Artykuły w czasopismach: „National images”

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Wilterdink, Nico. "Images of national character". Society 32, nr 1 (listopad 1994): 43–51. http://dx.doi.org/10.1007/bf02693352.

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Kelman, Herbert C. "Conflict images, national narratives, and external realities." American Psychologist 63, nr 4 (2008): 280–82. http://dx.doi.org/10.1037/0003-066x.63.4.280.

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Smith, Anthony D. "Will and Sacrifice: Images of National Identity". Millennium: Journal of International Studies 30, nr 3 (grudzień 2001): 571–84. http://dx.doi.org/10.1177/03058298010300031301.

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Kim, Jeahee, Changu Lee i Jong Won Park. "Automatic National Image Interpretability Rating Scales (NIIRS) Measurement Algorithm for Satellite Images". Journal of Korea Multimedia Society 19, nr 4 (30.04.2016): 725–35. http://dx.doi.org/10.9717/kmms.2016.19.4.725.

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Chvyr, Luidmila. "Ethno-Cultural Images at Central Asia: National Costume". Vostok. Afro-aziatskie obshchestva: istoriia i sovremennost, nr 6 (2020): 153. http://dx.doi.org/10.31857/s086919080012505-2.

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Giffard, C. Anthony, i Nancy K. Rivenburgh. "News Agencies, National Images, and Global Media Events". Journalism & Mass Communication Quarterly 77, nr 1 (marzec 2000): 8–21. http://dx.doi.org/10.1177/107769900007700102.

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One strategy used by nations to enhance their image is to host global media events. This study examines Associated Press, Reuters, and Inter Press Service coverage of six major U.N. summit meetings for their presentation of the host nations. Three of the conferences took place in western capitals; three were held in the developing world. While hosting a summit resulted in a nation getting a higher profile than it would if only a participant, western hosts received more overtly positive coverage than those from the developing world. The topic of the U.N. summit also influenced how news agencies portrayed a host nation.

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Brettschneider, Frank, Katja Neller i Christopher J. Anderson. "Candidate Images in the 2005 German National Election". German Politics 15, nr 4 (grudzień 2006): 481–99. http://dx.doi.org/10.1080/09644000601062667.

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Petkova, Diana. "National images and intercultural dialogue in Southeast Europe". Journal of Organisational Transformation & Social Change 3, nr 2 (marzec 2007): 135–55. http://dx.doi.org/10.1386/jots.3.2.135_1.

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Snauwaert, Erwin. "National images and their reception through football literature". Transnational Image Building 10, nr 1 (1.06.2021): 5–25. http://dx.doi.org/10.1075/ts.20007.sna.

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Abstract As demonstrated extensively by translation studies, national images and their reception undergo significant changes in the transfer process to another culture. From this perspective, La pena máxima by Roncagliolo is an interesting case: not only is the plot tied in with the theme of football, which is widely believed to embody national identity, but it has also been commented on in different target cultures. The reception study displays how the images of Argentina and Peru, which the novel deconstructs by using the 1978 World Cup as a pretext to expose the atrocities perpetrated by their respective totalitarian regimes, are perceived in the Hispanic context and in the French and Dutch literary systems into which they have been translated. While the Argentinian and the French reviews skate over the gruesome reality, the Peruvian, the Spanish and the Dutch ones assume the negative images by emphasizing their socio-political relevance.

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Manheim, Jarol B., i Robert B. Albritton. "Insurgent Violence Versus Image Management: The Struggle for National Images in Southern Africa". British Journal of Political Science 17, nr 2 (kwiecień 1987): 201–18. http://dx.doi.org/10.1017/s0007123400004701.

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The authors examine the countervailing effects of two forces on external news coverage of Southern Rhodesia (now Zimbabwe) and South Africa during the 1970s. The first is purposeful government efforts at news management and information control undertaken by each of the two regimes. The second is the civil unrest which was present in the region during that period. They conclude that these effects and the policy consequences that flow from them are functions of the pre-existing image environment of each country in the foreign (US) press and of the character of its domestic unrest.

