Zaloguj się

Gotowe bibliografie tematyczne / New English theatre / Książki

Kliknij ten link, aby zobaczyć inne rodzaje publikacji na ten temat: New English theatre.

Książki na temat „New English theatre”

Autor: Grafiati

Data publikacji: 28 lipca 2024

Data aktualizacji: 30 lipca 2024

Utwórz poprawne odniesienie w stylach APA, MLA, Chicago, Harvard i wielu innych

Wybierz rodzaj źródła:

Sprawdź 50 najlepszych książek naukowych na temat „New English theatre”.

Przycisk „Dodaj do bibliografii” jest dostępny obok każdej pracy w bibliografii. Użyj go – a my automatycznie utworzymy odniesienie bibliograficzne do wybranej pracy w stylu cytowania, którego potrzebujesz: APA, MLA, Harvard, Chicago, Vancouver itp.

Możesz również pobrać pełny tekst publikacji naukowej w formacie „.pdf” i przeczytać adnotację do pracy online, jeśli odpowiednie parametry są dostępne w metadanych.

Przeglądaj książki z różnych dziedzin i twórz odpowiednie bibliografie.

1

Christopher, Fitz-Simon, Sternlicht Sanford V i Friel Judy, red. New plays from the Abbey Theatre. Syracuse, N.Y: Syracuse University Press, 1996.

Znajdź pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

2

Hilton, Della. Christopher Marlowe and the new London theatre. Edinburgh: Pentland Press, 1993.

Znajdź pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

3

author, Maekawa Tomohiro, Sakate Yōji 1962 author i Nihon Gekisakka Kyōkai, red. Engeki: Japanese theatre in the new millennium. Tokyo: Japan Playwrights Association, 2016.

Znajdź pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

4

Peacock, D. Keith. Harold Pinter and the new British theatre. Westport, Conn: Greenwood Press, 1997.

Znajdź pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

5

Muller-Wood, Anja. The theatre of civilized excess: New perspectives on Jacobean tragedy. Amsterdam: Rodopi, 2007.

Znajdź pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

6

name, No. New plays from the Abbey Theatre ; vol. 3, 1999-2001. Syracuse, N.Y: Syracuse University Press, 2002.

Znajdź pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

7

Luigi, Pirandello. Pirandello's theatre of living masks: New translations of six major plays. Toronto: University of Toronto Press, 2011.

Znajdź pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

8

Project, WHSTC, i University of Western Ontario, red. A bibliography in short-title catalog form of 'The New English theatre,' 1776-1777 and re-issues up to 1800. London: University of Western Ontario, 1986.

Znajdź pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

9

Bishop, Tom, Gina Bloom i Erika T. Lin, red. Games and Theatre in Shakespeare's England. NL Amsterdam: Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463723251.

Pełny tekst źródła

Streszczenie:

This collection of essays brings together theories of play and game with theatre and performance to produce new understandings of the history and design of early modern English drama. Through literary analysis and embodied practice, an international team of distinguished scholars examines a wide range of games—from dicing to bowling to roleplaying to videogames—to uncover their fascinating ramifications for the stage in Shakespeare’s era and our own. Foregrounding ludic elements challenges the traditional view of drama as principally mimesis, or imitation, revealing stageplays to be improvisational experiments and participatory explorations into the motive, means, and value of recreation. Delving into both canonical masterpieces and hidden gems, this innovative volume stakes a claim for play as the crucial link between games and early modern theatre, and for the early modern theatre as a critical site for unraveling the continued cultural significance and performative efficacy of gameplay today.

Style APA, Harvard, Vancouver, ISO itp.

10

Charles, Kean, red. The merchant of Venice: Arranged forpresentation at the Princess's Theatre. Oxford: Pergamon Press, 1985.

Znajdź pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

11

(Association), FEMRITE. Celebrating Ugandan women's writings in the new millenium: A report on the week of activities organised by Femrite to celebrate women's writings in the new millenium at the National Theatre 24-30 January 2000, Kampala, Uganda. Kampala]: Femrite, Uganda Women Writers Association, 2000.

Znajdź pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

12

1946-, Reitz Bernhard, i Deutsche Gesellschaft für das Englischsprachige Theater und Drama der Gegenwart., red. New forms of comedy: Papers given on the occasion of the second annual conference of the German Society for Contemporary Theatre and Drama in English. Trier: Wissenschaftlicher Verlag, 1994.

