Gotowa bibliografia na temat „National Gallery of Australia history”
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Artykuły w czasopismach na temat "National Gallery of Australia history"
Denton, Derek. "Kenneth Baillieu Myer 1921 - 1992". Historical Records of Australian Science 18, nr 1 (2007): 97. http://dx.doi.org/10.1071/hr07005.
Pełny tekst źródłaDenton, Derek. "Erratum to: Kenneth Baillieu Myer 1921 - 1992". Historical Records of Australian Science 18, nr 2 (2007): 305. http://dx.doi.org/10.1071/hr07005_er.
Pełny tekst źródłaZerwes, Erika. "A trajetória esquecida da fotógrafa Margaret Michaelis: entrevista com Helen Ennis * The forgotten history of photographer Margaret Michaelis: interview with Helen Ennis". História e Cultura 5, nr 3 (14.12.2016): 402. http://dx.doi.org/10.18223/hiscult.v5i3.1792.
Pełny tekst źródłaSepahvand, Ashkan, Meg Slater, Annette F. Timm, Jeanne Vaccaro, Heike Bauer i Katie Sutton. "Curating Visual Archives of Sex". Radical History Review 2022, nr 142 (1.01.2022): 19–36. http://dx.doi.org/10.1215/01636545-9397016.
Pełny tekst źródłaShaw, Margaret. "Following the textile trail: acquisition of South and Southeast Asian art books from an Australian perspective". Art Libraries Journal 18, nr 2 (1993): 15–19. http://dx.doi.org/10.1017/s0307472200008294.
Pełny tekst źródłaFolan, Lucie. "Wisdom of the Goddess: Uncovering the Provenance of a Twelfth-Century Indian Sculpture at the National Gallery of Australia". Collections: A Journal for Museum and Archives Professionals 15, nr 1 (marzec 2019): 5–41. http://dx.doi.org/10.1177/1550190619832383.
Pełny tekst źródłaNicholls, Christine. "Re‐take:Contemporary aboriginal and Torres strait islander photography, a national gallery of Australia Travelling Exhibition". Journal of Australian Studies 24, nr 64 (styczeń 2000): 110–16. http://dx.doi.org/10.1080/14443050009387561.
Pełny tekst źródłaHansen, Guy. "There is no ‘I’ in Team: Reflections on Team-Based Content Development at the National Museum of Australia". Public History Review 17 (22.12.2010): 16–33. http://dx.doi.org/10.5130/phrj.v17i0.1835.
Pełny tekst źródłaBeer, Chris. "The national capital city, portraiture, and recognition in the Australian mythscape: The development of Canberra's National Portrait Gallery". National Identities 11, nr 2 (czerwiec 2009): 149–63. http://dx.doi.org/10.1080/14608940902891278.
Pełny tekst źródłaTyquiengco, Marina. "Defying Empire: The Third National Indigenous Art Triennial: National Gallery of Australia, May 26 – September 10, 2017". Contemporaneity: Historical Presence in Visual Culture 6 (30.11.2017): 113–19. http://dx.doi.org/10.5195/contemp.2017.232.
Pełny tekst źródłaRozprawy doktorskie na temat "National Gallery of Australia history"
James, Pamela J., University of Western Sydney, of Arts Education and Social Sciences College i School of Humanities. "The lion in the frame : the art practices of the national art galleries of New South Wales and New Zealand, 1918-1939". THESIS_CAESS_HUM_James_P.xml, 2003. http://handle.uws.edu.au:8081/1959.7/567.
Pełny tekst źródłaDoctor of Philosophy (PhD)
James, Pamela J. "The lion in the frame : the art practices of the national art galleries of New South Wales and New Zealand, 1918-1939". Thesis, View thesis, 2003. http://handle.uws.edu.au:8081/1959.7/567.
Pełny tekst źródłaConlin, Jonathan. "The origins and history of the National Gallery, 1753-1860". Thesis, University of Cambridge, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.440592.
Pełny tekst źródłaKringas, Simon. "Design of the High Court of Australia". Thesis, The University of Sydney, 2017. http://hdl.handle.net/2123/18605.
Pełny tekst źródłaFreestone, Mellor Paula. "Sir George Scharf and the problem of authenticity at the National Portrait Gallery". Thesis, University of Oxford, 2016. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.728997.
Pełny tekst źródłaDoucette, Valerie Anne. "The art museum in code: display strategies of the National Gallery of Canada". Thesis, McGill University, 2011. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=97220.
