Gotowa bibliografia na temat „Music techniques”
Utwórz poprawne odniesienie w stylach APA, MLA, Chicago, Harvard i wielu innych
Spis treści
Zobacz listy aktualnych artykułów, książek, rozpraw, streszczeń i innych źródeł naukowych na temat „Music techniques”.
Przycisk „Dodaj do bibliografii” jest dostępny obok każdej pracy w bibliografii. Użyj go – a my automatycznie utworzymy odniesienie bibliograficzne do wybranej pracy w stylu cytowania, którego potrzebujesz: APA, MLA, Harvard, Chicago, Vancouver itp.
Możesz również pobrać pełny tekst publikacji naukowej w formacie „.pdf” i przeczytać adnotację do pracy online, jeśli odpowiednie parametry są dostępne w metadanych.
Artykuły w czasopismach na temat "Music techniques"
Zilmi, Fauziatus, Abdul Rachman i Moh Muttaqin. "Ngeroncongi And Ngepop : A Study Of Popular Song's Vocal Performance In Keroncong Music In Semarang". Jurnal Seni Musik 10, nr 1 (30.06.2021): 17–24. http://dx.doi.org/10.15294/jsm.v10i1.46812.
Pełny tekst źródłaDonsu, Jenita D. T., i Rida Amini. "PERBEDAAN TEKNIK RELAKSASI DAN TERAPI MUSIK TERHADAP KECEMASAN PASIEN OPERASI SECTIO CAESARIA". Jurnal Vokasi Kesehatan 3, nr 2 (31.07.2017): 57. http://dx.doi.org/10.30602/jvk.v3i2.113.
Pełny tekst źródłaWaghmare, Kalyani C., i Balwant A. Sonkamble. "Raga Identification Techniques for Classifying Indian Classical Music: A Survey". International Journal of Signal Processing Systems 5, nr 4 (grudzień 2017): 130–35. http://dx.doi.org/10.18178/ijsps.5.4.130-135.
Pełny tekst źródłaLima, Hugo B., Carlos G. R. Dos Santos i Bianchi S. Meiguins. "A Survey of Music Visualization Techniques". ACM Computing Surveys 54, nr 7 (lipiec 2021): 1–29. http://dx.doi.org/10.1145/3461835.
Pełny tekst źródłaHaq, M. K. N. "Music Genre Classification Using Deep Learning Techniques". International Journal for Research in Applied Science and Engineering Technology 9, nr VI (30.06.2021): 4157–60. http://dx.doi.org/10.22214/ijraset.2021.35965.
Pełny tekst źródłaPrashant Krishnan, V., S. Rajarajeswari, Venkat Krishnamohan, Vivek Chandra Sheel i R. Deepak. "Music Generation Using Deep Learning Techniques". Journal of Computational and Theoretical Nanoscience 17, nr 9 (1.07.2020): 3983–87. http://dx.doi.org/10.1166/jctn.2020.9003.
Pełny tekst źródłaPradana, Ridhlo Gusti, Agus Salim i YC Budi Santoso. "Penerapan Teknik Empat Mallet Pada Lagu Tambourin Paraphrase Untuk Solo Marimba Karya Keiko Abe". PROMUSIKA 6, nr 2 (6.08.2019): 90–101. http://dx.doi.org/10.24821/promusika.v6i2.2477.
Pełny tekst źródłaLebaka, Morakeng Edward Kenneth. "Modes of Teaching and Learning of Indigenous Music Using Methods and Techniques Predicated on Traditional Music Education Practice: The Case of Bapedi Music Tradition". European Journal of Education 2, nr 1 (30.04.2019): 62. http://dx.doi.org/10.26417/ejed-2019.v2i1-55.
Pełny tekst źródłaЛаул, Р. Х. "Music Material Development Techniques (Lectures in «Principles of Music Analysis»)". OPERA MUSICOLOGICA, nr 1 (26.03.2020): 53–69. http://dx.doi.org/10.26156/om.2020.12.1.004.
Pełny tekst źródłaDannenberg, Roger B. "Music Representation Issues, Techniques, and Systems". Computer Music Journal 17, nr 3 (1993): 20. http://dx.doi.org/10.2307/3680940.
