-century religious women. Religiosity is an essential identification for all five women, helping to shape their social agenda, but more importantly to inform their textual choices. Diverse political and theological positions were encouraged and contested within each community, using novels, biographies, poetry, hymns, and speeches to disseminate conviction: they addressed the Abolition of the Slave Trade, German Higher Criticism’s threat to the Christian faith, class unrest and the ‘problem’ of the fallen woman. One of this thesis’s innovations has been to view Evangelicals alongside more recognisable dissenting bodies such as the Unitarians. Evangelicalism’s problematic position within the Anglican Church caused it to be ostracised and distrusted, an experience familiar to the dissenter. The close alliances that existed between orthodox convictions, often assumed in childhood, and a dissenting belief owned and experienced in adulthood have blurred the dividing lines between orthodoxy and dissent. Gendered assumptions about female religious community are dismantled and re-imagined, allowing space for female-male collaborations to emerge. Any conclusions about female religiosity are to be understood relationally, with masculine identity crucial for determining a Christian experience. The nineteenth-century emergence of a feminised Christ (simultaneously a radicalised and conservative representation) is a central figure in which to draw conclusions about the dissenting and gendered practices of these communities. Simplistic conclusions about literary communities are avoided, and instead the case studies represent the diversity of religious convictions, the differences in communal activities, and the varying textual products of collaboration. Community proved both enabling and challenging to the development of these five women.
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Stanford, Roslyn, i res cand@acu edu au. "Righting Women’s Writing: A re-examination of the journey toward literary success by late Eighteenth-Century and early Nineteenth-century women writers". Australian Catholic University. School of Arts and Sciences, 2002. http://dlibrary.acu.edu.au/digitaltheses/public/adt-acuvp25.09042006.

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This thesis studies the progressive nature of women’s writing and the various factors that helped and hindered the successful publication of women’s written works in the late eighteenth and early nineteenth centuries. The thesis interrogates culturally encoded definitions of the term “success” in relation to the status of these women writers. In a time when success meant, according to the Oxford English Dictionary, “attainment of wealth or position”, women could never achieve a level of success equal to the male elite. The dichotomous worldview, in which women were excluded from almost all active participation in the public sphere, led to a literary protest by women. However, the male-privileged binary system is seen critically to affect women’s literary success. Hence, a redefinition of success will specifically refer to the literary experience of these women writers and a long-lasting recognition of this experience in the twentieth century. An examination of literary techniques used in key works from Catherine Macaulay, Mary Wollstonecraft, Hannah More, Mary Shelley and Jane Austen suggests that there was a critical double standard with which women writers were constantly faced. The literary techniques, used by the earlier writers, fail in overcoming this critical double standard because of their emphasis on revolution. However, the last two women writers become literary successes (according to my reinterpretation of the term) because of their particular emphasis on amelioration rather than revolution. The conclusion of the thesis suggests that despite the “unsuccessful” literary attempts by the first three women authors, there is an overall positive progression in women’s journey toward literary success. Described as the ‘generational effect’, this becomes the fundamental point of the study, because together these women represent a combined movement which challenges a system of patriarchal tradition, encouraging women to continue to push the gender relations’ boundaries in order to be seen as individual, successful writers.
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Matthews, Charity Christine. "Women writers and the study of natural history in nineteenth-century Canada". Thesis, University of British Columbia, 2013. http://hdl.handle.net/2429/44159.

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During the nineteenth century, women in Britain and Canada read about natural history, wrote about it, drew it, and collected it alongside their male counterparts. Produced during a time when it was widely accepted that, as Charles Darwin succinctly stated in The Descent of Man (1871), “Man is more powerful in mind and body than woman” (597), women’s contributions to the natural sciences were often overshadowed or ignored. However, women in the nineteenth century in Canada contributed greatly to the development of knowledge of meteorology, botany, zoology, and ornithology. Indeed, their work sometimes anticipated the modern ecological critique of a preoccupation with cultivating and controlling nature in the names of science and capitalism. This dissertation examines the intellectual, literary, and scientific experiences of nature for women in nineteenth-century Canada, namely the geographical region known as Upper Canada (1791-1841), Canada West (1841-1867), or Ontario (1867-present), and investigates the language and scientific systems that were available to women to describe those experiences. Instead of struggling amateurs restricted to domestic pursuits, nineteenth-century women writers were sometimes pioneering naturalists, popularizers of science, and innovators of a hybrid approach to the language of natural history. Naturalist observations and the negotiation of how to understand nature, seeing nature as hostile, neutral, or divine, were central elements in the creation of the nineteenth-century woman’s identity. The writers examined in this study— Anna Jameson, Anne Langton, Susanna Moodie, Mary Ann Shadd, Harriet Sheppard, Frances Stewart, and Catharine Parr Traill— read scientific and literary texts and used the information to shape their understandings of the natural world, the weather, flora, and fauna. As educated, reflective thinkers, they use their letters, journals, emigration pamphlets, and autobiographical narratives to respond to systems of Linnaean classification as well as to participate in discussions which anticipated the shift later in the century to ecological perspectives inspired by Darwinism. This study examines the ways in which women writers were actively exploring shifting conceptions of the natural world as it developed alongside settlement and seeks to offer new ways of approaching the work of Jameson, Langton, Moodie, Shadd, Sheppard, Stewart, and Traill. In chapters devoted to meteorology, botany, zoology, and ornithology, this thesis rethinks both nature writing and women’s writing in Canada.
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Zalduondo, María M. "Novel women gender and nation in nineteenth-century novels by two Spanish American women writers /". Access restricted to users with UT Austin EID, 2001. http://wwwlib.umi.com/cr/utexas/fullcit?p3037032.