Pełny tekst źródłaLa présente thèse examine l'influence du musée d'art en tant que milieu culturel important sur la compréhension des objets d'art par le public et les répercussions des médias numériques sur ces œuvres quand le musée les affiche en ligne. Pendant l'analyse du Musée des beaux-arts du Canada (MBAC), je cherche à déterminer comment les objets d'art sont rencontrés et perçus dans leurs contextes physique et numérique en examinant trois contextes pertinents au musée : la mémoire, les renseignements et la narration. Je compare la manifestation des trois contextes dans l'espace physique du musée à leur traduction numérique, ce qui révèle que le MBAC reproduit de très près ses pratiques à communication unilatérale objectives et consignées dans l'espace numérique. J'examine également d'autres interfaces en ligne, notamment le projet steve.museum et le blog Art Matters du Musée des beaux-arts de l'Ontario, comme autres options à l'approche du MBAC pour leur usage plus ouvert, plus collaboratif et plus social rendu possible par les médias numériques.
Lilla, Qanita. ""The advancement of art" : policy and practice at the South African National Gallery, 1940-1962". Master's thesis, University of Cape Town, 2004. http://hdl.handle.net/11427/18426.
Pełny tekst źródłaThis thesis is an enquiry into the policies and practices that shaped the South African National Gallery in the 1940s and 1950s. Drawing on newspaper reports, the South African National Gallery's exhibition catalogues, pamphlets and annual reports, records of parliamentary debate and the crucial report of the Stratford Commission of 1948 the study has reconstructed a detailed history of the South African National Gallery. Established in 1871 as a colonial museum catering for a small part of the settler population of British descent, the museum came under pressure to accommodate the Afrikaner community after 1948. This did not mean that the liberal ethos at the museum disappeared, however. The South African National Gallery was strongly influenced by public pressure in this period. Public outrage over controversial art sales in 1947 led to the appointment of a commission of enquiry into the workings of the museum. At the same time, the head of the Board of Trustees, Cecil Sibbett, engaged the public on matters of Modern art. The museum's conservative and controversial Director, Edward Roworth was replaced in 1949 by John Paris who ushered in a new phase of development and management, encouraged the reconceptualization of South African art and reorganized the permanent collection. This initiative took place despite decreased autonomy for the Director and increased government imposition of Afrikaner Nationalist ideology. Nevertheless, the South African National Gallery avoided becoming a political instrument of the Apartheid regime.
Galastro, Anne Bernadette. "Institutional history of the Scottish National Gallery of Modern Art : tensions, paradoxes and compromises". Thesis, University of Edinburgh, 2012. http://hdl.handle.net/1842/7899.
Pełny tekst źródłaGreenwood, Justine Daniela. "Welcome to Australia: Intersections between immigration and tourism in Australia, 1945-2015". Thesis, The University of Sydney, 2015. http://hdl.handle.net/2123/15447.
Pełny tekst źródłaWoodpower, Zeb Joseph. "The Australian National History Curriculum: Politics at Play". Thesis, Department of History, 2013. http://hdl.handle.net/2123/10246.
Pełny tekst źródłaKsiążki na temat "National Gallery of Australia history"
Radford, Ron. Ocean to outback: Australian landscape painting 1850-1950. Canberra, A.C.T: National Gallery of Australia, 2007.
Znajdź pełny tekst źródłaVictoria, National Gallery of. Across the desert: Aboriginal batik from Central Australia. Melbourne: National Gallery of Victoria, 2008.
Znajdź pełny tekst źródłaJudith, Ryan, i Bardon Geoff 1940-, red. Mythscapes: Aboriginal art of the desert : from the National Gallery of Victoria. [Melbourne, Vic.]: The Gallery, 1990.
Znajdź pełny tekst źródłaMatt, Cox, Galstyan Vigen 1981-, Groeneveld Anneke, Lacour Annabelle, Maxwell Anne 1951-, O'Hehir Anne, Protschky Susie, Supartono Alex i National Gallery of Australia, red. Garden of the East: Photography in Indonesia 1850s-1940s. Canberra: National Gallery of Australia, 2014.
Znajdź pełny tekst źródłaAustralia, National Gallery of, red. Material culture: Aspects of contemporary Australian craft and design. Canberra, ACT: National Gallery of Australia, 2002.
Znajdź pełny tekst źródłaVictoria, National Gallery of. Across the desert: Aboriginal batik from Central Australia. Melbourne: National Gallery of Victoria, 2008.
Znajdź pełny tekst źródłaVictoria, National Gallery of. Spirit in land: Bark paintings from Arnhem Land in the National Gallery of Victoria. [Melbourne, Vic.]: The Gallery, 1990.
Znajdź pełny tekst źródłaGallery, Australian National. Manet to Matisse: French illustrated books. Canberra, ACT: Australian National Gallery, 1991.
Znajdź pełny tekst źródłaAustralia, National Gallery of. Australian art in the National Gallery of Australia. Redaktor Gray Anne 1947-. [Canberra]: National Gallery of Australia, 2002.
Znajdź pełny tekst źródłaAn introduction to the National Gallery of Australia. Canberra: National Gallery of Australia, 1992.
Znajdź pełny tekst źródłaCzęści książek na temat "National Gallery of Australia history"
Cowden, Mhairi, i Claire McCullagh. "The History of Disability Services in Australia". W The National Disability Insurance Scheme, 13–33. Singapore: Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-16-2244-1_2.
