Rozprawy doktorskie na temat „New York Singer Building”
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Cubol, Eliseo Magsambol. "Building Urban Resilience in New York City". Antioch University / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=antioch1628516458046903.
Pełny tekst źródłaFenske, Gail. "The "Skyscraper problem" and the city beautiful : the Woolworth Building". Thesis, Massachusetts Institute of Technology, 1988. http://hdl.handle.net/1721.1/14037.
Pełny tekst źródłaIncludes bibliographical references.
The "skyscraper problem" challenged the thought and practice of civic designers and architects prior to World War I. It referred to the incompatibility of City Beautiful principles with economically propelled land development, and to the contradiction between the notion of architecture as an art and the skyscraper's programmatic and technical requirements. Civic designers in New York had difficulty accommodating the skyscraper in their large-scale plans. They also found that it intruded on their vision for the business street, hindered their attempts to plan City Hall Park as New York's civic center, and created a chaotic skyline. Bruce Price, Louis Sullivan, Thomas Hastings, Cyrus L.W. Eidlitz, and other architects suggested alternative proposals for subjecting the skyscraper to the constraints of design . Prior to the design of the Woolworth Building, however, architectural critics did not unanimously endorse any single approach. Frank Woolworth chose a site for his proposed headquarters at the intersection of City Hall Park, New York's civic center, with lower Broadway, the spine of its business district . Woolworth commissioned Cass Gilbert to design the Woolworth Building in 1910. Gilbert shared the City Beautiful vision of McKim, Mead & White and Daniel Burnham. He also accepted the skyscraper's pragmatic requirements. Woolworth intended his headquarters to function as a speculative office building, but also to look like a civic institution. The imagery of a civic institution would represent the capitol of his commercial "empire" as well as display his civic-mindedness, wealth, and cosmopolitanism. The Woolworth Building's siting at New York's civic center, its composition, its arcade, and its sculptural and mural decoration identified it with the prevailing concept of the civic building. The soaring vertical piers of its exterior recalled Gilbert's earlier design for the West Street Building, which was influenced by the functionalist ideas of Louis Sullivan. The Woolworth Building convinced critics that a suitable architectural expression could be found for the skyscraper. Zoning reformers regarded it as a benign skyscraper. Contemporary observers attuned to City Beautiful aesthetic principles thought that the Woolworth Building strengthened the order and image of New York's civic center and enhanced the view of the city from afar.
by Gail Fenske.
Ph.D.
Gogan, Paul Clark. "The architecture and planning of a tall building". Thesis, Virginia Polytechnic Institute and State University, 1992. http://hdl.handle.net/10919/53319.
Pełny tekst źródłaNalin, Emma R. "Building Relationships between a Free Clinic and Its Donors". Thesis, University of North Texas, 2018. https://digital.library.unt.edu/ark:/67531/metadc1404598/.
Pełny tekst źródłaGlynn, Thomas Peter. "Books in the public sphere New York libraries and the culture-building enterprise, 1754-1904 /". Auburn, Ala., 2005. http://repo.lib.auburn.edu/2005%20Summer/doctoral/GLYNN_THOMAS_49.pdf.
Pełny tekst źródłaCalhoun, Marie Elizabeth. "Path and Place". Thesis, Virginia Polytechnic Institute and State University, 1985. http://hdl.handle.net/10919/53059.
Pełny tekst źródłaMaster of Architecture
Coulter, Andi. "Urban Circuitry| Community Building through Noise in Downtown New York City 1973-1981". Thesis, State University of New York at Buffalo, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10930761.
Pełny tekst źródłaSince the release of Please Kill Me by Legs McNeil and Gillian McCain over twenty years ago there has been a veritable boon of musical oral histories. It seems that no major city nor music movement can be verified without this poly-vocal description of their past. These stories told by the people who lived them offer a useful compendium to both academic scholarship and music journalism which have previously shaped the narrative of rock history. However, absent in many of these historical accounts is a consideration of both audience reception and the sound itself.
Conversely, musicological histories focus their studies on music as central object; one impervious to social factors. In this dissertation I want to unshackle both music as static composition as well as the unilateral directionality of sound to audience. That music, specifically noise, is not a concretized reverberation but instead a transmittable force or energy. I look at how audiences and the bands themselves shape and are shaped by music’s affective charge allowing the experience of live music to become a collaboration that opens up new possibilities for selfhood and relationality. Beginning with the affective quality of noise in Suicide in the early 1970s, there is an examination about how live noise creates communal intimacy. The history of this philosophy of noise is then traces through the No Wave scene in the late 1970s through the mutant disco movement of the 1980s. These band’s atonality is in fact a polytonality in their music reflecting the polytonality of their community. Finally, this dissertation extends No Wave’s history from one characterized as a niche and nihilistic musical footnote to one that speaks to a collective intimacy dependent on live performance and space. The import of the No Wave bands is not found in the noisy sound of future disciples of dissonance, but instead in the cross-pollinated club scene in downtown New York City in the 1980s.
