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Artykuły w czasopismach na temat "National Museum of African-American History and Culture"
Weiss, Nancy E. "Lifting Every Voice Throughout the Nation". Public Historian 40, nr 3 (1.08.2018): 142–62. http://dx.doi.org/10.1525/tph.2018.40.3.142.
Pełny tekst źródłaTowle, Ashley. "National Museum of African American History and Culture". American Journalism 34, nr 1 (2.01.2017): 119–20. http://dx.doi.org/10.1080/08821127.2016.1275249.
Pełny tekst źródłaMiles, Tiya. "Review: National Museum of African American History and Culture". Public Historian 39, nr 2 (1.05.2017): 82–86. http://dx.doi.org/10.1525/tph.2017.39.2.82.
Pełny tekst źródłaCurtis, Ariana A. "Afro-Latinidad in the Smithsonian’s African American Museum Spaces". Public Historian 40, nr 3 (1.08.2018): 278–91. http://dx.doi.org/10.1525/tph.2018.40.3.278.
Pełny tekst źródłaLaberenne, Rebecca, Guy J. P. Nordenson, Erich Oswald i Ninoslav Krgovic. "Superstructure of the National Museum of African American History and Culture". Structural Engineering International 27, nr 3 (sierpień 2017): 454–61. http://dx.doi.org/10.2749/222137917x14881938991366.
Pełny tekst źródłaMelish, Joanne Pope, Marcia Chatelain i Hasan Kwame Jeffries. "Smithsonian National Museum of African American History and Culture, Washington, D.C." Journal of American History 104, nr 1 (czerwiec 2017): 145–61. http://dx.doi.org/10.1093/jahist/jax009.
Pełny tekst źródłaBunch, Lonnie G. "The National Museum of African American History and Culture: The Vision". Journal of Museum Education 42, nr 1 (2.01.2017): 8–12. http://dx.doi.org/10.1080/10598650.2016.1265850.
Pełny tekst źródłaRice, Faun. "National Museum of African American History and Culture: A New Integration?" Curator: The Museum Journal 60, nr 2 (kwiecień 2017): 249–58. http://dx.doi.org/10.1111/cura.12195.
Pełny tekst źródłaMatthews, Dyese L. "A Look at the Black Fashion Museum Collection and Designer Peter Davy, National Museum of African American History and Culture, DC, online exhibition, available since 1 June 2017". Critical Studies in Fashion & Beauty 13, nr 1 (1.06.2022): 185–92. http://dx.doi.org/10.1386/csfb_00043_5.
Pełny tekst źródłaMikešová, Pavla. "Museums and Their International Audiences". Muzeum: Muzejní a vlastivedná práce 55, nr 2 (1.06.2017): 42–44. http://dx.doi.org/10.1515/mmvp-2017-0046.
Pełny tekst źródłaRozprawy doktorskie na temat "National Museum of African-American History and Culture"
Webb, Brittany. "Materializing Blackness: The Politics and Production of African Diasporic Heritage". Diss., Temple University Libraries, 2018. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/504409.
Pełny tekst źródłaPh.D.
"Materializing Blackness: The Politics and Production of African Diasporic Heritage” examines how intellectual and civic histories collide with the larger trends in the arts and culture sector and the local political economy to produce exhibitions at the African American Museum in Philadelphia (AAMP) and structure the work that museum exhibitions do to produce race visually for various audiences. Black museums are engaged in the social construction of race through their exhibitions and programs: selecting historical facts, objects and practices, and designating them as heritage for and to their audiences. In tracking this work, I am interested in 1) the assemblages of exhibits that are produced, as a function of 2) the internal logics of the producing institutions and 3) larger forces that structure the field as a whole. Looking at exhibits that engage Blackness, I examine how heritage institutions use art and artifacts to visually produce race, how their audiences consume it, and how the industry itself is produced as a viable consumptive market. Undergirded by the ways anthropologists of race and ethnicity have been explored and historicized race as a social construction I focus on an instantiation of the ways race is constructed in real time in the museum. This project engages deeply with inquiries about the social construction of race and Blackness, such as: how is Blackness rendered coherent by the art and artifacts in exhibitions? How are these visual displays of race a function of the museums that produce them and political economy of the field of arts and culture? Attending to the visual, intellectual, and political economic histories of networks of exhibiting institutions and based on ethnographic fieldwork in and on museums and other exhibiting institutions, this dissertation contextualizes and traces the production and circulation of the art and artifacts that produce the exhibitions and the museum itself as a way to provide a contemporary concrete answer. Overall “Materializing Blackness” makes the case for history and political economy as ghosts of production that have an outsized impact on what we see on exhibition walls, and are as important to the visual work as a result. Further it takes the Black museum as a site of anthropological engagement as a way to see the conjuncture of the aesthetic and the political, the historical and the material in one complicated node of institution building and racecraft in the neoliberal city.
