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Artykuły w czasopismach na temat "Musique de la Renaissance"
Kriff, Jean. "Larmes et musique d’une renaissance". Humanisme N° 341, nr 4 (13.11.2023): 112–16. http://dx.doi.org/10.3917/huma.341.0112.
Pełny tekst źródłaCampos, Rémy. "Traces d’écoutes : sur quelques tentatives historiennes de saisie du corps de la musique". Circuit 14, nr 1 (15.02.2010): 7–18. http://dx.doi.org/10.7202/902297ar.
Pełny tekst źródłaGiles, Roseen H. "The Inaudible Music of the Renaissance: From Marsilio Ficino to Robert Fludd". Renaissance and Reformation 39, nr 2 (27.07.2016): 129–66. http://dx.doi.org/10.33137/rr.v39i2.26857.
Pełny tekst źródłaAtlas (book author), Allan W., Christophe Dupraz (book translator) i Pascale Duhamel (review author). "La Musique de la Renaissance en Europe (1400-1600)". Renaissance and Reformation 37, nr 3 (5.03.2015): 269–71. http://dx.doi.org/10.33137/rr.v37i3.22466.
Pełny tekst źródłaYannou, Démètre. "Ο Ορφέας στην μουσική και στην μουσικοθεωρητική σκέψη των νεότερων χρόνων (15ος-17ος αιώνας)". Σύγκριση 11 (31.01.2017): 22. http://dx.doi.org/10.12681/comparison.10764.
Pełny tekst źródłaAlazard, Florence. "Musique médiatisée et médias musicaux dans l'Italie de la Renaissance". Le Temps des médias 22, nr 1 (2014): 12. http://dx.doi.org/10.3917/tdm.022.0012.
Pełny tekst źródłaTuksar, Stanislav. "Musique et politique a Dubrovnik a l'epoque de la Renaissance". International Review of the Aesthetics and Sociology of Music 25, nr 1/2 (czerwiec 1994): 191. http://dx.doi.org/10.2307/836943.
Pełny tekst źródłaCouderc, Gilles. "Sociétés chorales et Renaissance de la musique anglaise, 1840-1910". Cahiers victoriens et édouardiens, nr 71 Printemps (18.06.2010): 403–18. http://dx.doi.org/10.4000/cve.3098.
Pełny tekst źródłaGuinle, Francis. "Aspects rhétoriques de la musique vocale anglaise de la Renaissance". Anglophonia/Caliban 11, nr 1 (2002): 29–34. http://dx.doi.org/10.3406/calib.2002.1437.
Pełny tekst źródłaBardelmann, Claire. "Une anatomie du désordre : métaphores musicales du corps dans le théâtre élisabéthain". Moreana 43 & 44 (Number, nr 4 & 1-2 (marzec 2007): 132–49. http://dx.doi.org/10.3366/more.2007.43-44.4_1-2.8.
Pełny tekst źródłaRozprawy doktorskie na temat "Musique de la Renaissance"
Delon, Stéphanie Marie. "Les Traités de musique français à la Renaissance : sources, influences européennes". Tours, 2005. http://www.theses.fr/2005TOUR2013.
Pełny tekst źródłaThis doctoral thesis is looking into French academic works often considered as secondary. Through identifying and classifying French works, as well as setting them in the broader context of European musical theory, the author describes a corpus that has often been ignored and documents various influences from the Renaissance period in Europe. Studying the corpuses of each country contributed to a better apprehension of this thesis' main object: French treatises. Cross-study comparison of sources revealed links between some treatises of different countries. Has French music theory been influenced by foreign sources, or has it had an influence outside its borders? Through the description of the corpus and its sources, this thesis gives a fresh look on French music treatises
Rosenstock, Raymond Hugh. "Jean Maillard (Fl.1538-1572) : French Renaissance composer /". Ann Arbor : UMI, 2000. http://catalogue.bnf.fr/ark:/12148/cb37059830p.
Pełny tekst źródłaCatalogue raisonné des oeuvres de J. Maillard p. 169-203. Réunit la musique de messes, motets et autres oeuvres vocales sacrées p. 204-281. Bibliogr. p. 289-309.
Delouvé, Fabien. "L'Ethos musical de l'Antiquité à la Renaissance : genèse, développements et mutations d'une notion". Paris 8, 2009. http://www.theses.fr/2009PA083268.