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Pérez-Santamaría, Samanta, Mercedes Martos-Partal i Álvaro Garrido-Morgado. "Identifying a private-label supplier on national brand". Journal of Product & Brand Management 28, nr 3 (13.05.2019): 432–43. http://dx.doi.org/10.1108/jpbm-06-2018-1908.

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Purpose The purpose of this study is to examine the effects of identifying suppliers on private label (PL) packaging on the perceived quality, brand image, loyalty intention and relative price of the national brands (NB) produced by dual manufacturers, considering the possible moderating effects of the images of both the NB and PL. Design/methodology/approach The study uses an experimental setting with two different categories of grocery products. Findings The empirical evidence reveals different effects of PL supplier identification, according to brand images. Research limitations/implications This paper contributes to brand extension literature on the effects on evaluations of the parent brand. It also contributes insights about the identity and identification of PL manufacturers. Practical implications This supplier identification does not affect or positively affect to the perceived quality, brand image or loyalty toward NBs with lower images, but it negatively affects those with high images, especially when the PL also has a high image and adopts a stronger price positioning. Moreover, NBs with lower images appear more expensive or do not affect when they supply PLs for retailers with high images and stronger price positioning. However, if lower image NB supply a PL with the lower image, the effects do not affect or is perceived as cheaper. Originality/value This paper extends prior knowledge about the decision to function as a dual manufacturer from the manufacturer’s perspective.

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Hokka, Jenni, i Matti Nelimarkka. "Affective economy of national-populist images: Investigating national and transnational online networks through visual big data". New Media & Society 22, nr 5 (21.08.2019): 770–92. http://dx.doi.org/10.1177/1461444819868686.

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In our article, we investigate the affective economy of national-populist image circulation on Facebook. This is highly relevant, since social media has been an essential area for the spread of national-populist ideology. In our research, we analyse image circulation as affective practice, combining qualitative and quantitative methods. We use computational data analysis methods to examine visual big data: image fingerprints and reverse image search engines to track down the routes of thousands of circulated images as well as make discourse-historical analysis on the images that have gained most attention among supporters. Our research demonstrates that these existing tools allow social science research to make theory-solid approaches to understand the role of image circulation in creating and sustaining national and transnational networks on social media, and show how national-populist thinking is spread through images that catalyse and mobilise affects – fear, anger and resentment – thus creating an effective affective economy.

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Kim, Yong-kyung. "The First Lady and the National Image: Focusing on the Media Report from China and South Korea about the First Lady of China and North Korea". Asian Social Science 13, nr 12 (28.11.2017): 68. http://dx.doi.org/10.5539/ass.v13n12p68.

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The formation of the national image is a part of the public diplomacy which presents the nation's overall power and the influence of the nation. This research, with the topic of “The First Lady and the Nation's image”, analyzes the press reports of South Korea and China on the new First Ladies of China and North Korea, Li Sol-ju and Peng Liyuan, to review the national images of the two nations. The research findings illustrate the national images of two countries: China has an image of a political power in developing process. Also, North Korea, although it is not a powerful country in international diplomacy, appears to play its important part in the international stage with an image of a conservative nation. Furthermore, with the appearance of the First Lady, China gained more recognition and attracted greater attention in the international community, and North Korea, on the other hand, also receives worldwide interests, but still has a mysterious and curious image. It was clear that both countries are willing to improve their national images at home and abroad by their First Ladies.

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Sâsâiac, Andi. "National Images in the Media and in Travel Writing". Messages, Sages and Ages 2, nr 1 (1.08.2015): 29–37. http://dx.doi.org/10.1515/msas-2015-0004.

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Abstract The image that Romania has abroad represents, especially from a journalistic perspective, a more and more fashionable topic, although the westerners’ interest in this ‘different’ country is not that recent. What is recent is the self-awareness that Romanians are starting to develop, with regard to the westerners’ opinions, appreciative or deprecatory as they may be. The media play a very important role in the dissemination of national images and are the main provider of clichés and stereotypes. Ethnic groups are stereotyped and ‘otherized’ on the basis of popular media images. However, travel accounts are the literary works that carry imagological messages par excellence. My intention is to illustrate how the media influence the dissemination of images in travel writing and how images in travel writing can be approached through instruments normally used in journalistic discourse analysis

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Giugliano, Marcello, i Victòria Alsina Keith. "Seeing the image of one’s culture through the image of another: translating images of national identity". Meta: Journal des traducteurs 64, nr 3 (2019): 748. http://dx.doi.org/10.7202/1070538ar.

