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Artykuły w czasopismach na temat "Mythology, Classical – Poetry"
Earthman, Elise Ann. "The Siren Song That Keeps Us Coming Back: Multicultural Resources for Teaching Classical Mythology". English Journal 86, nr 6 (1.10.1997): 76–81. http://dx.doi.org/10.58680/ej19973435.
Pełny tekst źródłaReid, Katie. "Richard Linche: The Fountain of Elizabethan Fiction". Studies in Philology 120, nr 3 (czerwiec 2023): 527–56. http://dx.doi.org/10.1353/sip.2023.a903805.
Pełny tekst źródłaMakhortova, Varvara. "Classical Antiquity in the Poetry of Sophia de Mello Breiner Andresen". Stephanos Peer reviewed multilanguage scientific journal 44, nr 6 (30.12.2020): 96–102. http://dx.doi.org/10.24249/2309-9917-2020-44-6-96-102.
Pełny tekst źródłaKarbashevska, O. V. "THE ORNITHOLOGICAL IMAGE-SYMBOL «EAGLE» IN LITERARY AND FOLK POETRY: BRITISH-UKRAINIAN CONTEXT". PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word, nr 2(54) (22.01.2019): 265–74. http://dx.doi.org/10.31471/2304-7402-2019-2(54)-265-274.
Pełny tekst źródłaKluge, Sofie. "Amazonas del mar y sátiros acuáticos". Revue Romane / Langue et littérature. International Journal of Romance Languages and Literatures 44, nr 1 (6.03.2009): 94–111. http://dx.doi.org/10.1075/rro.44.1.06klu.
Pełny tekst źródłaNavarrete, Miquel Àngel, i Josep Maria Sala-Valldaura. "La tela de Penelope: Entre la Grècia clàssica i la poesia catalana actual". Zeitschrift für Katalanistik 1 (1.07.1988): 93–105. http://dx.doi.org/10.46586/zfk.1988.93-105.
Pełny tekst źródłaMellor, Leo. "George Barker in the 1930s: Narcissus and the Autodidact". Modernist Cultures 10, nr 2 (lipiec 2015): 250–68. http://dx.doi.org/10.3366/mod.2015.0111.
Pełny tekst źródłaHasan, Kamrul. "Mythology in Modern Literature: An Exploration of Myths and Legends in Sylvia Plath’s Poetry". International Journal of English Literature and Social Sciences 8, nr 4 (2023): 294–301. http://dx.doi.org/10.22161/ijels.84.48.
Pełny tekst źródłaLebedeva, Irena V. "Review of the Book “Monsters and Monarchs: Serial Killers in Classical Myths and History”". Corpus Mundi 4, nr 1 (10.07.2023): 110–16. http://dx.doi.org/10.46539/cmj.v4i1.80.
Pełny tekst źródłaPersi, Ugo. "Античные мотивы в поэтическом мире Максимилиана Волошина. Aрхаизм или архаизирование ?" Modernités Russes 15, nr 1 (2015): 315–23. http://dx.doi.org/10.3406/modru.2015.1042.
Pełny tekst źródłaRozprawy doktorskie na temat "Mythology, Classical – Poetry"
Ruutu, Hanna. "Patterns of transcendence : classical myth in Marina Tsvetaeva's poetry of the 1920s /". Helsinki : Dep. of Slavonic and Baltic Languages and Literatures, 2006. http://www.loc.gov/catdir/toc/fy0803/2007465568.html.
Pełny tekst źródłaMcKenna, Edward Francis. "Live or Die unmasking the mythologies of Anne Sexton's poetry /". Thesis, Montana State University, 2008. http://etd.lib.montana.edu/etd/2008/mckenna/McKennaE0508.pdf.
Pełny tekst źródłaBocksberger, Sophie Marianne. "Telamonian Ajax : a study of his reception in Archaic and Classical Greece". Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:a9bacb2a-7ede-4603-9e6a-bf7f492332ed.
Pełny tekst źródłaGinard, Puigserver Maria. "BIOI. Tradicions biogràfiques dels poetes mítics grecs". Doctoral thesis, Universitat de Barcelona, 2015. http://hdl.handle.net/10803/314387.