Temple University--Theses
Edmundson, Joshua R. "THE ONE EXHIBITION THE ROOTS OF THE LGBT EQUALITY MOVEMENT ONE MAGAZINE & THE FIRST GAY SUPREME COURT CASE IN U.S. HISTORY 1943-1958". CSUSB ScholarWorks, 2016. https://scholarworks.lib.csusb.edu/etd/399.
Pełny tekst źródłaLamont, Sarah. "Deconstructing the Dichotomy: Muslim American University Students' Perceptions of Islam and Democracy". Bowling Green State University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1336083346.
Pełny tekst źródłaMeldon, Perri. "Interpreting Access: A History of Accessibility and Disability Representations in the National Park Service". 2019. https://scholarworks.umass.edu/masters_theses_2/787.
Pełny tekst źródłaBrink, Linda Eugen. "Die lewe, werk en invloed van F.V. Engelenburg in Suid-Afrika (1889 – 1938) / Linda Eugéne". Thesis, 2015. http://hdl.handle.net/10394/16537.
Pełny tekst źródłaPhD (History)--North-West University, Vaal Triangle Campus, 2015.
Khan, Khatija Bibi. "Post 9/11 constructions of Muslim identities in American black popular music". Thesis, 2010. http://hdl.handle.net/10500/3606.
Pełny tekst źródłaEnglish Studies
D. Litt. et Phil.
Khan, Khatija Bibi. "Post 9/11 constructions of Muslims identities in the American black popular music". Thesis, 2010. http://hdl.handle.net/10500/3606.
Pełny tekst źródłaEnglish Studies
D. Litt. et Phil.
Książki na temat "National Museum of African-American History and Culture"
Institution, Smithsonian, red. The National Museum of American History: Science, technology, and culture. Washington, D.C: Smithsonian Institution, 1988.
Znajdź pełny tekst źródłaNational Museum of the American Indian (U.S.). Smithsonian, Native American history and culture. [United States]: Smithsonian Institution, 2001.
Znajdź pełny tekst źródłaUS GOVERNMENT. An Act to Establish the National Museum of African American History and Culture Plan for Action Presidential Commission to Develop a Plan of Action for the Establishment and Maintenance of the National Museum of African American History and Culture in Washington, D.C., and for Other Purposes. [Washington, D.C: U.S. G.P.O., 2002.
Znajdź pełny tekst źródłaFriedel, Robert D. A material world: An exhibititon at the National Museum of American History : Smithsonian Instititution. Washington D.C: Smithsonian Institution, 1988.
Znajdź pełny tekst źródłaM, Kendrick Kathleen, i National Museum of American History (U.S.), red. Legacies: Collecting America's history at the Smithsonian. Washington, D.C: Published by Smithsonian Institution Press in association with the National Museum of American History, 2001.
Znajdź pełny tekst źródłaKendrick, Kathleen M. Smithsonian treasures of American history. New York, NY: Collins, 2006.
