Gotowa bibliografia na temat „Night Prince series”
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Artykuły w czasopismach na temat "Night Prince series"
Mosler, V. L. "Night Vision Aid Option: Streamlights". Journal of Visual Impairment & Blindness 80, nr 10 (grudzień 1986): 1005–6. http://dx.doi.org/10.1177/0145482x8608001010.
Pełny tekst źródłaLv, Haotian, Yujie Mou i Jiasheng Li. "Gold or Bitcoins based on ARIMA". BCP Business & Management 23 (4.08.2022): 271–76. http://dx.doi.org/10.54691/bcpbm.v23i.1361.
Pełny tekst źródłaHoshing, Vaidehi, Ashish Vora, Tridib Saha, Xing Jin, Orkan Kurtulus, Nachiket Vatkar, Gregory Shaver, Oleg Wasynczuk, R. Edwin García i Subbarao Varigonda. "Evaluating emissions and sensitivity of economic gains for series plug-in hybrid electric vehicle powertrains for transit bus applications". Proceedings of the Institution of Mechanical Engineers, Part D: Journal of Automobile Engineering 234, nr 14 (24.07.2020): 3272–87. http://dx.doi.org/10.1177/0954407020937522.
Pełny tekst źródłaRowland, Neil E., Dulce M. Minaya, Melissa R. Cervantez, Vanessa Minervini i Kimberly L. Robertson. "Differences in temporal aspects of food acquisition between rats and two strains of mice in a closed operant economy". American Journal of Physiology-Regulatory, Integrative and Comparative Physiology 309, nr 2 (15.07.2015): R93—R108. http://dx.doi.org/10.1152/ajpregu.00085.2015.
Pełny tekst źródłaKim, Youngtae, i Muzaffer Uysal. "Time-Dependent Analysis for International Hotel Demand in Seoul". Tourism Economics 4, nr 3 (wrzesień 1998): 253–63. http://dx.doi.org/10.1177/135481669800400304.
Pełny tekst źródłaDiao, Xundi, Hongyang Qiu i Bin Tong. "Does a unique “T+1 trading rule” in China incur return difference between daytime and overnight periods?" China Finance Review International 8, nr 1 (19.02.2018): 2–20. http://dx.doi.org/10.1108/cfri-12-2016-0130.
Pełny tekst źródłaSlahanti, Masine, Sulistyorini Sulistyorini i Nining Hidayah. "STRATEGI PEMASARAN SEBELUM DAN SETELAH PANDEMI COVID-19 (STUDI KASUS DI PRODUSEN WINGKO BABAT PADANGSARI)". Solusi 20, nr 1 (31.03.2022): 1. http://dx.doi.org/10.26623/slsi.v20i1.4348.
Pełny tekst źródłaChiacchio, Ferdinando, Fabio Famoso, Diego D’Urso i Luca Cedola. "Performance and Economic Assessment of a Grid-Connected Photovoltaic Power Plant with a Storage System: A Comparison between the North and the South of Italy". Energies 12, nr 12 (19.06.2019): 2356. http://dx.doi.org/10.3390/en12122356.
Pełny tekst źródłaGlendenning, Frank. "ELDER ABUSE". Ageing and Society 18, nr 4 (lipiec 1998): 495–98. http://dx.doi.org/10.1017/s0144686x98007028.
Pełny tekst źródłaRasul, Gzng Hassan, i Mohammad Dler Ameen. "Personality in Jan Dost's Historical Novels ( The Price’s Message, Three Steps and a Gallows) as Examples". Halabja University Journal 6, nr 4 (30.12.2021): 14–30. http://dx.doi.org/10.32410/huj-10395.
Pełny tekst źródłaKsiążki na temat "Night Prince series"
Once Burned: Night Huntress Universe - 14, Night Prince - 1. Avon books, 2012.
Znajdź pełny tekst źródłaInto the Fire: Night Huntress Universe - 19, Night Prince - 4. Avon Books, 2017.
Znajdź pełny tekst źródłaOnce Burned: Night Huntress Universe - 14, Night Prince - 1. New York: Avon Books, 2012.
Znajdź pełny tekst źródłaTwice Tempted: Night Huntress Universe - 15, Night Prince - 2. New York: Avon Books, 2013.
Znajdź pełny tekst źródłaBound by Flames: Night Huntress Universe - 17, Night Prince - 3. Avon, 2015.
Znajdź pełny tekst źródłaLa Mort dans l'Âme: Le Prince des Ténèbres, tome 1. Bragelonne, 2012.
Znajdź pełny tekst źródłaOne Night with a Prince (The Royal Brotherhood Series, Book 2). Pocket Star Books, 2005.
Znajdź pełny tekst źródłaGood Night, Sweet Prince: The Life and Times of John Barrymore (Lively Arts Series). Wyd. 2. Mercury House, 1989.
Znajdź pełny tekst źródłaFaye, Rebecca L., i Madison Zanetti. Erotic Stories of the Widow Witch - Story 10 Love Before the New Dawn: Explicit Sex and Romance Erotica in Mystery Series of Short Stories for Women - Her First Romantic Night with Royal Prince. Independently Published, 2018.
Znajdź pełny tekst źródłaGood Night, Sleep Tight (Fisher-Price Little People Series). Marvel Entertainment Group, 1987.
