Artykuły w czasopismach: „Myth of Sisyphus”

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Herman, Joseph. "The Myth of Sisyphus". Annals of Internal Medicine 119, nr 6 (15.09.1993): 534. http://dx.doi.org/10.7326/0003-4819-119-6-199309150-00019.

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Spelletich, Kal. "The Myth of Sisyphus". Leonardo 36, nr 5 (październik 2003): 359. http://dx.doi.org/10.1162/leon.2003.36.5.359.

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Gay, Spencer B. "The Myth of Sisyphus". Journal of the American College of Radiology 4, nr 12 (grudzień 2007): 868. http://dx.doi.org/10.1016/j.jacr.2007.05.005.

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Stivers, Camilla. "Public Administration's Myth of Sisyphus". Administration & Society 39, nr 8 (styczeń 2008): 1008–12. http://dx.doi.org/10.1177/0095399707309814.

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Dominas, Konrad. "Autolycus and Sisyphus – Some Words about the Category of Trickster in Ancient Mythology". Studia Religiologica 53, nr 3 (2020): 203–12. http://dx.doi.org/10.4467/20844077sr.20.014.12754.

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The goal of this article is to juxtapose the trickster model suggested by William J. Hynes in the text Mapping the Characteristics of Mythic Tricksters: A Heuristic Guide with the stories of Sisyphus and Autolycus. A philological method proposed in this article is based on a way of understanding a myth narrowly, as a narrative with a specific meaning, which can be expressed in any literary genre. According to this definition, every mythology which is available today is an attempt at presenting a story of particular mythical events and the fortunes of gods and heroes. Therefore, stories about Sisyphus and Autolycus are myths that have been transformed and which in their essence may have multiple meanings and cannot be attributed to one artist. The philological method is, in this way, based on isolating all fragments of the myth relating to the above protagonists and subsequently presenting them as a coherent narrative.

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Debrock, Mark. "Du milieu favorable aux promesses des technologies de l'information et de la communication". ReCALL 11, nr 1 (maj 1999): 13–18. http://dx.doi.org/10.1017/s0958344000002044.

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Dans le tout recent ouvrage New Technologies for learning: contribution of ICT to innovation in education, les auteurs rapprochent les merveilles multimédiatiques du mythe de Sisyphe:“In the history of education the introduction of any new technological tool was accompanied with high expectations regarding its innovating power for learning and instruction. After a period of sporadic use, and some disappointment about the obtained learning outcomes, the arrival of any new technological tool generated a new set of expectations, limited use and resulting frustration. This is what we call the ‘Myth of Sisyphus’, the king of Corinth condemned for ever to roll his stone up a mountain in Hades only to have it roll down again when he neared the top.” (Dillemans, et al. 1998:41).

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Hjorth, Daniel. "In the Tribe of Sisyphus: Rethinking Management Education from an “Entrepreneurial” Perspective". Journal of Management Education 27, nr 6 (grudzień 2003): 637–53. http://dx.doi.org/10.1177/1052562903257938.

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In this article, Camus’s reading of the myth of Sisyphus provides an “entrepreneurial” perspective on management education. Traditionally management has been constrained by the conceptually limiting horizon of management knowledge and practice, with an emphasis on control and efficiency. As such, learning processes have come to reproduce a manipulable homo oeconomicus. Sisyphus’s desire to create, the “absurdity” of his dignified revolt, in short, his “entrepreneurship,” exemplify a transformative and playful force central to learning processes. Embracing the opening toward a metaphorical style, this article introduces Sisyphean “entrepreneurship” as a novel way of thinking about and organizing learning processes in management education.

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Okpo, Friday Romanus. "The Myth of Sisyphus in Richard Wright’s Native Son". SAGE Open 11, nr 2 (kwiecień 2021): 215824402110061. http://dx.doi.org/10.1177/21582440211006147.