Pełny tekst źródłaIf there is one recurring notion in early textual tradition, it is, to be sure, that of ethos, which is closely associated with music. This notion, whose origins are very ancient, was not only widely passed down and developed throughout Antiquity, for example in Plato's Republic, but also throughout the entire Middle Ages, by the transmission of the Greek tradition of knowledge, and indeed it gained in importance during the Renaissance. The aim of this thesis is to trace exhaustively the history of the notion of ethos, inasmuch as a thorough study on ethos has never before been undertaken ; this research is therefore by definition an interdisciplinary survey. The terminus ad quem of this study is the early 17th century, time-frame in which comparisons between the different compositional practices will allow us to determine whether or not the late Renaissance composers took into account the musical ethos as a precompositional element
Cherry, Randall. "Mythologie de la voix noire : Ethel Waters et la renaissance de Harlem". Paris 7, 2002. http://www.theses.fr/2002PA070064.
Pełny tekst źródłaThe study adresses the manner in which the African-American singer, Ethel Waters (1896-1977), forged a remarkable career against the backdrop of the cultural movement known as the Harlem Renaissance. This period, running from 1920 to 1935, was marked by the flowering of a blues vogue, which helped spark her career as a star recording artist on the Black Swan label. Although the singer was idolized by her black working class audiences, many black intellectuals and leaders who spearheaded the Harlem Renaissance movement dismissed Waters' musical output. This study is intended to remedy such neglect and incomprehension by giving her music pride of place. The underlying analysis is based on personal interviews with singers and musicologists, as well as the singer's own autobiography, the memoirs of contemporary musicians, and articles from black newspapers of the time. This material is intended to help gauge the true dimensions of Waters' legend as a Blues Queen, in the face o the black elite's total disregard of her. After tracing the rise of Ethel Waters is today all but forgotten, this study advances two hypotheses to explain her obscurity, namely : critics who, basing their own views on unstable definitions of musical genres, have been unable to suitably categorize Waters ; and the persistence of a ceratin resentment on the part of Black American critics who insist that Ethel Waters had somehow been a "traitor" to the black cause, having taken on a "white" stage personality and having sold out the name of mainstream success. This study concludes that the dissipation of Ethel Waters's legend is due to not only to the unavailability of her music (which long remained unavailable) but also to the propagation of disparaging myths
Bardelmann, Claire. "Musique et théâtre en Angleterre, c. 1580-1642 : une convergence des arts à la Renaissance". Paris 4, 2000. http://www.theses.fr/2000PA040187.
Pełny tekst źródłaBlažekovič, Zdravko. "Music in Medieval and Renaissance astrological imagery /". Ann Arbor (Mich.) : UMI, 2006. http://catalogue.bnf.fr/ark:/12148/cb400633724.
Pełny tekst źródłaFerreira, Marcello Martiniano. "Ferruccio Vignanelli : ou la Renaissance du clavecin en Italie au XXe siècle". Paris 4, 2002. http://www.theses.fr/2001PA040224.
Pełny tekst źródłaThe thesis analyses the musical teachings of Ferruccio Vignanelli (1903-1988), the Italian organist and harpsichor6dist. Torchi in 1897 and Longo in 1906 were pioneers in the edition of ancient Italian music, Vignanelli proved to be a pioneer as well, but in the mastery of the execution. .
Audubert, Louise. "Musique et musiciens à la cour de Charles Quint : étude socio-culturelle". Thesis, Paris 4, 2014. http://www.theses.fr/2014PA040222.
Pełny tekst źródłaA study of the abundant archives of the court of Charles V (1500-1556) gives an account of the musical activities financed by this prince of the Renaissance, both Burgundy by his father and Spanish by his mother, during a troubled and violent period marked by the fall of the inheritage of the Dukes of Burgundy into the imperial orbit Habsburg on the throne of Spain. The first part of this study describes the historical and musical context of the Carolingian reign, as well as cultural and institutional legacy of previous reigns, and attempts to define the musical taste of the Emperor. With these clarifications, the second part specifies the court’s musical life, focussing on the palatal activities, events rites of royalty and political meetings. Finally, an history of institutional functioning of this musical life provides a glimpse of the relationships that illustrious singers and composers of the Chapel or instrumentalists of the Stable and the Chamber had with their patron. The whole is completed by a prosopographical dictionary devoted to a few of the four hundred musicians of the court mentioned in the documentation, witch is either summarized or or edited in the annexes and transcriptions of the second volume
Diego, Pacheco Cristina. "Un nouvel apport à l'étude de la musique espagnole de la Renaissance : le manuscrit 5 de la cathédrale de Valladolid et son contexte". Paris 4, 2005. http://www.theses.fr/2005PA040088.
Pełny tekst źródłaThis PhD examines Renaissance music by way of the analysis of a sacred polyphonic manuscript taken in its particular context. Conserved at Valladolid Cathedral, Spain, Manuscript 5 can be defined as a work possessing much explicit and implicit content which is the product of a precise historical period and its artistic specificities. It thereby required researching through the filter of musical life in 16th century Valladolid and of its cathedral, an analysis of the manuscript itself (physical and liturgical characteristics, musical style, etc. ), and a broader look at its composers and works. These works, whose transcriptions are proposed in a second volume, have been accompanied by thoughts on their artistic value and some of the traditions surrounding their performance. This in-depth study of Manuscript 5 offers a new vision of a Renaissance music which cannot be considered as uniquely Spanish, but which must be placed in its fully European context
Cooper, Jeffrey Hawley. "A renaissance in the nineteenth-century : the rise of French instrumental music and Parisian concert societies : 1828-1871 /". Ann Arbor : UMI, 2000. http://catalogue.bnf.fr/ark:/12148/cb37059845q.