Huang, Chu-Jun Debbie 1969. "Art, entertainment and commodities : eroded boundaries in a mixed-use building in SoHo, New York". Thesis, Massachusetts Institute of Technology, 1998. http://hdl.handle.net/1721.1/67514.
Pełny tekst źródłaIncludes bibliographical references (p. 73-74).
SoHo, in New York City, is a neighborhood with an intense mixture of diverse activities. However, its character is changing as more shops are moving in and forcing existing galleries out of their street level spaces or out of the neighborhood altogether. This project proposes a mixed-use building on an infill site in SoHo that condenses a mix of programs currently dispersed throughout the neighborhood and puts them into a single building. By integrating these diverse programs into a single design, the project confronts contemporary questions about the distinctions between art, entertainment and commodity. Within the thesis, unified modes of display, programmatic and spatial overlaps, and visual sequences are the means of architecturally eroding these boundaries.
by Chu-Jun Huang.
M.Arch.
Radusinovic, Nemanja. "Building as a metaphor for a gateway : what determines its success?" Virtual Press, 1999. http://liblink.bsu.edu/uhtbin/catkey/1154777.
Pełny tekst źródłaDepartment of Architecture
Segerström, Rebecka. "Building a Water-Energy Nexus Modelling Tool for New York City : Development of a NYC WaterMARKAL model". Thesis, Uppsala universitet, Globala energisystem, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-163114.
Pełny tekst źródłaHeneghan, Jessie L. (Jessie Lee). "Building resiliency or holding off the inevitable? climate adaptation on a dense barrier island in New York". Thesis, Massachusetts Institute of Technology, 2017. http://hdl.handle.net/1721.1/111384.
Pełny tekst źródłaCataloged from PDF version of thesis.
Includes bibliographical references (pages 68-70).
Finishing the hottest year on record, which happens to be the third hottest year in a row, climate change at this point is indisputable. The need to adapt to a changing climate has become increasingly apparent in low-lying coastal towns and cities as the impacts from climate change including more frequent and powerful storms and rising sea levels intensify. The question of how small, dense, and highly vulnerable coastal communities stay in place, adapt, and build resiliency remains for the most part unanswered. This paper aims to shed light on this topic by employing a mixed method research design incorporating qualitative and observational methods in the analysis of climate adaptation planning on the barrier island of Long Beach, NY five years after Hurricane Sandy left the island devastated. Relying on theories of ecological resiliency that call to mind a 'safe-to-fail' approach rather than engineering resiliency's 'fail-safe' mentality, I look at climate adaptation plans and projects on the barrier island through the conceptual framework of creating systems that anticipate and strategically design for failure through redundancy of functions, connectivity, multifunctionality, adaptive planning, and bio and social diversity. I found that several challenges and obstacles stand in the way of achieving resiliency for the barrier island, including funding gaps, strict permitting processes, entrenched 'home rule', lack of coordination regionally, environmental justice and equity concerns, and the design of resource allocation, among others. Resiliency planning in this context of separate, 'one-off' small adaptation projects within strict municipality boundaries, delayed by permitting and funding issues, can be seen as 'too little, too late'. However, based on my analysis, I make recommendations for a regional approach to resiliency, whereby the various governing bodies of the island together devise a plan for the entire island as one landmass and natural ecology. This new regional entity would be in a position to consider a plan for strategic retreat of those most vulnerable socioeconomically from the places most susceptible to storm surge and sea level rise to safer ground within the same island, as well as to pursue other feasible approaches to creating resiliency for the barrier island of Long Beach.
by Jessie L. Heneghan.
M.C.P.
BARIOGLIO, CATERINA. "America on an Avenue. Visioni urbane e strategie immobiliari sulla Sixth Avenue a New York (1940-1965)". Doctoral thesis, Politecnico di Torino, 2016. http://hdl.handle.net/11583/2652277.
Pełny tekst źródłaFOLEY, BRENT T. "CREATING HEALTHY BUILDINGS". University of Cincinnati / OhioLINK, 2004. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1083042438.
Pełny tekst źródłaPede, Timothy. "Exploring Relationships Between Building And Transportation Energy Use Of Residents In U.S. Metropolitan Regions". ScholarWorks @ UVM, 2014. http://scholarworks.uvm.edu/graddis/314.
