Gotowa bibliografia na temat „Music technology and recording”
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Artykuły w czasopismach na temat "Music technology and recording"
Guo, Tingjun. "Application of Internet of Things Technology in Vocal Music Teaching Recording Equipment Assisted by Machine Learning". Wireless Communications and Mobile Computing 2022 (25.04.2022): 1–10. http://dx.doi.org/10.1155/2022/2091387.
Pełny tekst źródłaGuo, Tingjun. "Application of Internet of Things Technology in Vocal Music Teaching Recording Equipment Assisted by Machine Learning". Wireless Communications and Mobile Computing 2022 (25.04.2022): 1–10. http://dx.doi.org/10.1155/2022/2091387.
Pełny tekst źródłaChatterjee (Mukherjee), Dr Samarpita. "Music and Audio Recording Technology: An Overview". Journal of Humanities,Music and Dance, nr 24 (28.07.2022): 14–24. http://dx.doi.org/10.55529/jhmd.24.14.24.
Pełny tekst źródłaChatterjee (Mukherjee), Dr Samarpita. "Music and Audio Recording Technology: An Overview". Journal of Humanities,Music and Dance, nr 24 (17.10.2022): 14–24. http://dx.doi.org/10.55529/jhmd24.14.24.
Pełny tekst źródłaIrawan, Ricky. "Aktor Lokal, Industri Rekaman Musik, dan Musik Daerah: Peran dan Kontribusi Hila Hambala pada Gitar dan Gambus Tunggal Lampung Pesisir". Journal of Music Science, Technology, and Industry 5, nr 1 (30.04.2022): 25–47. http://dx.doi.org/10.31091/jomsti.v5i1.1973.
Pełny tekst źródłaManning, Peter. "The Influence of Recording Technologies on the Early Development of Electroacoustic Music". Leonardo Music Journal 13 (grudzień 2003): 5–10. http://dx.doi.org/10.1162/096112104322750719.
Pełny tekst źródłaAndiko, Benny, Benni Andika i Sabri Gusmail. "ANALISIS PROSES PEREKAMAN MUSIK DENGAN METODE DIGITAL DI SANGGAR BUANA BANDA ACEH MASA PANDEMI CIVID-19". Gorga : Jurnal Seni Rupa 11, nr 2 (30.12.2022): 538. http://dx.doi.org/10.24114/gr.v11i2.38737.
Pełny tekst źródłaRykunin, Vladislav Vyacheslavovich. "The first jazz gramophone record: the music of the moment which became timeless". PHILHARMONICA. International Music Journal, nr 1 (styczeń 2021): 14–22. http://dx.doi.org/10.7256/2453-613x.2021.1.35023.
Pełny tekst źródłaWESTERN, TOM. "‘The Age of the Golden Ear’:The Columbia World Libraryand Sounding out Post-war Field Recording". Twentieth-Century Music 11, nr 2 (30.07.2014): 275–300. http://dx.doi.org/10.1017/s1478572214000103.
Pełny tekst źródłaThompson IV, William A., i Jeffrey Albert. "Baghdad Music Journal: A Soldier’s Move toward Technology in Music". Leonardo Music Journal 25 (grudzień 2015): 68–72. http://dx.doi.org/10.1162/lmj_a_00938.
Pełny tekst źródłaRozprawy doktorskie na temat "Music technology and recording"
Miller, Eric R. "The Influence of Recording Technology on Music Performance and Production". Ohio University Honors Tutorial College / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1367581047.
Pełny tekst źródłaSztein, Baremberg Gabriella Ana. "Musical time and recording technology: A perspective from music theory". Thesis, University of Ottawa (Canada), 1994. http://hdl.handle.net/10393/9595.
Pełny tekst źródłaMeynell, Anthony. "How recording studios used technology to invoke the psychedelic experience : the difference in staging techniques in British and American recordings in the late 1960s". Thesis, University of West London, 2017. https://repository.uwl.ac.uk/id/eprint/3837/.