Pełny tekst źródłaThe development of the biographical traditions of the Greek mythical poets started with the first Greek literary works and it lasted for centuries. Throughout this period these figures were adapted for different uses and they suited literary, cultic or political interests either particularly or collectively. Furthermore, the shaping of the traditions of these poets, generally considered previous to Homer, has similarities with the historical poets, philosophers, sages and others. So, the thesis analyses the main sets of biographical formulaic themes and the process in which these formulaic motifs were elaborated and reshaped. The poets studied are Thamyris, Orpheus, Musaeus, Eumolpus, Linus, Epimenides, Olen, Philammon and Amphion among others, and the topics are their genealogy and origin, poetic initiation and other traditional topics of the heroic biography (teacher-pupil relationship, travel, song contests, quarrel with authorities, inventions, establishment of new cults, death, heroization). The study of these biographical traditions has led to identify the equivalence among some formulaic themes and the intention to set up a hierarchy, tied to cultic context where these poets were used. Similarly, the biographemes contributed to assign them an authoritative role for the literary and religious tradition which took them as a referent, thanks to the constant and privileged relationship with deities.
Tronchet, Gilles. "La métamorphose à l'oeuvre recherches sur la poétique d'Ovide dans les "Métamorphoses /". Louvain ; Paris : Peeters, 1998. http://catalogue.bnf.fr/ark:/12148/cb36709145t.
Pełny tekst źródłaJolivet, Jean-Christophe. "Allusion et fiction épistolaire dans les "Héroïdes" : recherches sur l'intertextualité ovidienne /". Rome : Paris : École française de Rome ; diff. De Boccard, 2001. http://catalogue.bnf.fr/ark:/12148/cb38807426b.
Pełny tekst źródłaPetrella, Bernardo Ballesteros. "Divine assemblies in early Greek and Mesopotamian narrative poetry". Thesis, University of Oxford, 2017. https://ora.ox.ac.uk/objects/uuid:cfd1affe-f74b-48c5-98db-aba832a7dce8.
Pełny tekst źródłaLagrou, Sarah. "La création poétique dans le théâtre grec classique ou comment surprendre toujours dans un cadre traditionnel : l’exemple du mythe d’Œdipe dans la tragédie grecque". Thesis, Lille 3, 2016. http://www.theses.fr/2016LIL30012.
Pełny tekst źródłaThe aim of this PhD thesis, based on Aeschylus’, Sophocles’ and Euripides’ treatments of the Oedipus myth, is to understand how Greek tragic playwrights – who aroused the public interest while always dealing with the same stories – managed to reinvent theatre and write new plays out of the same myths. Admittedly, mythical material was not fixed, yet, tragedy was a genre which structure was highly codified, and quite limited in terms of visual effects. Thus, it was mainly within the text itself that authors could intervene by way of an ever-repeated work on their own language. Therefore, it is the texts of tragedies themselves which are the subject of this study, and which will be explored from three different perspectives; hermeneutic, philological and comparative. This not only allows for an understanding of the deeper issues each text tackles, but also of the variations on the myth and the effects they create. The corpus (Aeschylus' Seven against Thebes, Sophocles' Antigone, Œdipus Rex, Œdipus at Colonus, Euripides' Phoenician Women) – limited yet reasonable – will be analysed rigorously and with as little a priori as possible. What is proposed in this study is a better understanding of how the mechanics of tragedy worked, as well as of how part of a poetics could evolve through perpetual renewal, as tragic poets explored the possibilities of their language, worked on representations and traditional materials they had inherited. The aim of this study is to better grasp the means of poetic creation in a given cultural context so as to gain the best possible understanding of the limits within which it took place. It also allows for a deepened understanding of a culture in which people still enjoyed plays while already knowing how they would end
Nagy, Szerdi. "Girl guides : towards a model of female guides in ancient epic". Thesis, 2009. http://hdl.handle.net/10413/1123.
Pełny tekst źródłaThesis (M.A.) - University of KwaZulu-Natal, Durban, 2009.
Steyn, Herco Jacobus. "Protean deities : classical mythology in John Keats’s ‘Hyperion poems’ and Dan Simmons’s Hyperion and The fall of Hyperion". Diss., 2011. http://hdl.handle.net/10500/4908.
Pełny tekst źródłaEnglish Studies
M.A. (English)
Książki na temat "Mythology, Classical – Poetry"
Fahey, Diane. Listening to a far sea. Alexandria, N.S.W: Hale & Iremonger, 1998.