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Castano, Emanuele, Alain Bonacossa i Peter Gries. "National Images as Integrated Schemas: Subliminal Primes of Image Attributes Shape Foreign Policy Preferences". Political Psychology 37, nr 3 (31.03.2015): 351–66. http://dx.doi.org/10.1111/pops.12259.

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Gapurjonovich, Bakhromov Ulugbek, i Khamrohojaev Bakhtiyor Yahyokhonovich. "Fergana valley traditional national costumes and religious-divine images". Asian Journal of Multidimensional Research (AJMR) 9, nr 5 (2020): 142. http://dx.doi.org/10.5958/2278-4853.2020.00160.3.

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Gizatova, Gulnaz K., i Olga Gennadiyevna Ivanova. "Images of History through the Prism of National Consciousness". Journal of History Culture and Art Research 6, nr 5 (28.11.2017): 110. http://dx.doi.org/10.7596/taksad.v6i5.1303.

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Klecun-Dabrowska, E., i T. Cornford. "Images of Health Technology in National and Local Strategies". Methods of Information in Medicine 42, nr 04 (2003): 353–59. http://dx.doi.org/10.1055/s-0038-1634229.

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Summary Objectives: This paper examines the potential of various models relating technology to society and institutional structures to inform health policy. Among the models discussed are various versions of technological determinism, social constructivism, actor network theory and critical theory. Methods: The paper considers recent developments in policy and strategy that aim to shape the way the UK’s National Health Service (NHS) integrates Information and Communication Technologies (ICTs) into health care and considers what these alternative models highlight or emphasise, and how they might influence the activities of setting local implementation strategies. Results and Conclusions: Contemporary ICTs are often presented as having a particular relevance and power in reforming or transforming the delivery of health care. Understanding how such technologies might be conceived of, implemented and become an integral part of some future health care system is an important and challenging task that requires innovative theoretical treatments.

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Yu, Ying. "Olympic Aspirations: Reconstructed Images, National Identity and International Integration". International Journal of the History of Sport 27, nr 16-18 (listopad 2010): 2821–41. http://dx.doi.org/10.1080/09523367.2010.508272.

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Osselton, N. E. "Lexical Images. The Story of the Australian National Dictionary". International Journal of Lexicography 17, nr 1 (1.03.2004): 89–90. http://dx.doi.org/10.1093/ijl/17.1.89.

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Gerlach, Larry. "Norman Rockwell and Baseball: Images of the National Pastime". NINE: A Journal of Baseball History and Culture 23, nr 1 (2014): 41–63. http://dx.doi.org/10.1353/nin.2014.0036.

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Gal, Susan. "Linguistic theories and national images in 19th century Hungary". Pragmatics. Quarterly Publication of the International Pragmatics Association (IPrA) 5, nr 2 (1.06.1995): 155–66. http://dx.doi.org/10.1075/prag.5.2.03gal.

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Herstein, Ram, Shaked Gilboa i Eyal Gamliel. "Private and national brand consumers' images of fashion stores". Journal of Product & Brand Management 22, nr 5/6 (19.08.2013): 331–41. http://dx.doi.org/10.1108/jpbm-03-2012-0110.

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Sievert, K., T. Lobstein i P. Baker. "Stigmatizing images in the media - a cross-national survey". Clinical Obesity 8, nr 6 (25.09.2018): 407–10. http://dx.doi.org/10.1111/cob.12282.

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Jeffries, Martin O., Greta J. Reynolds i John M. Miller. "First Landsat multi-spectral scanner images of the Canadian Arctic north of 80°N". Polar Record 28, nr 164 (styczeń 1992): 1–6. http://dx.doi.org/10.1017/s0032247400020192.

