Gotowa bibliografia na temat „Musicals”
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Artykuły w czasopismach na temat "Musicals"
Greenspan, Charlotte. "Death Comes to the Broadway Musical". Daedalus 141, nr 1 (styczeń 2012): 154–59. http://dx.doi.org/10.1162/daed_a_00137.
Pełny tekst źródłaHodge, Matthew. "21st-Century Broadway Musicals and the ‘Best Musical’ Tony Award: Trends and Impact". Arts 9, nr 2 (10.05.2020): 58. http://dx.doi.org/10.3390/arts9020058.
Pełny tekst źródłaBoffone, Trevor. "From Heathers to Six: Stealth musicals and the TikTok Broadway archive". Studies in Musical Theatre 15, nr 3 (1.12.2021): 175–89. http://dx.doi.org/10.1386/smt_00070_1.
Pełny tekst źródłaMellers, Wilfrid. "Platform: Are Musicals Musical?" Musical Times 132, nr 1782 (sierpień 1991): 380. http://dx.doi.org/10.2307/965879.
Pełny tekst źródłaZagozdzon, Agnieszka. "Backstage am Broadway: das Filmmusical 42ND STREET (USA 1933, Lloyd Bacon) zwischen musikpraktischem Realismus und choreografischen Fantasien". Kieler Beiträge zur Filmmusikforschung 14 (3.07.2023): 72–89. http://dx.doi.org/10.59056/kbzf.2019.14.p72-89.
Pełny tekst źródłaJiang, Xiaomeng, i Yiyan Shao. "Rock Elements in The Creation of French Musicals". International Journal of Education and Humanities 4, nr 2 (6.09.2022): 69–71. http://dx.doi.org/10.54097/ijeh.v4i2.1508.
Pełny tekst źródłaDuan, Shuyu, Youlin Li i Ruiyan Wang. "Analyzing the Development Prospects of Song and Dance Drama Art and Integrated Media from The Greatest Showman". Communications in Humanities Research 14, nr 1 (20.11.2023): 314–21. http://dx.doi.org/10.54254/2753-7064/14/20230510.
Pełny tekst źródłaCherry, James M. "The Musical of Musicals (The Musical!) (review)". Theatre Journal 56, nr 4 (2004): 705–6. http://dx.doi.org/10.1353/tj.2004.0156.
Pełny tekst źródłaYang, Wenjing. "On the Translation of English Musical Songs from the Perspective of Skopos Theory". Studies in English Language Teaching 12, nr 2 (2.06.2024): p190. http://dx.doi.org/10.22158/selt.v12n2p190.
Pełny tekst źródłaLundy, Ben. "Fifty Key Stage Musicals". Musical Theatre Educators Alliance Journal 5, nr 2024 (1.01.2024): 116–17. http://dx.doi.org/10.62392/kwet5572.
Pełny tekst źródłaRozprawy doktorskie na temat "Musicals"
Bradford, Joshua. "Clockwork plums". Thesis, connect to online resource, 2004. http://www.unt.edu/theses/open/20041/bradford%5Fjoshua/index.htm.
Pełny tekst źródłaMusical, for 5 vocalists, flute/tenor sax, clarinet/baritone sax, violin, cello, piano, electric keyboard, electric guitar, electric bass, drum set, and percussion. Based on a story by Joshua Forehand (pseudonym of Bradford), with additional lyrics by Joshua Bradford. Includes analysis by composer (p. 1-37). Includes bibliographical references (p. 36-37).
Chan, Tracy. "The development of musicals in Hong Kong /". Hong Kong : University of Hong Kong, 1999. http://sunzi.lib.hku.hk/hkuto/record.jsp?B21021491.
Pełny tekst źródłaKlund, Heather A. "Music, lyrics, and plot synopsis for Redemption, a musical on the book of Ruth". Online full text .pdf document, available to Fuller patrons only, 2004. http://www.tren.com.
Pełny tekst źródłaAxtell, Katherine Leigh. "Maiden voyage : the genesis and reception of Show boat, 1926-1932 /". Digitized version, 2009. http://hdl.handle.net/1802/10968.