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The identification of archetypes in literary texts follows the path of deep structural analysis, as surface reading will dwell ordinarily at the level of incidents. This research is driven by the configuration of the myth of Sisyphus in Richard Wright’s Native Son. Our claim is that the myth figures in the text as a shade of the crime and punishment sequence, with an absurdist twist. This claim is substantiated following the archetypal literary theory, which employs to a great extent the methods of discourse analysis. The novel has often been read along the ideological questions that racism raises and attempts to answer. This essay marks a deviation from that seemingly jaundiced view of literature. What this essay foregrounds is the eternal regeneration of narratives, an eternalness that bears the nature of the archetype in its repetitiveness. This necessitates the choice of archetypal literary criticism as the theory for this research. To reach its conclusions, this article adopts a qualitative approach, taking its data from the events in the novel, and investigating the mythic orientations at work in the novel, with the view that at the forefront of this is the myth of Sisyphus, a shade of the myth of crime and punishment. This article does not account for the sociocultural frame of racism as a material but understands it in the wider conception of myth, as a figuration of the Sisyphean myth which shares with the racism in the text the quality of perpetuity or seeming endlessness. We show that racism is in this akin to the sufferings and struggles of Sisyphus, that it is Sisyphean.

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Serra, Antonio, i Marcelo Jiménez. "Rotational atherectomy and the myth of Sisyphus". EuroIntervention 16, nr 4 (lipiec 2020): e269-e272. http://dx.doi.org/10.4244/eijv16i4a45.

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Blanchet, Nadia P. "The Myth of Sisyphus and Physician Burnout". Plastic and Reconstructive Surgery 144, nr 1 (lipiec 2019): 154e—155e. http://dx.doi.org/10.1097/prs.0000000000005763.

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Garcia, Richard. "Diversity in Pediatrics: The Myth of Sisyphus". Journal of the National Medical Association 110, nr 5 (październik 2018): 501–3. http://dx.doi.org/10.1016/j.jnma.2017.12.009.

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Morice, Marie-Claude. "Chronic total occlusion: The myth of Sisyphus". Catheterization and Cardiovascular Interventions 64, nr 4 (2005): 412. http://dx.doi.org/10.1002/ccd.20322.

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Donaldson, Stuart, i Donald Moss. "Special Issue: Challenges Affecting Successful Biofeedback Treatment". Biofeedback 44, nr 1 (1.03.2016): 1–3. http://dx.doi.org/10.5298/1081-5937-44.1.07.

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The cover of this issue of Biofeedback shows a depiction of the mythical Sisyphus, condemned for all eternity to push an immense boulder up a hill, only to watch it roll back down the hill. The myth serves as a symbol for all of the medical and nonbiofeedback factors that can hinder biofeedback and neurofeedback treatment. It is our hope that this Special Issue may aid future practitioners to escape the fate of Sisyphus. (Thanks to Shutterstock for this photo).

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Kerner, Aaron, i Rachel Mertz Hart. "On a happy journey?" Short Film Studies 4, nr 1 (1.04.2014): 47–50. http://dx.doi.org/10.1386/sfs.4.1.47_1.

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Matka beautifully re-envisions Albert Camus’ The Myth of Sisyphus (1955), raising questions of burdens and fulfilment. Matka is an existential exploration of the human spirit, that here is contextualized by potential limits.

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Sánchez-Pardo, Esther. "Photopoetics: Sisyphus Outdone, the Apostrophal Subject and the Elusive Image". Open Cultural Studies 4, nr 1 (12.06.2020): 84–95. http://dx.doi.org/10.1515/culture-2020-0008.

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AbstractIn Sisyphus Outdone (2012), Nathanaël’s particular tribute to Albert Camus’ The Myth of Sisyphus (1942), the reader faces a challenging hybrid text in which the verbal and visual dimensions intermingle to produce an idiosyncratic type of narrative. Fragmentary, elliptical, a web of quotations, dictums, and meditations on the difficult condition of the individual in the current image-saturated scenario of the first decades of the 21st century, the text manages to propose a rigorous reflection upon crucial aspects of representation from History and temporality, to the Subject now, photography, catastrophe theory, architecture, failure and translation, among the most salient. Sisyphus, I suggest, exhibits a strategic photopoetics which operates as a self-reflective mechanism contributing to the persistence of an impermanent liminal subject and to the (re)production of textuality and the proliferation of voices against silence.

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Anokhina, Anna Valentinovna. "INTERPRETATION OF ANTIQUE MYTH IN R. MERLE’S PLAYS “SISYPHUS AND DEATH” AND “NEW SISYPHUS”". Philological Sciences. Issues of Theory and Practice, nr 12-3 (grudzień 2018): 427–31. http://dx.doi.org/10.30853/filnauki.2018-12-3.1.

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Jamiołkowski, Andrzej. "Kategoria bohatera absurdalnego w Kamieniu na kamieniu Wiesława Myśliwskiego oraz Sońce Ignacego Karpowicza". Studia Slavica XXVII, nr 1 (listopad 2023): 123–32. http://dx.doi.org/10.15452/studiaslavica.2023.27.0010.