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AbstractLandsat images of northern Axel Heiberg Island and northern Ellesmere Island, including part of the Ellesmere Island National Park Reserve in the Canadian high Arctic, are presented. These are believed to be the first Landsat images ever to be obtained of this region, which is north of latitude 80°N and once thought to be beyond the meaningful imaging range of Landsat. A general description of glaciological phenomena in the almost cloud-free images, and some of the attributes of the Ellesmere Island National Park Reserve, demonstrates some of the features and processes that can be imaged by Landsat in the region. New findings concerning the state and position of the front of the surge-type Otto Glacier, icebergs in Otto Fiord, and the extent and surface morphology of the Nansen Ice Plug indicate the capabilities of Landsat to contribute to original glaciological research in the region.

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Mueller, Christa. "The Austrian National Library’s card image catalog". OCLC Systems & Services: International digital library perspectives 18, nr 3 (1.09.2002): 146–52. http://dx.doi.org/10.1108/10650750210439368.

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For historical reasons, the Austrian National Library (ANL) had only 10 per cent of its 2.9 million items available in its OPAC as of 1997. Its unique holdings from the sixteenth to the nineteenth centuries could still only be found via card catalogs. In order to make these unique collections accessible via the Web, the library scanned each catalog card into a digital image. An in‐house software application called KatZoom was used to browse and search the catalog card images. Within less than half a year, ANL’s unique holdings became accessible via the Web. At a later time, these digital images were converted to electronic text and incorporated into the local library systems.

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Sapega, E. W. "Image and Counter-Image: The Place of Salazarist Images of National Identity in Contemporary Portuguese Visual Culture". Luso-Brazilian Review 39, nr 2 (1.12.2002): 45–64. http://dx.doi.org/10.3368/lbr.39.2.45.

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Tadashi, Uchino. "Images of Armageddon: Japan's 1980s Theatre Culture". TDR/The Drama Review 44, nr 1 (marzec 2000): 85–96. http://dx.doi.org/10.1162/10542040051058915.

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After the collapse of the “bubble economy” in the early 1990s and the 1995 Aum Shinri-kyō's terrorist gas attack, the Japanese wrestled once more with the question of their national identity. What links connect today's Japan with the pre-WWII empire, Hiroshima and Nagasaki, and the early postwar years? How is theatre implicated in the national project of memory and forgetting?

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Abdelkareem, Hiba, Rola Ali, Mukarram Jibrini, Zaher Nazzal, Mosab Maree, Jihad Hamaida i Khaled Demyati. "A study of the anatomic variations of the pancreatico-biliary system in Palestine: a national study". International Surgery Journal 6, nr 4 (26.03.2019): 1020. http://dx.doi.org/10.18203/2349-2902.isj20191066.

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Background: The objective of this study is to assess the frequency of anatomic variations of the biliary system in the Palestinian population in patients undergoing MRCPs.Methods: For a period of 3 years, from March 2016 to January 2019, a total of 401 MRCPS were performed in different Palestinian Medical Centers for different indications. 346 Images were included in the study. Images were evaluated independently by two expert radiologists for the presence of variations in the anatomy of gallbladder, cystic duct, common bile duct, pancreatic duct, pancreas and intrahepatic ducts.Results: About 78% of the images had normal anatomy of Intra-hepatic ducts. Right posterior duct joining the right anterior duct by its lateral side was observed in 12.6% of images and triple confluence in 8.5% of images. About 12% of the gallbladder images have anatomical variation; multi-septate in 4.1% of images and ectopic in 3.7% images. For the cystic duct, it was abnormally low in 9.6% of images and high in 5.3% of images. The cystic duct was found parallel in 2.3% of images. Variations of the pancreatic duct were evident in 3.9% of the images.Conclusions: anatomical variations of the pancreatico-biliary system are common and they are worth the attention to prevent major complications during hepatobiliary surgeries.

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Liu, Yu-jen. "Stealing Words, Transplanting Images". Archives of Asian Art 68, nr 2 (1.10.2018): 191–214. http://dx.doi.org/10.1215/00666637-7162246.

