Gotowa bibliografia na temat „Musical pitch”
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Artykuły w czasopismach na temat "Musical pitch"
Bispham, John C. "Music's “design features”: Musical motivation, musical pulse, and musical pitch". Musicae Scientiae 13, nr 2_suppl (wrzesień 2009): 41–61. http://dx.doi.org/10.1177/1029864909013002041.
Pełny tekst źródłaMiyazaki, Ken’ichi. "Musical pitch identification by absolute pitch possessors". Perception & Psychophysics 44, nr 6 (listopad 1988): 501–12. http://dx.doi.org/10.3758/bf03207484.
Pełny tekst źródłaMiyazaki, Ken'ichi. "Perception of Musical Intervals by Absolute Pitch Possessors". Music Perception 9, nr 4 (1992): 413–26. http://dx.doi.org/10.2307/40285562.
Pełny tekst źródłaDeutsch, Diana. "Paradoxes of Musical Pitch". Scientific American 267, nr 2 (sierpień 1992): 88–95. http://dx.doi.org/10.1038/scientificamerican0892-88.
Pełny tekst źródłaBurns, Edward M. "Perception of musical pitch". Journal of the Acoustical Society of America 101, nr 5 (maj 1997): 3172. http://dx.doi.org/10.1121/1.419195.
Pełny tekst źródłaTamir-Ostrover, Hila, i Zohar Eitan. "Higher is Faster". Music Perception 33, nr 2 (1.12.2015): 179–98. http://dx.doi.org/10.1525/mp.2015.33.2.179.
Pełny tekst źródłaMiyazaki, Ken'ichi. "Absolute Pitch as an Inability: Identification of Musical Intervals in a Tonal Context". Music Perception 11, nr 1 (1993): 55–71. http://dx.doi.org/10.2307/40285599.
Pełny tekst źródłaAruffo, Christopher, Robert L. Goldstone i David J. D. Earn. "Absolute Judgment of Musical Interval Width". Music Perception 32, nr 2 (1.12.2014): 186–200. http://dx.doi.org/10.1525/mp.2014.32.2.186.
Pełny tekst źródłaCreel, Sarah C., Reina Mizrahi, Alicia G. Escobedo, Li Zhao i Gail D. Heyman. "No Heightened Musical Pitch Weighting For Tone Language Speakers in Early Childhood". Music Perception 40, nr 3 (1.02.2023): 193–201. http://dx.doi.org/10.1525/mp.2023.40.3.193.
Pełny tekst źródłaRepp, Bruno H., i Carol L. Krumhansl. "Cognitive Foundations of Musical Pitch". American Journal of Psychology 104, nr 4 (1991): 612. http://dx.doi.org/10.2307/1422945.
Pełny tekst źródłaRozprawy doktorskie na temat "Musical pitch"
Mate-Cid, Saul. "Vibrotactile perception of musical pitch". Thesis, University of Liverpool, 2013. http://livrepository.liverpool.ac.uk/16013/.
Pełny tekst źródłaCross, Ian. "The cognitive organisation of musical pitch". Thesis, City University London, 1989. http://openaccess.city.ac.uk/7663/.
Pełny tekst źródłaDescombes, Valérie. "Discrimination of pitch direction : a developmental study". Thesis, McGill University, 1999. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=30159.
Pełny tekst źródłaThe main study involved two experiments; Experiment 1 examined children's ability to identify pitch direction using a visual aid; Experiment 2 examined children's spontaneous notations of the same melodic contours.
The results showed a subsequent increase in mean scores from grades 1 to 6 across both tests. The clearest increase in ability occurred within the first three grades with a plateau reached by grade four. Same-pitch patterns received the highest overall means. The ability to identify direction using a visual aid was easier for children than to write spontaneous notations. Melodic contours with larger intervals were more easily perceived.
Kim, Jung-Kyong. "Effect of degraded pitch cues on melody recognition". Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=19681.
Pełny tekst źródłaKim, Jinho. "Automatic Pitch Detection and Shifting of Musical Tones in Real Time". Thesis, Boston College, 2013. http://hdl.handle.net/2345/3057.
Pełny tekst źródłaMusical notes are acoustic stimuli with specific properties that trigger a psychological perception of pitch. Pitch is directly associated with the fundamental frequency of a sound wave, which is typically the lowest frequency of a periodic waveform. Shifting the perceived pitch of a sound wave is most easily done by changing the playback speed, but this method warps some of the characteristics and changes the time scale. This thesis aims to accurately shift the pitch of musical notes while preserving its other characteristics, and it implements this in real time on an Android device. There are various methods of detecting and shifting pitch, but in the interests of simplicity, accuracy, and speed, a three step process is used. First, the fundamental pitch of a stable periodic section of the signal is found using the Yin pitch detection algorithm. Secondly, pitch marks that represent the local peak of energy are found, each spaced out by roughly one period (inverse of the fundamental frequency). Lastly, these marks are used in the Pitch Synchronous Overlap and Add (PSOLA) algorithm to generate a new signal with the desired fundamental frequency and similar acoustical characteristics to the original signal
Thesis (BS) — Boston College, 2013
Submitted to: Boston College. College of Arts and Sciences
Discipline: Computer Science Honors Program
Discipline: Computer Science
McLeod, Philip, i n/a. "Fast, accurate pitch detection tools for music analysis". University of Otago. Department of Computer Science, 2009. http://adt.otago.ac.nz./public/adt-NZDU20090220.090438.
