Gotowa bibliografia na temat „National Art Gallery”
Utwórz poprawne odniesienie w stylach APA, MLA, Chicago, Harvard i wielu innych
Spis treści
Zobacz listy aktualnych artykułów, książek, rozpraw, streszczeń i innych źródeł naukowych na temat „National Art Gallery”.
Przycisk „Dodaj do bibliografii” jest dostępny obok każdej pracy w bibliografii. Użyj go – a my automatycznie utworzymy odniesienie bibliograficzne do wybranej pracy w stylu cytowania, którego potrzebujesz: APA, MLA, Harvard, Chicago, Vancouver itp.
Możesz również pobrać pełny tekst publikacji naukowej w formacie „.pdf” i przeczytać adnotację do pracy online, jeśli odpowiednie parametry są dostępne w metadanych.
Artykuły w czasopismach na temat "National Art Gallery"
Tyquiengco, Marina. "Defying Empire: The Third National Indigenous Art Triennial: National Gallery of Australia, May 26 – September 10, 2017". Contemporaneity: Historical Presence in Visual Culture 6 (30.11.2017): 113–19. http://dx.doi.org/10.5195/contemp.2017.232.
Pełny tekst źródłaLydon, Andrea. "The right space: 150 years of housing a national gallery's library and archive collection". Art Libraries Journal 43, nr 1 (8.12.2017): 24–30. http://dx.doi.org/10.1017/alj.2017.44.
Pełny tekst źródłaArdhiati, Yuke, Ashri Prawesthi D, Diptya Anggita, Ramadhani Isna Putri, L. Edhi Prasetya, Widya Nur Intan, Muhammad Wira Abi i in. "An Adaptive Re-use of Cultural Heritage Buildings in Jabodetabek (Greater Jakarta) as the National Gallery of Indonesia's Satellites". International Journal of Built Environment and Scientific Research 4, nr 2 (28.12.2020): 115. http://dx.doi.org/10.24853/ijbesr.4.2.115-126.
Pełny tekst źródłaCannon, Catríona. "The National Gallery of Ireland Library". Art Libraries Journal 25, nr 3 (2000): 21–24. http://dx.doi.org/10.1017/s030747220001172x.
Pełny tekst źródłaPrior, Nick. "Edinburgh, Romanticism and the National Gallery of Scotland". Urban History 22, nr 2 (sierpień 1995): 205–15. http://dx.doi.org/10.1017/s096392680000047x.
Pełny tekst źródłaHonoris, Robby, i Andalucia . "Design of North Sumatera Paradise Gallery in Medan City (Metaphor Architecture)". International Journal of Architecture and Urbanism 1, nr 1 (15.11.2017): 91–99. http://dx.doi.org/10.32734/ijau.v1i1.266.
Pełny tekst źródłaHorman, Mary M. "National Gallery of Art ‐ The Collection0047National Gallery of Art. National Gallery of Art ‐ The Collection. 1997 to date; updated weekly. http://www.nga.gov/collection/collect.htm No charge". Electronic Resources Review 4, nr 5 (kwiecień 2000): 51. http://dx.doi.org/10.1108/err.2000.4.5.51.47.
Pełny tekst źródłaHava, Jarmila. "The Library at the National Gallery of Zimbabwe". Art Libraries Journal 11, nr 2 (1986): 40–43. http://dx.doi.org/10.1017/s0307472200004636.
Pełny tekst źródłaGlinsman, L., i D. Barbour. "Science and art converge at the National Gallery of Art". JOM 49, nr 1 (styczeń 1997): 14–17. http://dx.doi.org/10.1007/bf02914620.
Pełny tekst źródłaWalsh-Piper, Kathleen, i Ellyn Berk. "Teacher Programs at the National Gallery of Art". Journal of Museum Education 19, nr 3 (wrzesień 1994): 19–21. http://dx.doi.org/10.1080/10598650.1994.11510276.
Pełny tekst źródłaRozprawy doktorskie na temat "National Art Gallery"
Perry, Lara Ann. "Facing femininities : women in the National Portrait Gallery, 1856-1899". Thesis, University of York, 1999. http://etheses.whiterose.ac.uk/2479/.