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Abstract This article explores how the category “Chinese art” was articulated and consolidated in the early twentieth century by focusing on Stephen Bushell's Chinese Art, the first book in English defined in terms of this category. Bushell's monograph highlights the intercultural character of the category, which was transformed in its content and cultural significance, when ostensibly the same authentic knowledge, articulated in verbal and visual representations, was moved from China to Europe and back again. The article starts by examining how Bushell's insider knowledge of Chinese art was transformed to fit the institutional setting of the Victoria and Albert Museum. It then explores how the authoritative knowledge of Chinese art communicated in Bushell's book was appropriated in China by the journal Guocui xuebao 國粹學報 (Journal of National Essence) in the context of attempts to revive national culture. Both cases involved hitherto unnoticed repetitions of text and images. By analyzing the mechanism informing these repetitions, this article reveals the entangled history behind the distinctive articulations of “Chinese art” in Britain and in China. Moreover, the analysis shows how the same elements, whether words or pictures, acquired a substantially different significance as they moved between cultures. This is exemplified by the formulation of the newly emergent classifying category Zhongguo meishupin 中國美術品 (“Chinese art objects”) in Guocui xuebao.

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Bushuev, V. V. "National Images of History in the Constitutions of the World". Vestnik Povolzhskogo instituta upravleniya 19, nr 1 (2019): 78–87. http://dx.doi.org/10.22394/1682-2358-2019-1-78-87.

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Terentyev, Vladislav I. "IMAGES OF CHINA AND THE CHINESE IN MONGOLIAN NATIONAL MENTALITY". Vestnik Tomskogo gosudarstvennogo universiteta, nr 406 (1.05.2016): 152–57. http://dx.doi.org/10.17223/15617793/406/24.

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Ruiz, Héctor. "Images imaginées : l’imaginaire national dans le cinéma latino-américain contemporain". Cinémas d’Amérique latine, nr 16 (1.06.2008): 160–69. http://dx.doi.org/10.4000/cinelatino.2275.

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Hatos, Pál. "Kossuth and the Images of Hungarian National Identity after 1989". Hungarian Studies 16, nr 2 (grudzień 2002): 225–36. http://dx.doi.org/10.1556/hstud.16.2002.2.8.

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Yenigün, Halil Ibrahim. "Crucial Images in the Presentation of a Kurdish National Identity". American Journal of Islam and Society 22, nr 1 (1.01.2005): 105–7. http://dx.doi.org/10.35632/ajis.v22i1.1733.

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This book is primarily a history of the early Kurdish movement, from itsinception in the late nineteenth century to the 1930s. Yet, its distinctivenesscomes not from the Kurdish nationalists’ more publicized products, but fromits focus on the margins of their literary attempts. This study of failed nationalism“is concerned less with how and why Kurdish nationalism did or didnot ‘catch on’ than with the efforts made by [the] Kurdish elite to constructa viable concept of Kurdish identity” (p. 1). In other words, the author’smain concern is to identify how images of the Kurds were constructed andrepresented, and how they evolved, over time, until the late 1930s.The book is divided into three parts, each of which corresponds to a differentperiod that delineates differing self-images of the Kurds. Each part,in turn, consists of six to eight chapters that provide an account of both keyevents in the Kurdish movement’s history and literary works. Part 1,“‘Awakening’ the Kurds,” deals with the movement’s background contextand early period by discussing its leaders, several publications, and organizations.In this period, the Kurds’ self-definition was predominantly negative,and obstacles to modernization abounded: tribal structures, a nomadicway of life, illiteracy, ignorance, and wildness.Yet the Turks were never the “inimical other,” except for such people asthe Ottoman sultan Abdulhamid and “a long line of Ottoman despots.” Theyhad a long list of prescriptions to awaken and literally “remake” the Kurds sothat they could be accepted by the nations of the civilized world. When theWilsonian principles granted their right to self-determination without this culturalleap, some Kurds wanted a Kurdish state. However, the vast majoritymourned for the Treaty of Sevrés along with their Turkish brethren, despitethe fact that its articles established Kurdistan. This chapter also describes howmost Kurds joined forces with the Kemalists to drive out the occupiers, onlyto be frustrated by the Kemalists’ subsequent assimilation projects ...

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Gockerell, Nina. "Identifying national costumes: searching for clues in words and images". Museum International 45, nr 3 (wrzesień 1993): 11–15. http://dx.doi.org/10.1111/j.1468-0033.1993.tb01113.x.