Pełny tekst źródłaLingard, William. "Sounds perfect : the evolution of recording technology and music's social future". Thesis, University of Southampton, 2013. https://eprints.soton.ac.uk/367009/.
Pełny tekst źródłaLubin, Tom. "An historical survey of technology used in the production & presentation of music in the 20th century /". View thesis, 1997. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20030903.112151/index.html.
Pełny tekst źródłaLapp-Szymanski, Jean-Paul. "Technology inna rub-a-dub style : technology and dub in the Jamaican sound system and recording studio". Thesis, McGill University, 2005. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=98547.
Pełny tekst źródłaYee, Silvia. "The absent ear, a phenomenological investigation into the confluence of recording technology and musical listening". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/mq22561.pdf.
Pełny tekst źródłaVan, Dyne Steven R. "Case Studies in Classical Location Recording Using Improvised Techniques". Ohio University Honors Tutorial College / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1429807114.
Pełny tekst źródłaThorley, Mark. "The unexplored impact of emergent technologies on music industry stakeholders : aspirants, producers and consumers". Thesis, Coventry University, 2016. http://curve.coventry.ac.uk/open/items/42e3ee1b-3756-494c-9f5d-adec1b485be2/1.
Pełny tekst źródłaMok, Lucille Yehan. "Glenn Gould, Oscar Peterson, and New World Virtuosities". Thesis, Harvard University, 2014. http://nrs.harvard.edu/urn-3:HUL.InstRepos:13064972.
Pełny tekst źródłaMusic
Książki na temat "Music technology and recording"
Thom, Holmes, red. The Routledge guide to music technology. New York: Routledge, 2006.
Znajdź pełny tekst źródła1943-, Badal James Jessen, red. Recording the classics: Maestros, music, and technology. Kent, Ohio: Kent State University Press, 1996.
Znajdź pełny tekst źródłaMark, Katz. Capturing sound: How technology has changed music. Berkeley: University of California Press, 2010.
Znajdź pełny tekst źródłaJacobs, Gabriel. Music and new technology: The MIDI connection. London: Sigma, 1991.
Znajdź pełny tekst źródłaHilvert, John. Music technology. North Mankato, Minn: Smart Apple Media, 2006.
Znajdź pełny tekst źródłaWilkie, Godric. The studio musician's jargonbuster: A glossary of music technology and recording. London: Musonix, 1993.
Znajdź pełny tekst źródłaWilkie, Godric. The studio musician's jargonbuster: A glossary of music technology and recording. London: Musonix, 1997.
Znajdź pełny tekst źródłaJenny, Bartlett, red. Practical recording techniques. Wyd. 5. Boston: Elsevier/Focal Press, 2008.
Znajdź pełny tekst źródłaJenny, Bartlett, red. Practical recording techniques. Wyd. 2. Boston: Focal Press, 1998.
Znajdź pełny tekst źródłaJenny, Bartlett, red. Practical recording techniques. Wyd. 3. Boston, MA: Focal Press, 2002.
Znajdź pełny tekst źródłaCzęści książek na temat "Music technology and recording"
Snoman, Rick. "Recording Technology". W Dance Music Manual, 305–14. Wyd. 5. London: Focal Press, 2024. http://dx.doi.org/10.4324/9781032646848-28.
Pełny tekst źródłaHuber, David Miles, i Robert E. Runstein. "MIDI and Electronic Music Technology". W Modern Recording Techniques, 281–335. Edition 9. | New York; London : Routledge, 2017.: Routledge, 2017. http://dx.doi.org/10.4324/9781315666952-9.
Pełny tekst źródłaHuber, David Miles, Emiliano Caballero i Robert E. Runstein. "MIDI and Electronic Music Technology". W Modern Recording Techniques, 279–344. Wyd. 10. New York: Focal Press, 2023. http://dx.doi.org/10.4324/9781003260530-9.
Pełny tekst źródłaEargle, John M. "Principles of Sound Recording". W Music, Sound, and Technology, 259–87. Boston, MA: Springer US, 1995. http://dx.doi.org/10.1007/978-1-4757-5936-5_13.