Znajdź pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

13

Deutsche Gesellschaft für das Englischsprachige Theater und Drama der Gegenwart. Conference. Extending the code: New forms of dramatic and theatrical expression ; papers given on the occasion of the twelfth annual conference of the German Society for Contemporary Theatre and Drama in English. Trier: WVT, Wissenschaflicher Verlag Trier, 2004.

Znajdź pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

14

Shakespeare, William. Hamlet...: Arranged for representation at the Royal Princess's Theatre. Oxford: Pergamon, 1985.

Znajdź pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

15

Hans-Ulrich, Mohr, Mächler Kerstin i Deutsche Gesellschaft für das Englischsprachige Theater und Drama der Gegenwart, (12th : 2004 : Meissen), red. Extending the code: New forms of dramatic and theatrical expression : papers given on the occasion of the twelfth annual conference of the German Society for Contemporary Theatre and Drama in English. Trier: Wissenschaftlicher, 2004.

Znajdź pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

16

Shakespeare, William. Hamlet: English. Paris: Librio, 1996.

Znajdź pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

17

Shakespeare, William. Hamlet: The new Variorum edition. Mineola, N.Y: Dover Publications, 2000.

Znajdź pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

18

Jocelyn, Beard, red. 100 great monologues from the neo-classical theatre. Lyme, NH: Smith and Kraus, 1994.

Znajdź pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

19

Shakespeare, William. Shakespeare's play of the Merchant of Venice, Arranged for Representation at the Princess's Theatre: With Historical and Explanatory Notes by Charles Kean, F.S.A. Hamburg: tredition, 2011.

Znajdź pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

20

Shakespeare, William. The tragedy of Hamlet, Prince of Denmark: As it is now acted at His Highness the Duke of York's theatre. Oxford: Pergamon, 1985.

Znajdź pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

21

The New Sister Theatre. Ulverscroft Soundings Ltd, 1989.

Znajdź pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

22

New readings in theatre history. Cambridge, UK: Cambridge University Press, 2003.

Znajdź pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

23

Huxley, Aldous. Brave New World (Radio Theatre). Turtleback Books, 2006.

Znajdź pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

24

Brewster, Yvonne. Black Plays: Two (Methuen New Theatre Scripts). Methuen Publishing, 1989.

Znajdź pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

25

New Playwriting at Shakespeare's Globe. Bloomsbury Publishing Plc, 2017.

Znajdź pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

26

New Playwriting at Shakespeare's Globe. Methuen Drama, 2017.

Znajdź pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

27

Cantoni, Vera. New Playwriting at Shakespeare's Globe. Bloomsbury Publishing Plc, 2019.

Znajdź pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

28

New Playwriting at Shakespeare's Globe. Bloomsbury Publishing Plc, 2017.

Znajdź pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

29

Hutson, Lorna. Theatre. Redaktorzy James Simpson i Brian Cummings. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780199212484.013.0013.

Pełny tekst źródła

Streszczenie:

In the 1980s, New Historicist critics suggested that Renaissance theater was marked by the Reformation; specifically, that it expressed the vanishing of ritual and sacrament from ordinary people’s lives. More recently, critics like Sarah Beckwith have shown how pre-Reformation theater worked as ritual and sacrament by revealing the extent to which it was implicated in the jurisdiction of confession, penance and absolution for sin. This article revisits the question of how the Reformation abolition of annual mandatory confession affected theater. It qualifies both the New Historicist view of Renaissance theater as evacuated ritual and Beckwith’s view of the Protestant abolition of confession as an exteriorization of penance. Reading the first English Renaissance neoclassical comedy in English,Gammer Gurton’s Needle(c.1553-60), the article shows how profoundly its neoclassical concern with proof and evidence is tied in with a rejection of priestly confession and an invitation to parishioners and neighbors to be more skeptical and less credulous in believing the worst of one another.

Style APA, Harvard, Vancouver, ISO itp.

30

Queer Canadian Theatre and Performance: New Essays on Canadian Theatre, Volume 8. Playwrights Canada Press, 2018.

Znajdź pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

31

David, Owen. Digital Performance in Canada: New Essays on Canadian Theatre in English. Playwrights Canada Press, 2021.

Znajdź pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

32

(Editor), Judy Friel, i Sanford Sternlicht (Editor), red. New Plays from the Abbey Theatre: 1996-1998 (Irish Studies). Syracuse University Press, 2001.