Znajdź pełny tekst źródłaMemorials, United States Congress House Committee on House Administration Subcommittee on Libraries and. Establishment of an African-American Heritage Memorial Museum: Hearing held before the Subcommittee on Libraries and Memorials of the Committee on House Administration, U.S. House of Representatives, One Hundred First Congress, first session, September 21, 1989, Washington, DC. Washington: U.S. G.P.O., 1990.
Znajdź pełny tekst źródłaUnited States. Congress. House. Committee on House Administration. Subcommittee on Libraries and Memorials. Establishment of an African-American Heritage Memorial Museum: Hearing held before the Subcommittee on Libraries and Memorials of the Committee on House Administration, U.S. House of Representatives, One Hundred First Congress, first session, September 21, 1989, Washington, DC. Washington: U.S. G.P.O., 1990.
Znajdź pełny tekst źródłaSmithsonian Folklife Festival (2007 Washington, D.C.). The 2007 Smithsonian Folklife Festival: Mekong River, connecting cultures; Northern Ireland at the Smithsonian; Roots of Virginia Culture. Washington: Smithsonian Institution Center for Folklife and Cultural Heritage, 2006.
Znajdź pełny tekst źródłaW, Rendell Kenneth, i National Heritage Museum (Lexington, Mass.), red. The western pursuit of the American dream: Exhibition, National Heritage Museum, 2004-2005 : selections from the collection of Kenneth W. Rendell. Natick, MA: Historical Publications, 2004.
Znajdź pełny tekst źródłaCzęści książek na temat "National Museum of African-American History and Culture"
Olsen, Clare, i Sinéad Mac Namara. "National Museum of African American History and Culture". W Collaborations in Architecture and Engineering, 37–61. Wyd. 2. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003018179-5.
Pełny tekst źródłaHanks, Laura Hourston. "National Museum of African American History and Culture, Washington, DC, USA". W New Museum Design, 139–56. Abingdon, Oxon ; New York : Routledge, 2020.: Routledge, 2021. http://dx.doi.org/10.4324/9780429435591-8.
Pełny tekst źródłaBrock, Claire. "Photograph of the Taylor Lane Hospital Operating Room (Dated 1899), Dr Matilda A. Evans Collection, National Museum of African American History and Culture". W Women in Medicine in the Long Nineteenth Century, 109–14. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003265252-8.
Pełny tekst źródła"Art and Museum Life". W Speechifying, 177–206. Duke University Press, 2023. http://dx.doi.org/10.1215/9781478027188-009.
Pełny tekst źródła"National Museum of African American History and Culture Plan for Action Presidential Commission Act (28 December 2001)". W African American Studies Center. Oxford University Press, 2009. http://dx.doi.org/10.1093/acref/9780195301731.013.33532.
Pełny tekst źródła"National Organizations". W Interpreting African American History and Culture at Museums and Historic Sites, redaktor Max A. van Balgooy, 199–200. Rowman & Littlefield Publishers, 2014. http://dx.doi.org/10.5771/9780759122802-199.
Pełny tekst źródłaJules-Rosette, Bennetta, i J. R. Osborn. "Reaching Out". W African Art Reframed, 94–120. University of Illinois Press, 2020. http://dx.doi.org/10.5622/illinois/9780252043277.003.0004.
Pełny tekst źródłaHolloway, Jonathan Scott. "Epilogue". W African American History: A Very Short Introduction, 116—CEP22. Oxford University PressNew York, 2023. http://dx.doi.org/10.1093/actrade/9780190915155.003.0008.
Pełny tekst źródłaSimko, Christina. "Finding a Way Forward". W National Memories, 65–86. Oxford University PressNew York, 2022. http://dx.doi.org/10.1093/oso/9780197568675.003.0005.
Pełny tekst źródłaSodaro, Amy. "“Feeling Truth”: Objects, Embodiment, and Temporality in the National Museum of African American History and Culture (Washington, DC) and the Legacy Museum (Montgomery, Alabama)". W Museums, Narratives, and Critical Histories, 25–44. De Gruyter, 2024. http://dx.doi.org/10.1515/9783110787443-002.
Pełny tekst źródła