Gotowa bibliografia na temat „National Art Gallery, New Zealand”
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Artykuły w czasopismach na temat "National Art Gallery, New Zealand"
McNaughton, Esther Helen. "Art Gallery Education in New Zealand during COVID-19". Museum Worlds 8, nr 1 (1.07.2020): 135–48. http://dx.doi.org/10.3167/armw.2020.080110.
Pełny tekst źródłaWoodhouse, Nicola. "The Hector Library, Museum of New Zealand Te Papa Tongarewa". Art Libraries Journal 24, nr 4 (1999): 31–38. http://dx.doi.org/10.1017/s0307472200019799.
Pełny tekst źródłaHorgan, Joanne C. "Kohia Ko Taikaka Anake: An Exhibition at the National Art Gallery of New Zealand". Museum Anthropology 15, nr 4 (listopad 1991): 22–25. http://dx.doi.org/10.1525/mua.1991.15.4.22.
Pełny tekst źródłaTurner, Bryan S. "Book Reviews : WORKING MEN. By Glenn Busch. New Zealand, National Art Gallery, 1984. 115pp". Australian and New Zealand Journal of Sociology 22, nr 1 (marzec 1986): 149–50. http://dx.doi.org/10.1177/144078338602200117.
Pełny tekst źródłaStocker, Mark. "Prophet without honour: Margaret Butler and the status of sculpture in New Zealand, 1937–40". Back Story Journal of New Zealand Art, Media & Design History, nr 2 (1.07.2017): 73–92. http://dx.doi.org/10.24135/backstory.vi2.23.
Pełny tekst źródłaJasiński, Artur, i Anna Jasińska. "THREE MUSEUMS OF THE ART OF THE PACIFIC AND THE FAR EAST – POSTCOLONIAL, MULTICULTURAL AND PROSOCIAL". Muzealnictwo 60 (4.03.2019): 16–32. http://dx.doi.org/10.5604/01.3001.0013.0764.
Pełny tekst źródłaHoar, Peter. "Editorial". Back Story Journal of New Zealand Art, Media & Design History, nr 2 (1.12.2017): 2–3. http://dx.doi.org/10.24135/backstory.vi2.18.
Pełny tekst źródłaPierce, Imogen Van. "Contemporary Debates: The Hundertwasser Art Centre with Wairau Maori Art Gallery". Back Story Journal of New Zealand Art, Media & Design History, nr 2 (1.12.2017): 5–25. http://dx.doi.org/10.24135/backstory.vi2.16.
Pełny tekst źródłaCannon, Catríona. "The National Gallery of Ireland Library". Art Libraries Journal 25, nr 3 (2000): 21–24. http://dx.doi.org/10.1017/s030747220001172x.
Pełny tekst źródłaSimon, Sherry. "Reflections on Translation Studies: Past and Present". TTR 30, nr 1-2 (31.05.2019): 61–78. http://dx.doi.org/10.7202/1060018ar.
Pełny tekst źródłaRozprawy doktorskie na temat "National Art Gallery, New Zealand"
James, Pamela J., University of Western Sydney, of Arts Education and Social Sciences College i School of Humanities. "The lion in the frame : the art practices of the national art galleries of New South Wales and New Zealand, 1918-1939". THESIS_CAESS_HUM_James_P.xml, 2003. http://handle.uws.edu.au:8081/1959.7/567.
Pełny tekst źródłaDoctor of Philosophy (PhD)
James, Pamela J. "The lion in the frame : the art practices of the national art galleries of New South Wales and New Zealand, 1918-1939". Thesis, View thesis, 2003. http://handle.uws.edu.au:8081/1959.7/567.
Pełny tekst źródłaJames, Pamela J. "The lion in the frame the art practices of the national art galleries of New South Wales and New Zealand, 1918-1939 /". View thesis, 2003. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20040416.135231/index.html.
Pełny tekst źródła"A thesis presented to the University of Western Sydney in partial fulfilment of the requirements for the degree of Doctor of Philosophy" Includes bibliography.
Abbo, Mayer S. "Transforming and revealing a footprint of place : new National Gallery of Art Project, San Jose, Costa Rica". Thesis, Massachusetts Institute of Technology, 1992. http://hdl.handle.net/1721.1/62908.
Pełny tekst źródłaIncludes bibliographical references (p. 293-297).