Pełny tekst źródłaHo, Kit-chun. "Development of pitch discrimination in preschool children". Hong Kong : University of Hong Kong, 1990. http://sunzi.lib.hku.hk/hkuto/record.jsp?B18035723.
Pełny tekst źródłaLamont, Alexandra Mary. "The development of cognitive representations of musical pitch". Thesis, University of Cambridge, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.624265.
Pełny tekst źródłaHamaoui, Kamil. "The perceptual grouping of musical sequences : pitch and timing as competing cues /". Diss., Connect to a 24 p. preview or request complete full text in PDF formate. Access restricted to UC IP addresses, 2006. http://wwwlib.umi.com/cr/ucsd/fullcit?p3236630.
Pełny tekst źródłaWeaver, Aurora J. "The Influence of Musical Training and Maturation on Pitch Perception and Memory". Ohio University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1420490879.
Pełny tekst źródłaKsiążki na temat "Musical pitch"
Kopytman, Mark Ruvimovich. Pitch graph. Wyd. 2. Jerusalem, Israel: Jerusalem Academy of Music and Dance, Oscar Brietbart Research Center, 2002.
Znajdź pełny tekst źródłaKrumhansl, Carol L. Cognitive foundations of musical pitch. New York: Oxford University Press, 1990.
Znajdź pełny tekst źródłaLerdahl, Fred. Tonal pitch space. New York: Oxford University Press, 2001.
Znajdź pełny tekst źródłaLerdahl, Fred. Tonal pitch space. Oxford: Oxford University Press, 2005.
Znajdź pełny tekst źródłaSaishō, Hazuki. Zettai onkan =: Absolute pitch. Tōkyō: Shōgakkan, 1998.
Znajdź pełny tekst źródłaLucy, Charles E. H. Pitch, pi and other musical paradoxes: A practical guide to natural microtonality. London: Lucy Scale Developments, 1987.
Znajdź pełny tekst źródłaFricke, Jobst Peter. Intonation und musikalisches Hören. Osnabrück: Electronic Publishing, 2012.
Znajdź pełny tekst źródłaEbeling, Martin. Tonhöhe: Physikalisch, musikalisch, psychologisch, mathematisch. Frankfurt am Main: P. Lang, 1999.
Znajdź pełny tekst źródłaBruce, Haynes. A history of performing pitch: The story of "A". Lanham, MD: Scarecrow Press, 2003.
Znajdź pełny tekst źródłaKınıklı, Nuriye Esra. Analiz yöntemlerine genel bakiş ve analizde SPT yöntemi. Eskişehir: Anadolu Üniversitesi yayınları, 2008.
Znajdź pełny tekst źródłaCzęści książek na temat "Musical pitch"
Hartmann, William M. "Pitch". W Principles of Musical Acoustics, 137–44. New York, NY: Springer New York, 2013. http://dx.doi.org/10.1007/978-1-4614-6786-1_13.
Pełny tekst źródłaMazzola, Guerino, Joomi Park i Florian Thalmann. "The Pitch Aspect". W Musical Creativity, 37–46. Berlin, Heidelberg: Springer Berlin Heidelberg, 2011. http://dx.doi.org/10.1007/978-3-642-24517-6_8.
Pełny tekst źródłaMoravcsik, Michael J. "Pitch and Musical Scales". W Musical Sound, 115–26. Boston, MA: Springer US, 2002. http://dx.doi.org/10.1007/978-1-4615-0577-8_9.
Pełny tekst źródłaBader, Rolf. "Pitch, Melody, Tonality". W Nonlinearities and Synchronization in Musical Acoustics and Music Psychology, 403–37. Berlin, Heidelberg: Springer Berlin Heidelberg, 2013. http://dx.doi.org/10.1007/978-3-642-36098-5_13.
Pełny tekst źródłaRuditsa, Roman. "Relative Musical Pitch in Formal Definition". W Current Research in Systematic Musicology, 3–17. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-85886-5_1.
Pełny tekst źródłaGockel, Hedwig E., i Robert P. Carlyon. "Do Zwicker Tones Evoke a Musical Pitch?" W Advances in Experimental Medicine and Biology, 419–26. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-25474-6_44.