Pełny tekst źródłaClarke, Suzanna. "Being Isadora". Thesis, Queensland University of Technology, 2003. https://eprints.qut.edu.au/15797/1/Suzanna_Clarke_Thesis.pdf.
Pełny tekst źródłaClarke, Suzanna. "Being Isadora". Queensland University of Technology, 2003. http://eprints.qut.edu.au/15797/.
Pełny tekst źródłaJanak, Haidee N. "Three State-run Green Building Programs: A Comparative Case Study Analysis and Assessment". Amherst, Mass. : University of Massachusetts Amherst, 2009. http://scholarworks.umass.edu/theses/337/.
Pełny tekst źródłaMacedo, Wesley. "PS1 / MoMA-PS1: a transformação de um edifício em espaço expositivo de arte". Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/16/16138/tde-29102015-094943/.
Pełny tekst źródłaThe research addresses the movement of alternative spaces for contemporary art seen in New York (USA), in the 1960s and 1970s, focusing on the PS11nstitute of Contemporary Art, opened in 1976. Though his creation comprises /atent characteristics of the model of the alternative spaces, soon it indicated an inevitable progresswn bound for the institutionalization of these spaces, whose administrative standards have drifted away from their conceptions and more experimental ideas. Even though some authors c!assify the PS1 as \"antimuseum \", soon this contemporary art center was incorporated into the traditional Museum of Modem Art of New York- MoMA-NY. Thus, the PS 1 enters the mainstream of art under the title of MoMA-PS1, officially in 201 O. The approach discusses the object of study as a result of artistic events that contribute to the change of conventions established in the art system. These events include the practice of architecture appropriation as theme for artistic creation. 7his work contributes to fostering new interpretations on critica/ analysis of the architectural project for exhibition spaces of art instal/ed in buildings not designed for Museum purpose.
Elkan, Daniel Acosta. "The Colonia Next Door: Puerto Ricans in the Harlem Community, 1917-1948". Bowling Green State University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1505772980183977.
Pełny tekst źródłaWood, Alexander. "Building the Metropolis: Architecture, Building, and Labor in New York City, 1880-1935". Thesis, 2020. https://doi.org/10.7916/d8-bf2y-5482.
Pełny tekst źródłaFlood, Lauren Elizabeth. "Building and Becoming: DIY Music Technology in New York and Berlin". Thesis, 2016. https://doi.org/10.7916/D8W95918.
Pełny tekst źródłaMurphy, Brian Phillips. "Empire state building : interests, institutions, and the formation of states and parties in New York, 1783-1845 /". 2008. http://wwwlib.umi.com/dissertations/fullcit/3312156.
Pełny tekst źródłaTeal, Orion. "Building a Better World: Youth, Radicalism, and the Politics of Space in New York City, 1945-1965". Diss., 2012. http://hdl.handle.net/10161/5562.
Pełny tekst źródłaAccording to conventional wisdom, the period of intense antiradicalism that followed World War II effectively drove all radical activity underground by the early 1950s, severing the intergenerational connection between the "Old Left" of the Great Depression era and the "New Left" of the 1960s. Building a Better World revises this narrative by examining how radical activists in New York City carved out space for young people's participation in leftwing political culture between 1945 and 1965. Contrary to most studies of the postwar Red Scare that focus on the Left's decline, this study tells a story of survival. Despite concerted efforts by social critics and governmental officials to curtail radicals' political influence among the young, radicals maintained a surprisingly robust radical social world centered in summer camps, private schools, youth groups, cultural organizations, union halls, and homes throughout New York City and its environs. In these spaces, youth continued to absorb a radical worldview that celebrated the labor movement, decolonization struggles, and African Americans' quest for freedom, while forwarding a biting critique of American capitalism. This process of intergenerational transmission would not have been possible without access to social space and an ever-evolving interpretation of radical values responsive to changes in political culture and demographics. Building a Better World relies on extensive archival research, print material, visual sources, and original oral histories to document this hidden history. In so doing, the dissertation significantly revises our understanding of the American Left, the history of American childhood, spatial change in New York City, and the evolution of political, ethnic, and racial identities in modern American history.
Dissertation
Graham-Jones, Brian Clay Hunter Christopher. "The fractal nature of lightning an investigation of the fractal relationship of the structure of lightning to terrain /". 2006. http://etd.lib.fsu.edu/theses/available/etd-07082006-194027.
Pełny tekst źródłaAdvisor: Christopher Hunter, Florida State University, College of Arts and Sciences, Dept. of Mathematics. Title and description from dissertation home page (viewed Sept. 26, 2006). Document formatted into pages; contains ix, 122 pages. Includes bibliographical references.