The primary focus of this investigation is the insertion of a new piece in an environment where the natural elements of site and the man-made elements of city can begin to inform the ordering systems used in the design process. The existing footprint of the ruins of La Antigua Penitenciaria, in the center of the Costa Rican capital, San Jose, is transformed in meaning and character to become a cultural center for the city. The problem presented is a contextual one of making a place in the world through a reading, cataloguing and reinterpretation of /lature, city, and culture. The .goal of the process is a building that reveals the meaning of its present time and place, set in a landscape that tells stories of its past.
by Mayer S. Abbo.
M.Arch.
Jung, Chang Sung. "Agencification and quangocratisation of cultural organisations in the U.K. and South Korea : theory and policy". Thesis, University of Exeter, 2014. http://hdl.handle.net/10871/15930.
Pełny tekst źródłaHarris, Jennifer Anne. "The formation of the Japanese Art Collection at the Art Gallery of South Australia 1904-1940 : tangible evidence of Bunmei Kaika". Thesis, 2012. http://hdl.handle.net/2440/84054.
Pełny tekst źródłaThesis (Ph.D.) -- University of Adelaide, School of History & Politics, 2012
Khalife, Lamis. "Autour des nouvelles valorisations des collections permanentes au musée : le cas de l'exposition Encounters : New Art from Old". Thèse, 2016. http://hdl.handle.net/1866/16147.
Pełny tekst źródłaAs part of the celebration of the new millennium, the National Gallery of London organized the exhibition Encounters: New Art from Old (June 14 to September 17, 2000). The concept was to invite twenty-five eminent contemporary artists to choose a painting from the permanent collection of the museum in order to create a new artwork. Some of the works produced for the occasion were displayed near the works that inspired them in the historic galleries of the museum. This dissertation examines how the anachronistic hanging of the works of art helped Encounters in shedding new light on the permanent collection of the museum and in showcasing the contemporary artists' interpretations. The dissertation seeks to situate Encounters in the context of a new interest in museum collections, to reflect on its selection of artists as well as on the selection of works chosen by the artists. It then proceeds to classify the new creations in four modalities of intervention and in conclusion addresses the reception generated by the exhibition: that embodied by the new works created and those of the press and the public.
Książki na temat "National Art Gallery, New Zealand"
Brownson, Ron. Art toi: New Zealand art at Auckland Art Gallery Toi o Tāmaki. Auckland, N.Z: Auckland Art Gallery Toi o Tāmaki, 2011.
Znajdź pełny tekst źródłaNational Gallery of Art (U.S.). New programs: National Gallery of Art extension programs catalogue supplement. [Washington, D.C.]: The Gallery, 1990.
Znajdź pełny tekst źródłaNational Gallery of Art (U.S.). New programs: National Gallery of Art extension programs catalogue supplement. [Washington, D.C.]: The Gallery, 1990.
Znajdź pełny tekst źródła), National Gallery of Art (U S. New programs: National Gallery of Art extension programs catalogue supplement. [Washington, D.C.]: The Gallery, 1990.
Znajdź pełny tekst źródłaThe invention of New Zealand: Art & national identity, 1930-1970. Auckland, N.Z.: Auckland University Press, 2009.
Znajdź pełny tekst źródłaPound, Francis. The invention of New Zealand: Art & national identity, 1930-1970. Auckland, N.Z: Auckland University Press, 2009.
Znajdź pełny tekst źródłaGallery, Auckland Art. I spy NZ art: New Zealand art from the collection of Auckland Art Gallery Toi o Tāmaki. Auckland, N.Z: Auckland Art Gallery, 2011.
Znajdź pełny tekst źródłaMinson, Marian. Encounter with Eden: New Zealand 1770-1870 : paintings & drawings from the Rex Nan Kivell Collection, National Library of Australia. Wellington, N.Z: National Library of New Zealand, 1990.
Znajdź pełny tekst źródłaNational Gallery of Art (U.S.). Art for the nation: Collecting for a new century. Washington, D.C: National Gallery of Art, 2000.
Znajdź pełny tekst źródłaEoe, Soroi Marepo, i National Museum and Art Gallery (Papua New Guinea), red. Living spirits with fixed abodes: The masterpieces exhibition : Papua New Guinea National Museum and Art Gallery. Honolulu: University of Hawai'i Press, 2010.