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Harding, Andrew Christopher. "Gender disruption, rivalry, and same-sex desire in the work of Victorian women writers". Thesis, University of Chester, 2012. http://hdl.handle.net/10034/311067.

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This thesis examines the important role of female same-sex relationships in nineteenth-century literature and culture. Whilst drawing directly upon Sharon Marcus's recent book, Between Women: Friendship, Desire, and Marriage in Victorian England, a revisionary queer reading of inter-dependent same-sex female intimacy and mainstream middle-class heteronormative ideals, my own study extends the parameters of Marcus's work by focussing on alternative contexts and previously overlooked same-sex female relationships. This thesis argues that the culturally endorsed model of Victorian female homosociality identified by Marcus was subject to disruption and transformation both within and beyond the institutions of marriage and the family. It concludes that various forms (rather than one definitive model) of homosocial desire shaped nineteenth-century female bonding. In the first chapter I explore the unstable social status of working middle-class women, and identify instances of employer/employee female intimacy organised upon a disturbance or reversal of social hierarchy. In the second chapter I demonstrate how the ideal of female amity was inevitably undermined in the literary marketplace, and that whilst women writers were engaged in constructing and disseminating this ideal in their novels, they were also embroiled in a series of professional jealousies with one another which served to undo the very ideal they were promoting. In the second part of this chapter I highlight the pluralism of mainstream homoerotic femininity by examining Dinah Mulock Craik's fictional representation of homoerotic surveillance manifest in a culturally endorsed adolescent female gaze. In the third chapter I challenge Marcus's claim that well-known independent nineteenth-century lesbians were fully accommodated into mainstream 'respectable' society by demonstrating that some of these women informed Eliza Lynn Linton's homophobic portrait of radical feminist separatism. I also explore in this chapter Linton's fictional representation of sororal eroticism, and argue that (notwithstanding mother/daughter bonds) Linton, like many of her contemporaries, regarded sisterhood as the primary bond between women. I also evidence in this chapter that Linton's portrait of 'sororophobia' is comparable with cultural ideals regarding the important function that female friends had in facilitating one another's marriage.
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Chambers, Jacqueline M. "The needle and the pen : needlework and women writers' professionalism in the nineteenth century /". free to MU campus, to others for purchase, 2000. http://wwwlib.umi.com/cr/mo/fullcit?p9999278.

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Ryan, Melissa Ann. "(Un)natural law: Women writers, the Indian, and the state in nineteenth-century America". Diss., The University of Arizona, 2004. http://hdl.handle.net/10150/290048.

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This project explores the intersecting discourses of the "Woman Question" and the "Indian Problem" from the market revolution of Jacksonian America through the early twentieth century. It examines how Indianness was legally and culturally constructed in the nineteenth century, from Jacksonian removal policy to the strategies of allotment and assimilation in later decades, identifying both legal and figurative parallels to the status of white women. As Native peoples were effectively erased under Anglo-American law, married women were likewise dispossessed by the laws of coverture, under which the identity of the wife was absorbed into that of her husband. Both white women and Native peoples experienced a form of "civil death"--or legal nonexistence--and both were deprived of personhood under the guise of protection. For women writers, then, Indian policy provided an opportunity to contemplate fundamental questions of citizenship, of personhood and property, of national and individual identity. Incorporating a wide range of texts, from the early nineteenth-century fiction of Lydia Maria Child and Catharine Maria Sedgwick to the later nineteenth-century writings of suffragist Matilda Joslyn Gage and anthropologist Alice Fletcher, this study explores the various tensions--between individual sovereignty and maternal moral authority, between the language of rights and the language of sentiment--that defined the relationship between nineteenth-century white women and their Indian others, and considers how the Anglo-American tradition of possessive individualism often prevented these women from making sense of their experience with Native cultures. This study concludes with an examination of how Native women writers responded to and made use of white women's constructions of the Indian Problem. S. Alice Callahan, author of the first known novel by a Native woman, and writer-activist Zitkala-Sa carefully constructed their stories in the terms set out by women's rights discourse, inviting a readership of white women to engage with the Indian cause as an extension of their own agenda. Ultimately, even as white women's rights activists sought to subordinate the Indian Problem or to appropriate the Indian, these Native writers found in the Woman Question a way of speaking for themselves.
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Banerji, Mithu. "Crossing the threshold : three nineteenth century Indian women writers and the construction of modernity". Thesis, University of London, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.540102.