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Hart, Jonathan Locke. "Texts and Images in a National, Comparative, and World Context". Canadian Review of Comparative Literature / Revue Canadienne de Littérature Comparée 44, nr 3 (2017): 482–500. http://dx.doi.org/10.1353/crc.2017.0040.

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Valger, Olesya Alekseevna, i Irina Anatolyevna Vezner. "Live blogging and national identity: Images of now and here". Novosibirsk State Pedagogical University Bulletin 7, nr 4 (31.08.2017): 136–49. http://dx.doi.org/10.15293/2226-3365.1704.09.

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Spark, Alasdair. "Wrestling with America: Media, National Images, and the Global Village". Journal of Popular Culture 29, nr 4 (marzec 1996): 83–98. http://dx.doi.org/10.1111/j.0022-3840.1996.83984987.x.

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Kerlan, Anne. "Wishful images: Three cinematographic portraits of a national film company". Journal of Chinese Cinemas 15, nr 1 (23.02.2021): 1–21. http://dx.doi.org/10.1080/17508061.2021.1926637.

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Cameron, Ann. "Capturing moving images online". Indexer: The International Journal of Indexing: Volume 24, Issue 3 24, nr 3 (1.04.2005): 142–44. http://dx.doi.org/10.3828/indexer.2005.24.3.8.

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‘Archive Live’, the online catalogue from Scottish Screen Archive, brings the film and video material in Scotland’s National Moving Image Collection to life on the web. Designed to service the general public and the commercial programme maker, the catalogue is an essential reference tool, offering detailed information about moving images from 1895 to the present day. This article describes the planning and decision-making processes involved in actually getting the catalogue online, and provides a look at cataloguing and indexing practice in a film archive.

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Rajabova, Marifat Bakoyevna. "EXPRESSION OF IM EXPRESSION OF IMAGES REL GES RELATED TO NATIONAL TRADI AL TRADITIONS IN A.NAVOI'S WORK". Scientific Reports of Bukhara State University 4, nr 5 (27.10.2020): 141–46. http://dx.doi.org/10.52297/2181-1466/2020/4/5/10.

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Background. It is known that the customs, traditions, material and spiritual riches of the Turkic peoples belong to the great poet A. Thanks to Navoi's sharp intellect and artistic thinking; it has become an immortal property of our spirituality. Therefore, the creative heritage of the great poet is important not only as a work of art, but also as a unique historical and ethnographic source of culture of life of the Turkic peoples, including the Uzbek nation. This article examines the works of Alisher Navoi, depicting the way of life, culture, socio-political, theological and mystical worldview of the Turkic peoples, and even the ancient mythological ideas and some of the customs and rituals associated with them. The traditions of the poet's lyrical, lyre-epic works are an important source for studying the history and spiritual world of the Turkic peoples. Methods. In the article A. In order to clarify the place of folk traditions in Navoi's lyrical heritage, comparative-typological, analytical methods were used. Results. In the works of Alisher Navoi, a special place is given to the depiction and interpretation of plates related to the way of life, culture, socio-political, divine and mystical worldview of the Turkic peoples, and even ancient mythological notions and some customs and rituals associated with them. Such works of art, which are recorded as "ethnographic folklorisms", have played an important role in enhancing the national and realistic spirit of the poet's works, their artistic impact. Conclusion. Navoi's works contain valuable artistic details related to the way of life and customs of the people, which can provide important information in the study of the history of life of the people of that period.

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Cohen, Dov, Geoffrey H. Campbell, Wayne E. King i C. Barry Carter. "Quantitative Hrtem of Twin Boundaries in Compound Semiconductors and Metals Using Non-Linear Least-Squares Methods". Microscopy and Microanalysis 4, S2 (lipiec 1998): 784–85. http://dx.doi.org/10.1017/s1431927600024041.