Pełny tekst źródłaPezzini, Barbara. "Making a market for art : Agnews and the National Gallery, 1855-1928". Thesis, University of Manchester, 2018. https://www.research.manchester.ac.uk/portal/en/theses/making-a-market-for-art-agnews-and-the-national-gallery-18551928(4f296d6c-997a-4eab-95ca-bace7b9c3596).html.
Pełny tekst źródłaHahn, Catherine Neville. "The political house of art : the South African National Gallery, 1930-2009". Thesis, Goldsmiths College (University of London), 2016. http://research.gold.ac.uk/19314/.
Pełny tekst źródłaBarben, Marc Walter. "What does it mean to be a 'national' gallery when the notions of 'nation' transform radically?: An analysis of the Iziko South African National Gallery's practices and policies in historical contexts". Master's thesis, University of Cape Town, 2015. http://hdl.handle.net/11427/13650.
Pełny tekst źródłaWhile much has been written on the European display of non - western art and artefact collected from their colonies in Africa, less has been documented about the European settler arts institutions, like the South African National Gallery (SANG), whose distant location away from the imperial centre initially presented particular challenges. In South Africa, since colonialism, these challenges have been expanded by settler nationalisms, a racially oppressive regime, a liberation movement, and a relatively peaceful transition to a democracy. In its form and its function, the SANG has reflected the redefined nationalisms that accompanied these historical moments. In light of the global history of national galleries and more recent theoretical discussions about cultural institutions, this study probes the complex layering of histories evidenced in collection and exhibition practices at the SANG in its historical contexts. Historically South African galleries have reflected colonial and later apartheid ideologies. With the transition to a democratic society in 1994, the ‘new’ South Africa ushered in a radically redefined national identity. If national collections reflect the nations to which they belong, this study questions the SANG’s ability in reflecting successive redefinitions of South African nationhood, and its adaptability in meeting shifting social and political requirements. By examining shifts in collections and display practices and policies, in the SANG’s historical contexts, this paper ultimately asks the question: What does it mean to be a ‘national’ gallery when the notions of ‘nation’ transform radically?
Galastro, Anne Bernadette. "Institutional history of the Scottish National Gallery of Modern Art : tensions, paradoxes and compromises". Thesis, University of Edinburgh, 2012. http://hdl.handle.net/1842/7899.
Pełny tekst źródłaDoucette, Valerie Anne. "The art museum in code: display strategies of the National Gallery of Canada". Thesis, McGill University, 2011. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=97220.
Pełny tekst źródłaLa présente thèse examine l'influence du musée d'art en tant que milieu culturel important sur la compréhension des objets d'art par le public et les répercussions des médias numériques sur ces œuvres quand le musée les affiche en ligne. Pendant l'analyse du Musée des beaux-arts du Canada (MBAC), je cherche à déterminer comment les objets d'art sont rencontrés et perçus dans leurs contextes physique et numérique en examinant trois contextes pertinents au musée : la mémoire, les renseignements et la narration. Je compare la manifestation des trois contextes dans l'espace physique du musée à leur traduction numérique, ce qui révèle que le MBAC reproduit de très près ses pratiques à communication unilatérale objectives et consignées dans l'espace numérique. J'examine également d'autres interfaces en ligne, notamment le projet steve.museum et le blog Art Matters du Musée des beaux-arts de l'Ontario, comme autres options à l'approche du MBAC pour leur usage plus ouvert, plus collaboratif et plus social rendu possible par les médias numériques.
Cook, Shashi Chailey. ""Redress : debates informing exhibitions and acquisitions in selected South African public art galleries (1990-1994)" /". Thesis, Rhodes University, 2009. http://eprints.ru.ac.za/1631/.
Pełny tekst źródłaLilla, Qanita. ""The advancement of art" : policy and practice at the South African National Gallery, 1940-1962". Master's thesis, University of Cape Town, 2004. http://hdl.handle.net/11427/18426.