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Książki na temat "Nineteenth Century women writers"

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Saunders, Clare Broome. Women writers and nineteenth-century medievalism. New York: Palgrave Macmillan, 2009.

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Saunders, Clare Broome. Women Writers and Nineteenth-Century Medievalism. New York: Palgrave Macmillan US, 2009. http://dx.doi.org/10.1057/9780230618572.

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Saunders, Clare Broome. Women writers and nineteenth-century medievalism. New York: Palgrave Macmillan, 2009.

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Women writers and nineteenth-century medievalism. New York: Palgrave Macmillan, 2009.

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Skidmore, Judith. Selected nineteenth-century women writers of south Lancashire. [s.l.]: typescript, 1989.

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Lueck, Beth Lynne, Brigitte Bailey i Lucinda L. Damon-Bach. Transatlantic women: Nineteenth-century American women writers and Great Britain. Durham: University of New Hampshire Press, 2012.

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Transatlantic women: Nineteenth-century American women writers and Great Britain. Durham: University of New Hampshire Press, 2012.

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Towards emancipation: German women writers of the nineteenth century. New York: Berghahn Books, 1998.

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Literary theology by women writers of the nineteenth century. Farnham, England: Ashgate, 2010.

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Sussex, Lucy. Women Writers and Detectives in Nineteenth-Century Crime Fiction. London: Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230289406.

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Części książek na temat "Nineteenth Century women writers"

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Phillips, Ursula, i Grażyna Borkowska. "Polish Women Writers in the Nineteenth Century". W A History of Central European Women’s Writing, 63–86. London: Palgrave Macmillan UK, 2001. http://dx.doi.org/10.1057/9780333985151_6.

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Saunders, Clare Broome. "Rereading Guinevere: Women Illustrators, Tennyson, and Morris". W Women Writers and Nineteenth-Century Medievalism, 153–83. New York: Palgrave Macmillan US, 2009. http://dx.doi.org/10.1057/9780230618572_8.

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Saunders, Clare Broome. "Guinevere: The Medieval Queen in the Nineteenth Century". W Women Writers and Nineteenth-Century Medievalism, 133–52. New York: Palgrave Macmillan US, 2009. http://dx.doi.org/10.1057/9780230618572_7.

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Saunders, Clare Broome. "Introduction". W Women Writers and Nineteenth-Century Medievalism, 1–9. New York: Palgrave Macmillan US, 2009. http://dx.doi.org/10.1057/9780230618572_1.

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Saunders, Clare Broome. "Recasting the Courtly: Translations of Medieval Language and Form in the Nineteenth Century". W Women Writers and Nineteenth-Century Medievalism, 11–27. New York: Palgrave Macmillan US, 2009. http://dx.doi.org/10.1057/9780230618572_2.

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Saunders, Clare Broome. "“Though Females are Forbidden to Interfere in Politics”: War, Medievalism, and the Nineteenth-Century Woman Writer". W Women Writers and Nineteenth-Century Medievalism, 29–51. New York: Palgrave Macmillan US, 2009. http://dx.doi.org/10.1057/9780230618572_3.

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Saunders, Clare Broome. "“It’s Strictly the Woman’s Part and Men Understand It So”: Romance, Gender, and the Spectacle of the Crimean". W Women Writers and Nineteenth-Century Medievalism, 53–77. New York: Palgrave Macmillan US, 2009. http://dx.doi.org/10.1057/9780230618572_4.

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Saunders, Clare Broome. "The End of Chivalry?: Joan of Arc and the Nineteenth-Century Woman Writer". W Women Writers and Nineteenth-Century Medievalism, 79–102. New York: Palgrave Macmillan US, 2009. http://dx.doi.org/10.1057/9780230618572_5.

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Saunders, Clare Broome. "Queenship, Chivalry, and “Queenly” Women in the Age of Victoria". W Women Writers and Nineteenth-Century Medievalism, 103–32. New York: Palgrave Macmillan US, 2009. http://dx.doi.org/10.1057/9780230618572_6.

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Sussex, Lucy. "Introduction: Look for the Women". W Women Writers and Detectives in Nineteenth-Century Crime Fiction, 1–5. London: Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230289406_1.

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Raporty organizacyjne na temat "Nineteenth Century women writers"

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Landroche, Tina. Chinese women as cultural participants and symbols in nineteenth century America. Portland State University Library, styczeń 2000. http://dx.doi.org/10.15760/etd.6174.

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