Pełny tekst źródłaIncludes abstract and vita. Includes bibliographical references. Digitized version available online via the Sibley Music Library, Eastman School of Music http://hdl.handle.net/1802/10968
Replogle, Holley Dawn. "Crossover and spectacle in American operetta and the megamusical". Diss., Restricted to subscribing institutions, 2009. http://proquest.umi.com/pqdweb?did=1914357521&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.
Pełny tekst źródłaMcCracken, Chelsea. "Contradiction in the tragic musical /". Connect to online version, 2009. http://ada.mtholyoke.edu/setr/websrc/pdfs/www/2009/372.pdf.
Pełny tekst źródłaFisher, Andrew M. S. "Composition folio : musicals vols. I-IV". Thesis, University of Southampton, 2003. https://eprints.soton.ac.uk/50601/.
Pełny tekst źródłaMalone, Travis B. "Crafting Utopia and Dystopia: Film Musicals 1970-2002". Connect to this title online, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1162486037.
Pełny tekst źródłaWellborn, Brecken. "Musicals and the Margins: African-Americans, Women, and Queerness in the 21st Century American Musical". Thesis, University of North Texas, 2018. https://digital.library.unt.edu/ark:/67531/metadc1404583/.
Pełny tekst źródłaEsteve, Marull Vanessa. "Representacions musicals en la pintura catalana dels segles XVII i XVIII". Doctoral thesis, Universitat Autònoma de Barcelona, 2016. http://hdl.handle.net/10803/387422.
Pełny tekst źródłaThe principal aim of this doctoral thesis is to carry out an iconographic study of different Catalan paintings, sculptures and prints from the seventeenth and eighteenth centuries that have music as performance as their primary or secondary theme. A description of the socio-cultural context influencing these iconographic programmes is made following analysis of documentary sources which talk about music. This is a new historiographical analysis which reflects on musical iconography as a discipline and, for the first time, allows the context of the age which these works represent and the intentions of their artists and patrons to be addressed. Around sixty images have been used for the description which reconstructs the role of music in different situations and social contexts. It is divided into two parts: the first refers to the iconographical-musical images with religious content. The musical angels of the Baroque period found on some Catalan altarpieces, representations of saints with musical attributes and original and unique representations from the Escolania de Montserrat are studied in this section. The second part of the thesis is dedicated to the images promoted by the monarchy, the nobility and the bourgeoisie. The main themes in which music and art have become activities of leisure and entertainment are studied. In other words, the creative sketches and drawings with genre scenes such as allegorical images commemorating political power. For the first time a reading is made of these iconographic programmes, with a special focus on the symbology, organology and the artistic trends circulating around Catalonia during those centuries. This has led to a parallel description of some of the historic events in Catalonia, such as the arrival in Barcelona of Archduke Charles of Austria, the visit by Charles III and the first performances of Catalan operatic works. This doctoral thesis is therefore a complement to the historical and musicological studies that have been carried out to date and a new documentary source to illustrate and understand the role of music in Catalan society.
Książki na temat "Musicals"
Joanne, Bogart, red. The musical of musicals: The musical! New York: Samuel French, 2005.
Znajdź pełny tekst źródłaKennedy, Michael Patrick. Musicals. London: Harper Collins, 1997.
Znajdź pełny tekst źródłaAbout musicals. Lincolnwood (Chicago), Ill: NTC Pub. Group, 1998.
Znajdź pełny tekst źródłaWildbihler, Hubert. Musicals! Musicals!: Ein internationaler Führer zu 850 Musicals und 3000 Tonträgern. Passau, Germany: Musicalarchiv Wildbihler, 1992.
Znajdź pełny tekst źródłaJohn, Muir, red. Collins musicals. Glasgow: HarperCollins, 1997.
Znajdź pełny tekst źródłaKoerner, Julie. Hollywood musicals. New York: Friedman/Fairfax, 1993.
Znajdź pełny tekst źródłaCohan, Steven. Hollywood Musicals. London ; New York : Routledge, 2019. | Series: Routledge film guidebooks: Routledge, 2019. http://dx.doi.org/10.4324/9781351018746.
Pełny tekst źródłaHollywood musicals. New York: Friedman/Fairfax, 1998.
Znajdź pełny tekst źródłaStaskowski, Andréa. Movie musicals. Minneapolis: Lerner Publications, 1992.