Znajdź pełny tekst źródłaStallings, A. E. Archaic smile: Poems. Evansville, Ind: University of Evansville Press, 1999.
Znajdź pełny tekst źródłaMyths. Sundridge, Ont: Magenta, 1988.
Znajdź pełny tekst źródłaShakespeare, William. Venus und Adonis ; Tarquin und Lukrezia: Zwei Gedichte : zweisprachige Ausgabe. München: Süddeutsche Zeitung, 2007.
Znajdź pełny tekst źródłaA poetics of transformation: Prudentius and classical mythology. Ithaca: Cornell University Press, 1989.
Znajdź pełny tekst źródła1796-1867, Bulfinch Thomas, red. The classic myths in English literature and in art, based originally on Bulfinch's "Age of fable" (1855): Accompanied by an interpretative and illustrative commentary. Cheshire, Conn.?]: [Biblo-Moser], 1995.
Znajdź pełny tekst źródłaMonsigny. Mythology: Or, A history of the fabulous deities of the ancients; designed to facilitate the study of history, poetry, painting, &c. Randolph [Vt.]: Printed by Sereno Wright, for Thomas and Merrifiel, 1986.
Znajdź pełny tekst źródłaRevard, Stella Purce. Milton and the tangles of Neaera's hair: The making of the 1645 Poems. Columbia, Mo: University of Missouri Press, 1997.
Znajdź pełny tekst źródłaRuutu, Hanna. Patterns of transcendence: Classical myth in Marina Tsvetaeva's poetry of the 1920s. Helsinki: published by Dept. of Slavonic and Baltic Languages and Literatures, University of Helsinki, 2006.
Znajdź pełny tekst źródłaCossío, José María de. Fábulas mitológicas en España. Tres Cantos, Madrid: Istmo, 1998.
Znajdź pełny tekst źródłaCzęści książek na temat "Mythology, Classical – Poetry"
Leask, Nigel. "Poetry and Mythology: the Coleridges and the Classical Revival". W The Politics of Imagination in Coleridge’s Critical Thought, 147–55. London: Palgrave Macmillan UK, 1988. http://dx.doi.org/10.1007/978-1-349-19283-0_15.
Pełny tekst źródłaHoryna, Břetislav. "Prométheus například. Moc mýtu, distance a přihlížení podle Hanse Blumenberga". W Filosofie jako životní cesta, 130–45. Brno: Masaryk University Press, 2019. http://dx.doi.org/10.5817/cz.muni.p210-9458-2019-8.
Pełny tekst źródłaHutchinson, G. O. "Parmenides, On Nature". W Motion in Classical Literature, 191–214. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198855620.003.0007.
Pełny tekst źródłaHopkins, David. "Introduction: Reception as Conversation". W Conversing with Antiquity, 1–36. Oxford University PressOxford, 2008. http://dx.doi.org/10.1093/oso/9780199560349.003.0001.
Pełny tekst źródłaHutchinson, G. O. "Sophocles, Philoctetes and Oedipus at Colonus". W Motion in Classical Literature, 153–90. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198855620.003.0006.
Pełny tekst źródłaHassan, Waïl S. "Brazilian Mu‘allaqa". W Arab Brazil, 211–43. Oxford University PressNew York, 2024. http://dx.doi.org/10.1093/oso/9780197688762.003.0010.
Pełny tekst źródłaBorchmeyer, Dieter. "In Search of a Lost Style: Wagner’s Ideal of ‘Classical Form’". W Richard Wagner, 75–86. Oxford University PressNew York, NY, 1991. http://dx.doi.org/10.1093/oso/9780193153226.003.0007.
Pełny tekst źródłaLerer, Seth. "Transitions". W The Oxford History of Poetry in English, 19–33. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780198830696.003.0002.
Pełny tekst źródłaHopkins, David. "Some Varieties of Pope’s Classicism". W Conversing with Antiquity, 250–69. Oxford University PressOxford, 2008. http://dx.doi.org/10.1093/oso/9780199560349.003.0011.
Pełny tekst źródłaHaubenreich, Jacob. "‘My whole being fell silent, and read’: Peter Handke’s Hölderlin and Heidegger Reception". W Hölderlin's Philosophy of Nature, 178–96. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474454155.003.0010.
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