Pełny tekst źródłaKsiążki na temat "Musique de la Renaissance"
Poésie et musique à la Renaissance. Paris: PUPS, 2015.
Znajdź pełny tekst źródłaSaulnier, Centre V. L., red. Musique et humanisme à la Renaissance. Paris: Presses de l'Ecole normale supérieure, 1993.
Znajdź pełny tekst źródłaGuide de la musique de la renaissance. Paris: Fayard, 2011.
Znajdź pełny tekst źródłaVendrix, Philippe. Vocabulaire de la musique de la Renaissance. [Paris]: Minerve, 1994.
Znajdź pełny tekst źródłaVocabulaire de la musique de la Renaissance. Wyd. 2. [Paris]: Minerve, 2016.
Znajdź pełny tekst źródłaColloque de Nancy (2013 : Nancy, France), red. Musique de la Renaissance, renaissance de la musique en Lorraine: Actes du Colloque de Nancy, 21 septembre 2013. [Nancy]: Ferraton, 2013.
Znajdź pełny tekst źródłaRenaissance, Centre d'études supérieures de la. La Renaissance et sa musique au XIXe siècle. Paris: Klincksieck, 2000.
Znajdź pełny tekst źródłaPhilippe, Vendrix, red. La Renaissance et sa musique au XIXe siècle. [Paris]: Klincksieck, 2000.
Znajdź pełny tekst źródłaWanda Landowska et la renaissance de la musique ancienne. [Arles]: Actes sud, 2011.
Znajdź pełny tekst źródła1943-, Viret Jacques, red. Regards sur la musique vocale de la Renaissance italienne. [Strasbourg]: Presses universitaires de Strasbourg, 1992.
Znajdź pełny tekst źródłaCzęści książek na temat "Musique de la Renaissance"
Wuidar, Laurence. "Images religieuses en musique de la Renaissance à Bach et au baroque italien". W Imago Figurata. Studies, 441–54. Turnhout: Brepols Publishers, 2007. http://dx.doi.org/10.1484/m.ifstu-eb.4.2017029.
Pełny tekst źródłaVan Wymeersch, Brigitte. "Proportion, harmonie et beauté chez Mersenne. Entre lecture analogique et lecture physico-mathématique de la musique". W Études Renaissantes, 261–74. Turnhout: Brepols Publishers, 2012. http://dx.doi.org/10.1484/m.er-eb.4.00277.
Pełny tekst źródłaSchlumpf, Erin. "Notre musique". W A Companion to Jean-Luc Godard, 514–26. Oxford, UK: John Wiley & Sons, Ltd, 2014. http://dx.doi.org/10.1002/9781118586815.ch32.
Pełny tekst źródłaVaccaro, Jean-Michel. "La musique". W Comparative History of Literatures in European Languages, 325. Budapest: Akadémiai Kiadó, 1988. http://dx.doi.org/10.1075/chlel.vii.35vac.
Pełny tekst źródłaCavicchi, Camilla. "D'alcune musiche sul tema d'Amore e Psiche nel Cinquecento". W Études Renaissantes, 159–78. Turnhout: Brepols Publishers, 2013. http://dx.doi.org/10.1484/m.er-eb.4.00032.
Pełny tekst źródłaMagnus, Cristyn. "Evolutionary Musique Concrète". W Lecture Notes in Computer Science, 688–95. Berlin, Heidelberg: Springer Berlin Heidelberg, 2006. http://dx.doi.org/10.1007/11732242_65.
Pełny tekst źródła"LA MUSIQUE DES SISTRES". W La renaissance de Dendara, 103–6. Peeters Publishers, 2020. http://dx.doi.org/10.2307/j.ctv1q26j6w.30.
Pełny tekst źródłaBuffard-Moret, Brigitte. "Sara la baigneuse ou les avatars d’une chanson poétique de la Renaissance". W Poésie, musique et chanson, 85–101. Artois Presses Université, 2009. http://dx.doi.org/10.4000/books.apu.12778.
Pełny tekst źródłaMalhomme, Florence. "La musique dans le commentaire au De Architectura de C. Cesariano (1521)". W Commenter et philosopher à la Renaissance, 189–207. Presses universitaires du Septentrion, 2014. http://dx.doi.org/10.4000/books.septentrion.5963.