Pełny tekst źródłaThis thesis is an enquiry into the policies and practices that shaped the South African National Gallery in the 1940s and 1950s. Drawing on newspaper reports, the South African National Gallery's exhibition catalogues, pamphlets and annual reports, records of parliamentary debate and the crucial report of the Stratford Commission of 1948 the study has reconstructed a detailed history of the South African National Gallery. Established in 1871 as a colonial museum catering for a small part of the settler population of British descent, the museum came under pressure to accommodate the Afrikaner community after 1948. This did not mean that the liberal ethos at the museum disappeared, however. The South African National Gallery was strongly influenced by public pressure in this period. Public outrage over controversial art sales in 1947 led to the appointment of a commission of enquiry into the workings of the museum. At the same time, the head of the Board of Trustees, Cecil Sibbett, engaged the public on matters of Modern art. The museum's conservative and controversial Director, Edward Roworth was replaced in 1949 by John Paris who ushered in a new phase of development and management, encouraged the reconceptualization of South African art and reorganized the permanent collection. This initiative took place despite decreased autonomy for the Director and increased government imposition of Afrikaner Nationalist ideology. Nevertheless, the South African National Gallery avoided becoming a political instrument of the Apartheid regime.
James, Pamela J., University of Western Sydney, of Arts Education and Social Sciences College i School of Humanities. "The lion in the frame : the art practices of the national art galleries of New South Wales and New Zealand, 1918-1939". THESIS_CAESS_HUM_James_P.xml, 2003. http://handle.uws.edu.au:8081/1959.7/567.
Pełny tekst źródłaDoctor of Philosophy (PhD)
James, Pamela J. "The lion in the frame : the art practices of the national art galleries of New South Wales and New Zealand, 1918-1939". Thesis, View thesis, 2003. http://handle.uws.edu.au:8081/1959.7/567.
Pełny tekst źródłaKsiążki na temat "National Art Gallery"
(Pakistan), National Art Gallery. National Art Gallery collection. Islamabad: Pakistan National Council of the Arts, 2008.
Znajdź pełny tekst źródłaPowell, Earl A. National Gallery of Art. Paris: Société française de promotion artistique, 2000.
Znajdź pełny tekst źródła(Pakistan), National Art Gallery. National Art Gallery collection. Islamabad: Pakistan National Council of the Arts, 2008.
Znajdź pełny tekst źródła(Pakistan), National Art Gallery. National Art Gallery collection. Islamabad: Pakistan National Council of the Arts, 2007.
Znajdź pełny tekst źródłaMarjorie, Hussain, red. National Art Gallery collection. [Islamabad]: Pakistan National Council of the Arts, 2007.
Znajdź pełny tekst źródłaWalker, John. National Gallery of Art, Washington. New York: Abradale Press, 1995.
Znajdź pełny tekst źródłaLibrary, National Gallery of Art (U S. ). National Gallery of Art Library. Washington, D.C. (Fourth and Constitution Ave., N.W., Washington 20565): The Library, 1993.
Znajdź pełny tekst źródłaWalker, John. National Gallery of Art, Washington. New York: Abradale Press/H.N. Abrams, 1995.
Znajdź pełny tekst źródłaRaymond, Keaveney, red. National Gallery of Ireland. London: Scala Books, 1990.
Znajdź pełny tekst źródłaRaymond, Keaveney, red. National Gallery of Ireland. London: Scala Books, 1998.
Znajdź pełny tekst źródłaCzęści książek na temat "National Art Gallery"
Ruiz, Ana Baeza. "Curatorial Experiments at the National Gallery After the Second World War". W Making Art History in Europe After 1945, 67–82. 1. | New York, NY : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9781351187596-5.
Pełny tekst źródłaParsons, Margaret, i Marsha Gordon. "On the history (and future) of art documentaries and the film program at the National Gallery of Art". W Documenting The Visual Arts, 205–20. London ; New York : Routledge, 2020.: Routledge, 2019. http://dx.doi.org/10.4324/9781315123301-14.
Pełny tekst źródła"of National Gallery of". W Islamic Art Collections, 16–17. Routledge, 2013. http://dx.doi.org/10.4324/9780203036907-10.
Pełny tekst źródłaWhitehead, Christopher. "Debating the National Gallery". W The Public Art Museum in Nineteenth Century Britain, 125–50. Routledge, 2017. http://dx.doi.org/10.4324/9781315237565-ch-6.