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The article is an attempt to find elements of the concept of the absurd man presented by Albert Camus in the essay The Myth of Sisyphus in selected texts of polish rural prose. The heroes of Kamień na Kamieniu and Sońka, in a way similar to the mythical Sisyphus, whom Camus presents as a model of a person overcoming the absurdity of existence, deal with the nonsense of existence. The attitudes presented by the characters presented are driven by quiet, inconspicuous heroism, the symptom of which is the disagreement with the lack of a deeper meaning that accompanies their existence.

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Ljungberg, Karl. "HIV vaccine development: the myth of Sisyphus modernized?" Expert Review of Vaccines 6, nr 6 (grudzień 2007): 879–82. http://dx.doi.org/10.1586/14760584.6.6.879.

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Min Lee, Chung. "Nuclear Sisyphus: the myth of denuclearising North Korea". Australian Journal of International Affairs 61, nr 1 (marzec 2007): 15–22. http://dx.doi.org/10.1080/10357710601142476.

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Guerado, E. "The Myth of Sisyphus. The refounding of SECOT". Revista Española de Cirugía Ortopédica y Traumatología (English Edition) 64, nr 4 (lipiec 2020): 229–35. http://dx.doi.org/10.1016/j.recote.2020.06.002.

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Proven, Thom. "Camus and modern psychiatry: The Myth of Sisyphus". British Journal of Psychiatry 210, nr 1 (styczeń 2017): 30. http://dx.doi.org/10.1192/bjp.bp.116.185132.

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Lamb, Mathew. "Re-Examining Sartre’s Reading of The Myth Of Sisyphus". Philosophy Today 56, nr 1 (2012): 100–111. http://dx.doi.org/10.5840/philtoday201256129.

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Tursunova, Narguisa. "«UNTYPICAL»NOVEL BY ALBERT CAMUS". INTERNATIONAL JOURNAL OF WORD ART 6, nr 3 (30.06.2020): 34–39. http://dx.doi.org/10.26739/2181-9297-2020-6-5.

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Albert Camus, one of the outstanding representatives of the philosophy of existentialism of the twentieth century, who expressed his life position and creative credo through diverse genres: essays, short stories, novels, dramaturgies, and journalistic articles, received the common name "Conscience of the West" during his lifetime. The most famous works of the author-essays "The Myth of Sisyphus", "Stranger", "Fall", "Caligula", "Plague", "Demons", "Rebellious man", etc.

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Raffalovich, Daniel C. "The Deaths of Sisyphus: Structural Analysis of a Classical Myth". Anthropologica 30, nr 1 (1988): 87. http://dx.doi.org/10.2307/25605249.

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Plant, Bob, i Katarzyna Kręglewska. "Absurdity, Incongruity and Laughter. Philosophy". Tekstualia 4, nr 59 (20.12.2019): 73–94. http://dx.doi.org/10.5604/01.3001.0013.6437.

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In The Myth of Sisyphus, Camus advocates scornful defi ance in the face of our absurd, meaningless existence. Although Nagel agrees that human life possesses an absurd dimension, he objects to Camus’ existentialist „dramatics”. For Nagel, absurdity arises from the irreducible tension between our subjective and objective perspectives on life. The article offers a critical reconstruction of Camus’ and Nagel’s positions, and elaborates Nagel’s critique of Camus in order to argue that humour is an appropriate response to absurdity.

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Arsh, Megha. "Absence of Objective Correlative in Albert Camus's The Myth of Sisyphus". Integrated Journal for Research in Arts and Humanities 3, nr 1 (31.01.2023): 135–38. http://dx.doi.org/10.55544/ijrah.3.1.24.

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This research paper explores the concept of the absence of the objective correlative in Albert Camus's influential philosophical essay, "The Myth of Sisyphus." The objective correlative is a literary device used to evoke specific emotions in the reader through the presentation of external objects that correlate with the internal experiences of characters. However, in Camus's work, the absence of the objective correlative becomes evident, as the protagonist's experience of the absurd defies easy representation. This paper examines the implications of this absence, analyzing the impact on the reader's understanding of the human condition and the existential themes presented in the essay.

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Plant, Bob. "Absurdity, Incongruity and Laughter". Philosophy 84, nr 1 (styczeń 2009): 111–34. http://dx.doi.org/10.1017/s0031819109000060.