Pełny tekst źródłaRuiz, Ana Baeza. "Curatorial Experiments at the National Gallery After the Second World War". W Making Art History in Europe After 1945, 67–82. 1. | New York, NY : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9781351187596-5.
Pełny tekst źródłaMcGregor, Katharine. "Heads from the North: Transcultural Memorialization of the 1965 Indonesian Killings at the National Gallery of Australia". W The Indonesian Genocide of 1965, 235–52. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-71455-4_12.
Pełny tekst źródłaWicke, Christian, i Ben Wellings. "History Wars in Germany and Australia: National Museums and the Relegitimisation of Nationhood". W The Palgrave Handbook of State-Sponsored History After 1945, 431–45. London: Palgrave Macmillan UK, 2018. http://dx.doi.org/10.1057/978-1-349-95306-6_23.
Pełny tekst źródłaHenderson, Deborah, i Joseph Zajda. "The National Curriculum and History School Textbooks in Australia and the Russian Federation". W Globalisation, Ideology and Politics of Education Reforms, 25–39. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-19506-3_3.
Pełny tekst źródłaWellings, Ben. "Nation, History, Museum: The Politics of the Past at the National Museum of Australia". W Nations and their Histories, 274–88. London: Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230245273_17.
Pełny tekst źródłaParsons, Margaret, i Marsha Gordon. "On the history (and future) of art documentaries and the film program at the National Gallery of Art". W Documenting The Visual Arts, 205–20. London ; New York : Routledge, 2020.: Routledge, 2019. http://dx.doi.org/10.4324/9781315123301-14.
Pełny tekst źródłaGurr, David, Daniela Acquaro i Lawrie Drysdale. "The Australian Context: National, State and School-Level Efforts to Improve Schools in Australia". W Evidence-Based School Development in Changing Demographic Contexts, 133–57. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-76837-9_10.
Pełny tekst źródłaLynch, Gordon. "‘Avoiding Fruitless Controversy’: UK Child Migration and the Anatomy of Policy Failure". W UK Child Migration to Australia, 1945-1970, 299–317. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-69728-0_8.
Pełny tekst źródłaRomero-Ruiz, Maria Isabel. "Trans-National Neo-Victorianism, Gender and Vulnerability in Kate Grenville’s The Secret River (2005)". W Cultural Representations of Gender Vulnerability and Resistance, 147–65. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-95508-3_9.
Pełny tekst źródłaStreszczenia konferencji na temat "National Gallery of Australia history"
JACKSON, Simon, i Gianni RENDA. "Travelling by bicycle in Australia, from nationalism to multi-culturalism…: Brand names, marketing and national identity". W 10th International Conference on Design History and Design Studies. São Paulo: Editora Edgard Blücher, 2016. http://dx.doi.org/10.5151/despro-icdhs2016-01_005.
Pełny tekst źródłaWaggitt, Peter, i Mike Fawcett. "Completion of the South Alligator Valley Remediation: Northern Territory, Australia". W ASME 2009 12th International Conference on Environmental Remediation and Radioactive Waste Management. ASMEDC, 2009. http://dx.doi.org/10.1115/icem2009-16198.
Pełny tekst źródłaJaques, Susan. "Same Yet Different: A Comparison of Pipeline Industries in Canada and Australia". W 2000 3rd International Pipeline Conference. American Society of Mechanical Engineers, 2000. http://dx.doi.org/10.1115/ipc2000-106.
Pełny tekst źródłaSmith, Warren F. "A Pillar of Mechanical Engineering Design Education in Australia: 25 Years of the Warman Design and Build Competition". W ASME 2013 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. American Society of Mechanical Engineers, 2013. http://dx.doi.org/10.1115/detc2013-12647.
Pełny tekst źródłaRaporty organizacyjne na temat "National Gallery of Australia history"
Prysyazhnyi, Mykhaylo. UNIQUE, BUT UNCOMPLETED PROJECTS (FROM HISTORY OF THE UKRAINIAN EMIGRANT PRESS). Ivan Franko National University of Lviv, marzec 2021. http://dx.doi.org/10.30970/vjo.2021.50.11093.
Pełny tekst źródłaBuchanan, Riley, Daniel Elias, Darren Holden, Daniel Baldino, Martin Drum i Richard P. Hamilton. The archive hunter: The life and work of Leslie R. Marchant. The University of Notre Dame Australia, 2021. http://dx.doi.org/10.32613/reports/2021.2.
Pełny tekst źródłaRankin, Nicole, Deborah McGregor, Candice Donnelly, Bethany Van Dort, Richard De Abreu Lourenco, Anne Cust i Emily Stone. Lung cancer screening using low-dose computed tomography for high risk populations: Investigating effectiveness and screening program implementation considerations: An Evidence Check rapid review brokered by the Sax Institute (www.saxinstitute.org.au) for the Cancer Institute NSW. The Sax Institute, październik 2019. http://dx.doi.org/10.57022/clzt5093.
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