Pełny tekst źródłaJärveläinen, Hanna, Stefano Papetti i Eric Larrieux. "Accuracy of Musical Pitch Control Through Finger Pushing and Pulling". W Haptic and Audio Interaction Design, 125–34. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-15019-7_12.
Pełny tekst źródłaEitan, Zohar. "Cross-modal experience of musical pitch as space and motion". W Body, Sound and Space in Music and Beyond: Multimodal Explorations, 49–68. Abingdon, Oxon; New York, NY: Routledge, 2017. | Series: SEMPRE studies in the psychology of music: Routledge, 2017. http://dx.doi.org/10.4324/9781315569628-4.
Pełny tekst źródłaCarelli, John. "Melody-Based Pitch Correction Model for a Voice-Driven Musical Instrument". W Transactions on Computational Science and Computational Intelligence, 609–27. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-70873-3_43.
Pełny tekst źródłaBorchgrevink, H. M. "Prosody, musical rhythm, tone pitch and response initiation during amytal hemisphere anaesthesia". W Music, Language, Speech and Brain, 327–43. London: Macmillan Education UK, 1991. http://dx.doi.org/10.1007/978-1-349-12670-5_31.
Pełny tekst źródłaStreszczenia konferencji na temat "Musical pitch"
Shono, Takeshi, Takahiro Emoto, Udantha R. Abeyratne, Masatake Akutagawa i Yohsuke Kinouchi. "A Human Absolute Pitch Model for Identifying Musical Pitch". W Biomedical Engineering. Calgary,AB,Canada: ACTAPRESS, 2016. http://dx.doi.org/10.2316/p.2016.832-050.
Pełny tekst źródłaHung, Yun-Ning, I.-Tung Chiang, Yi-An Chen i Yi-Hsuan Yang. "Musical Composition Style Transfer via Disentangled Timbre Representations". W Twenty-Eighth International Joint Conference on Artificial Intelligence {IJCAI-19}. California: International Joint Conferences on Artificial Intelligence Organization, 2019. http://dx.doi.org/10.24963/ijcai.2019/652.
Pełny tekst źródłaJensen, K. "Pitch independent prototyping of musical sounds". W 1999 IEEE Third Workshop on Multimedia Signal Processing (Cat. No.99TH8451). IEEE, 1999. http://dx.doi.org/10.1109/mmsp.1999.793823.
Pełny tekst źródłaBharathi, V., Asaph Abraham A. i R. Ramya. "Vocal pitch detection for musical transcription". W 2011 International Conference on Signal Processing, Communication, Computing and Networking Technologies (ICSCCN 2011). IEEE, 2011. http://dx.doi.org/10.1109/icsccn.2011.6024645.
Pełny tekst źródłaMarques, Lucas. "A chord distance metric based on the Tonal Pitch Space and a key-finding method for chord annotation sequences". W Simpósio Brasileiro de Computação Musical. Sociedade Brasileira de Computação - SBC, 2019. http://dx.doi.org/10.5753/sbcm.2019.10435.
Pełny tekst źródłaLostanlen, Vincent, Sripathi Sridhar, Brian McFee, Andrew Farnsworth i Juan Pablo Bello. "Learning the Helix Topology of Musical Pitch". W ICASSP 2020 - 2020 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP). IEEE, 2020. http://dx.doi.org/10.1109/icassp40776.2020.9053644.
Pełny tekst źródłaBhumichitr, Kiratijuta, Menh Keo i Aung Khant Oo. "Musical Pitch Alphabets Generator Using Haar-like Feature". W 2021 18th International Joint Conference on Computer Science and Software Engineering (JCSSE). IEEE, 2021. http://dx.doi.org/10.1109/jcsse53117.2021.9493818.
Pełny tekst źródłaLu Qin, Qiang Li i Xin Guan. "Pitch extraction for musical signals with modified AMDF". W 2011 International Conference on Multimedia Technology (ICMT). IEEE, 2011. http://dx.doi.org/10.1109/icmt.2011.6001799.
Pełny tekst źródłaNing, Li-Hsin. "Musical Memory and Pitch Discrimination Abilities as Correlates of Vocal Pitch Control for Speakers with Different Tone and Musical Experiences". W 10th International Conference on Speech Prosody 2020. ISCA: ISCA, 2020. http://dx.doi.org/10.21437/speechprosody.2020-125.
Pełny tekst źródłaAtsushi Todo i Hideyuki Sawada. "Estimation of musical pitch by using comb filters for the identification of musical instruments". W SICE Annual Conference 2007. IEEE, 2007. http://dx.doi.org/10.1109/sice.2007.4421064.
Pełny tekst źródłaRaporty organizacyjne na temat "Musical pitch"
Hagel, Stefan. Understanding early auloi: Instruments from Paestum, Pydna and elsewhere. Verlag der Österreichischen Akademie der Wissenschaften, październik 2021. http://dx.doi.org/10.1553/oeai_ambh_3.
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