Znajdź pełny tekst źródłaCzęści książek na temat "National Art Gallery, New Zealand"
Robinson, Cicely. "The apotheosis of Nelson in the National Gallery of Naval Art". W A new naval history, 151–74. Manchester University Press, 2019. http://dx.doi.org/10.7228/manchester/9781526113801.003.0008.
Pełny tekst źródłaRobinson, Cicely. "The apotheosis of Nelson in the National Gallery of Naval Art". W A new naval history. Manchester University Press, 2018. http://dx.doi.org/10.7765/9781526113825.00015.
Pełny tekst źródłaHaraha, Sebastian. "8 The Papua New Guinea National Museum and Art Gallery as a Modern Haus Tumbuna". W The Future of Indigenous Museums, 137–50. Berghahn Books, 2022. http://dx.doi.org/10.1515/9780857455727-011.
Pełny tekst źródłaDuncan, Grant. "The ‘soft target’ of Labour in New Zealand". W Why the Left Loses. Policy Press, 2017. http://dx.doi.org/10.1332/policypress/9781447332664.003.0005.
Pełny tekst źródłaTaçon, Paul S. C., Wayne Brennan, Graham King, Dave Pross i Matthew Kelleher. "The contemporary cultural significance of Gallery Rock, a petroglyph complex recently found in Wollemi National Park, New South Wales, Australia". W Aesthetics, Applications, Artistry and Anarchy: Essays in Prehistoric and Contemporary Art, 71–85. Archaeopress Publishing Ltd, 2019. http://dx.doi.org/10.2307/j.ctvndv846.10.
Pełny tekst źródłaHopkins, Claudia, i Iain Boyd Whyte. "Radislav Matuštík, “New American Painting: Notes on the Exhibition Painting in the United States since 1945 in the Slovak National Gallery, Bratislava,” translated from Slovak by John Minahane, originally published as “Nové americké maliarstvo: Poznámky k výstave Maliarstvo USA po roku 1945 v SNG v Bratislave,” in Výtvarný život 14, no. 10 (1969): 22–29 (excerpt)". W Hot Art, Cold War – Southern and Eastern European Writing on American Art 1945–1990, 422–28. Routledge, 2020. http://dx.doi.org/10.4324/9781003009979-10392.
Pełny tekst źródłaHopkins, Claudia, i Iain Boyd Whyte. "Manos Stefanidis, “American Art Today: Impasses and Perspectives, or the Painful Quest for the Artistically New,” translated from Greek by Michael Eleftheriou, originally published in “Η Αμερικάνικη Τέχνη Σήμερα: Αδιέξοδα και Προοπτικές ή η Επώδυνη Αναζήτηση του Εικαστικά Καινούργιου”, in Η Αμερικάνικη Τέχνη στα Τέλη της Δεκαετίας του '80 (Athens: National Gallery, Museum Alexandros Soutzos, 1989), 9-15". W Hot Art, Cold War – Southern and Eastern European Writing on American Art 1945–1990, 216–20. Routledge, 2020. http://dx.doi.org/10.4324/9781003009979-5445.
Pełny tekst źródłaMcWilliam, Rohan. "Curiosity". W London's West End, 84–104. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198823414.003.0006.
Pełny tekst źródłaNoë, Alva. "Reproductions in the Age of Originality". W Learning to Look, 120–24. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780190928216.003.0032.
Pełny tekst źródłaPhillips, Ruth B. "Swings and roundabouts: pluralism and the politics of change in Canada’s national museums". W Curatopia, 143–58. Manchester University Press, 2019. http://dx.doi.org/10.7228/manchester/9781526118196.003.0010.
Pełny tekst źródłaStreszczenia konferencji na temat "National Art Gallery, New Zealand"
Braden, Paul, i Kaitlyn Gainer. "Application of the Shape Memory Effect to Restore Smoothness". W ASME 2015 Conference on Smart Materials, Adaptive Structures and Intelligent Systems. American Society of Mechanical Engineers, 2015. http://dx.doi.org/10.1115/smasis2015-8827.
Pełny tekst źródłaRaporty organizacyjne na temat "National Art Gallery, New Zealand"
Gattenhof, Sandra, Donna Hancox, Sasha Mackay, Kathryn Kelly, Te Oti Rakena i Gabriela Baron. Valuing the Arts in Australia and Aotearoa New Zealand. Queensland University of Technology, grudzień 2022. http://dx.doi.org/10.5204/rep.eprints.227800.
Pełny tekst źródła