Pełny tekst źródłaEargle, John M. "Principles of Sound Recording". W Music, Sound, and Technology, 233–59. Dordrecht: Springer Netherlands, 1990. http://dx.doi.org/10.1007/978-94-011-7070-3_13.
Pełny tekst źródłaAshbourn, Julian. "High-Resolution Digital Recording and Re-Sampling". W Audio Technology, Music, and Media, 69–72. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-62429-3_16.
Pełny tekst źródłaCanfer, Tim. "Sound manipulation techniques of the recording studio". W Music Technology in Live Performance, 42–85. London: Focal Press, 2023. http://dx.doi.org/10.4324/9781003370406-3.
Pełny tekst źródłaLevi, Erik. "Technology Serves Music: Radio and Recording during the Third Reich". W Music in the Third Reich, 124–46. London: Palgrave Macmillan UK, 1994. http://dx.doi.org/10.1007/978-1-349-24582-6_5.
Pełny tekst źródłaLópez-Serrano, Patricio, Christian Dittmar i Meinard Müller. "Finding Drum Breaks in Digital Music Recordings". W Music Technology with Swing, 111–22. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-030-01692-0_8.
Pełny tekst źródłaAshbourn, Julian. "Why Recordings Sound Worse Now Than They Did in the 1950s and 1960s". W Audio Technology, Music, and Media, 107–9. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-62429-3_23.
Pełny tekst źródłaStreszczenia konferencji na temat "Music technology and recording"
Alekseev, Alexander Petrovich, i Tatyana Vladimirovna Alekseeva. "Video search by image - technology "Video Color"". W 24th Scientific Conference “Scientific Services & Internet – 2022”. Keldysh Institute of Applied Mathematics, 2022. http://dx.doi.org/10.20948/abrau-2022-2.
Pełny tekst źródłaМунтяну, Анжелика Ивановна. "VIRTUAL DUET AS A SPECIAL KIND OF VOCAL DUET IN POP MUSIC". W Socio-economics sciences & humanities: сборник статей международной научной конференции (Екатеринбург, Апрель 2023). Crossref, 2023. http://dx.doi.org/10.37539/230428.2023.36.69.004.
Pełny tekst źródłaMatos, Diognei de, i Erickson R. Nascimento. "Musical Hyperlapse: A Multimodal Approach to Accelerate First-Person Videos". W Anais Estendidos da Conference on Graphics, Patterns and Images. Sociedade Brasileira de Computação - SBC, 2022. http://dx.doi.org/10.5753/sibgrapi.est.2022.23258.
Pełny tekst źródłaTsai, Wei-Ho, Hsin-Min Wang i Dwight Rodgers. "Automatic singer identification of popular music recordings via estimation and modeling of solo vocal signal". W 8th European Conference on Speech Communication and Technology (Eurospeech 2003). ISCA: ISCA, 2003. http://dx.doi.org/10.21437/eurospeech.2003-767.
Pełny tekst źródłaMing, Tu, Xie Xiang i Jiao Yishan. "NMF based speech and music separation in monaural speech recordings with sparseness and temporal continuity constraints". W 3rd International Conference on Multimedia Technology(ICMT-13). Paris, France: Atlantis Press, 2013. http://dx.doi.org/10.2991/icmt-13.2013.67.
Pełny tekst źródłaDeif, Hatem, Derry Fitzgerald, Wenwu Wang i Lu Gan. "Separation of vocals from monaural music recordings using diagonal median filters and practical time-frequency parameters". W 2015 IEEE International Symposium on Signal Processing and Information Technology (ISSPIT). IEEE, 2015. http://dx.doi.org/10.1109/isspit.2015.7394320.
Pełny tekst źródłaROMAN, Diana. "The Actor, Between the Self from Theatre and the Other from Music". W The International Conference of Doctoral Schools “George Enescu” National University of Arts Iaşi, Romania. Artes Publishing House UNAGE Iasi, 2023. http://dx.doi.org/10.35218/icds-2023-0021.