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AbstractIn The Myth of Sisyphus, Camus recommends scornful defiance in the face of our absurd, meaningless existence. Although Nagel agrees that human life possesses an absurd dimension, he objects to Camus’ existentialist ‘dramatics’. For Nagel, absurdity arises from the irreducible tension between our subjective and objective perspectives on life. In this paper I do two things: (i) critically reconstruct Camus’ and Nagel's positions, and (ii) develop Nagel's critique of Camus in order to argue that humour is an appropriate response to absurdity.

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Liang, Yixu. "The Expression of the Absurd in Attack on Titan". Lecture Notes in Education Psychology and Public Media 9, nr 1 (14.09.2023): 7–11. http://dx.doi.org/10.54254/2753-7048/9/20230014.

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This paper aims to analyze Eren Yeager in Japan manga Attack on Titan from the aspect of the absurdism of Camus. In their work, Eren Yeager demonstrates a series of actions and thoughts while he realizes his objective. When he does this, his actions share a significant content of similarity that is also mirrored in Sisyphus in the Greek myth, the same evidence of the absurd. In this article, I argue that Eren Yeager can also be considered an example of the wild.

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Jenkins, Gary W. ":The Myth of Sisyphus: Renaissance Theories of Human Perfectibility". Sixteenth Century Journal 41, nr 3 (1.09.2010): 877–78. http://dx.doi.org/10.1086/scj40997400.

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Shobeiri, Ashkan, Wan Roselezam Wan Yahya i Arbaayah Ali Termizi. "Making Sense of the Absurdity of Life in Camus’s the Myth of Sisyphus". International Journal of the Arts in Society: Annual Review 4, nr 5 (2010): 1–14. http://dx.doi.org/10.18848/1833-1866/cgp/v04i05/35713.

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Mavrogeni, Sophie I., Elisa Sfendouraki, George Markousis-Mavrogenis, Angelos Rigopoulos, Michel Noutsias, Genovefa Kolovou, Constantina Angeli i Dimitrios Tousoulis. "Cardio-oncology, the myth of Sisyphus, and cardiovascular disease in breast cancer survivors". Heart Failure Reviews 24, nr 6 (27.05.2019): 977–87. http://dx.doi.org/10.1007/s10741-019-09805-1.

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Moklytsia, Mariia. "Psychoanalytic and Existentialist Versions of Don Juanism: Lesia Ukrainka’s The Stone Host". Kyiv-Mohyla Humanities Journal, nr 8 (24.12.2021): 34–44. http://dx.doi.org/10.18523/kmhj249178.2021-8.34-44.

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The article substantiates the necessity of psychoanalytical and existential methodology in interpreting Lesia Ukrainka’s drama Kaminnyi hospodar (1912; The Stone Host), including the works of José Ortega y Gasset and Miguel de Unamuno on Don Quixote, Albert Camus on absurd characters (The Myth of Sisyphus. Essay on the Absurd), and Jacques Lacan’s The Mirror Stage. Biographical data testify to the critical attitude of the writer to world treatments of the legend. Her challenge to tradition was bold and conscious. It is regarded that the main point of Lesia Ukrainka’s polemics with tradition concerns Don Juan apologetics, introduced by romantics and developed by modernists. Exploring Don Juan’s psychological makeup provides the opportunity to show that all participants of the legend have become victims of Don Juan apologetics (that distinguish the tragic fi nale of the story). The Don Juan myth has played an integral role in the image of the Person (social mask) being accepted by characters as a trustful image of the Self. Interpretation of the Mirror Image in The Stone Host and its crucial role in the final scene allows for justifying that the mirror serves the narcissistic characters’ admiration of themselves and shows them not only an attractive appearance but an ideal version of the Self, created by myth.

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Dangas, George, i Asaad A. Khan. "Rolling the rock uphill during left main stenting: The Sisyphus myth in percutaneous coronary intervention?" Catheterization and Cardiovascular Interventions 96, nr 4 (październik 2020): 762–63. http://dx.doi.org/10.1002/ccd.29290.

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Omeje, Greg, i Chibuzo Onunkwo. "The Reconfiguration of Sisyphean Myth in Hemingway’s The Old Man and the Sea and Akwanya’s Orimili". International Journal of Applied Linguistics and English Literature 8, nr 6 (30.11.2019): 86. http://dx.doi.org/10.7575/aiac.ijalel.v.8n.6p.86.