Pełny tekst źródłaWhitehead, Christopher. "Refiguring the National Gallery". W The Public Art Museum in Nineteenth Century Britain, 151–76. Routledge, 2017. http://dx.doi.org/10.4324/9781315237565-ch-7.
Pełny tekst źródła"Sir Hugh Lane and The National Gallery". W Art and Letters, redaktor B. C. Bloomfield, 3–8. Routledge, 2019. http://dx.doi.org/10.4324/9781315034133-2.
Pełny tekst źródłaWhitehead, Christopher. "The Enlarged National Gallery in 1876". W The Public Art Museum in Nineteenth Century Britain, 238–45. Routledge, 2017. http://dx.doi.org/10.4324/9781315237565-ch-10.
Pełny tekst źródłaWhitehead, Christopher. "Negotiating the Construction of the National Gallery". W The Public Art Museum in Nineteenth Century Britain, 177–204. Routledge, 2017. http://dx.doi.org/10.4324/9781315237565-ch-8.
Pełny tekst źródła"The William Brumfield Collection, National Gallery of Art". W Journeys through the Russian Empire, 33–36. Duke University Press, 2020. http://dx.doi.org/10.1215/9781478007463-005.
Pełny tekst źródłaSmith, Alison. "Watts and the National Gallery of British Art". W Representations of G. F. Watts, 153–68. Routledge, 2019. http://dx.doi.org/10.4324/9780429259906-9.
Pełny tekst źródłaStreszczenia konferencji na temat "National Art Gallery"
Qi, Fei, i Yi Chen. "The Study of Configuration Analysis in Art Gallery based on Space Syntax mmComparison of Washington national gallery and the Shanghai art gallery". W 2015 4th International Conference on Sustainable Energy and Environmental Engineering. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/icseee-15.2016.207.
Pełny tekst źródłaBraden, Paul, i Kaitlyn Gainer. "Application of the Shape Memory Effect to Restore Smoothness". W ASME 2015 Conference on Smart Materials, Adaptive Structures and Intelligent Systems. American Society of Mechanical Engineers, 2015. http://dx.doi.org/10.1115/smasis2015-8827.
Pełny tekst źródłaIribarne, Jorge. "The essential purpose of any Urban Project is to define Public Space". W 24th ISUF 2017 - City and Territory in the Globalization Age. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/isuf2017.2017.6233.
Pełny tekst źródłaVuga, Martina. "Skin matters. Conservation-restoration treatment of a 16th Century polychrome wooden sculpture". W RECH6 - 6th International Meeting on Retouching of Cultural Heritage. València: Editorial Universitat Politècnica de València, 2021. http://dx.doi.org/10.4995/rech6.2021.13509.
Pełny tekst źródłaŠtěpánek, Pavel. "Tasting the milk of celestial knowledge. Note about the rhetoric of the portrayal of the sacred in Alonso Cano’s painting The Lactation of St. Bernard (1653–1657) from the National Gallery in Prague". W The Figurativeness of the Language of Mystical Experience. Brno: Masaryk University Press, 2021. http://dx.doi.org/10.5817/cz.muni.p210-9997-2021-20.
Pełny tekst źródłaRaporty organizacyjne na temat "National Art Gallery"
Raymond, Kara, Laura Palacios i Evan Gwilliam. Status of climate and water resources at Big Bend National Park: Water year 2019. Redaktor Tani Hubbard. National Park Service, wrzesień 2022. http://dx.doi.org/10.36967/2294267.
Pełny tekst źródłaGattenhof, Sandra, Donna Hancox, Sasha Mackay, Kathryn Kelly, Te Oti Rakena i Gabriela Baron. Valuing the Arts in Australia and Aotearoa New Zealand. Queensland University of Technology, grudzień 2022. http://dx.doi.org/10.5204/rep.eprints.227800.
Pełny tekst źródłaBoyle, Maxwell, i Elizabeth Rico. Terrestrial vegetation monitoring at Timucuan Ecological and Historic Preserve: 2019 data summary—Version 2.0. National Park Service, luty 2022. http://dx.doi.org/10.36967/nrds-2290196.
Pełny tekst źródła