Pełny tekst źródłaPowell, John S. "The Dramatic Pastorale and Pastorale en Musique". W Music and Theatre in France 1600–1680, 160–225. Oxford University PressOxford, 2000. http://dx.doi.org/10.1093/oso/9780198165996.003.0004.
Pełny tekst źródłaStreszczenia konferencji na temat "Musique de la Renaissance"
Morris, Simon. "Musique concrete". W the 7th international conference. New York, New York, USA: ACM Press, 2007. http://dx.doi.org/10.1145/1279740.1279849.
Pełny tekst źródłaLetondal, Catherine, Wendy E. Mackay i Nicolas Donin. "Paperoles et musique". W the 19th International Conference of the Association Francophone d'Interaction Homme-Machine. New York, New York, USA: ACM Press, 2007. http://dx.doi.org/10.1145/1541436.1541469.
Pełny tekst źródłaStrachan, Steven, Benjamin Mazoin i Agnes Gimeno. "Pot à musique". W the 28th of the international conference extended abstracts. New York, New York, USA: ACM Press, 2010. http://dx.doi.org/10.1145/1753846.1753977.
Pełny tekst źródłaLocatelli, Aude. "Littérature et jazz". W Littérature et musique. Fabula, 2010. http://dx.doi.org/10.58282/colloques.1285.
Pełny tekst źródłaLafouge, Marion. "Un champ d’étude… baroque". W Littérature et musique. Fabula, 2010. http://dx.doi.org/10.58282/colloques.1238.
Pełny tekst źródłaGribenski, Michel. "Prosodie et poésie : sélection bibliographique". W Littérature et musique. Fabula, 2010. http://dx.doi.org/10.58282/colloques.1257.
Pełny tekst źródłaFroidefond, Marik. "Commentaires sur la place des études de prosodie poético-musicale dans la recherche musico-littéraire". W Littérature et musique. Fabula, 2010. http://dx.doi.org/10.58282/colloques.1258.
Pełny tekst źródłaHarmat, Andrée-Marie. "Formes musicales et formes littéraires. Réflexions sur le dispositif esthétique musical au service de la représentation littéraire". W Littérature et musique. Fabula, 2010. http://dx.doi.org/10.58282/colloques.1267.
Pełny tekst źródłaSanturenne, Thierry. "Imaginaire musical : repères et perspectives". W Littérature et musique. Fabula, 2010. http://dx.doi.org/10.58282/colloques.1277.
Pełny tekst źródłaFerrari, Giordano. "La recherche sur l’opéra contemporain". W Littérature et musique. Fabula, 2010. http://dx.doi.org/10.58282/colloques.1243.
Pełny tekst źródłaRaporty organizacyjne na temat "Musique de la Renaissance"
Collett, Brad, i Jessica Taylor. Renaissance Park. Landscape Architecture Foundation, 2014. http://dx.doi.org/10.31353/cs0660.
Pełny tekst źródłaBjornstad, Lori. English Renaissance Humanist Education. Portland State University Library, styczeń 2000. http://dx.doi.org/10.15760/etd.2496.
Pełny tekst źródłaZorich, Jonathan. Alexander VI: Renaissance Pope. Portland State University Library, styczeń 2000. http://dx.doi.org/10.15760/etd.7089.
Pełny tekst źródłaRudolph, D. L. A renaissance in regional hydrogeology. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 2019. http://dx.doi.org/10.4095/313599.
Pełny tekst źródłaWood, Thomas W., Wayne L. Johnson i Brian M. Parker. Economic Globalization and a Nuclear Renaissance. Office of Scientific and Technical Information (OSTI), październik 2001. http://dx.doi.org/10.2172/787968.
Pełny tekst źródłaChriste, Karl O. A Renaissance in Noble-Gas Chemistry. Fort Belvoir, VA: Defense Technical Information Center, luty 2001. http://dx.doi.org/10.21236/ada410904.
Pełny tekst źródłaWood, Thomas W., Wayne L. Johnson i Brian M. Parker. Economic Globalization and a Nuclear Renaissance. Office of Scientific and Technical Information (OSTI), październik 2001. http://dx.doi.org/10.2172/965745.
Pełny tekst źródłaSmith, III, i Daniel W. Airship Renaissance: Considerations for Operational Warfare. Fort Belvoir, VA: Defense Technical Information Center, maj 2010. http://dx.doi.org/10.21236/ada525124.
Pełny tekst źródłaOlson, Jon R. Theater Intelligence Training Needs a Renaissance. Fort Belvoir, VA: Defense Technical Information Center, luty 2004. http://dx.doi.org/10.21236/ada422699.
Pełny tekst źródłaBasu, Sayani. The Science of the Psychedelic Renaissance. Science Repository OÜ, maj 2021. http://dx.doi.org/10.31487/sr.blog.33.
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