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A literary work fascinates scholars and critics in different ways which may be based on literary experience or interest. In whichever perspective, literature engages the mind with multiplicity of interpretations. Hemingway’s The Old Man and the Sea and Akwanya’s Orimili have been studied in varied ways but no study, as far as this research is concerned, has looked at either or both texts from the view of configuration of the myth of Sisyphus. Here is a reading that intends to look at the mythic patterns in the two works with respect to the characters of Santiago and Ekwenze Orimili, the protagonists. In the study, attempt is made to define the Sisyphean features, and establish how the patterns are configured in the two texts. The study uses the tool of archetypal criticism, from the perspectives of Northrop Frye, to examine these similar discursive formations in the texts. The study establishes that mythic thinking gives literature rootedness in tradition, and universal appeal.

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Joung, Hyesun. "Rebellion against the Absurdity of Life: focused on The Myth of Sisyphus and The Four Books". Asia Cultural Creativity Institute 3, nr 1 (30.06.2023): 23–41. http://dx.doi.org/10.54385/cbt.2023.2.2.23.

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Yan Lianke is internationally recognized as one of the three great masters of modern Chinese literature, along with Yuhua and Moyen. In China, however, many of his books are banned. Yan Lianke wants to be able to write freely, to reflect reality, and to capture in his own way the memories of a past that has been selectively erased in Chinese history. This article considers absurdity and rebellion to focus on Yan Lianke’s work, and to explore this, we first look to Camus’s The Myth of Sisyphus and The Stranger to understand the meaning of absurdity and rebellion. By examining the personal and historical circumstances of both Camus and Yan Lianke, we will further explore the meaning of absurdity and rebellion through their lives. The Four Books deals with the events that take place in the power-controlled space of the Yuxin District, and because it is described through Yan Lianke’s own expression, readers may feel that the content and expression are somewhat exaggerated. However, the situations depicted in The Four Books are not only the past history of actual China, but also a projection of the current China. There is a difference between Camus’ and Yan Lianke’s perception of rebellion. While Camus saw this rebellion at the level of individual lives, Yan Lianke goes a step further and not only criticizes the absurdity of China, but also hopes that each individual will wake up and rebel, and through this, China will become a better country.

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Joung, Hyesun. "Rebellion against the Absurdity of Life: focused on The Myth of Sisyphus and The Four Books". Asia Cultural Creativity Institute 3, nr 1 (30.06.2023): 23–41. http://dx.doi.org/10.54385/cbt.2023.3.1.23.

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Yan Lianke is internationally recognized as one of the three great masters of modern Chinese literature, along with Yuhua and Moyen. In China, however, many of his books are banned. Yan Lianke wants to be able to write freely, to reflect reality, and to capture in his own way the memories of a past that has been selectively erased in Chinese history. This article considers absurdity and rebellion to focus on Yan Lianke’s work, and to explore this, we first look to Camus’s The Myth of Sisyphus and The Stranger to understand the meaning of absurdity and rebellion. By examining the personal and historical circumstances of both Camus and Yan Lianke, we will further explore the meaning of absurdity and rebellion through their lives. The Four Books deals with the events that take place in the power-controlled space of the Yuxin District, and because it is described through Yan Lianke’s own expression, readers may feel that the content and expression are somewhat exaggerated. However, the situations depicted in The Four Books are not only the past history of actual China, but also a projection of the current China. There is a difference between Camus’ and Yan Lianke’s perception of rebellion. While Camus saw this rebellion at the level of individual lives, Yan Lianke goes a step further and not only criticizes the absurdity of China, but also hopes that each individual will wake up and rebel, and through this, China will become a better country.

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Ahashan, Mohammad, i Dr Sapna Tiwari. "Nihilism and Nothingness in The Play Entitled The Birthday Party (1957) With Special Reference To The Existential Philosophy". SMART MOVES JOURNAL IJELLH 6, nr 2 (28.02.2018): 9. http://dx.doi.org/10.24113/ijellh.v6i2.3580.

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The two world-wars and its massive destruction and horror had a great impact on human mind. Inevitably complete cynicism , pessimism , alienation , nothingness , existentialism reflected in the literature of that time. Pinter's play The Birthday Party (1957) is based on the philosophy of existentialism which later on became the source for the " Theatre of the Absurd ". Albert Camus and Jean-Paul Sartre gave the philosophy of existentialism according to which the universe and man's experience in it are meaningless. All attempts by human mind to understand the world are futile . All philosophical systems and religion which claim that they can enable man to make sense of the world are delusive and useless. Albert Camus in The Myth of Sisyphus (1942) wrote :- " In a universe that is suddenly deprived of illusions and of light , man feels a stranger. ... This divorce between man and his life, the actor and his setting constitutes the feeling of Absurdity. "

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Varley, Julia. "Dramaturgy According to Daedalus: the Odin Teatret Production of ‘Mythos’". New Theatre Quarterly 17, nr 2 (maj 2001): 110–22. http://dx.doi.org/10.1017/s0266464x00014536.