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The analysis of the atomic structure of grain boundaries is often performed through the use of high-resolution transmission electron microscopy (HRTEM). A complication of the HRTEM technique is the inability to analyze directly the experimental images in order to determine projected atomic models of lattice defects. Since contrast features in HRTEM images, in general, do not correspond directly to atomic positions, experimental images are typically evaluated qualitatively through comparison with image simulation. Recently, the interest in quantitatively measuring the atomic structure of internal interfaces for comparison with theoretical calculations has motivated the development of computational methodologies to analyze HRTEM images.123 In this paper, the quantitative analysis of HRTEM images of twin boundaries in semiconductors and metals is described.AΣ=3 coherent twin boundary in GaP was imaged along the <110> zone in a JEOL-4000EX HRTEM at Sandia National Laboratories, Livermore.

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Chew, Cindy, Patrick J. O'Dwyer, Alan Jaap, Suanne McDowall, Olga JL Remers, JJZ Williams, I. McPhee i Predrag Bjelogrlic. "Medical student assessments—frequency of radiological images used: a national study". BJR|Open 2, nr 1 (listopad 2020): 20200047. http://dx.doi.org/10.1259/bjro.20200047.

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Objectives: Assessments are a key part of life for medical students at University. We know there is variation in these assessments across Universities. The aims of this study were to expatiate summative assessments in Scottish Medical Schools and to examine how frequently radiological images feature in them. Methods: All Scottish medical schools were invited to participate in the study. Data on objective structured clinical examinations (OSCEs; 5 years) and written assessments (3 years) were retrospectively collected for each university and results were collated. Each University was randomly assigned a letter from A to E and anonymised for data presentation. Results: 10,534 multiple choice questions (MCQ) and 1083 OSCE stations were included in this study. There was wide variation in the number, type and timing of assessments across Scottish medical schools. There were highly significant differences in the number of OSCE stations and the number of MCQs set over the study period (p < 0.0001). Radiological images were used on average 0.6 times (range 0–1.1) in each OSCE examination and 2.4 times (range 0.1–3.7) for written assessments. Conclusion: In this detailed study, we demonstrated significant differences in medical student assessments across Scottish Universities. Given the importance of Radiology in modern medicine, the frequency and differences in which radiological images were used in assessments across Universities should be addressed. Advances in knowledge: This is the first national longitudinal study to quantify the role of radiological images in summative Medical Student Assessments. Great variability exists in the extent and how (clinical versus written assessments) radiological images are used to assess Scottish medical students. Radiological images are used infrequently in clinical assessments, but are present in every written assessment. These findings could help inform medical schools and academic radiologists as they prepare medical students for the imminent unified medical licensing examination, where Clinical Imaging is a subject with one of the highest number of associated conditions examinable.

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Rita, Paulo, i Nuno António. "Promotion of inclusive tourism by national destination management organizations". Worldwide Hospitality and Tourism Themes 12, nr 6 (3.12.2020): 701–14. http://dx.doi.org/10.1108/whatt-07-2020-0068.

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Purpose Inclusive tourism has the potential to counter balance some of the disadvantages relating to tourism development and effectively exert positive impacts on society at large and specifically on tourist destinations. However, there is a research gap in studies on inclusiveness related to the promotional efforts of national destination management organizations. Design/methodology/approach Data science-based methods, mainly text mining and image mining, were used to analyze both the explicit and implicit content in text and images in the English brochures published by nine European official destination management organizations. Findings Results highlighted that the countries' attitudes towards inclusion were aligned with what the countries’ destination management organizations were promoting, especially in the case of highly ranked countries on an inclusiveness index. However, there were differences between their explicit content (what they write in text) and their implicit content (what they show in images). Originality/value The combined analysis of text and image content allowed for a complete understanding as to how national’s destination management organizations are promoting inclusion, showing that destination management organizations should make an effort in improving their promotional material and above all the images they use.

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Lee, Thomas F., Steven D. Miller, Carl Schueler i Shawn Miller. "NASA MODIS Previews NPOESS VIIRS Capabilities". Weather and Forecasting 21, nr 4 (1.08.2006): 649–55. http://dx.doi.org/10.1175/waf935.1.