Znajdź pełny tekst źródłaCzęści książek na temat "Night Prince series"
Grünewald, Dietrich. "»Jeder wehrt sich gegen die Zeit«:". W Alter(n)skulturen, 195–216. Bielefeld, Germany: transcript Verlag, 2022. http://dx.doi.org/10.14361/9783839459928-010.
Pełny tekst źródłaNayak, Sarat Chandra, Subhranginee Das i Bijan Bihari Misra. "Development and Performance Analysis of Fireworks Algorithm-Trained Artificial Neural Network (FWANN)". W Research Anthology on Artificial Neural Network Applications, 146–65. IGI Global, 2022. http://dx.doi.org/10.4018/978-1-6684-2408-7.ch007.
Pełny tekst źródłaNayak, Sarat Chandra, Subhranginee Das i Bijan Bihari Misra. "Development and Performance Analysis of Fireworks Algorithm-Trained Artificial Neural Network (FWANN)". W Handbook of Research on Fireworks Algorithms and Swarm Intelligence, 176–94. IGI Global, 2020. http://dx.doi.org/10.4018/978-1-7998-1659-1.ch008.
Pełny tekst źródłaRoe, Nicholas. "William Wordsworth". W Literature of the Romantic Period, 45–64. Oxford University PressOxford, 1998. http://dx.doi.org/10.1093/oso/9780198711209.003.0003.
Pełny tekst źródłaBurlingame, Jon. "“You are there”Documentaries, News, and Information Programming". W Music for Prime Time, 282—C8.P127. Oxford University PressNew York, 2023. http://dx.doi.org/10.1093/oso/9780190618308.003.0009.
Pełny tekst źródłaRadcliffe, Philip. "1834–7". W Mendelssohn, 27–34. Oxford University PressOxford, 2001. http://dx.doi.org/10.1093/oso/9780198164937.003.0004.
Pełny tekst źródłaMcLaughlin, Don James. "An Idle Criticism". W The Oxford Handbook of Walt Whitman, 445–63. Oxford University Press, 2024. http://dx.doi.org/10.1093/oxfordhb/9780192894847.013.20.
Pełny tekst źródła"Max Ramsay is the cardboard cutout Ozzie clod who warns his son, Shane, against dating Daphne because she works as a stag-night stripper. His main fear seems to be the effect the newly arrived Daphne might have on the price of his property. (Smurthwaite 1986) As Grahame Griffin notes, “the closing credit sequence . . . is a series of static shots of suburban houses singled out for display in a manner reminiscent of real estate advertisements” (Griffin 1991: 175). Small business abounds in Neighbours: a bar, a boutique, an engineering company, with no corporate sector and no public servants or bureaucrats apart from a headmistress. 10 Writing skills must be acknowledged. It is very hard to make the mundane interesting, and indeed to score multiple short plot lines across a small number of characters (twelve to fifteen), as is appropriate to representing the local, the everyday, the suburban. As Moira Petty remarks, Neighbours is successful because “it’s very simple. The characters are two dimensional and the plots come thick and fast. The storylines don’t last long, so if you don’t like one, another will come along in a few days” (quoted by Harris 1988). These ten textual reasons doubtless contribute, differentially across different export markets, to Neighbours’s success in many countries of the world. Its wholesome neighborliness, its cosy everyday ethos would appear to be eminently exportable. However, lest it be imagined that Neighbours has universal popularity or even comprehensibility, there remain some 150 countries to which it has not been exported, and many in which its notions of kinship systems, gender relations, and cultural spaces would appear most odd. The non-universality of western kinship relations, for example, is clearly evidenced in Elihu Katz and Tamar Liebes’s comparison of Israeli and Arab readings of Dallas (Katz and Leibes 1986). And, indeed, there are two familiar territories to be considered later – the USA and France – in which it has been screened and failed. Significantly, the countries screening Neighbours are mostly anglophone and well familiar with British, if not also with Australian soaps. But why does Neighbours appeal so forcibly in the UK? In the UK market, I suggest, five institutional and cultural preconditions enabled Neighbours’s phenomenal success. Some of these considerations are, of course, the sine qua non of Neighbours even being seen on UK television. The first precondition was its price, reportedly A$54,000 per show for two screenings; with EastEnders costing A$80,000 per episode, Neighbours was well worth a gamble (Kingsley 1989: 241). Scheduling, too, was vital to Neighbours’s success. This has two dimensions. Neighbours was the first program on UK television ever to be stripped over five weekdays (Patterson 1992). BBC Daytime Television, taking off under Roger Loughton in 1986, while Michael Grade was Programme Controller, was so bold in this as to incur the chagrin of commercial". W To Be Continued..., 112. Routledge, 2002. http://dx.doi.org/10.4324/9780203131855-14.
Pełny tekst źródłaStreszczenia konferencji na temat "Night Prince series"
Orecchini, Fabio, Federico Villatico Campbell i Adriano Alessandrini. "The HOST Vehicle Concept: Human Oriented Sustainable Transport". W ASME 2005 3rd International Conference on Fuel Cell Science, Engineering and Technology. ASMEDC, 2005. http://dx.doi.org/10.1115/fuelcell2005-74072.
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