Pełny tekst źródłaRozprawy doktorskie na temat "Music techniques"
Higginbotham, Lee Ann M. "Teaching techniques : suggested techniques in teaching music through performance in choir /". View online, 2008. http://repository.eiu.edu/theses/docs/32211131459702.pdf.
Pełny tekst źródłaOrtiÌz, Gabriela. "Compositional techniques in acoustic and electroacoustic music". Thesis, City University London, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.310446.
Pełny tekst źródłaBaumgartner, Richard. "Multipitch Analysis and Tracking for Automatic Music Transcription". ScholarWorks@UNO, 2004. http://scholarworks.uno.edu/td/84.
Pełny tekst źródłaWest, Kristopher C. "Novel techniques for audio music classification and search". Thesis, University of East Anglia, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.492940.
Pełny tekst źródłaEisenbeiser, Logan Ryan. "Latent Walking Techniques for Conditioning GAN-Generated Music". Thesis, Virginia Tech, 2020. http://hdl.handle.net/10919/100052.
Pełny tekst źródłaMaster of Science
Artificial music generation is a rapidly developing field focused on the complex task of creating neural networks that can produce realistic-sounding music. Beyond simply generating music lies the challenge of controlling or conditioning that generation. Conditional generation can be used to specify a tempo for the generated song, increase the density of notes, or even change the genre. Latent walking is one of the most popular techniques in conditional image generation, but its effectiveness on music-domain generation is largely unexplored, especially for generative adversarial networks (GANs). This paper focuses on latent walking techniques for conditioning the music generation network MuseGAN and examines the impact and effectiveness of this conditioning on the generated music.
Nix, Elizabeth Ashley. "Introducing Post-tonal Techniques to the Beginning Musician". Thesis, University of Louisiana at Lafayette, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=1585865.
Pełny tekst źródłaEach chapter of this thesis explores a technique commonly found in post-tonal piano repertoire for students Levels 1-3 (Magrath). Post-tonal techniques evaluated for difficulty are Nonwestern scales, polychords and clusters, polytonality, atonality, serialism, aleatoric music, and experiments in sound. There are some inherent difficulties for beginner pianists in each of these topics that are discussed in detail. The appropriateness of these styles for students is evaluated and elements that are conceptually advanced are altered so that earlier exposure to these techniques is possible. Where there are areas of pedagogical weakness or a lack of material for young pianists, compositions have been supplied in a methodical order, introducing and expanding upon new and creative methods of approaching these techniques.
Conrad, Wendie Joyce. "Music Literacy and Sight-Singing Techniques Used by Elementary and Middle School Music Teachers". Cleveland, Ohio : Cleveland State University, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=csu1198290006.
Pełny tekst źródłaAbstract. Title from PDF t.p. (viewed on May 8, 2008). Includes bibliographical references (p. 75-82). Available online via the OhioLINK ETD Center. Also available in print.
Dargie, David John. "Techniques of Xhosa music: a study based on the music of the Lumko district". Thesis, Rhodes University, 1987. http://hdl.handle.net/10962/d1001975.
Pełny tekst źródłaJenkins, Bonnie L. "Beautiful choral tone quality rehearsal techniques of a director". Diss., Columbia, Mo. : University of Missouri-Columbia, 2005. http://hdl.handle.net/10355/4126.
Pełny tekst źródłaThe entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file viewed on (November 8, 2006) Vita. Includes bibliographical references.
Arblaster, Winston Vaughn 1984. "Music Theory and Arranging Techniques for the Church Musician". Thesis, University of Oregon, 2010. http://hdl.handle.net/1794/10831.
Pełny tekst źródłaThe rising popularity of the use of "contemporary music" for worship in Christian churches has created an ever-growing body of music professionals who, coming largely from a rock-influenced folk idiom, are often untrained in music theory. As the style of music has shifted from the traditional model, stemming from classical genres, to one dominated by popular music, many of these musicians see theory education as impractical or at least unneeded given their particular stylistic approach. In order to address this issue, a method must be developed, departing from standard methods of theory pedagogy to one employing selected concepts and applications pertaining particularly to the context the contemporary worship setting and presenting them in a manner immediately beneficial to these musicians' vocational considerations. This thesis serves as a possible solution by proposing such a method and comparing it to the approaches of three major theory methods on these terms.