Znajdź pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

33

Riordan, Arthur, Patrick Lonergan, Hilary Fannin, Sonya Kelly i Mark Cantan. Rough Magic Theatre Company: New Irish Plays and Adaptations, 2010-2018. Bloomsbury Publishing Plc, 2020.

Znajdź pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

34

Lazardzig, Jan, i Hole Rößler, red. Technologies of Theatre. Klostermann, 2016. http://dx.doi.org/10.5771/9783465142591.

Pełny tekst źródła

Streszczenie:

Baroque theatre spectacles are frequently celebrated for their overwhelming effects and marvelous technologies. However, little is known about how the mechanical knowledge for elaborate stage machineries was actually acquired by architects and engineers, and how it disseminated throughout European theatre cultures with regard to specific religious, social, political as well as economical contexts. So far unnoticed by historians of theatre and performance, the early seventeenth-century codex iconographicus 401 (Bavarian State Library) offers new insight to the transfer of mechanical knowledge and theater technology. This manuscript can now be attributed to Joseph Furttenbach (1591-1667), building master of the Swabian city of Ulm, today best known for his numerous publications on architectural theory. The codex incorporates technical drawings and descriptions of the theatrical machineries invented and designed by Giulio Parigi for the epoch-making festivals at the Medici court in Florence. The invention and construction of theatrical machineries was taught at Parigi’s Florentine academy of art and engineering, which Furttenbach attended. Besides an English translation of Furttenbach’s manuscript (originally written in German language), this volume collects studies at the intersection of theater, architecture, and technology, proposing an innovative approach to the historiography of early modern theater.

Style APA, Harvard, Vancouver, ISO itp.

35

Rough Magic Theatre Company: New Irish Plays and Adaptations, 2010-2018. Bloomsbury Publishing Plc, 2020.

Znajdź pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

36

Donnelly, Neil, Niall Williams i Donal O'Kelly. New Plays from the Abbey Theatre 1993-1995 (Irish Studies (Syracuse, N.Y.).). Syracuse University Press, 1996.

Znajdź pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

37

Mariani, Umberto, i Alice Gladstone Mariani. Pirandello's Theatre of Living Masks: New Translations of Six Major Plays. University of Toronto Press, 2018.

Znajdź pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

38

(Editor), Sanford V. Sternlicht, Judy Friel (Editor) i Christopher Fitz-Simon (Introduction), red. New Plays from the Abbey Theatre: 1999-2001 (Irish Studies (Syracuse, N.Y.).). Syracuse University Press, 2003.

Znajdź pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

39

British realist theatre: The new wave in its context 1956-1965. London: Routledge, 1995.

Znajdź pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

40

Vince, Ronald W. A Companion to the Medieval Theatre. Greenwood Press, 1989. http://dx.doi.org/10.5040/9798216183846.

Pełny tekst źródła

Streszczenie:

Vince has provided a useful and, for the most part, usable reference work. His introduction should be required reading for anyone approaching medieval theater. Choice Scholars increasingly see medieval theatre as a complex and vital performance medium related more closely to political, religious, and social life than to literature as we know it. Reflecting the current interest in performance, A Companion to the Medieval Theatre presents 250 alphabetically arranged entries offering a panoramic view of European and British theatrical productions between the years 900 and 1550. The volume features 30 essays contributed by an international group of specialists and includes many shorter entries as well as systematic cross-referencing, a chronology, a bibliography, and a full complement of indexes. Major entries focus on the theatres of the principal linguistic areas (the British Isles, France, Germany, Iberia, Italy, Scandinavia, the Low Countries, and Eastern Europe), and on dramatic forms and genres such as liturgical drama, Passion and saint plays, morality plays, folk drama, and Humanist drama. Other articles examine costume, acting, pageantry, and music, and explore the theatrical dimension of courtly entertainment, the dance, and the tournament. Short entries supply information on over one hundred playwrights, directors, actors and antiquarians whose contributions to the theatre have been documented. This informative guide brings new depth to our appreciation of the richness and color of medieval public entertainments and the symbolism and pageantry that were a part of daily life in the Middle Ages. Designed to appeal to general reader, this volume is also an attractive choice for libraries serving students and scholars of theatre history, English and European literatures, medieval history, cultural history, drama, and performance.

Style APA, Harvard, Vancouver, ISO itp.