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This is not only the story of an actor whose character began as Clytemnestra and became Daedalus, but of how the slow and arduous discovery of that character helped to form and transform the Odin Teatret production of Mythos – a collage of characters and places, their relationships rooted not in cause and effect but in action and reaction – and of how that production itself emerged by following both actual and metaphysical threads through the Cretan labyrinth. The search takes the form of a funeral wake which is interrupted by the arrival of Oedipus, Cassandra, Daedalus, Odysseus, Medea, Orpheus, and Sisyphus, who introduce the last revolutionary of the twentieth century to the immortality of myth. The author, Julia Varley, who herself took the role of Daedalus, has been with Odin Teatret since 1976. The production of Mythos, based on poems by Henrik Norbrandt and directed by Eugenio Barba, is at present on tour, and expected to be presented at the Salisbury Festival in June 2001.

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Weegmann, Martin, i Christine English. "Beyond the Shadow of Drugs: Groups with Substance Misusers". Group Analysis 43, nr 1 (19.02.2010): 3–21. http://dx.doi.org/10.1177/0533316409357131.

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The myth of Sisyphus speaks to an excruciating cycle of relief and suffering that is central in addiction. This article considers the long shadow cast by drug use, which often constitutes a psychic takeover of personality, with healthier aspects of the self and other interests subsumed by the seductive thrall of intoxication. Such shadows can manifest in groups that promote sober dialogue and eschew anti-dialogue/group process. A means of strengthening psychic muscle, psychodynamic groups are shown to temper the destructive pull towards euphoric or mindless states. In recovery there is a provocative mixing of memory and desire, and recollections of drug highs in groups serve dangerous desires in their enactment of a talking high. Movement towards freedom from drugs, which includes the building of new identities, must be continually fought for. Clinical examples illustrate these points, and point to the devastating impact of addiction in families and the identity voids associated with destructive drinking and drugging.

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Fadillah, Umi Nur. "Existentialism as Portrayed in Stoner". Poetika 10, nr 2 (31.10.2022): 151. http://dx.doi.org/10.22146/poetika.v10i2.76410.

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The purpose of this study is to analyze a novel titled Stoner (1965) written by an American academic and author, John Williams. Stoner follows the life of William Stoner, a professor of English Literature. Stoner comes from an impoverished farming family with a unique existential ethics. He works his way to become a university instructor and learns the magnitude of passion in the success of life. This study uses Lucien Goldmann’s Genetic Structuralist theory. The goals of this research are: 1) to analyze the structure of the literary work; 2) to understand the historical background that influences the novel; and 3) to reveal the author’s world view. The study shows that John Williams captures an existential tradition belonging to American lower-class famers who lived around the late 19th century. Stoner also captures the transformation of the existential tradition following a social, economic, and political transition. Camus’s The Myth of Sisyphus is used as a reference to explain the manifestation of the existential idea.

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Li, Shuheng. "The Multilayered Meaning of Camus’ Absurdity as Seen in Caligula and the Stranger". Journal of Education, Humanities and Social Sciences 24 (29.12.2023): 90–94. http://dx.doi.org/10.54097/22wa7361.

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Albert Camus’s literary works and philosophical ideas have had a profound impact on the world. After the two world wars, Europe, tormented by the catastrophe of war, was in a climate of resentful reflection, exploration of the future and skepticism about old values. When the old order is shaken and called into question, man’s everyday life becomes a concrete manifestation of absurdity. The world is absurd, is the subjective feeling of many characters in Camus’ books. The term “absurdity”, a key term in Camus’s life, evolved and developed throughout his work. In this paper, it examines two of Camus’s books, The Stranger and Caligula, to analyze the “Absurd Man” in Camus’s work, then introduces The Myth of Sisyphus to explore how Camus confronts the absurdity in his work, in other words, what he advocates as “revolt”. By exploring how Camus deepens and broadens revolt, the paper offers a better understanding of the uplifting power of words in Camus’ literature work.