Committee in Charge: Dr. Jack Boss; Dr. Timothy Pack; Don Latarski
Książki na temat "Music techniques"
D, Wagoner James, red. Analog electronic music techniques. New York, NY: Schirmer Books, 1985.
Znajdź pełny tekst źródłaTechniques of the contemporary composer. New York: Schirmer Books, 1997.
Znajdź pełny tekst źródłaStrange, Allen. Electronic music: Systems, techniques, and controls. New York: McGraw-Hill, Primis Custom Publishing, 1997.
Znajdź pełny tekst źródłaMusic: Techniques, styles, instruments, and practice. New York: Britannica Educational Publishing, 2016.
Znajdź pełny tekst źródłaBriot, Jean-Pierre, Gaëtan Hadjeres i François-David Pachet. Deep Learning Techniques for Music Generation. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-319-70163-9.
Pełny tekst źródłaIndian music research: Methodology and techniques. Ghaziabad: Naitik Prakashan, 2013.
Znajdź pełny tekst źródłaCope, David H. Techniques of the contemporary composer. New York, NY: Schirmer Books, 1997.
Znajdź pełny tekst źródłaM, Horvit Michael, i Nelson Robert 1941-, red. Techniques and materials of tonal music: With an introduction to twentieth-century techniques. Wyd. 3. Boston: Houghton Mifflin Co., 1986.
Znajdź pełny tekst źródłaThomas, Benjamin. Techniques and materials of tonal music: With an introduction to twentieth-century techniques. Wyd. 4. Belmont, Calif: Wadsworth Pub. Co., 1992.
Znajdź pełny tekst źródłaThomas, Benjamin. Techniques and materials of tonal music: With an introduction to twentieth-century techniques. Wyd. 5. Belmont, CA: Wadsworth Pub. Co., 1998.
Znajdź pełny tekst źródłaCzęści książek na temat "Music techniques"
Weekhout, Hans. "Recording Techniques". W Music Production, 43–51. Third edition. | New York, NY : Routledge, 2019.: Routledge, 2019. http://dx.doi.org/10.4324/9780429459504-7.
Pełny tekst źródłaToft, Robert. "Studio Techniques". W Recording Classical Music, 143–52. New York, NY: Routledge, 2020.: Focal Press, 2019. http://dx.doi.org/10.4324/9781351213783-16.
Pełny tekst źródłaWeekhout, Hans. "Advanced Mixing Techniques | Introduction". W Music Production, 285–87. Third edition. | New York, NY : Routledge, 2019.: Routledge, 2019. http://dx.doi.org/10.4324/9780429459504-28.
Pełny tekst źródłaWeekhout, Hans. "Advanced Mixing Techniques | Drums". W Music Production, 289–304. Third edition. | New York, NY : Routledge, 2019.: Routledge, 2019. http://dx.doi.org/10.4324/9780429459504-29.
Pełny tekst źródłaWeekhout, Hans. "Advanced Mixing Techniques | Bass". W Music Production, 305–8. Third edition. | New York, NY : Routledge, 2019.: Routledge, 2019. http://dx.doi.org/10.4324/9780429459504-30.
Pełny tekst źródłaWeekhout, Hans. "Advanced Mixing Techniques | Guitar". W Music Production, 309–11. Third edition. | New York, NY : Routledge, 2019.: Routledge, 2019. http://dx.doi.org/10.4324/9780429459504-31.
Pełny tekst źródłaWeekhout, Hans. "Advanced Mixing Techniques | Vocals". W Music Production, 313–29. Third edition. | New York, NY : Routledge, 2019.: Routledge, 2019. http://dx.doi.org/10.4324/9780429459504-32.
Pełny tekst źródłaLazzarini, Victor. "Frequency-Domain Techniques". W Computer Music Instruments, 223–71. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-63504-0_7.