Znajdź pełny tekst źródłaKoerner, Julie. Hollywood musicals. New York: Friedman/Fairfax, 1997.
Znajdź pełny tekst źródłaCzęści książek na temat "Musicals"
Cohan, Steven. "Analyzing musicals". W Hollywood Musicals, 67–107. London ; New York : Routledge, 2019. | Series: Routledge film guidebooks: Routledge, 2019. http://dx.doi.org/10.4324/9781351018746-3.
Pełny tekst źródłaSeife, Ethan de. "Cult musicals". W The Routledge Companion to Cult Cinema, 297–306. London; New York: Routledge, 2020.: Routledge, 2019. http://dx.doi.org/10.4324/9781315668819-37.
Pełny tekst źródłaNovick, Julius. "The Musicals". W Beyond the Golden Door, 87–96. New York: Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230611832_8.
Pełny tekst źródłaRichardson, Niall, i Frances Smith. "Film Musicals". W Trans Representations in Contemporary, Popular Cinema, 19–42. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003039426-2.
Pełny tekst źródłaLoar, Josh. "Theater—Musicals". W The Sound System Design Primer, 407–16. New York, NY : Routledge, 2019.: Routledge, 2019. http://dx.doi.org/10.4324/9781315196817-43.
Pełny tekst źródłaCohan, Steven. "Defining the musical". W Hollywood Musicals, 1–25. London ; New York : Routledge, 2019. | Series: Routledge film guidebooks: Routledge, 2019. http://dx.doi.org/10.4324/9781351018746-1.
Pełny tekst źródłaCohan, Steven. "A brief account of the long history of the Hollywood musical". W Hollywood Musicals, 26–66. London ; New York : Routledge, 2019. | Series: Routledge film guidebooks: Routledge, 2019. http://dx.doi.org/10.4324/9781351018746-2.
Pełny tekst źródłaCohan, Steven. "Stars of the classic musical". W Hollywood Musicals, 108–55. London ; New York : Routledge, 2019. | Series: Routledge film guidebooks: Routledge, 2019. http://dx.doi.org/10.4324/9781351018746-4.
Pełny tekst źródłaCohan, Steven. "Five auteur directors". W Hollywood Musicals, 156–202. London ; New York : Routledge, 2019. | Series: Routledge film guidebooks: Routledge, 2019. http://dx.doi.org/10.4324/9781351018746-5.
Pełny tekst źródłaCohan, Steven. "Epilogue". W Hollywood Musicals, 203–8. London ; New York : Routledge, 2019. | Series: Routledge film guidebooks: Routledge, 2019. http://dx.doi.org/10.4324/9781351018746-6.
Pełny tekst źródłaStreszczenia konferencji na temat "Musicals"
Doudpota, Sher Muhammad, i Sumanta Guha. "Automatic actors detection in musicals". W 2012 Seventh International Conference on Digital Information Management (ICDIM). IEEE, 2012. http://dx.doi.org/10.1109/icdim.2012.6360136.
Pełny tekst źródłaActon, Lauren. "Entertainment tourism: Musicals at the Stratford Festival in Canada". W Situating Popular Musics, redaktorzy Ed Montano i Carlo Nardi. International Association for the Study of Popular Music, 2012. http://dx.doi.org/10.5429/2225-0301.2011.01.
Pełny tekst źródłaJin, Li. "A Three-dimensional Framework of Acculturation in translation of Musicals". W Proceedings of the 2018 4th International Conference on Social Science and Higher Education (ICSSHE 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/icsshe-18.2018.22.
Pełny tekst źródłaChen, Zhitong. "Challenges and Opportunities: Musicals in China in the Era of Covid-19 Pandemic". W The Asian Conference on Cultural Studies 2022. The International Academic Forum(IAFOR), 2022. http://dx.doi.org/10.22492/issn.2187-4751.2022.8.
Pełny tekst źródłaShin, Sa-Bin, i Woo-Chang Lee. "Significance of Production of and Characteristics of Performance of Yeonwoo Stage’s Original Musicals". W Art, Culture, Game, Graphics, Broadcasting and Digital Contents 2015. Science & Engineering Research Support soCiety, 2015. http://dx.doi.org/10.14257/astl.2015.113.27.