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Piccart-Gebhart, M. "De-escalation of adjuvant systemic therapy for breast cancer: the Myth of Sisyphus of the 21st century". Breast 32 (marzec 2017): S1. http://dx.doi.org/10.1016/s0960-9776(17)30055-3.

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Nayak, Santosh Kumar. "Pedagogical Suicide, Philosophy of Nihilism, Absurdity and Existentialism in Albert Camus’ The Myth of Sisyphus and Its Impact on Post-Independence Odia Literature". International Journal of Trend in Scientific Research and Development Volume-2, Issue-3 (30.04.2018): 812–29. http://dx.doi.org/10.31142/ijtsrd11113.

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Downie, R. S. "The value and quality of Life". European Review 8, nr 1 (luty 2000): 1–7. http://dx.doi.org/10.1017/s1062798700004506.

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A medical view on ‘the value of life’ can be inferred from medical accounts of the quality of life: a life has value if it embodies certain qualities. Scales have been developed to quantify quality of life. While the term ‘quality of life’ is used frequently in everyday discourse, perceptions of what it might actually mean differ greatly and are often incompatible. This incompatibility can be illustrated through an examination and extension of the Greek myth of Sisyphus. The different models explored in this paper rest on ‘significant toil’, ‘choice’, ‘happiness or well-being’, or ‘social factors’ being the prerequisite for quality of existence. These models are incommensurable and, as intangible concepts, cannot be quantified. Decision-making in medicine does not require a complex evaluation of the quality of life: it consists of the doctor's offer of treatment based on the best evidence, and the patient's consent to, or refusal of, that offer. Apart from the need to obtain consent, the main ethical constraint on the doctor is equity.

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Tubali, Shai. "When the silent universe speaks. Testing Camus’ notion of the absurd in the alien encounters of "Contact" and "Arrival"". Aesthetic Investigations 3, nr 2 (22.07.2020): 327–46. http://dx.doi.org/10.58519/aesthinv.v3i2.11942.

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Albert Camus' concept of absurdity - as articulated in his works The Stranger, The Myth of Sisyphus, and The Rebel - outlines a metaphysics of inherent struggle between the human mind that strives for unity and clarity and an inhumanly silent universe. When an absurd mind realises its own inescapable frontiers of knowing, meaning, separation and mortality, Camus argues, it has the Sisyphean choice to embrace such a universe nevertheless, while forever retaining the spirit of revolt that defies it. In this essay I analyse, side by side, two first-contact films - Robert Zemeckis' Contact (1997) and Denis Villeneuve's Arrival (2016) - to test the validity of Camus' metaphysics in a universe where human estrangement seems to be disrupted by cosmic visitors. The films' thought experiments support Camus' universal vision, indirectly suggesting that even aliens are prone to absurdity. On the other hand, both films offer an approach of intimate communion with the cosmos, in light of which Camus' description of the universe as a stranger seems to demonstrate a limited perspective.

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Verhulst, Pim. "“A thing I carry about with me”". Samuel Beckett Today / Aujourd’hui 31, nr 1 (11.04.2019): 114–29. http://dx.doi.org/10.1163/18757405-03101009.

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Abstract This article discusses Sisyphus as a recurrent (philosophical) image in Samuel Beckett’s work. Starting from his prewar reading notes, it moves on to the 1940s and the radio play All That Fall (1956), which is studied in light of Albert Camus’s essays Le Mythe de Sisyphe (1942) and L’ Homme révolté (1951). By focussing on how the radio play deals with the absurd, revolt, suicide and murder, the article reads All That Fall as one of Beckett’s most critical but overlooked engagements with Camus, merging classical and modern versions of the character Sisyphus.

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Alzouabi, Lina. "Samuel Beckett’s Waiting for Godot: The Dual Motif". European Journal of Language and Culture Studies 1, nr 6 (18.11.2022): 24–30. http://dx.doi.org/10.24018/ejlang.2022.1.6.44.

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Following two world wars, the human essence was affected by pessimism and a loss of faith. As a result, new existentialist literature was produced, resulting in a new wave of absurdist fiction plays. The theatre of the absurd was first termed by Martin Esslin, whereas the term ‘absurd’ was first used by Albert Camus in his classic essay ‘The Myth of Sisyphus’. Samuel Beckett’s “Waiting for Godot,” a tragic comedy, (1952) is among the most mysterious dramas of the twentieth century that represents the philosophy of absurdism. By adopting the philosophy of theatre of the absurd in analyzing “Waiting for Godot,” this study focuses on Beckett’s employing the dual motif in the plot of the play and its implications, represented in chances that play a significant role rather than logic in the characters’ lives. As a result, the study concludes that Beckett’s use of such a technique underlines the equal opportunities in the world of the play, where chances have their effects on humans; Godot might or might not come, and the characters might leave or not: illustrating the unpredictability of the real world.