Pełny tekst źródłaToft, Robert. "Stereo Microphone Techniques". W Recording Classical Music, 45–58. New York, NY: Routledge, 2020.: Focal Press, 2019. http://dx.doi.org/10.4324/9781351213783-5.
Pełny tekst źródłaHuber, David Miles, i Robert E. Runstein. "The iOS in Music Production". W Modern Recording Techniques, 337–47. Edition 9. | New York; London : Routledge, 2017.: Routledge, 2017. http://dx.doi.org/10.4324/9781315666952-10.
Pełny tekst źródłaStreszczenia konferencji na temat "Music techniques"
Gowrishankar, B. S., i Nagappa U. Bhajantri. "An exhaustive review of automatic music transcription techniques: Survey of music transcription techniques". W 2016 International conference on Signal Processing, Communication, Power and Embedded System (SCOPES). IEEE, 2016. http://dx.doi.org/10.1109/scopes.2016.7955698.
Pełny tekst źródłaKang, Jiyoung, Byung-kyu Jeon, Seon-hwi Kim i Su-yong Park. "Exposition of Music". W SIGGRAPH '21: Special Interest Group on Computer Graphics and Interactive Techniques Conference. New York, NY, USA: ACM, 2021. http://dx.doi.org/10.1145/3450615.3464535.
Pełny tekst źródłaKranzl, Justin. "League of legends music". W SIGGRAPH '15: Special Interest Group on Computer Graphics and Interactive Techniques Conference. New York, NY, USA: ACM, 2015. http://dx.doi.org/10.1145/2745234.2767013.
Pełny tekst źródłaRodholm, Ashley. "YouTube music awards 2015". W SIGGRAPH '15: Special Interest Group on Computer Graphics and Interactive Techniques Conference. New York, NY, USA: ACM, 2015. http://dx.doi.org/10.1145/2745234.2767014.
Pełny tekst źródłaRentería, Sergio Santiago, Jesus Leopoldo Llano i Francisco Javier Cantú-Ortiz. "Data-Driven Techniques for Music Genre Recognition". W 9th International Conference on Advanced Information Technologies and Applications (ICAITA 2020). AIRCC Publishing Corporation, 2020. http://dx.doi.org/10.5121/csit.2020.100905.
Pełny tekst źródłaUitdenbgerd, Alexandra, i Justin Zobel. "Melodic matching techniques for large music databases". W the seventh ACM international conference. New York, New York, USA: ACM Press, 1999. http://dx.doi.org/10.1145/319463.319470.
Pełny tekst źródłaKaratana, Ali, i Oktay Yildiz. "Music genre classification with machine learning techniques". W 2017 25th Signal Processing and Communications Applications Conference (SIU). IEEE, 2017. http://dx.doi.org/10.1109/siu.2017.7960694.
Pełny tekst źródłaZhang, YanXiang, Li Tao, YiRun Shen, Elieisar Clayton i Fangbemi Abassin. "Interactive virtual reality orchestral music". W SIGGRAPH '19: Special Interest Group on Computer Graphics and Interactive Techniques Conference. New York, NY, USA: ACM, 2019. http://dx.doi.org/10.1145/3306214.3338547.
Pełny tekst źródłaCheng, Zhiyong, Jialie Shen, Lei Zhu, Mohan Kankanhalli i Liqiang Nie. "Exploiting Music Play Sequence for Music Recommendation". W Twenty-Sixth International Joint Conference on Artificial Intelligence. California: International Joint Conferences on Artificial Intelligence Organization, 2017. http://dx.doi.org/10.24963/ijcai.2017/511.
Pełny tekst źródłaHeines, Jesse M., Gena R. Greher i S. Alex Ruthmann. "Techniques at the intersection of computing and music". W the 17th ACM annual conference. New York, New York, USA: ACM Press, 2012. http://dx.doi.org/10.1145/2325296.2325387.
Pełny tekst źródłaRaporty organizacyjne na temat "Music techniques"
Yatsymirska, Mariya. SOCIAL EXPRESSION IN MULTIMEDIA TEXTS. Ivan Franko National University of Lviv, luty 2021. http://dx.doi.org/10.30970/vjo.2021.49.11072.
Pełny tekst źródła