Pełny tekst źródłaPapatheodorou, Theodoros, i Jessica Wolpert. "Lights! Dance! Freeze!: An interactive installation for exploring dance-musicals using embodied search". W VINCI 2023: The 16th International Symposium on Visual Information Communication and Interaction. New York, NY, USA: ACM, 2023. http://dx.doi.org/10.1145/3615522.3615567.
Pełny tekst źródłaKURNIATI, Erisa. "Teaching Literature: Musicals' Application in Understanding the Poem for Students in High School". W Sixth International Conference on Languages and Arts (ICLA 2017). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/icla-17.2018.71.
Pełny tekst źródłaKoch, Renate. "Marcel Prawy und das erste Broadway-Musical im Österreich der Nachkriegszeit". W Jahrestagung der Gesellschaft für Musikforschung 2019. Paderborn und Detmold. Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020. http://dx.doi.org/10.25366/2020.57.
Pełny tekst źródłaSilva, Gisele Bernardes da, i Ronaldo dos Santos Mello. "Uma Análise de Soluções para Busca de Dados Musicais". W Escola Regional de Banco de Dados. Sociedade Brasileira de Computação - SBC, 2022. http://dx.doi.org/10.5753/erbd.2022.223522.
Pełny tekst źródłaSilva, Douglas, Lucas Zampar, Felipe Rodrigues i Cláudio Gomes. "Modelo automático de classificação de gêneros musicais amazônicos". W Simpósio Brasileiro de Computação Musical. Sociedade Brasileira de Computação - SBC, 2021. http://dx.doi.org/10.5753/sbcm.2021.19453.
Pełny tekst źródłaRaporty organizacyjne na temat "Musicals"
Cai, Wenjie, i Hwan-Ching Tai. String Theories: Chemical Secrets of Italian Violins and Chinese Guqins. AsiaChem Magazine, listopad 2020. http://dx.doi.org/10.51167/acm00006.
Pełny tekst źródłaOrning, Tanja. Professional identities in progress – developing personal artistic trajectories. Norges Musikkhøgskole, sierpień 2018. http://dx.doi.org/10.22501/nmh-ar.544616.
Pełny tekst źródłaGentry, Jonathan. Memory and hypnotism in Wagner's musical discourse. Portland State University Library, styczeń 2000. http://dx.doi.org/10.15760/etd.5544.
Pełny tekst źródłaIslam, Wajid, i Hafsa Hina. Electoral musical chairs makes a mockery of democracy. Redaktor Reece Hooker. Monash University, luty 2024. http://dx.doi.org/10.54377/3e57-0d1f.
Pełny tekst źródłaOsorio, John. Noted: Musical affordances for collective exploratory music-making. Ames (Iowa): Iowa State University, styczeń 2019. http://dx.doi.org/10.31274/cc-20240624-1067.
Pełny tekst źródłaManhiça, Anésio, Alex Shankland, Kátia Taela, Euclides Gonçalves, Catija Maivasse i Mariz Tadros. Alternative Expressions of Citizen Voices: The Protest Song and Popular Engagements with the Mozambican State. Institute of Development Studies (IDS), listopad 2020. http://dx.doi.org/10.19088/ids.2020.001.
Pełny tekst źródłaCreswell, Megan. A Study Comparing Musical Abilities of Stutterers and Nonstutterers. Portland State University Library, styczeń 2000. http://dx.doi.org/10.15760/etd.7123.
Pełny tekst źródłaPedro, Mombiedro Sandoval. ATLAS. De musica spirituali. Ediciones de la Universidad de Castilla-La Mancha, grudzień 2021. http://dx.doi.org/10.18239/caleidoscopio_2021.18.01.
Pełny tekst źródłaBanducci, Naomi. Teaching hearing-impaired children language through the use of musical rhythm. Portland State University Library, styczeń 2000. http://dx.doi.org/10.15760/etd.1281.
Pełny tekst źródłaFrojdh, P., U. Lindgren i M. Westerlund. Media Type Registrations for Downloadable Sounds for Musical Instrument Digital Interface (MIDI). RFC Editor, wrzesień 2006. http://dx.doi.org/10.17487/rfc4613.
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