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Saleha Malik i Mr. M. Athar Tahir. "Pakistani Sisyphean Heroes in Taufiq Rafat’s Foothold". Creative Launcher 4, nr 2 (30.06.2019): 18–26. http://dx.doi.org/10.53032/tcl.2019.4.2.03.

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The protagonist of Foothold, Saleem, wanders off into the wilderness to seek faith like Buddha. He does not give up his quest as he returns home to his family and friends, and learns that faith can be found and practised amongst his community. A close reading of the text proves that Saleem bears the qualities of a Sisyphean Hero as outlined by Albert Camus. Other characters have also been subjected to a similar scrutiny to prove whether they are Sisyphean Heroes or not. Furthermore, the close reading of Foothold renders an insight into the generation of the Sixties who experienced decolonization and felt like misfits in their own environment. Saleem is acutely affected by the process of decolonization and hence, he is deeply puzzled with the institutionalized religion in Pakistan. To shape the theoretical framework of this research, The Myth of Sisyphus and Other Essays, The Stranger, and A Happy Death have been used. As there is a dearth of criticism on Foothold therefore, the interpretations for this research have been derived from Camus’ works. This research will be beneficial to those researchers who wish to study the application of Camus’ works in a postcolonial setting. Moreover, the scope of this project extends to Sufism, Mysticism, and Imagism.

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f, f. "A Study on Yan Lianke's Novel 『四書』". Society for Chinese Humanities in Korea 85 (31.12.2023): 411–29. http://dx.doi.org/10.35955/jch.2023.12.85.411.

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Yan Lianke's novel 『四書』 is set in the context of the anti-right struggle, the Great Leap Forward movement, and the Great Famine. State violence is dealt with through intellectuals who were subject to labor reform in the Wishin District along the Yellow River. On the other hand, we considered the human dignity of not being dominated by animal instincts for survival in extreme situations where violence is rampant. In the novel, the general causal relationship is collapsed, and reality and unreal appear in a mixture. This collapse and mixture is a novel device. The search for a mixture of the unreal and reality of this novel can be said to be the starting point of this article. First, in 『天的孩子』, the novel device of religion was analyzed, focusing on the character 'The Child’. Second, in 『故道』, the mixture of unreal and reality was examined through the narrative of wheat grains that grew like corn grains after eating blood centered on the character 'writer’. Third, in 『新西绪弗神话』, the 'The Myth of Sisyphus’ was analyzed focusing on the character 'the scholar’. Through fables, the Chinese people who were placed in the bond of repetition from the past to the present were considered.

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Alkhouli, Khitam. "Autobiographic Resonances in the Orks of Fadwa Tuqan". Dirasat: Human and Social Sciences 49, nr 5 (29.12.2022): 443–53. http://dx.doi.org/10.35516/hum.v49i5.3493.

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This study explores autobiographic resonances in the works of Palestinian writer and poet Fadwa Tuqan who wrote her biography in two parts: A Mountainous Journey, 1985, and the Most Difficult Journey 1993. Focusing on a range of devices that combine narrative, dialogue, and straightforward documentation, her autobiographic works merge the literary and the historic, the social and the political, with protest poetry featuring as a prominent form in her oeuvre. This study focuses on exploring the following themes: The Sisyphean aspect: Incorporating the semantics of futility of perseverance using the symbolism of the Greek myth Sisyphus entailed in her poetic works: A Mountainous Journey and the Most Difficult Journey. The Interior World: Focusing on familial oppression as well as colonialist practices and political oppression. Breaking Taboos: Subverting societal patriarchy and unleashing emotional expression are two prominent aspects of her poetry; representing her quest for liberation and ridding herself of the shackles of societal confinement in a male-chauvinistic society. By exploring these three components in Tuqan’s works, the study unveils the inner workings of the poet’s world as she quests to find intellectual enlightenment whilst confronting political and personal strife. The autobiography reflects not only her personal confinement as a female in a male-dominated society but also her confinement in an occupied nation. By combining a multitude of poetic devices, Fadwa Tuqan’s works evoke her deep and personal existential angst.

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