41

Glover, Mr, i David Garrick. The New English Theatre V12: Medea, The Brothers; Isabella, The Grecian Daughter, The Roman Father. Kessinger Publishing, LLC, 2007.

Znajdź pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

42

Glover, Mr, i David Garrick. The New English Theatre V12: Medea, The Brothers; Isabella, The Grecian Daughter, The Roman Father. Kessinger Publishing, LLC, 2007.

Znajdź pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

43

Political Theatre in Post-Thatcher Britain: New Writing, 1995-2005 (Performance Interventions). Palgrave Macmillan, 2008.

Znajdź pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

44

(Editor), Christopher Fitz-Simon, Sanford V. Sternlicht (Editor) i Judy Friel (Editor), red. New Plays from the Abbey Theatre: 1999-2001 : Hugh Leonard, Frank McGuinness, Jimmy Murphy (Irish Studies (Syracuse, N.Y.).). Syracuse University Press, 2003.

Znajdź pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

45

Kotzebue, August von. How to Die for Love: a Farce, in Two Acts: Performed at the New English Opera, Lyceum Theatre, (with Additional Songs): and Tghe Theatre Royal, ... Gale NCCO, Print Editions, 2017.

Znajdź pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

46

Beowulf. New English Theatre: Containing the Most Valuable Plays Which Have Been Acted on the London Stage; Volume 4. Creative Media Partners, LLC, 2018.

Znajdź pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

47

Belarus Free Theatre : New Plays from Central Europe: The VII International Contest of Contemporary Drama. Oberon Books, Limited, 2014.

Znajdź pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

48

Dunton, Chris. Make Man Talk True: Nigerian Drama in English Since 1970 (New Perspectives on African Literature, No 5). Hans Zell Publishers, 1990.

Znajdź pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

49

Artaud, Antonin. The Theatre and its Double. Redaktor Mark Taylor-Batty. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9781350288751.

Pełny tekst źródła

Streszczenie:

In The Theatre and Its Double, first published in 1938, Antonin Artaud puts forward his radical theories on drama and theatre, which he saw as being stifled by conservatism and a lack of experimentation. Containing the famous manifestos of the ‘Theatre of Cruelty’, this collection of essays analyses the underlying impulses of performance, provides suggestions on a physical-training method for actors, and features a long appreciation of the expressive values of Eastern dance drama. This new English translation of Artaud's canonical text by Mark Taylor-Batty retains the idiosyncratic nature of the author's writing, communicating its fervour and ambition, while achieving a much-needed clarity. Through doing so, it facilitates a fuller appreciation of Artaud’s artistic objectives and the original context in which they grew, aided by a newly translated set of his notes and drafts, and a selection of letters to his publisher, friends and associates concerning the book's genesis and the evolution of the concept of a ‘Theatre of Cruelty’. The commentary further contextualizes this material within Artaud’s broader oeuvre, from his collaboration with the Surrealist group through to his plans to stage his own adaptation of Percy Shelley’s Les Cenci in 1935. A welcome addition to any theatre-lover's or student's bookshelf, this translation of Artaud’s classic text offers clear and faithful insights into Artaud's theatre.

Style APA, Harvard, Vancouver, ISO itp.

50

Bishop, Tom, Gina Bloom i Erika T. Lin, red. Games and Theatre in Shakespeare's England. Amsterdam University Press, 2021. http://dx.doi.org/10.1017/9789048553525.

Pełny tekst źródła

Streszczenie:

This collection of essays brings together theories of play and game with theatre and performance to produce new understandings of the history and design of early modern English drama. Through literary analysis and embodied practice, an international team of distinguished scholars examines a wide range of games—from dicing to bowling to roleplaying to videogames—to uncover their fascinating ramifications for the stage in Shakespeare's era and our own. Foregrounding ludic elements challenges the traditional view of drama as principally mimesis, or imitation, revealing stageplays to be improvisational experiments and participatory explorations into the motive, means, and value of recreation. Delving into both canonical masterpieces and hidden gems, this innovative volume stakes a claim for play as the crucial link between games and early modern theatre, and for the early modern theatre as a critical site for unraveling the continued cultural significance and performative efficacy of gameplay today.

Style APA, Harvard, Vancouver, ISO itp.

Oferujemy zniżki na wszystkie plany premium dla autorów, których prace zostały uwzględnione w tematycznych zestawieniach literatury. Skontaktuj się z nami, aby uzyskać unikalny kod promocyjny!