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Abstract The Visible/Infrared Imager Radiometer Suite (VIIRS), scheduled to fly on the satellites of the National Polar-orbiting Operational Environmental Satellite System, will combine the missions of the Advanced Very High Resolution Radiometer (AVHRR), which flies on current National Oceanic and Atmospheric Administration satellites, and the Operational Linescan System aboard the Defense Meteorological Satellite Program satellites. VIIRS will offer a number of improvements to weather forecasters. First, because of a sophisticated downlink and relay system, VIIRS latencies will be 30 min or less around the globe, improving the timeliness and therefore the operational usefulness of the images. Second, with 22 channels, VIIRS will offer many more products than its predecessors. As an example, a true-color simulation is shown using data from the Earth Observing System’s Moderate Resolution Imaging Spectroradiometer (MODIS), an application current geostationary imagers cannot produce because of a missing “green” wavelength channel. Third, VIIRS images will have improved quality. Through a unique pixel aggregation strategy, VIIRS pixels will not expand rapidly toward the edge of a scan like those of MODIS or AVHRR. Data will retain nearly the same resolution at the edge of the swath as at nadir. Graphs and image simulations depict the improvement in output image quality. Last, the NexSat Web site, which provides near-real-time simulations of VIIRS products, is introduced.

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Winslow, Margaret. "Aesthetic Dynamics, Inc. Presents: Afro-American Images 1971". Journal of Curatorial Studies 8, nr 2 (1.10.2019): 184–204. http://dx.doi.org/10.1386/jcs_00003_1.

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Abstract In February 1971, the artist collective Aesthetic Dynamics, Inc. presented its first major undertaking: an exhibition of over 130 works of art by 66 artists. Organized as a memorial to the late James A. Porter, Afro-American Images 1971 was presented at the National Guard Armory in Wilmington, Delaware. Many of the artists who participated in the show were well-established nationally; however, the location and inclusion of many artists known only to the local community resulted in the marginalization of this significant exhibition. In 2021, the Delaware Art Museum will restage the exhibition as a collaborative curatorial partnership with past and currents members of Aesthetic Dynamics, Inc. in an effort to counter this historical amnesia. Restaging as a curatorial methodology is a constructive means through which to aid in the recovery of the 1971 project, its archival record and its significance locally and nationally.

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BLINDER, CAROLINE, i CHRISTOPHER LLOYD. "US Topographics: Imaging National Landscapes". Journal of American Studies 54, nr 3 (12.02.2020): 461–69. http://dx.doi.org/10.1017/s0021875819000987.

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In 1975, the New Topographics: Photographs of a Man-Altered Landscape exhibition, organized by William Jenkins, at George Eastman House, changed the scope and aesthetics of American landscape photography. Ostensibly pared-back and banal, these black-and-white images formally presented the United States as a series of streets, suburban new builds, industrial sites and warehouses. None bigger than eleven inches by four or thirteen by thirteen, the photographs were also small and unassuming, refusing the grandness and potential sublimity of previous evocations of the US landscape. Rather than present the United States as a series of locations marked by regional and economic differences, photographers such as Robert Adams, Frank Gohlke, Lewis Baltz and Bernd and Hilla Becher now focussed on an increasing homogeneity across terrains, terrains often indeterminable in terms of actual locations, and, more often than not, eerily devoid of human presence. In Neil Campbell's words, the images were “unemotional, flat and appeared everyday, aspiring to ‘neutrality’ with a ‘disembodied eye.’” The New Topographics – according to such readings – differed from earlier depictions of the United States, moving away from the documentary focus on agrarian poverty and urban slums as seen during the Depression, as well as the humanist vision of postwar photographers such as Robert Frank. As William Jenkins put it in the original introduction to the exhibition, New Topographics was a study more “anthropological than critical,” one that would recentre everyday lived experience – not as a collection of individualized narratives, but as a cultural landscape marked by commercial interests above all.

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MacLochlainn, Gráinne. "Moving pictures: the National Photographic Archive". Art Libraries Journal 25, nr 3 (2000): 33–36. http://dx.doi.org/10.1017/s0307472200011755.

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The large and varied collection of Irish historical photographs previously housed in the National Library of Ireland has recently been relocated to Dublin’s Temple Bar. A purpose-built archive provides storage vaults, reading room facilities and an exhibition space for this important aspect of the Irish cultural heritage, thus balancing the preservation of the photographs with access to the images. This paper provides a candid look at the development of a National Photographic Archive.

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