Pełny tekst źródłaBolya, Mátyás. "A digitális gyűjtésrekonstrukció lehetőségei: az Ethiofolk projekt". W Networkshop. HUNGARNET Egyesület, 2023. http://dx.doi.org/10.31915/nws.2023.15.
Pełny tekst źródłaFelician, Rosca, Madalina Dorgo i Cristina Struta. "ROMANIA AND THE ELEARNING MUSICAL EDUCATION SYSTEMS". W eLSE 2017. Carol I National Defence University Publishing House, 2017. http://dx.doi.org/10.12753/2066-026x-17-171.
Pełny tekst źródłaGERZON, MA. "STEREO RECORDING OF LIVE AMPLIFIED MUSIC". W Reproduced Sound 1987. Institute of Acoustics, 2024. http://dx.doi.org/10.25144/22024.
Pełny tekst źródłaRaporty organizacyjne na temat "Music technology and recording"
Heffner, R. H., C. D. Adams i E. L. Brosha. Giant magnetoresistance materials for magnetic recording technology. Office of Scientific and Technical Information (OSTI), grudzień 1997. http://dx.doi.org/10.2172/555556.
Pełny tekst źródłaHughes, K. R., i N. L. Moore. The United States Department of Energy Office of Industrial Technology`s Technology Benefits Recording System. Office of Scientific and Technical Information (OSTI), wrzesień 1994. http://dx.doi.org/10.2172/10190543.
Pełny tekst źródłaOverbay, Larry, i George Robitaille. Standardized UXO Technology Demonstration Site Open Field Scoring Recording Number 231 (Human Factors Applications, Inc.). Fort Belvoir, VA: Defense Technical Information Center, lipiec 2005. http://dx.doi.org/10.21236/ada440249.
Pełny tekst źródłaGupta, Ravi, i Ignacio L. De León. The Impact of Digital Innovation and Blockchain on the Music Industry. Inter-American Development Bank, listopad 2017. http://dx.doi.org/10.18235/0007978.
Pełny tekst źródłaMayas, Magda. Creating with timbre. Norges Musikkhøgskole, sierpień 2018. http://dx.doi.org/10.22501/nmh-ar.686088.
Pełny tekst źródłaBuehler, David, Richard Fischer, John Wilkerson, Stacy Worley, David Smith, Emily Hockman i Stephanie Prevost. Demonstration of autonomous aerial acoustic recording systems to inventory Department of Defense bird populations. Engineer Research and Development Center (U.S.), marzec 2021. http://dx.doi.org/10.21079/11681/39921.
Pełny tekst źródłaNucera, Diana J., i Catalina Vallejo. Media-making Pedagogies for Empowerment & Social Change: An Interview with Diana J. Nucera (AKA Mother Cyborg). Just Tech, Social Science Research Council, luty 2022. http://dx.doi.org/10.35650/jt.3022.d.2022.
Pełny tekst źródłaDi Campli San Vito, Patrizia, Stephen Brewster, Satvik Venkatesh, Eduardo Miranda, Alexis Kirke, David Moffat, Sube Banerjee, Alex Street, Jorg Fachner i Helen Odell-Miller. RadioMe: Supporting Individuals with Dementia in Their Own Home... and Beyond? CHI '22 Workshop - Designing Ecosystems for Complex Health Needs, 2022. http://dx.doi.org/10.36399/gla.pubs.267520.
Pełny tekst źródłaLischer-Katz, Zack, Rashida Braggs i Bryan Carter. Investigating Volumetric Video Creation and Curation for the Digital Humanities: a White Paper Describing Findings from the Project: Preserving BIPOC Expatriates’ Memories During Wartime and Beyond. The University of Arizona Libraries, 2024. http://dx.doi.org/10.2458/10150.674673.
Pełny tekst źródłaKiv, Arnold E., Vladyslav V. Bilous, Dmytro M. Bodnenko, Dmytro V. Horbatovskyi, Oksana S. Lytvyn i Volodymyr V. Proshkin. The development and use of mobile app AR Physics in physics teaching at the university. [б. в.], lipiec 2021. http://dx.doi.org/10.31812/123456789/4629.
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